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The Top 101 Inspirational Movies –
The Top 101 Inspirational Movies – http://www.SelfGrowth.com The Top 101 Inspirational Movies Ever Made – by David Riklan Published by Self Improvement Online, Inc. http://www.SelfGrowth.com 20 Arie Drive, Marlboro, NJ 07746 ©Copyright by David Riklan Manufactured in the United States No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without the prior written permission of the Publisher. Limit of Liability / Disclaimer of Warranty: While the authors have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents and specifically disclaim any implied warranties. The advice and strategies contained herein may not be suitable for your situation. You should consult with a professional where appropriate. The author shall not be liable for any loss of profit or any other commercial damages, including but not limited to special, incidental, consequential, or other damages. The Top 101 Inspirational Movies – http://www.SelfGrowth.com The Top 101 Inspirational Movies Ever Made – by David Riklan TABLE OF CONTENTS Introduction 6 Spiritual Cinema 8 About SelfGrowth.com 10 Newer Inspirational Movies 11 Ranking Movie Title # 1 It’s a Wonderful Life 13 # 2 Forrest Gump 16 # 3 Field of Dreams 19 # 4 Rudy 22 # 5 Rocky 24 # 6 Chariots of -
China's Nationalism and Its Quest for Soft Power Through Cinema
Doctoral Thesis for PhD in International Studies China’s Nationalism and Its Quest for Soft Power through Cinema Frances (Xiao-Feng) Guo University of Technology, Sydney 2013 Acknowledgement To begin, I wish to express my great appreciation to my PhD supervisor Associate Professor Yingjie Guo. Yingjie has been instrumental in helping me shape the theoretical framework, sharpen the focus, and improve the structure and the flow of the thesis. He has spent a considerable amount of time reading many drafts and providing insightful comments. I wish to thank him for his confidence in this project, and for his invaluable support, guidance, and patience throughout my PhD program. I also wish to thank Professor Wanning Sun and Professor Louise Edwards for their valued support and advice. I am grateful for the Australian Postgraduate Award that I received via UTS over the three-and-half years during my candidature. The scholarship has afforded me the opportunity to take the time to fully concentrate on my PhD study. I am indebted to Yingjie Guo and Louise Edwards for their help with my scholarship application. I should also thank UTS China Research Centre, the Research Office of the Faculty of Arts and Social Sciences at UTS, and UTS Graduate Research School for their financial support for my fieldwork in China and the opportunities to present papers at national and international conferences during my doctoral candidature. Finally, my gratitude goes to my family, in particular my parents. Their unconditional love and their respect for education have inspired me to embark on this challenging and fulfilling journey. -
MADE in HOLLYWOOD, CENSORED by BEIJING the U.S
MADE IN HOLLYWOOD, CENSORED BY BEIJING The U.S. Film Industry and Chinese Government Influence Made in Hollywood, Censored by Beijing: The U.S. Film Industry and Chinese Government Influence 1 MADE IN HOLLYWOOD, CENSORED BY BEIJING The U.S. Film Industry and Chinese Government Influence TABLE OF CONTENTS EXECUTIVE SUMMARY I. INTRODUCTION 1 REPORT METHODOLOGY 5 PART I: HOW (AND WHY) BEIJING IS 6 ABLE TO INFLUENCE HOLLYWOOD PART II: THE WAY THIS INFLUENCE PLAYS OUT 20 PART III: ENTERING THE CHINESE MARKET 33 PART IV: LOOKING TOWARD SOLUTIONS 43 RECOMMENDATIONS 47 ACKNOWLEDGEMENTS 53 ENDNOTES 54 Made in Hollywood, Censored by Beijing: The U.S. Film Industry and Chinese Government Influence MADE IN HOLLYWOOD, CENSORED BY BEIJING EXECUTIVE SUMMARY ade in Hollywood, Censored by Beijing system is inconsistent with international norms of Mdescribes the ways in which the Chinese artistic freedom. government and its ruling Chinese Communist There are countless stories to be told about China, Party successfully influence