Model Diversity in Fashion Advertising: the Influence of Self-Model Congruity on Body Appreciation

Total Page:16

File Type:pdf, Size:1020Kb

Model Diversity in Fashion Advertising: the Influence of Self-Model Congruity on Body Appreciation Model Diversity in Fashion Advertising: The Influence of Self-Model Congruity on Body Appreciation A THESIS SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY BREANA JONES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE Dr. Elizabeth Bye, Adviser May 2017 © Breana Jones 2017 Acknowledgements Special thanks to my adviser, Dr. Elizabeth Bye, for all of your help and guidance. Thanks to Dr. Kim Johnson, for believing in me and for encouraging me to pursue this topic. Thanks to each of my committee members for your insightful feedback. Thanks so much to Goldstein Museum of Design for funding my research trip to San Antonio, TX. Thanks to Mimi Quintinilla for your assistance in finding participants in San Antonio, TX. A heartwarming thanks to my loving fiancé, Mr. Jelks, for your many encouraging words and your comforting prayers during this journey. Last but not certainly not least, a very big thank you to my amazing parents, Dr. and Mrs. Jones, for believing in me when I was admitted into college at age 14 and for funding my entire A.S. Degree because I was too young to qualify for scholarships. Thanks for always being by my side and for continuously lifting me up in prayer. Because of your love and unwavering support, I will have my M.S. Degree at age 21. I couldn’t have done this without each of you! i Dedication To every woman who just wants to feel beautiful, Always remember that you don’t need society’s validation to be fabulous! Be FIERCE, Be FUN, & Be YOU! Demand to be treated like the Queen you are, & Never, ever let your crown fall! Cheers to redefining beautiful! ii Abstract A majority of the women in the U.S. do not match the conventional standard of beauty. Consequently, they feel underrepresented in fashion advertisements and mass media imagery (“#Plus is Equal”, 2015). Using an advocacy/transformative philosophical assumption, the purpose of this exploratory qualitative study is to understand the impact of the lack of model diversity in fashion advertisements and media images on viewers’ self-perceptions. Ultimately, this study should aid in the process of revolutionizing society’s current definition of beauty by highlighting the importance and positive outcomes of featuring diverse models in advertisements and mass media imagery. This research introduces a new approach by examining the applicability of minority stress theory (Meyer, 2003) to understand the influence of media images on female consumers. The snowball, convenience sample included fifteen women from Chicago, IL, San Antonio, TX, and Minneapolis - Saint Paul, MN; with five women from each geographical location. This sample of Black, Latina, and White women represent ages from 18 - 71. This study was designed using the stimulus-organism-response framework (Mehrabian and Russell, 1974) and supported by self-congruity theory (Sirgy, 1985) and minority stress theory (Meyer, 2003). The negative effects of the lack of model diversity and the areas in which the interviewees would like to see increased diversity emerged during data analysis. iii Table of Contents List of Tables ...................................................................................................................... v List of Figures .................................................................................................................... vi Chapter 1 - Introduction ...................................................................................................... 1 Significance of Proposed Research ................................................................................. 5 Role of the Researcher .................................................................................................... 7 Chapter 2 - Review of Related Literature ........................................................................... 8 Theoretical Framework ................................................................................................... 8 2.1 The Positive Influence of Self-Model Body Congruity on Body Appreciation ..... 10 2.2 Media’s Negative Effects on Self-Perceptions ....................................................... 15 Research Question ........................................................................................................ 21 Conceptual Model ......................................................................................................... 21 Chapter 3 - Method ........................................................................................................... 22 Pilot Study ..................................................................................................................... 22 Sample Selection ........................................................................................................... 24 Data Collection ............................................................................................................. 25 Procedure ...................................................................................................................... 28 Interview Questions ...................................................................................................... 29 Data Analysis ................................................................................................................ 30 The Data Analysis Process............................................................................................ 31 Chapter 4 - Findings & Interpretation ............................................................................... 