DOCSLIB.ORG

JOEL HARLOW Make-Up Artist IATSE 706 Member of the Academy of Motion Picture Arts and Sciences

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
JOEL HARLOW Make-Up Artist IATSE 706 Member of the Academy of Motion Picture Arts and Sciences JOEL HARLOW Make-Up Artist IATSE 706 Member of the Academy of Motion Picture Arts and Sciences FILM EVIL Special Character Make-Up CBS TV STUDIOS JUNGLE CRUISE Department Head Walt Disney Pictures Director: Jaume Collet-Serra HELLBOY Special Character/ Make-Up Design and Creation Lionsgate Director: Neil Marshall Cast: David Harbour GODZILLA: KING OF THE MONSTERS Department Head Legendary Entertainment Director: Michael Dougherty BLACK PANTHER Department Head/ Prosthetic Application Marvel Director: Ryan Coogler Cast: Michael B Jordan, Andy Serkis Nominee: Make-Up Artists & Hair Stylists Guild Award for Best Special Make-Up Effects LOGAN Department Head/ Prosthetic Design and Application 20th Century Fox Director: James Mangold Cast: Hugh Jackman, Patrick Stewart NOVOLAND Special Make-Up/ Hair Designer Shanghai Film Media Asia Director: Yang Lei STAR TREK BEYOND Make-Up Department Head/Prosthetic Design Paramount Pictures Director: Justin Lin Cast: Sophia Boutella, Zachary Quinto, Idris Elba Winner: Make-Up Artists & Hair Stylists Guild Award for Best Special Make-Up Effects Nominee: Academy Award for Achievement in Make-Up & Hairstyling Nominee: Critics’ Choice Award for Best Make-Up & Hair Nominee: Saturn Award for Best Film Make-Up THROUGH THE LOOKING GLASS Personal Make-Up/ Walt Disney Pictures Prosthetic Design Artist to Johnny Depp Director: James Bobin THE MILTON AGENCY Joel Harlow 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Make-Up Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 [email protected] www.miltonagency.com Page 1 of 4 BLACK MASS Personal Make-Up Artist to Johnny Depp/ Warner Bros. Make-Up Department Head/Special Make-Up Effects Director: Scott Cooper Nominee: Critics’ Choice Award for Best Make-Up and Hair Nominee: Make-Up Artists & Hair Stylists Guild Award for Best Special Make-Up Effects – Feature Motion Picture MORTDECAI Personal Make-Up Artist to Johnny Depp – U.K. Lionsgate Make-Up Department Head/ Personal Make-Up Artist to Johnny Depp – Los Angeles Director: David Koepp INTO THE WOODS Personal Make-Up and Prosthetic Design Artist to Walt Disney Studios Johnny Depp Director: Robb Marshall TRANSCENDENCE Personal Make-Up Artist to Johnny Depp Warner Bros. Director: Wally Pfister HAPPY (Documentary) Department Head Director: Johnny Depp THE LONE RANGER Department Head/ Special Make-Up Effects Walt Disney Pictures Director: Gore Verbinski Nominee: Academy Award for Achievement in Make-Up and Hairstyling Nominee: Make-Up Artist & Hair Stylist Guild Awards – Best Period and/or Character Make-Up DARK SHADOWS Department Head/ Special Make-Up Effects Warner Bros. Director: Tim Burton PIRATES OF THE CARIBBEAN: Department Head/ Special Make-Up Effects ON STRANGER TIDES Director: Rob Marshall Walt Disney Pictures THE TOURIST Personal Make-Up Artist to Johnny Depp Columbia Pictures Director: Florian Henckel von Donnersmarck GREEN LANTERN Prosthetic Department Head Warner Bros., DC Entertainment Director: Martin Campbell BATTLE: LOS ANGELES Department Head/Creature Supervisor Columbia Pictures Director: Jonathan Liebesman THE RUM DIARY Department Head Warner Independent Pictures Director: Bruce Robinson ALICE IN WONDERLAND Personal Make-Up