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The First Critical Assessments of a Streetcar Named Desire: the Streetcar Tryouts and the Reviewers
FALL 1991 45 The First Critical Assessments of A Streetcar Named Desire: The Streetcar Tryouts and the Reviewers Philip C. Kolin The first review of A Streetcar Named Desire in a New York City paper was not of the Broadway premiere of Williams's play on December 3, 1947, but of the world premiere in New Haven on October 30, 1947. Writing in Variety for November 5, 1947, Bone found Streetcar "a mixture of seduction, sordid revelations and incidental perversion which will be revolting to certain playgoers but devoured with avidity by others. Latter category will predomin ate." Continuing his predictions, he asserted that Streetcar was "important theatre" and that it would be one "trolley that should ring up plenty of fares on Broadway" ("Plays Out of Town"). Like Bone, almost everyone else interested in the history of Streetcar has looked forward to the play's reception on Broadway. Yet one of the most important chapters in Streetcar's stage history has been neglected, that is, the play's tryouts before that momentous Broadway debut. Oddly enough, bibliographies of Williams fail to include many of the Streetcar tryout reviews and surveys of the critical reception of the play commence with the pronouncements found in the New York Theatre Critics' Reviews for the week of December 3, 1947. Such neglect is unfortunate. Streetcar was performed more than a full month and in three different cities before it ever arrived on Broadway. Not only was the play new, so was its producer. Making her debut as a producer with Streetcar, Irene Selznick was one of the powerhouses behind the play. -
The Project Gutenberg Ebook of Six Short Plays, Complete, by John Galsworthy SCENE II
The Project Gutenberg EBook of Six Short Plays, Complete, by John Galsworthy SCENE II. WANDA's Room. This eBook is for the use of anyone anywhere at no cost SCENE III. The Same. and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Between SCENE I. and SCENE II.--Thirty hours. Project Gutenberg License included with this eBook or Between SCENE II. and SCENE III.--Two months. online at www.gutenberg.net Title: Six Short Plays, Complete SCENE I Author: John Galsworthy It is six o'clock of a November evening, in KEITH Release Date: October 27, 2006 [EBook #5060] DARRANT'S study. A large, dark-curtained room where the light from a single reading-lamp falling on Turkey Language: English carpet, on books beside a large armchair, on the deep blue-and-gold coffee service, makes a sort of oasis before *** START OF THIS PROJECT GUTENBERG a log fire. In red Turkish slippers and an old brown velvet EBOOK SIX SHORT PLAYS, COMPLETE *** coat, KEITH DARRANT sits asleep. He has a dark, clean-cut, clean-shaven face, dark grizzling hair, dark twisting eyebrows. Produced by David Widger [The curtained door away out in the dim part of the room behind him is opened so softly that he does not wake. LARRY DARRANT enters and stands half lost in the curtain over the door. A thin figure, with a worn, high SIX SHORT PLAYS OF GALSWORTHY cheek-boned face, deep-sunk blue eyes and wavy hair all ruffled--a face which still has a certain beauty. -
STANDING ROOM ONLY by Thomas Hischak
STANDING ROOM ONLY by Thomas Hischak Copyright © 2018 by Thomas Hischak, All rights reserved. ISBN: 978-1-64479-010-6 CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of the United States of America and all countries with which the United States has reciprocal copyright relations, whether through bilat- eral or multilateral treaties or otherwise, and including, but not limited to, all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention and the Berne Convention. RIGHTS RESERVED: All rights to this Work are strictly reserved, including professional and amateur stage performance rights. Also reserved are: motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all forms of mechanical or elec- tronic reproduction, such as CD-ROM, CD-I, DVD, information and storage