32 4.1 Stimuli Reactions .................................................................................................... 35 Figure 8: ........................................................................................................................ 35 Figure 9: ........................................................................................................................ 36 Figure 10: ...................................................................................................................... 37 Figure 11: ...................................................................................................................... 39 Figure 12: ...................................................................................................................... 40 Figure 13: ...................................................................................................................... 42 Figure 14: ...................................................................................................................... 44 Figure 15: ...................................................................................................................... 46 4.2 The Influence of Current Model Representation on Viewers’ Self-Perceptions .... 49 4.3 Desired Diversity and its Influence on Viewers’ Self-Perceptions ........................ 59 Chapter 5 – Discussion & Conclusion .............................................................................. 72 Managerial Implications ............................................................................................... 75 Limitations .................................................................................................................... 77 Further Research Recommendations ............................................................................ 77 Bibliography ..................................................................................................................... 80 Appendix ........................................................................................................................... 87 Interview Questions without stimuli– Part 2 of the Interview ...................................... 87 iv List of Tables Table 1. Definition of Key Constructs ................................................................................ 6 Table 2. Stimuli Criterion ................................................................................................. 26 Table 3. Participant Profiles .............................................................................................. 33 Table 4. Desired Diversity ................................................................................................ 66 Table 5. Findings .............................................................................................................. 69 v List of Figures Figure 1. The Derivative of Body Congruity & its Relationship with Body Appreciation ........................................................................................................................................... 10 Figure 2. Dove's Real Beauty Campaign .......................................................................... 11 Figure 3. Lane Bryant’s #I’m No Angel ........................................................................... 13 Figure 4. One of Many Plus is Equal Ads ........................................................................ 14 Figure 5. Lane Bryant's Plus is Equal Logo ...................................................................... 15 Figure 6. Conceptual Model ............................................................................................. 21 Figure 7. Data Analysis Illustration .................................................................................. 31 Figure 8. Ideal – White & Thin Photo: Sunglass Hut ................................................. 35 Figure 9. Racial Diversity - within one image
Recommended publications
  • THE VENTING GENRE AS SUPPORT and SUBVERSION on REDDIT's R
    OF PUMPKIN SPICE LATTES, HAMPLANETS, AND FATSPEAK: THE VENTING GENRE AS SUPPORT AND SUBVERSION ON REDDIT’S r/FATPEOPLESTORIES by Julia A. Signorelli A thesis submitted to the faculty of The University of North Carolina at Charlotte in partial fulfillment of the requirements for the degree of Master of Arts in English Charlotte 2017 Approved by: _______________________ Dr. Pilar Garcés-Conejos Blitvich _______________________ Dr. Boyd Davis _______________________ Dr. Elizabeth Miller ii ©2017 Julia A. Signorelli ALL RIGHTS RESERVED iii ABSTRACT JULIA A. SIGNORELLI. Of Pumpkin Spice Lattes, Hamplanets, and Fatspeak: The venting genre as support and subversion on Reddit’s r/FatPeopleStories. (Under the direction of DR. PILAR GARCÉS CONEJOS-BLITVICH) Ten posts from the Reddit community Fat People Stories (/r/fatpeoplestories) and their corresponding comment sections comprise an analytical corpus of 45,867 words. Using both Askehave and Nielsen’s (2005) two-dimensional model for genre analysis and Bax’s (2011) heuristic for discourse analysis, the corpus is examined through these lenses to determine the various move structures and rhetorical strategies that constitute the genre of venting and, more specifically, the communicative purpose of this genre in the Fat People Stories Community. This study is then able to forward a definition of venting as its own genre distinct from its frequent conflation with ranting in the existing literature to date. Additionaly, as health and body image remains a contentious and controversial topic, the functions of venting within the Fat People Stories community has implications for discourse surrounding the obesity epidemic and public health as a whole. iv ACKNOWLEDGMENTS Foremost, I am ever grateful for my director, Dr.