Artist to Johnny Depp Walt Disney Pictures Director: Tim Burton THE MILTON AGENCY Joel Harlow 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Make-Up Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 [email protected] www.miltonagency.com Page 2 of 4 STAR TREK Prosthetic Department Head Paramount PIctures Romulan, Vulcan and Klingon Creation Director: J. J. Abrams Winner: Academy Award for Best Achievement in Make-Up Winner: Saturn Award for Best Make-Up I LOVE YOU PHILLIP MORRIS Assistant Department Head Europa Corporation Directors: Glenn Ficarra, John Requa PIRATES OF THE CARIBBEAN: Assistant Department Head/ AT WORLD’S END Prosthetic Make-Up Designer Walt Disney Pictures Director: Gore Verbinski PIRATES OF THE CARIBBEAN: Assistant Department Head/ DEAD MAN’S CHEST Prosthetic Make-Up Designer Walt Disney Pictures Director: Gore Verbinski Nominee: Saturn Award for Best Make-Up CHARLIE WILSON’S WAR Prosthetic Make-Up Universal Pictures Director: Mike Nichols PIRATES OF THE CARIBBEAN: Assistant Department Head THE CURSE OF THE BLACK PEARL Director: Gore Verbinski Walt Disney Pictures Winner: Hollywood Make-Up Artist & Hair Stylist Guild Award for Period Make-Up Nominee: Hollywood Make-Up Artist & Hair Stylist Guild Award for Character Make-Up 11:14 Make-Up Effects Designer Media 8 Entertainment Director: Greg Marcks WAR OF THE WORLDS Prosthetic Make-Up Paramount Pictures Director: Steven Spielberg ARTIFICIAL INTELLIGENCE: AI Assistant Department Head Warner Bros. Director: Steven Spielberg ADAPTATION Department Head Sony Pictures Entertainment Director: Spike Jonze DOMINO Make-Up Effects Designer New Line Cinema Director: Tony Scott AUTO FOCUS Make-Up Effects Designer Sony Pictures Classics Director: Paul Schrader CONSTANTINE Assistant Department Head Warner Bros. Director: Francis Lawrence CHRISTMAS WITH THE KRANKS Prosthetics for Tim Allen Columbia Pictures Director: Joe Roth THE CHRONICLES OF RIDDICK Prosthetic Make-Up Designer Universal Pictures Director: David Twohy THE MILTON AGENCY Joel Harlow 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Make-Up Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 [email protected] www.miltonagency.com Page 3 of 4 THE RING TWO Assistant Department Head DreamWorks SKG Director: Hideo Nakata TELEVISION N0S4A2 Special Character Make-Up for Zachary Quinto AMC Director: Various CASTLE Prosthetic Make-Up ABC Director: Various MAD MEN Season 1 Prosthetic Make-Up Designer (4 Episodes) AMC Directors: Matthew Weiner, Alan Taylor, Tim Hunter Nominee: Emmy Award for Outstanding Prosthetic Make-Up CARNIVÁLE Season 2 Prosthetic and Make-Up Effects Designer (5 Episodes) HBO Directors: Dan Lerner, Tim Hunter, Alan Taylor, Tucker Gates, Jeremy Podeswa Nominee: Emmy Award for Outstanding Prosthetic Make-Up BUFFY THE VAMPIRE SLAYER Prosthetic and Make-Up Effects Designer (7 Episodes) Season 6 Director: Joss Whedon, David Grossman, Turi Meyer, David Solomon, 20th Century Fox TV, UPN David Fury, James A. Contner Nominee: Emmy Award for Outstanding Prosthetic Make-Up THE SHINING Prosthetic Make-Up Artist Warner Bros. Television Director: Mick Garris Winner: Emmy Award for Outstanding Make-Up THE STAND Prosthetic Make-Up Artist ABC Director: Mick Garris Winner: Emmy Award for Outstanding Make-Up THE MILTON AGENCY Joel Harlow 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Make-Up Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 [email protected] www.miltonagency.com Page 4 of 4 .
