"The Strong, Silent Type": Tony Soprano, Don Draper, and the Construction of the White Male Antihero in Contemporary Television Drama
"THE STRONG, SILENT TYPE": TONY SOPRANO, DON DRAPER, AND THE CONSTRUCTION OF THE WHITE MALE ANTIHERO IN CONTEMPORARY TELEVISION DRAMA James Beale A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2014 Committee: Becca Cragin, Advisor Esther Clinton Jeremy Wallach © 2014 James Beale All Rights Reserved iii ABSTRACT Becca Cragin, Advisor In this thesis, I examine intertextuality present between The Sopranos and Mad Men, particularly in regards to each show’s protagonist. Tony Soprano and Don Draper are complex characters, each with their own conflicts, neuroses, and supporting characters, yet both men address a similar question: what does it mean to be a man in 21st century America? Both men deal with complex identities due to their pasts, exacerbated struggles due to their jobs, and most importantly, equally complex women who challenge their authority. While addressing issues of gender, I discuss the linkages present between each show’s creator, David Chase and Matthew Weiner, which speaks to the broader thematic overlap between the two dramas. Intertextuality, partially stemming from Weiner’s time in the Sopranos writing room under Chase, can help to interrogate television’s own auteur, the showrunner. I also analyze the white male antihero archetype as a whole, which has been popular on American television in the past fifteen years, as I trace the major conflicts to Robert Warshow’s formulation of the gangster as a tragic hero. For Warshow, though, the gangster ultimately worked as a straightforward morality tale – in these shows, the message of the antihero is deliberately muddled, crafting an intimate portrait of masculinity in crisis.
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