retrieval systems and photocopying, and the rights of translation into non-English languages. PERFORMANCE RIGHTS AND ROYALTY PAYMENTS: All amateur and stock perfor- mance rights to this Work are controlled exclusively by Brooklyn Publishers LLC. No amateur or stock production groups or individuals may perform this play without securing license and royalty arrangements in advance from Brooklyn Publishers LLC. Questions concerning other rights should be addressed to Brooklyn Publishers LLC. Royalty fees are subject to change without notice. Professional and stock fees will be set upon application in accordance with your producing circumstances. Any licensing requests and inquiries relating to amateur and stock (professional) performance rights should be addressed to Brooklyn Publishers LLC. Royalty of the required amount must be paid, whether the play is presented for charity or profit and whether or not admission is charged. -
CALLBOY November 2008 Theatretheatre Xmas Party
Roleystone Theatre CALLBOY November 2008 TheatreTheatre Xmas Party AT YEYE OLD NARROGIN INN Cnr ALBANY HWYHWY and South West HWY, ARMADALE SATURDAYSATURDAY 1313THTH DECEMBER 2008 TIMETIME 7PM We have the upstairs function room, which holds approx 5555 to 60 people soso book early! The cost per person will be $35$35 for a three course buffet (with choices) plus your drinks from the bar. ROLEY AWARDS Please call MarilynMarilyn Please call/email Bree (details at the bottom of this HermetHermet on 04030403 268942 page) with nominations for The Gold Roley Award (a stand-out contributor for 2008) and by SatSat 6thth December 2008 any Roley Awards (funny or memorable to book your place. moments from theatre activities this year). Audition Notices Assassins : page 4 & TheThe Crucible ::: page 333 1930’s th Movie Night: 12 Dec @ 8pm ‘It’s a wonderful Life’ Submission Deadline: Please phone through or email your submissions for next month’s callboy. These need to be forwarded to me by the 25th of each month so there is plenty of time to get the edition completed, to the printer and then posted. Any information or photos are welcome and remember the callboy is a great way to let other members know what is going on in the world of theatre and ‘normal life’. Bree Hartley: 9495 2510 or 0402014666, email: [email protected] or [email protected] President’s Report In last months “Call Boy” I mentioned that we were waiting for news about The Ignite Fund. As you recall we applied for funding from the government to undertake urgent work at the Theatre. -
STUDY GUIDE Inside
McGuire Proscenium Stage / Jan 28 – Mar 19, 2017 by GEORGE S. KAUFMAN and EDNA FERBER directed by RACHEL CHAVKIN STUDY GUIDE Inside THE AUTHORS When Edna met George...and wrote some plays • 3 Selected Chronology on the Life and Times of George S. Kaufman and Edna Ferber • 4 Comments by and about the Authors • 9 THE PLAY Synopsis, Characters and Setting • 13 Comments about the Play • 14 The Barrymores: The (Real) Royal Family of Broadway • 16 Myself as I Think Other See Me by Ethel Barrymore • 16 CULTURAL CONTEXT The Lingo of the Stage • 21 People and Things of the Period • 24 THE GUTHRIE PRODUCTION Notes from the Creative Team • 26 ADDITIONAL INFORMATION For Further Understanding • 28 Play guides are made possible by Guthrie Theater Study Guide Copyright 2016 DRAMATURG Carla Steen GRAPHIC DESIGNER Akemi Waldusky RESEARCH Stephanie Engel, Carla Steen All rights reserved. With the exception of classroom use by teachers and Guthrie Theater, 818 South 2nd Street, Minneapolis, MN 55415 individual personal use, no part of this Play Guide may be reproduced in any form or by any means, electronic or mechanical, including ADMINISTRATION 612.225.6000 photocopying or recording, or by an information storage and retrieval system, without permission in writing from the publishers. Some materials BOX OFFICE 612.377.2224 or 1.877.44.STAGE TOLL-FREE published herein are written especially for our Guide. Others are reprinted guthrietheater.org • Joseph Haj, artistic director by permission of their publishers. Jo Holcomb: 612.225.6117 | Carla Steen: 612.225.6118 The Guthrie Theater, founded in 1963, is an American center for theater performance, The Guthrie Theater receives support from the National Endowment production, education and professional training. -