Hollywood films, and those that are non-controversial from Beijing’s warns how this type of influence has increasingly perspective are no less valid. But there are also become normalized in Hollywood, and explains stories to be told about the ongoing crimes against the implications of this influence on freedom of humanity in Xinjiang, the ongoing struggle of Tibetans expression and on the types of stories that global to maintain their language and culture in the face of audiences are exposed to on the big screen. both societal changes and government policy, the Hollywood is one of the world’s most significant prodemocracy movement in Hong Kong, and honest, storytelling centers, a cinematic powerhouse whose everyday stories about how government policies movies are watched by millions across the globe. -
The Son of No One
ANCHOR BAY FILMS AND MILLENNIUM FILMS PRESENTS A NU IMAGE PRODUCTION A FILM BY DITO MONTEL The Son of No One STARRING: CHANNING TATUM TRACY MORGAN KATIE HOLMES RAY LIOTTA WITH JULIETTE BINOCHE AND AL PACINO PRESS NOTES Running time is 93 minutes. Rated R for violence, pervasive language and brief disturbing sexual content. Press Contacts: LOS ANGELES FIELD ONLINE NEW YORK Chris Libby /Chris Regan Sumyi Khong Patrick Craig Annie McDonough 6255 Sunset Blvd., Ste. 917 9242 Beverly Blvd., Ste. 201 11 West 19th Street 850 Seventh Ave., Ste. 1005 Los Angeles, CA 90028 Beverly Hills, CA 90210 New York, NY 10011 New York, NY 10019 P: 323.645.6800 P: 424.204.4164 P: 212.386.7685 P: 212-445-7100 [email protected] [email protected] [email protected] [email protected] [email protected] The Son of No One Synopsis In this searing police thriller, Jonathan (Channing Tatum) is a second-generation cop who gets in over his head when he’s assigned to re-open a double homicide cold case in his Queens neighborhood. An anonymous source feeding new information on the long-unsolved murders to a local reporter (Juliette Binoche) leads to evidence suggesting a possible cover-up by the former lead detective (Al Pacino), who was on the investigation. As Jonathan digs deeper into the assignment, a dark secret about the case emerges, which threatens to destroy his life and his family. Written and directed by Dito Montiel, The Son of No One also stars Tracy Morgan, Katie Holmes, Ray Liotta and Jake Cherry. -
Using Films to Teach Comparative Law Joseph W
International Journal of Legal Information the Official Journal of the International Association of Law Libraries Volume 36 Article 10 Issue 1 Spring 2008 4-1-2008 Peasants, Tanners, and Psychiatrists: Using Films to Teach Comparative Law Joseph W. Dellapenna Villanova University School of Law Follow this and additional works at: http://scholarship.law.cornell.edu/ijli The International Journal of Legal Information is produced by The nI ternational Association of Law Libraries. Recommended Citation Dellapenna, Joseph W. (2008) "Peasants, Tanners, and Psychiatrists: Using Films to Teach Comparative Law," International Journal of Legal Information: Vol. 36: Iss. 1, Article 10. Available at: http://scholarship.law.cornell.edu/ijli/vol36/iss1/10 This Article is brought to you for free and open access by the Journals at Scholarship@Cornell Law: A Digital Repository. It has been accepted for inclusion in International Journal of Legal Information by an authorized administrator of Scholarship@Cornell Law: A Digital Repository. For more information, please contact [email protected]. Peasants, Tanners, and Psychiatrists: Using Films to Teach Comparative Law JOSEPH W. DELLAPENNA* Table of Contents I. Introduction II. Selecting the Films III. The Films A. The Return of Martin Guerre B. Dingaka C. The Story of Qiu Ju D. A Question of Silence E. The Conviction F. The Red Corner I. Introduction The last four decades have seen the emergence of the “law and literature” movement.1 Although numerous stories in the common law world turn on the trial of cases,2 many studies in the law and literature vein use * Professor of Law, Villanova University School of Law, Villanova, Pennsylvania. -
F9 Production Information 1