    [Show full text]
  • Body Beautiful: Diversity on the Catwalk Teacher and Adult Helper Notes
    Body Beautiful: Diversity on the Catwalk Teacher and adult helper notes Contents Page 1 Visiting the exhibition 1 2 Exhibition content 2 3 Curriculum links 9 4 Suggested activities within the exhibition 9 5 Activities and resources to use in class 11 6 Questions or feedback? 11 1 Visiting the Exhibition Important information • Food and drink are not permitted. • There are three items you cannot take photographs of within the exhibition. These are clearly signposted. • The exhibition contains nudity. • You will enter and exit via the same door. Please be aware of other visitors who may be entering/exiting the gallery. • Timeslots for visiting the exhibition are 30 minutes, unless otherwise stated on your booking. Please adhere to your time slot. • Parts of the exhibition are quite dimly lit. Please remind your pupils to take their time when moving around the space. • The exhibition has a background music, sound, flashing lights, and moving images throughout. 1 2 Exhibition content The exhibition begins with a display outside the gallery space, followed by an introduction. It is then split into 5 sections: • Disability • Race • LGBTQIA+ • Size • Age Below, we have outlined the key messages and designers from each of these sections. Outside the exhibition We are showing four works from Edinburgh College of Art students. The Edinburgh College of Art Diversity Network was formed in collaboration with All Walks Beyond the Catwalk, an initiative challenging the fashion industry’s dependence on unhealthy body ideals. It strives to teach students – as future stakeholders of the fashion industry – the importance of celebrating diversity within their approach to design and image-making.
    [Show full text]
  • Undergraduate Journal of Contemporary Issues and Media
    The Undergraduate Journal of Contemporary Issues Media Volume 3 Winter 2021 The Undergraduate Journal of Contemporary Issues & Media volume 3 issue 1 Jan. 2021 Maureen Mathison, Editor David Hawkins-Jacinto, Design Editor Editorial Assistants Tyler Mitchell Stephanie Weidauer *funded by the MUSE Program Content Assistants Katherine Allred Joanne Castillo Heather David Lisa Donaldson Elizabeth Ferguson Tyler Mitchell Ta’Nisha Poulsen Stephanie Weidnauer Angela Woolf Design Assistants Hannah Belcher Sarah Mismash Michael Cunningham Keary Muir Carmina Gray Derek Sherman-Bartholomew Anna Henderson Aspen Stuart Adam Hutt Griffin Tatman Table of Contents The Confines of Labels in the Art World 4 Alena DeVaughn / Stanford University Just Like Your Father (poem) 14 Lizzy Santana, Southwestern College Queer is Queer (zine) 20 Katherine Taylor Allred, University of Utah No One Needs to Know My War Stories 38 Jared Nistler, University of Utah Identity Struggles Growing Up Indian American: An Analysis 43 of Immigrant Personal Narratives Sahithi Pingali, Stanford University In the Eye of the Beholder: Perspectives on the American Thin Ideal 52 Lauren Ramlan / Stanford University The Golden Hour (poem) 62 Gentry Hale, University of Utah 1 UJCIM The Rebellion of Black Olympia: Exploring the Relationship 63 between Black Women, Sexuality, and Controlling Images Samantha Thompson, Stanford University 2 UJCIM Letter from the Editor This issue is a continuation of our last one, with issues of identity front and center. We received so many quality submissions that we decided to extend our coverage of them. The pieces included in this volume repre- sent the stories of people who allow us into their lives for brief moments to share the obstacles and roadblocks they have encountered and point towards pushing through them.
    [Show full text]
  • Body Curves and Story Arcs
    Body Curves and Story Arcs: Weight Loss in Contemporary Television Narratives ! ! ! Thesis submitted to Jawaharlal Nehru University and Università degli Studi di Bergamo, as part of Erasmus Mundus Joint Doctorate Program “Cultural Studies in Literary Interzones,” in partial fulfilment of the requirements for the degree of ! Doctor of Philosophy ! ! by ! ! Margaret Hass ! ! ! Centre for English Studies School of Language, Literature and Culture Studies Jawaharlal Nehru University New Delhi - 110067, India 2016 ! Table of Contents !Acknowledgements !Foreword iii Introduction: Body Curves and Story Arcs Between Fat Shame and Fat Studies 1 Liquid Modernity, Consumer Culture, and Weight Loss 5 Temporality and Makeover Culture in Liquid Modernity 10 The Teleology of Weight Loss, or What Jones and Bauman Miss 13 Fat Studies and the Transformation of Discourse 17 Alternative Paradigms 23 Lessons from Feminism: Pleasure and Danger in Viewing Fat 26 Mediatization and Medicalization 29 Fictional Roles, Real Bodies 33 Weight and Television Narratology 36 Addressing Media Texts 39 Selection of Corpus 43 ! Description of Chapters 45 Part One: Reality! TV Change in “Real” Time: The Teleologies and Temporalities of the Weight Loss Makeover 48 I. Theorizing the Weight Loss Makeover: Means and Ends Paradoxes 52 Labor Revealed: Exercise and Affect 57 ! Health and the Tyranny of Numbers 65 II. The Temporality of Transformation 74 Before/After and During 81 Temporality and Mortality 89 Weight Loss and Becoming an Adult 96 I Used to Be Fat 97 ! Jung und Dick! Eine Generation im Kampf gegen Kilos 102 III. Competition and Bodily Meritocracy 111 The Biggest Loser: Competition, Social Difference, and Redemption 111 Redemption and Difference 117 Gender and Competition 120 Beyond the Telos: Rachel 129 Another Aesthetics of Competition: Dance Your Ass Off 133 ! IV.