Load more

Recommended publications
  • How Lego Constructs a Cross-Promotional Franchise with Video Games David Robert Wooten University of Wisconsin-Milwaukee
    University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations August 2013 How Lego Constructs a Cross-promotional Franchise with Video Games David Robert Wooten University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Mass Communication Commons Recommended Citation Wooten, David Robert, "How Lego Constructs a Cross-promotional Franchise with Video Games" (2013). Theses and Dissertations. 273. https://dc.uwm.edu/etd/273 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. HOW LEGO CONSTRUCTS A CROSS-PROMOTIONAL FRANCHISE WITH VIDEO GAMES by David Wooten A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Media Studies at The University of Wisconsin-Milwaukee August 2013 ABSTRACT HOW LEGO CONSTRUCTS A CROSS-PROMOTIONAL FRANCHISE WITH VIDEO GAMES by David Wooten The University of Wisconsin-Milwaukee, 2013 Under the Supervision of Professor Michael Newman The purpose of this project is to examine how the cross-promotional Lego video game series functions as the site of a complex relationship between a major toy manufacturer and several media conglomerates simultaneously to create this series of licensed texts. The Lego video game series is financially successful outselling traditionally produced licensed video games. The Lego series also receives critical acclaim from both gaming magazine reviews and user reviews. By conducting both an industrial and audience address study, this project displays how texts that begin as promotional products for Hollywood movies and a toy line can grow into their own franchise of releases that stills bolster the original work.
    [Show full text]
  • Captain Jack Sparrow JRPC Version
    The Ambiguous Captain Jack Sparrow: Destabilizing Gender, Politics and Religion in Disney’s Pirates of the Caribbean Dr. Jennifer E. Porter (Memorial University) [email protected] ABSTRACT: Scholars have argued that Disney films reflect a nostalgia for a white, colonial, male-oriented Christian past and an uncritical acceptance of overtly consumerist culture. This article examines these academic criticisms of Disney through the lens of Disney’s film trilogy Pirates of the Caribbean. The paper argues that Disney’s Pirates films destabilize traditional models of gender, politics and religion through the figure of Captain Jack Sparrow. Exploring Jack as a Trickster figure highlights dichotomies such as good and evil, life and death, male and female, human and divine, democracy and imperialism, and points to a broader trend within these Disney films to problematize accepted categories. As a result, the article suggests that Disney’s ideological “message” is much more nuanced in these films than academic critics give Disney credit for. [1] Pirates of the Caribbean debuted as a “dark ride” at Disneyland in 1967; modeled on imagineer Marc Davis’ sketches, it was the last ride to be conceived and built while Walt Disney himself was alive, and opened to the public three months after his death.i The ride consists of a series of vignettes, showing audio-animatronic pirates, both living and dead, indulging in various piratical pursuits. When the Walt Disney Company decided to make a film based on the popular ride, a number of screen and story-writers
    [Show full text]
  • July-August 2018
    111 The Chamber Spotlight, Saturday, July 7, 2018 – Page 1B INS IDE THIS ISSUE Vol. 10 No. 3 • July - August 2018 ALLIED MEMORIAL REMEMBRANCE RIDE FLIGHTS Of OUR FATHERS AIR SHOW AND FLY-IN NORTH TEXAS ANTIQUE TRACTOR SHOW The Chamber Spotlight General Dentistry Flexible Financing Cosmetic Procedures Family Friendly Atmosphere Sedation Dentistry Immediate Appointments 101 E. HigH St, tErrEll • 972.563.7633 • dralannix.com Page 2B – The Chamber Spotlight, Saturday, July 7, 2018 T errell Chamber of Commerce renewals April 26 – June 30 TIger Paw Car Wash Guest & Gray, P.C. Salient Global Technologies Achievement Martial Arts Academy LLC Holiday Inn Express, Terrell Schaumburg & Polk Engineers Anchor Printing Hospice Plus, Inc. Sign Guy DFW Inc. Atmos Energy Corporation Intex Electric STAR Transit B.H. Daves Appliances Jackson Title / Flowers Title Blessings on Brin JAREP Commercial Construction, LLC Stefco Specialty Advertising Bluebonnet Ridge RV Park John and Sarah Kegerreis Terrell Bible Church Brenda Samples Keith Oakley Terrell Veterinary Center, PC Brookshire’s Food Store KHYI 95.3 The Range Texas Best Pre-owned Cars Burger King Los Laras Tire & Mufflers Tiger Paw Car Wash Chubs Towing & Recovery Lott Cleaners Cole Mountain Catering Company Meadowview Town Homes Tom and Carol Ohmann Colonial Lodge Assisted Living Meridith’s Fine Millworks Unkle Skotty’s Exxon Cowboy Collection Tack & Arena Natural Technology Inc.(Naturtech) Vannoy Surveyors, Inc. First Presbyterian Church Olympic Trailer Services, Inc. Wade Indoor Arena First United Methodist Church Poetry Community Christian School WalMart Supercenter Fivecoat Construction LLC Poor Me Sweets Whisked Away Bake House Flooring America Terrell Power In the Valley Ministries Freddy’s Frozen Custard Pritchett’s Jewelry Casting Co.