1 F9 PRODUCTION INFORMATION UNIVERSAL PICTURES PRESENTS AN ORIGINAL FILM/ONE RACE FILMS/PERFECT STORM PRODUCTION IN ASSOCIATION WITH ROTH/KIRSCHENBAUM FILMS A JUSTIN LIN FILM VIN DIESEL MICHELLE RODRIGUEZ TYRESE GIBSON CHRIS ‘LUDACRIS’ BRIDGES JOHN CENA NATHALIE EMMANUEL JORDANA BREWSTER SUNG KANG WITH HELEN MIRREN WITH KURT RUSSELL AND CHARLIZE THERON BASED ON CHARACTERS CREATED BY GARY SCOTT THOMPSON PRODUCED BY NEAL H. MORITZ, p.g.a. VIN DIESEL, p.g.a. JUSTIN LIN, p.g.a. JEFFREY KIRSCHENBAUM, p.g.a. JOE ROTH CLAYTON TOWNSEND, p.g.a. SAMANTHA VINCENT STORY BY JUSTIN LIN & ALFREDO BOTELLO AND DANIEL CASEY SCREENPLAY BY DANIEL CASEY & JUSTIN LIN DIRECTED BY JUSTIN LIN 2 F9 PRODUCTION INFORMATION PRODUCTION INFORMATION TABLE OF CONTENTS THE SYNOPSIS ................................................................................................... 3 THE BACKSTORY .............................................................................................. 4 THE CHARACTERS ............................................................................................ 7 Dom Toretto – Vin Diesel ............................................................................................................. 8 Letty – Michelle Rodriguez ........................................................................................................... 8 Roman – Tyrese Gibson ............................................................................................................. 10 Tej – Chris “Ludacris” Bridges ................................................................................................... -
Denis LENOIR, AFC, ASC, ASK Cinematographer Filmography
Denis LENOIR, AFC, ASC, ASK Cinematographer Agent : Véronique Lhebrard [email protected] +33 1 42 50 21 65 http://www.agenceapicorp.com Filmography Features Films: Bergman Island Directed by Mia Hansen Løve Wasp Network Directed by Olivier Assayas Pénélope Cruz CG Cinema Ana De Armas Edgar Ramirez Gael Garcia Bernal The Tale Directed by Jennifer Fox Gamchanger Films /Official Selection, Sundance Film Festival - 2018 Three Christs Directed by Jon Avnet Richard Gere Brooklyn Films /Official Selection, Gala Presentations, Toronto International Film Festival - 2017 Things To Come Directed by Mia Hansen Løve Isabelle Huppert IFC/ Sundance Selects /Winner, Silver Bear, Best Director, Berlin Film Festival - 2016 /Official Selection, Toronto Film Festival - 2016 Eden Directed by Mia Hansen Løve CG Cinema /Official Selection, Toronto Film Festival - 2014 /Official Selection, Sundance Film Festival -2015 Still Alice Directed by Richard Glatzer & Julianne Moore Wash Westmoreland Sony Pictures Classics /Official Selection, Toronto Film Festival - 2014 /Winner, Best Actress, Academy Awards - 2015 Before The Winter Chilll Directed by Philippe Claudel Kristin Scott Thomas UGC Daniel Auteuil So Undercover Directed by Tom Vaughan Miley Cyrus The Weinstein Compagny Carlos Directed by Olivier Assayas Films En Stick/ IFC /Official Selection, Cannes Film Festival - 2010 /Winner, Best Motion Picture Made for Television, Golden Globes - 2011 The Sleeping Beauty Directed by Catherine Breillat Arte /Official Selection, Venice Film Festival - 2010 The -
Alcon Entertainment Prescribing “Chicken Soup for the Soul”
THE ANGELLOTTI COMPANY NEWS 12423 Ventura Court . Studio City, CA 91604 . 818/506-7887 . FAX 818/506-8822 Press Contact: Christine Foy 818/506-7887 Rusty Shelton Shelton Interactive 512/206-0229 [email protected] ALCON ENTERTAINMENT PRESCRIBING “CHICKEN SOUP FOR THE SOUL” Warner Bros. based Alcon Entertainment Developing The Iconic Brand, Chicken Soup for the Soul, as a Major Theatrical Feature With The Kerner Entertainment Company LOS ANGELES, CA., AUGUST 8, 2013—Alcon Entertainment (“The Blind Side,” “Dolphin Tale,” “P.S. I Love You”) has acquired film and television rights to the famed Chicken Soup for the Soul brand from Chicken Soup for the Soul Publishing, LLC, as was announced by Alcon co- founders and co-CEOs Broderick Johnson and Andrew Kosove. Alcon is set to finance and