    [Show full text]
  • Men's Body Dissatisfaction: a Critical Analysis of Neoliberal and Representational Approaches Glen Jankowski
    MEN’S BODY DISSATISFACTION: A CRITICAL ANALYSIS OF NEOLIBERAL AND REPRESENTATIONAL APPROACHES GLEN JANKOWSKI A thesis submitted in partial fulfilment of the requirements of Leeds Beckett University for the degree of Doctor of Philosophy. March, 2016. ABSTRACT Body dissatisfaction is now normative among men. Whilst the impact of this is recognized clinically (e.g., via depression and eating disorders), it also has more intimate, seemingly-mundane impacts and is therefore never benign. Body dissatisfaction research and advocacy then seeks to undo body dissatisfaction, recognizing it as a consequence of an injustice. Studies 1 and 2 of this thesis consisted of the implementation and mixed-methods evaluation of an intervention to reduce men’s body dissatisfaction. Results showed promise but also that the intervention was limited by its focus on individuals. This follows a general trend in body dissatisfaction research where people are pathologised as responsible for causing their own body dissatisfaction (e.g., gay men) and the role of culture is ignored or reduce to an epiphenomenon (i.e., mass media). Studies 3 and 4 attempted to redress this by comparing the ‘appearance potency’ not of gay and straight men themselves but of media that markets towards both groups (thereby also shifting the focus off the individual and onto culture). The results of these studies found a high level of appearance potency in both types of media, though media was not homogenous and had many positive aspects (e.g., LGBT political advocacy). This appearance potency was particularly prominent in the adverts reflecting how media content is dictated by their advertising revenue and their own profit imperative.
    [Show full text]
  • Fattitude the Movie: Theory and Praxis of Creating a Documentary
    Fattitude The Movie: Theory and Praxis of Creating a Documentary that Examines Fat Representation and Fat Social Justice by Lindsey Averill A Dissertation Submitted to the Faculty of Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, FL August 2017 Copyright by Lindsey Averill 2017 ii Acknowledgments On occasion, writing a dissertation feels like being lost in a desert sand storm. You’re alone; it’s ominous; the stakes are high and there is so much debris swirling around you that you can’t see the way through to where you want to be. Luckily, in this metaphoric desert scenario, you’re not trudging along, eyes down with no defense against the elements. In the desert storm that is a dissertation, you are lucky to be equipped with an intellectual and emotional support team who make weathering the storm possible. My journey to this moment was long, and those who picked me up and encouraged me to forge ahead were plentiful. There was of course my diligent, patient, and annoyingly intelligent dissertation committee: Dr. Jane Caputi, who threw open the doors of feminist theory for me, directed me towards my first fat studies paper and worked tirelessly to coach me on refining each and every chapter you see here; Dr. Taylor Hagood, who agreed to work with me even though we’d never met and took on my research like it was his own; Dr. Lisa Swanstrom, who makes me laugh while pushing me to think deeper and focus my theoretical ideas; and finally, A.