    [Show full text]
  • Sundance Institute Expands Support to Writers and Creators of Series for TV and Online Platforms
    FOR IMMEDIATE RELEASE Media Contact: March 19, 2014 Casey De La Rosa 310.360.1981 [email protected] Sundance Institute Expands Support to Writers and Creators of Series for TV and Online Platforms First ‘Sundance Institute Episodic Story Lab’ to Be Held in Fall 2014 at the Sundance Resort, with Norman and Lyn Lear as Founding Supporters Los Angeles, CA — Sundance Institute today announced a significant expansion of its renowned labs for independent artists to include dedicated support for writers and creators of series for television and online platforms. The first Sundance Institute Episodic Story Lab will be held in Fall 2014 at the Sundance Resort in Sundance, Utah. Building on the Institute’s 30-year legacy of developing new work from storytellers with distinctive and risk-taking stories, this new initiative addresses the need for more opportunities for learning and mentorship of singular and diverse voices in scripted TV and online series. In collaboration with accomplished mentors, writers at the six-day, immersive Episodic Story Lab will work on developing stories and characters that play out over multiple episodes and will also have the opportunity to better understand the landscape for production and distribution of serialized stories. Both drama and comedy writing will be supported at the Lab, which has been organized under the leadership of Michelle Satter, Founding Director of the Institute’s Feature Film Program. The Lab is made possible by generous support and guidance from television producer Norman Lear and his wife, Institute Trustee Lyn Lear. The Institute cites the growth of great writing and bold content in recent years as inspiration for the Lab.
    [Show full text]
  • 10 Surprising Facts About Oscar Winner Ruth E. Carter and Her Designs
    10 Surprising Facts About Oscar Winner Ruth E. Carter and Her Designs hollywoodreporter.com/lists/10-surprising-facts-oscar-winner-ruth-e-carter-her-designs-1191544 The Hollywood Reporter The Academy Award-winning costume designer for 'Black Panther' fashioned a headpiece out of a Pier 1 place mat, trimmed 150 blankets with a men's shaver, misspelled a word on Bill Nunn's famous 'Do the Right Thing' tee, was more convincing than Oprah and originally studied special education. Ruth E. Carter in an Oscars sweatshirt after her first nomination for "Malcolm X' and after her 2019 win for 'Black Panther.' Courtesy of Ruth E. Carter; Dan MacMedan/Getty Images Three-time best costume Oscar nominee Ruth E. Carter (whose career has spanned over 35 years and 40 films) brought in a well-deserved first win at the 91st Academy Awards on Feb. 24 for her Afrofuturistic designs in Ryan Coogler’s blockbuster film Black Panther. 1/10 Carter is the first black woman to win this award and was previously nominated for her work in Spike Lee’s Malcolm X (1992) and Steven Spielberg’s Amistad (1997). "I have gone through so much to get here!” Carter told The Hollywood Reporter by email. “At times the movie industry can be pretty unkind. But it is about sticking with it, keeping a faith and growing as an artist. This award is for resilience and I have to say that feels wonderful!" To create over 700 costumes for Black Panther, Carter oversaw teams in Atlanta and Los Angeles, as well as shoppers in Africa.
    [Show full text]
  • “Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
    ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ...................................................................................................................................