Madame Butterfly Source Material
MADAMA BUTTERFLY SOURCE MATERIAL THE EVOLUTION OF MADAME BUTTERFLY The story of Madama Butterfly, Pucciniʼs beloved opera of the young Japanese geisha doomed to an unhappy end, still fascinates the public today. However, much like the life cycle of the butterfly, the story of Madama Butterfly underwent considerable transformation over time before the opera emerging in its present form. The beginnings of the opera can be traced back to a tabloid-like story of a young woman with a broken heart in Japan. At the turn of the 19th century, with the opening of Japan in 1894 by Commodore Matthew Perry, the publicʼs fascination with all things Japanese – japonisme - was evident in popular culture. American writer John Luther Longʼs short story, Madame Butterfly, was first published in the January 1898 issue of Century Illustrated Monthly Magazine. The author was purported inspired by a true story relayed to him by his sister, the wife of a missionary living in Nagasaki. However, French author Pierre Loti's popular semi- autobiographical novel, Madame Chrysanthème, first published in1887, also has a very similar storyline of a Japanese geisha who marries a naval officer named Pierre. Lotiʼs novel even inspired an 1893 opera version by Charles Messager. Longʼs later version of the story has the notable addition of the suicide attempt by Cho- Cho-San after her abandonment by the selfish Lieutenant Benjamin Franklin Pinkerton. At the climax of Longʼs 18-page version, Suzuki thwarts the heroineʼs suicide attempt. At the key moment, Suzuki makes Trouble, the child of Butterfly and Pinkerton cry, and Cho-Cho-San realizes that she must care for her child. -
The Jerry Gray Story
THE JERRY GRAY STORY THE JERRY GRAY STORY “The Jerry Gray Story” has been compiled to provide researchers and music fans an overview of the musical life of Jerry Gray (1915-1976) following his discharge from the US Army Air Force in late 1945. This chronology documents all known daily activities, media articles, commercial recording sessions, transcription library recording sessions, radio broadcasts, film productions, television appearances, theater appearances, and personal appearances of Jerry Gray post-WWII. This encompasses three primary locations and time frames: The New York City Years 1945-1947; The Hollywood Years 1947-1969; and The Dallas Years 1969-1977. These are presented as: Part 01 - 1945-1946 Part 02 – 1947 Part 03 – 1948 Part 04 – 1949 Part 05 – 1950 Part 06 – 1951-1952 Part 07 – 1953-1954 Part 08 – 1955-1960 Part 09 – 1961-1968 Part 10 – 1969-1977 Additionally, we will eventually include as: Part 11 – Song Index Part 12 – Location Index Part 13 – Artist Index Part 14 – Recording Session Index Part 15 - Discography This is a work-in-progress. There are still many items, articles, stories, photographs, and label scans to be reviewed and confirmed. They will be included in future versions. As of today, our full work product is about 2,342 pages and 526,447 words. Events are posted chronologically. However, like topics are grouped together when possible [such as record reviews and media reports of a specific event]. Recording sessions will show only the matrix number and the primary released recordings for each song. Part 1 - Page 2 of 200 Part 15 - Discography to follow will document all known commercial and transcription recording sessions and radio/film/television/personal performances and their known releases in detail. -
Farm' Will by SS Damages NANCY LOUGHLIN No