    [Show full text]
  • An Analytical Study of Recent Body Image Movements Across Media Platforms Mikayla Matheson
    Bridgewater State University Virtual Commons - Bridgewater State University Honors Program Theses and Projects Undergraduate Honors Program 12-12-2017 Women’s Body Image in the Media: An Analytical Study of Recent Body Image Movements across Media Platforms Mikayla Matheson Follow this and additional works at: http://vc.bridgew.edu/honors_proj Part of the Critical and Cultural Studies Commons Recommended Citation Matheson, Mikayla. (2017). Women’s Body Image in the Media: An Analytical Study of Recent Body Image Movements across Media Platforms. In BSU Honors Program Theses and Projects. Item 251. Available at: http://vc.bridgew.edu/honors_proj/251 Copyright © 2017 Mikayla Matheson This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Women’s Body Image in the Media: An Analytical Study of Recent Body Image Movements across Media Platforms Mikayla Matheson Submitted in Partial Completion of the Requirements for Commonwealth Honors in Communication Studies Bridgewater State University December 12, 2017 Dr. Melanie McNaughton, Thesis Mentor Dr. Jason Edwards, Committee Member Dr. Jabbar Al-Obaidi, Committee Member Women’s Body Image in the Media: An Analytical Study of Recent Body Image Movements across Media Platforms By: Mikayla Matheson Mentor: Dr. Melanie McNaughton In Partial Fulfillment of the Requirements for Commonwealth Honors and Departmental Honors at Bridgewater State University Table of Contents Acknowledgements ……………………………………………………………………
    [Show full text]
  • Media, Obesity Discourse, and Participatory Politics: Exploring Digital Engagement Among University Students
    University of Rhode Island DigitalCommons@URI Journal of Media Literacy Education Pre-Prints July 2021 Media, Obesity Discourse, and Participatory Politics: Exploring Digital Engagement among University Students Tao Papaioannou University of Nicosia, Cyprus Follow this and additional works at: https://digitalcommons.uri.edu/jmle-preprints Part of the Communication Technology and New Media Commons, Curriculum and Instruction Commons, History Commons, Mass Communication Commons, Other Communication Commons, and the Other Education Commons Recommended Citation Papaioannou, T. (2021). Media, Obesity Discourse, and Participatory Politics: Exploring Digital Engagement among University Students. Journal of Media Literacy Education Pre-Prints. Retrieved from https://digitalcommons.uri.edu/jmle-preprints/15 This Research Article is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Journal of Media Literacy Education Pre-Prints by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. Media, obesity discourse, and participatory politics: exploring digital engagement among university students ABSTRACT Situated within research on youth, participatory politics, and media framing of obesity, this study examined how undergraduate students in a media literacy course engaged with obesity discourse as a nexus of civic participation. Twenty- nine students enrolled in the course identified frames of obesity in plus-size model Tess Holliday’s Instagram posts surrounding her controversial Cosmopolitan cover in 2018. Analysis of these frames – self-validation, injustice of fat-shaming and stigmatization, influences of Instagram celebrities on fat embodiment, and health stereotypes of obese individuals – enabled the students to critique activist responses to accepted body norms and moral values facilitating weight bias.
    [Show full text]
  • Plus-Size Men: Perceptions of Available Clothing and Models Used to Market the Clothing
    Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2020 Plus-size men: Perceptions of available clothing and models used to market the clothing Melissa Lynne Thompson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Recommended Citation Thompson, Melissa Lynne, "Plus-size men: Perceptions of available clothing and models used to market the clothing" (2020). Graduate Theses and Dissertations. 18413. https://lib.dr.iastate.edu/etd/18413 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Plus-size men: Perceptions of available clothing and models used to market the clothing by Melissa Lynne Thompson A dissertation submitted to the graduate faculty in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Major: Apparel, Merchandising and Design Program of Study Committee: Ellen McKinney, Major Professor Elena Karpova Linda Niehm Amy Bix Beatriz Pereira The student author, whose presentation of the scholarship herein was approved by the program of study committee, is solely responsible for the content of this dissertation. The Graduate College will ensure this dissertation is globally accessible and will not permit alterations
    [Show full text]
  • "Fat Acceptance and Fat Pride Movements" and Consumer Culture: a Critical Intervention on Popular Obesity Discourses