    [Show full text]
  • Fotokem and SPY Combine Talent and Services on Sundance Winner Fruitvale
    Media Contacts: ignite strategic communications Chris Purse – [email protected] / 323.806.9696 Lisa Muldowney – [email protected] / 760.212.4130 FotoKem and SPY Combine Talent and Services on Sundance Winner Fruitvale BURBANK and SAN FRANCISCO, January 31, 2013 – FotoKem and SPY (a FotoKem company) combined in-house talent and key post-production services for the Sundance winning film Fruitvale, written and directed by Ryan Coogler with cinematography by Rachel Morrison. The film won the festival’s coveted Grand Jury Prize and Audience Award for a drama, and was acquired by The Weinstein Company soon after its premiere screening. Providing end-to-end services for the Super 16 mm project, FotoKem and SPY worked closely with the filmmakers from start to finish. Fruitvale was processed and transferred at FotoKem in Burbank. The files were delivered to SPY’s headquarters in San Francisco, where colorist Chris Martin color graded the film with Coogler and Morrison. The two facilities are securely connected by a high-speed network offering real-time interface capabilities between the locations to provide the creative community with easy access to the full breadth of post- production services that FotoKem and its companies offer. Fruitvale follows the final day of 22-year old Oscar Grant, who was gunned down by a police officer at the Fruitvale stop of an Oakland transit line. The tragedy was caught on video, and the incident made national headlines. The movie was shot on location in San Francisco. The Super 16 footage was then shipped to Burbank, scanned to HDCAM SR, and conformed at SPY.
    [Show full text]
  • Uw Cinematheque Announces Fall 2012 Screening Calendar
    CINEMATHEQUE PRESS RELEASE -- FOR IMMEDIATE RELEASE AUGUST 16, 2012 UW CINEMATHEQUE ANNOUNCES FALL 2012 SCREENING CALENDAR PACKED LINEUP INCLUDES ANTI-WESTERNS, ITALIAN CLASSICS, PRESTON STURGES SCREENPLAYS, FILMS DIRECTED BY ALEXSEI GUERMAN, KENJI MISUMI, & CHARLES CHAPLIN AND MORE Hot on the heels of our enormously popular summer offerings, the UW Cinematheque is back with the most jam-packed season of screenings ever offered for the fall. Director and cinephile Peter Bogdanovich (who almost made an early version of Lonesome Dove during the era of the revisionist Western) writes that “There are no ‘old’ movies—only movies you have already seen and ones you haven't.” With all that in mind, our Fall 2012 selections presented at 4070 Vilas Hall, the Chazen Museum of Art, and the Marquee Theater at Union South offer a moveable feast of outstanding international movies from the silent era to the present, some you may have seen and some you probably haven’t. Retrospective series include five classic “Anti-Westerns” from the late 1960s and early 70s; the complete features of Russian master Aleksei Guerman; action epics and contemplative dramas from Japanese filmmaker Kenji Misumi; a breathtaking survey of Italian Masterworks from the neorealist era to the early 1970s; Depression Era comedies and dramas with scripts by the renowned Preston Sturges; and three silent comedy classics directed by and starring Charles Chaplin. Other Special Presentations include a screening of Yasujiro Ozu’s Dragnet Girl with live piano accompaniment and an in-person visit from veteran film and television director Tim Hunter, who will present one of his favorite films, Tsui Hark’s Shanghai Blues and a screening of his own acclaimed youth film, River’s Edge.
    [Show full text]
  • DVD Spring 2020 Catalog This Catalog Lists Only the Newest Acquired DVD Titles from Spring 2020
    Braille and Talking Book Library P.O. Box 942837 Sacramento, CA 94237-0001 (800) 952-5666 (916) 654-1119 FAX Descriptive Video Service (DVS) DVD Spring 2020 Catalog This catalog lists only the newest acquired DVD titles from Spring 2020. This is not a complete listing of all DVD titles available. Included at the end of this catalog is a mail order form that lists these DVD titles alphabetically. You may also order DVDs by phone, fax, email, or in person. Each video in this catalog is assigned an identifying number that begins with “DVD”. For example, DVD 0525 is a DVD entitled “The Lion King”. You need a television with a DVD player or a computer with a DVD player to watch descriptive videos on DVD. When you insert a DVD into your player, you may have to locate the DVS track, usually found under Languages or Set-up Menus. Assistance from a sighted friend or family member may be helpful. Some patrons have found that for some DVDs, once the film has begun playing, pressing the "Audio" button repeatedly on their DVD player's remote control will help select the DVS track. MPAA Ratings are guidelines for suitability for certain audiences. G All ages PG Some material may not be suitable for children PG-13 Some material may be inappropriate for children under 13 R Under 17 requires accompanying adult guardian Film not suitable for MPAA rating (TV show, etc.) Some Not Rated material may not be suitable for children. Pre-Ratings Film made before MPAA ratings. Some material may not be suitable for children.