Mabel R. 0. 1 Librarian California S ate Library Sacramento 9, California #2 t the bay Ly in Skin 'Golden Boy' Opens Run men d Al itrib- nake ts part - igh the was Rich 1850 snge Pay 'Farm' Will By SS Damages NANCY LOUGHLIN No. The exciting setting of the iter's prizefighting arena will transport Guilty Parties tonight's "Golden Boy" audience Spartan Dail to the intrigues and loves of Joe, Moody, and Lorna, played by Richard Risso, Bill Furnell, and Still Unidentified 411110).35 ' SAN JOSE STATE COLLEGE Betsy Smith, respectively, in Clif- An offer to pay all expenses for damages inflicted on the Stan- ford Odets' popular drama of tia- Vol. XXXIX San Jose, Calif., Thursday, Dec. 7, 1950 No, 49 gedy. The curtain will rise at 8:15 ford campus by unknown culprits was extended yesterday by ASB o'clock tonight and tomorrow, president Dave Down. Saturday, Monday, and Tuesday "I do not fee4-that San Jose State students were the guilty par- nights. One month in preparatico, ties," exclaimed Down yesterday. "To assure smooth relations, we will "Golden Boy" will incorporate the pay for the damage, however." talents of some 20 student actors. Director of Athletics at Stan- Mr. John R. Kerr, veteran direct& ford Al Masters also went along LP ROUNDUP of Little Theattr productions, will with Down in laying the blame on direct this offering. Harold Will- high school students. Stanford's ard will be ,stage manager. ' 1 Dean of Students H. D. Winbi- Robert Taft, Stagecraft innovations, differ- ler. however, in a telephone call ent from any seen previously on to Dean Joe West, expressed th-e Republicans the Little Theater stage, will be opinion that it was Spartan root- a feature of the production. -
Stage Design 2
Stage Design 2 Grades 10-12 Curriculum Committee Members Charles Anderson, Hazelwood Central High School Riina Hirsch, ELA Curriculum Coordinator Reviewed by Drama Teachers on January 25th, 2018 Reviewed by Curriculum Advisory Committee on February 8th, 2018 Reviewed by the Board of Education on May 15th, 2018 Approved by the Board of Education on May 29, 2018 TABLE OF CONTENTS Stage Design 2 Hazelwood School District Mission Statement 3 Hazelwood School District Vision Statement 3 Hazelwood School District Goals 3 Curriculum Overview 4 Course Overview 5 Unit 1 9 Unit 2 68 Unit 3 114 Unit 4 155 2 Hazelwood School District Mission Statement We are a collaborative learning community guided by a relentless focus to ensure each student achieves maximum growth. Vision Statement HSD will foster lifelong learners, productive citizens and responsible leaders for an ever-evolving society. Board of Education on January 5, 2010 Goals Goal # 1: Hazelwood students will meet or exceed state standards in all curricular areas, with emphasis in reading, writing, mathematics, science and social studies. Goal # 2: Hazelwood staff will acquire and apply the skills necessary for improving student achievement. Goal # 3: Hazelwood School District, the community and all families will support the learning of all children. 3 Curriculum Overview In Stage Design 2, young people have the opportunity to enhance 21st century skills such as collaboration, dependability, problem-solving, creativity, innovation and effective use of technology sought by modern employers. Stage Design 2 provides further opportunities to develop hands-on skills such as conceptualizing, designing and realizing ideas. A correlation between participation in the Arts and increased academic achievement on standardized test measures has also been proven. -
Read Book Showtime at the Royal: the Story of Dublins Legendary
SHOWTIME AT THE ROYAL: THE STORY OF DUBLINS LEGENDARY THEATRE PDF, EPUB, EBOOK Thomas Myler | 280 pages | 28 Jan 2017 | The Liffey Press | 9781908308917 | English | Dublin, Ireland Showtime at the Royal: The Story of Dublins Legendary Theatre PDF Book Irishness The one playhouse that fulfilled its potential as an 'Irish' theatre was the Queen's Theatre under the management of James Whitbread As Michael Hays notes, modern European theatres became the public space in which a new middle class put on its own performance and set an example of a new social order 4. As such, they catered for a section of society that was generally ignored in the entertainment industry. Many of these machines were also capable of being used as ordinary slide lanterns for projecting urgent news items over the running feature. A