    Columbia College Chicago Digital Commons @ Columbia College Chicago Cultural Studies Capstone Papers Thesis & Capstone Collection 4-29-2019 The "Fat Acceptance and Fat Pride Movements" and Consumer Culture: A Critical Intervention on Popular Obesity Discourses Gabriella Josephine Papas Follow this and additional works at: https://digitalcommons.colum.edu/cultural_studies Part of the American Studies Commons, Medicine and Health Sciences Commons, and the Women's Studies Commons This work is licensed under a Creative Commons Attribution-No Derivative Works 4.0 License. Columbia College Chicago The ‘Fat Acceptance and Fat Pride Movements’ and Consumer Culture: A Critical Intervention on Popular Obesity Discourses Gabriella Josephine Papas Senior Capstone: Section 01 Dr. Jaafar Aksikas April 22, 2019 1 Abstract This project is presented as a critical intervention into the larger debates surrounding the US fat acceptance and fat pride political ‘movements,’ at a historical moment when the country is suffering from a deep obesity epidemic and crisis. At a time of deep concern about increasing healthcare costs and overall societal health, the fact that the dominant discourse among fat activists tends to contradict prevalent positions and findings of contemporary medical research calls for a critical ideological critique of the movements and an interrogation of their rhetoric. In this project, Gabriella Papas’ critique combines concepts from both cultural studies and medical research in order to conduct a critical textual and contextual analysis of these emergent formations. She interrogates the common claims and discourses circulating amongst fat activists and supporters in various popular and social media outlets. In particular, she focuses on the ideas of self-proclaimed fat activists, such as Virgie Tovar, Tess Holliday, and Whitney Way Thore.
    [Show full text]
  • The Commodification of the Body Positive Movement on Instagram
    Stream: Culture/Politics/Technology 2016, Vol 8(2), 36-56 © The Author(s), 2016 http://journals.sfu.ca/stream The Commodification of the Body Positive Movement on Instagram Jessica Cwynar-Horta Communication and Culture Program York University Abstract Over the years, the body positive movement has continued to thrive, taking many different shapes and forms. The ultimate goal of the body positivity movement is to address unrealistic ideals about beauty, promote self-acceptance, and build self-esteem through improving one's self-image and learning to love oneself to the fullest. However, many Body Positive advocates argue that the movement has now come to encompass any individual that exists outside of beauty norms in any way regardless of size, leaving women above a size 14 out of the conversation. Body Positive advocates have criticized body positivity for not being inclusive of all identities as the movement has now come to represent conventionally attractive, thin white women who are being positive about their bodies. This essay explores how the Body Positive movement has become politicized and commoditized by corporations looking to profit off of the growing movement, ultimately changing the structure and goals of the movement. Instagram transitioned into an advertising platform in 2013, which resulted in the commodification of user activity in order for advertisers to better direct advertisements at specific audiences; the exploitation of independent social movements by brands, who in this case claim to be Body Positive by posting makeup-free social media photos, launching plus size clothing lines, and including plus sized models in advertising campaigns; and direct consumer advertising through content deals with Instagram influencers on the platform.
    [Show full text]
  • Changing the Narratives of Marginalised Bodies - a Study About Body Positivism Anni Emilia Alentola
    Changing the narratives of marginalised bodies - a study about body positivism Anni Emilia Alentola Thesis supervisor: Anja Hirdman Master Thesis 30 HP Stockholm University Department of Media Studies 6.6.2017 Abstract The purpose of this study is to explain and analyse the body positivity movement in the social media platform Instagram, as well as its empowering effects on women active in this movement. The phenomenon based on visuality, body positivism, has more than three million pictures on Instagram, hashtagged under two popular hashtags examined in this thesis: #bodypositivity and #bodypositive. The goal of this movement is to show diversity in the portrayal of women, as well as to encourage acceptance of all body types, skin colours and body flaws - especially marginalised bodies that are often invisible in the current society. The research is conducted with methods of visual content analysis and interviews with women participating in the body positivity movement. This study is framed in feminism theory and this study includes theories of gender-norms, Western beauty standards, the male gaze and questions about identity and body image. The results of this study show that most of the people participating in the movement are white women and are pictured often in their underwear. In the pictures hashtagged with body positivity related hashtags, there are, however, not that many flaws visible - such as cellulite or stretch marks. Nevertheless, after interviewing the women active in this movement - active as picture publishers, conversation holders and as body positive Instagram-user followers - this movement is empowering to the women and helps develop a positive body image and better self-esteem.
    [Show full text]