produce a major feature film that shares the brand’s name, “Chicken Soup for the Soul.” The film will be produced by The Kerner Entertainment Company and its principal Jordan Kerner (“The Smurfs 1&2”, “Charlotte’s Web,” “George of the Jungle,” “Fried Green Tomatoes,” and many others) along with Johnson and Kosove. Writer Brandon Camp (“Love Happens”) will write the screenplay, which is inspired by a variety of characters and stories from the “Chicken Soup for the Soul” series. Warner Bros will release via Alcon’s output deal. The film will be Executive Produced by Ben Haber (“The Smurfs,” “Across the Universe”), Bill Rouhana and Tim Rouhana (“The Path of Most Resistance”) with Kate Moulene set as co- producer. Stated Kosove and Johnson: “We’re thrilled to partner with ‘Chicken Soup for the Soul,’ the world renowned brand that has become synonymous with inspiration and life improvement and has touched hundreds of millions of readers through the power of storytelling. -
Download 88 Minutes Movie
Download 88 minutes movie click here to download Digital Download or DVD As the minutes tick away, tension mounts, suspicions rise and bloody flows. convict awaiting execution and a copycat killer on the loose as suspects, Jack Gramm has 88 minutes to solve the biggest murder of his career his own! The Curse Of LA LLORONA. In cinemas April · Movie. Al Pacino at an event for 88 Minutes () 88 Minutes () Al Pacino in 88 .. This movie was so awful that I watched up to halfway through waiting for it to. Download 88 Minutes p Movie Download, Direct download p p high quality movies just in single click from HDPopcorns. Tick tock: it's 88 minutes away. The film then serves up more red herrings than a Stalingrad fish fry, as possible culprits pop up every five minutes or so (among. A college professor (Al Pacino), who moonlights as a forensic psychiatrist for the FBI, receives a death threat that says he has only 88 minutes to live. To save his. 88 Minutes () torhd torrent movie download and 88 Minutes yts english subtitles synopsis: In Seattle, the successful forensic psychiatrist and college. Watch trailers, read customer and critic reviews, and buy 88 Minutes directed by Jon Avnet for $ Critics Consensus: 88 Minutes is a shockingly inept psychological thriller that expertly squanders the talent at hand Artists in This Movie. in a race against time when he receives a mysterious phone call telling him he has exactly 88 minutes left to live. Available to download. This movie is. 88 Minutes Movie Review. -
Looper and the Rise of China In
“I’M FROM THE FUTURE. YOU SHOULD GO TO CHINA.” LOOPER AND THE RISE OF CHINA IN AMERICAN SCIENCE-FICTION CINEMA Thesis Submitted to The College of Arts and Sciences of the UNIVERSITY OF DAYTON In Partial Fulfillment of the Requirements for The Degree of Master of Arts in Communication By Robert Gordon Joseph UNIVERSITY OF DAYTON Dayton, Ohio May, 2014 “I’M FROM THE FUTURE. YOU SHOULD GO TO CHINA.” LOOPER AND THE RISE OF CHINA IN AMERICAN SCIENCE-FICTION CINEMA Name: Joseph, Robert Gordon APPROVED BY: ___________________________________ Joseph Valenzano III, Ph.D. Committee Chair Assistant Professor ___________________________________ Jeffrey Griffin, Ph.D. Committee Member Associate Professor ___________________________________ Andrew Slade, Ph.D. Committee Member Associate Professor ii ABSTRACT “I’M FROM THE FUTURE. YOU SHOULD GO TO CHINA.” LOOPER AND THE RISE OF CHINA IN AMERICAN SCIENCE-FICTION CINEMA Name: Joseph, Robert Gordon University of Dayton Advisor: Dr. Joseph Valenzano III The past decade has seen a large number of film co-productions between Hollywood studios and Chinese production companies. These co-productions reflect the continued rise of the Chinese box office, and a desire by Hollywood to cash in on the emerging market. Among these co-productions is Looper, a cinematic collaboration between Tri-Star Pictures and DMG Entertainment. Along with its co-production status, Looper is significant in its unique portrayal of a future featuring a dystopic United States and a prosperous China. Viewing the film as a “representative anecdote,” this thesis argues that Looper represents United States cultural apprehensions towards China. By the circumstances of the film’s production and its on-screen portrayal of the future, the film reflects the distinct American fear in which China is the dominant world economic power. -