point worth noting is that the statue of Hibernia which filled the niche over the doorway of the Theatre Royal in is to-day placed over the entrance to the General Enclosure in the present showyard at Balisbridge. Irish Drama and Cultural Nationalism,. Popular Irish American entertainer Carmel Quinn also made her singing debut here during the early s. It mostly ran combined cinema and variety shows but was also a venue for major touring acts. Bruty in conjunction with Mr. My grandfather is seated in the front row, second man along looking at the photo between the cello player and the man I presume was the conductor. Vandevelde Karen. From whom, Maurice gently asked, were these instructions? Town and gown attended in such overwhelming numbers that many had to be satisfied with standing space The last criterion for national theatre status generated a "complex series of definitions and exclusions" 8. -
Ington,'K22*May Aids
AMUSEMENTS^ AMUSEMENTS. AMUSEMENTS. AMUSEMENTS. BASEiBALL . Toy.iT. For the ST USE AT TME NATION'S CAPITAL! BIOOXLVH V8i WASHIWCTOM- Ladief' Day. The New Bag Circus that has made all America talk! GAME CALLBB AT 4:30 P.M. Admission 25c. and 50c. NEXT-NEW YORK, Willi, 25. 26. 27. 28. ap23 -.T0NIGHT AT 8:1S- P LAFAYETTE Patriotic RH Last Performance by H U BROADWAY THEATER OPERA CO. of DeKoven furc Romantic & Smith's 1 OC Comic Opera, World's Great Promenade America's Meal Circus. Twice Larger Than Ever CAST INCH DES Camiifc* D'Arrlllc, .T«rome Srkos, Joseph O'Mnra, Maud Williams, Nellie Braggin*, Before, and Now Beyond AE1 Comparison the Harry Mitcdonough. \ an Rensselaer Wheel »r. George O'Dmnell, Reginald Roberts. BIGGEST AND BEST SHOW ON EARTH. Next Week."THAT LASS O' LOWRIE'S." a 1*2.1 3 SQUARE IIINUS, 2 ELEVATED STAGES. IMMENSE AERIAL SPACES. Vfl %ttTER MILE HIPP«»1»R ME OPERA UA(1X(j USE. LAFAYETT HOUSE. J. W. AI.BAUGH. Manager. Complete Zoological Qarden off Rare Wi'td Beasts, NIXON & ZI.M1 EBMA.V. Directors. Week Beginning Moiraday. by the VAST AQUARlUn AND AVIARY, MATINEES WEDNESDAY AND SATURDAY. Nat Gooawin has been the ir.ost popular and, plucking up a handful of sweet rais¬ lores, known ns the tigress of Andalusia; Water-bred Animals, Gay Plumaged Birds. actor In the city this week, ami the Na¬ ins, blurted out between chews: Rose Evans, L. D. Blondell, as Gen. Muceo; "I'lil it up, boss. You look like Gus Tin- J. V. The McKee Rankin Co, with a suc- Arlington. -
Camp at the Olympic
THE CAMP AT THE OLYMPIC. A NEW AND ORIGINAL INTRODUCTORY EXTRAVAGANZA AND DRAMATIC REVIEW BY J. R. PLANCHE. Author of Mr. Buckstone's Ascent of Mount Parnassus, The Good Woman in the Wood, The Golden Branch, Fortunio, The Invisible Prince, &c., &c. THOMAS HAILES LACY, WELLINGTON STREET, STRAND, LONDON. First performed at the Royal Olympic Theatre, On Monday, October 17th, 1853. The Tents of Real Canvass, painted, as well as the other Scenes (if not better) by Mr. DAYES. The Gentlemen's Uniforms by that uniformly Civil though occa- sionally Military Tailor, Mr. BROWN. The Ladies to " dress up" under the command of Mrs. CURL. The Accoutrements by Mr. MORELAND. The Machinery by Mr. SUTHERLAND, of the Royal Olympic Engineers. MATTER-OF-FACT PERSONS. THE NEW LESSEE (a notorious Fact) MR. ALFRED WIGAN, HIS WIFE (an absolute Fact MRS. ALFRED WIGAN STAGE CARPENTER (a plain Fact).. MR. DEAL. A BOY (in Fact) THE CALL BOY. PERSONS OF IMAGINATION. FANCY (on, her way to a Fancy Ball) .. MRS. T. G. REED, late MISS P. HORTON. TRAGEDY . MRS. CHATTERLEY. COMEDY THE MRS STIRLING. BURLESQUE .. MR. F. ROBSON. OPERA PLAY- MISS CORRI. BALLET MISS WYNDHAM. MELO-DRAMA HOUSEHOLD MR. SANDERS. PANTOMIME .. MISS STEVENS. HIPPO-DRAMA BRIGADE. MISS E. TURNER. SPECTACLE.... M R . EMERY GHOST OF THE OLD ITALIAN OPERA (bearing a great bodily re- semblance to a celebrated Basso .... SIGNOR CALLI. HARLEQUIN MR. FRANKS. CLOWN H. COOPER. PANTALOON MR. LINDON. COLUMBINE MISS HENDERSON. THE TRUE BRITISH SAILOR MR. MORTON. MADLLES. HOWARD SYLPHIDES and GRAHAM. SCENE I. THE BARE STAGE A SCENE NEVER BEFORE EXHIBITED ON SUCH AN OCCASION AT THIS OR ANY OTHER THEATRE.