    [Show full text]
  • THE LOST WORLD: JURASSIC PARK Screenplay by David Koepp Based on the Novel "The Lost World" by Michael Crichton
    THE LOST WORLD: JURASSIC PARK Screenplay by David Koepp Based on The Novel "The Lost World" by Michael Crichton PRODUCTION DRAFT August 22, 1996 1 EXT TROPICAL LAGOON DAY A 135 foot luxury yacht is anchored just offshore in a tropical lagoon. The beach is a stunning crescent of sand at the jungle fringe, utterly deserted. ISLA SORNA 87 miles southwest of Nublar Two SHIP HANDS, dressed in white uniforms, have set up a picnic table with three chairs on the sand and are carefully laying out luncheon service - - fine china, silver, crystal descanters with red and white wine. PAUL BOWMAN, fortyish, sits in a chair off to the side, reading. MRS. BOWMAN, painfully thin, with the perpetually surprised look of a woman who’s had her eyes done more than once, supervises the setting of the table. She looks up and sees a little girl, CATHY, seven or eight years old, wandering off down the beach. MRS. BOWMAN Cathy! Don’t wander off! Cathy keeps wandering. MRS. BOWMAN (CONT’D) Come back! You can look for shells right here! Cathy gestures, pretending she can’t hear. BOWMAN (eyes still in his book) Leave her alone. MRS. BOWMAN What about snakes? BOWMAN There’s no snakes on the beach. Let her have fun, for once. 2 FURTHER DOWN THE BEACH, Cathy keeps wandering away, MUTTERING to herself as her parents’ quarreling voices fade in the distance. (CONTINUED) CONTINUED: (2) 2. CATHY Please be quiet, please be quiet, please be quiet . Rounding a curve in the beach, her parents disappear from view behind her.
    [Show full text]
  • Paul Boyce Make up and Hair Designer
    Paul Boyce Make Up and Hair Designer Credits include: MONSOON Director: Hong Khaou Drama Producers: Tracy O’Riordan, Ameenah Ayub Allen Featuring: Henry Golding, Parker Sawyers, Molly Harris Production Co: BFI / BBC Films / Moonspun Films THE LAST DRAGONSLAYER Director: Jamie Magnus Stone Fantasy Action Drama Producer: Laura Hastings-Smith Ellise Chappell, John Bradley, Ricky Make-Up & Hair Supervisor Featuring: Tomlinson Designer: Sue Michael Production Co: Blueprint Pictures / Sky One HOUDINI AND DOYLE Director: Jeff Renfroe Mystery Drama Series - Eps 9, 10 Producers: Suzanne Colvin, Adrian Sturges Michael Weston, Stephen Managan, Make-Up & Hair Supervisor Featuring: Rebecca Liddiard Designer: Sue Michael Production Co: Big Talk Productions / Fox / ITV EVE Directors: Adrian McDowall, Adrian Mead Sci-Fi Drama Jonathan Fox Bassett, Lynsey Miller Producers: Peter Gallagher, Jeremy Swimer Poppy Lee Friar, Jane Asher, Michael Featuring: Wildman Production Co: Leopard Drama / CBBC IN THE HEART OF THE SEA Director: Ron Howard Brian Grazer, Ron Howard, Marshall Period Action Adventure Producers: Herskovitz Make-Up & Hair, Prosthetic Artist Joe Roth, Paula Weinstein Chris Hemsworth, Cillian Murphy, Charlotte Designer: Fae Hammond Featuring: Riley Production Co: Spring Creek Productions / Warner Bros. WHITE SETTLERS Director: Simeon Halligan Horror Mystery Thriller Producer: Rachel Richardson-Jones Pollyanna McIntosh, Lee Williams, Joanne Featuring: Mitchell Production Co: Not A Number HYENA Director: Gerard Johnson Elizabeth Karlsen, Joanna
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]