Tibet in Debate: Narrative Construction and Misrepresentations in Seven Years in Tibet and Red River Valley
Journal of Global Cultural Studies 5 | 2009 : Varia (Re)Inventing "Realities" in China Tibet in Debate: Narrative Construction and Misrepresentations in Seven Years in Tibet and Red River Valley VANESSA FRANGVILLE Résumés Cet article propose une analyse comparative de la construction des discours sur le Tibet et les Tibétains en « Occident » et en Chine. Il suggère que les films de propagande chinois comme les films hollywoodiens pro-tibétains mettent en place des perceptions orientalistes et essentialistes d’un Tibet imaginé et idéalisé, omettant ainsi la situation sociale, politique, économique ou même écologique telle qu’elle est vécue par les Tibétains en Chine. Les représentations cinématographiques participant grandement à la formation des imaginaires modernes, cette analyse illustre ainsi le fait que la question du Tibet n’est pas un vrai débat mais bien plus un champ de bataille politique qui mène à une impasse internationale et locale. 1 This essay proposes a comparative perspective of the construction of narratives of Tibet and Tibetans in the ‘West’ and in China through cinema. It suggests that Chinese propagandist films and Hollywood pro-Tibetans films both promote similar orientalist and essentialising perceptions of an imagined and idealised Tibet, concealing social, political, economic and even ecological situation experienced by Tibetans in China. Considering that cinematic representations are dramatically influential in shaping imaginaries, this analysis thus illustrates that the Tibet issue is not a real political debate but more a battlefield that leads to an international and local impasse. Texte intégral 1 Throughout the last thirty years, the ‘Tibet issue’ has become a significant topic on the international agenda, and a critical factor for conducting US-China relationship, as some legal measures may have suggested. -
The Case of Tibet 35
The Advantages and Perils of Globalization: The Case of Tibet 35 A. TOM GRUNFELD The Advantages and Perils of Globalization: The Case of Tibet INTRODUCTION A 2001 study conducted by Leiden University and the Washington DC-based Institute for International Mediation and Confl ict Resolution identifi ed 126 high- intensity confl icts (defi ned as large-scale armed confl icts causing more than 1000 deaths) from mid-1999 to mid-2000, 78 low intensity confl icts (100–1000 deaths) and 178 violent political confl icts (less than 100 deaths) (Bob 2002). Yet, ex- cept for – at best – a fl eeting newspaper account, only a handful ever caught the world’s attention. Historically an astonishing small number of insurgencies gained much noto- riety and, even less, ultimately succeeded. Most were largely forgotten by all but the most diligent scholars and, of course, the participants and victims. This lack of attention raises two interesting questions: why do some groups manage to gain international sympathy, publicity, access to opinion makers and politicians, and funding when so many others remain relatively obscure regard- less of the righteousness of their causes and does international recognition help these groups achieve their goals? Why was the struggle for East Timorese independence, to take but one obvi- ous example, so well known and documented when similar undertakings in other parts of Indonesia (Aceh, the Moluccas and Irian Jaya come quickly to mind) re- main largely invisible to the world community? Who succeeds in this “[…] harsh, Darwinian marketplace where legions of desperate groups vie for scare attention, sympathy and money?” (Bob 2001:321) Undoubtedly, the single most important element in the globalization of con- fl icts has been technology.