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Sundance Institute Expands Support to Writers and Creators of Series for TV and Online Platforms

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Sundance Institute Expands Support to Writers and Creators of Series for TV and Online Platforms FOR IMMEDIATE RELEASE Media Contact: March 19, 2014 Casey De La Rosa 310.360.1981 [email protected] Sundance Institute Expands Support to Writers and Creators of Series for TV and Online Platforms First ‘Sundance Institute Episodic Story Lab’ to Be Held in Fall 2014 at the Sundance Resort, with Norman and Lyn Lear as Founding Supporters Los Angeles, CA — Sundance Institute today announced a significant expansion of its renowned labs for independent artists to include dedicated support for writers and creators of series for television and online platforms. The first Sundance Institute Episodic Story Lab will be held in Fall 2014 at the Sundance Resort in Sundance, Utah. Building on the Institute’s 30-year legacy of developing new work from storytellers with distinctive and risk-taking stories, this new initiative addresses the need for more opportunities for learning and mentorship of singular and diverse voices in scripted TV and online series. In collaboration with accomplished mentors, writers at the six-day, immersive Episodic Story Lab will work on developing stories and characters that play out over multiple episodes and will also have the opportunity to better understand the landscape for production and distribution of serialized stories. Both drama and comedy writing will be supported at the Lab, which has been organized under the leadership of Michelle Satter, Founding Director of the Institute’s Feature Film Program. The Lab is made possible by generous support and guidance from television producer Norman Lear and his wife, Institute Trustee Lyn Lear. The Institute cites the growth of great writing and bold content in recent years as inspiration for the Lab. Among the Institute-supported artists who have worked on series for TV and online platforms are Cary Fukunaga, Lena Dunham, Louis CK, Mark Duplass, Lisa Cholodenko, Jason Katims, Rodrigo Garcia, Todd Haynes, RJ Cutler, Mike White, Robert Rodriguez, Ava DuVernay, Jill Soloway, Allison Anders and Joseph Gordon-Levitt. Robert Redford, President & Founder of Sundance Institute, said, “Sundance Institute has always worked to develop and support a next generation of independent artists. As more of those artists look to the opportunities in television and online platforms, it is only natural that we expand our labs to address the unique needs of serialized work.” Keri Putnam, Executive Director of Sundance Institute, said, “Although the opportunities are growing, there are few training grounds for new and diverse voices who want to work in episodic writing. Our lab will offer a rare opportunity for artists to develop unique multi-part projects, working in a setting where they will also learn how to navigate the changing landscape of this field.” Michelle Satter, Founding Director of the Sundance Institute Feature Film Program, said, “Our world-renowned Screenwriters Lab will serve as a model that will be adapted to identify and develop new writers and stories for the burgeoning opportunities for episodic storytelling on all platforms. We are excited to learn from all of our Lab participants, mentors and creators in the field in our pilot year, and we look forward to building out the year-round support system for our writing fellows, where the program will have the greatest impact.” 2 For the inaugural year of the Lab, the Institute will consider applicants by invitation only. In future years, an open application process is anticipated. Institute staff will source applicants through extensive outreach to a network of alumni, mentors, industry sources and other artist support programs and diversity initiatives. In addition to the Episodic Story Lab, the Institute offers labs throughout the year and around the world for independent directors, screenwriters, documentary editors, composers, playwrights, producers and New Frontier artists. The Sundance Institute Feature Film Program Since 1981, the Sundance Institute Feature Film Program (FFP) has supported more than 800 independent filmmakers whose distinctive, singular work has engaged audiences worldwide. The program’s approach to the discovery and development of independent artists has become a model for creative development programs internationally. Program staff fully embrace the unique vision of each filmmaker, encouraging a rigorous creative process with a focus on original and deeply personal storytelling. Each year, up to 30 emerging artists from the U.S. and around the world participate in a year-round continuum of support which can include the Screenwriters and Directors Labs, Creative Producing Fellowship and Lab, Music and Sound Design Lab, Creative Producing Summit, ongoing creative and strategic advice, significant production and postproduction resources, a Rough-Cut Screening Initiative, a Screenplay Reading Series, and direct financial support through project-specific grants and artist fellowships. In many cases, the Institute has helped the Program’s fellows attach producers and talent, secure financing, and assemble other significant resources to move their projects toward production and presentation. In addition, the FFP is providing strategic resources to completed Lab films in distribution and marketing across all platforms to support and expand their connection to audiences worldwide. Over its 30-year history, the Sundance Institute Feature Film Program has supported an extensive list of award- winning and groundbreaking independent films which include Damien Chazelle’s Whiplash, Cutter Hodierne’s Fishing Without Nets, Ritesh Batra’s The Lunchbox, Malik Vitthal’s Imperial Dreams, Ryan Coogler’s Fruitvale Station, Haifaa Al Mansour’s Wadjda, Andrew Dosunmu’s Mother of George, David Lowery’s Ain’t Them Bodies Saints, Benh Zeitlin’s Beasts Of The Southern Wild, Craig Zobel’s Compliance, Sally El Hosaini’s My Brother the Devil, Ira Sachs’ Keep the Lights On, Sean Durkin’s Martha Marcy May Marlene, Dee Rees’ Pariah, Maryam Keshavarz’s Circumstance, Shirin Neshat's Women Without Men, Cherien Dabis' Amreeka, Cary Fukunaga's Sin Nombre, Alex Rivera's Sleep Dealer, Ryan Fleck and Anna Boden’s Half Nelson, Andrea Arnold's Red Road, Miranda July’s Me and You and Everyone We Know, Hany Abu-Assad’s Paradise Now, Debra Granik’s Down to the Bone, Josh Marston’s Maria Full of Grace, Lisa Cholodenko’s Laurel Canyon, Peter Sollett’s Raising Victor Vargas, John Cameron Mitchell’s Hedwig and the Angry Inch, Darren Aronofsky’s Requiem for a Dream, Kimberly Peirce’s Boys Don't Cry, Tony Bui’s Three Seasons, Walter Salles’ Central Station, Chris Eyre and Sherman Alexie’s Smoke Signals, Allison Anders' Mi Vida Loca, Paul Thomas Anderson’s Hard Eight, Tamara Jenkins’ Slums of Beverly Hills, and Quentin Tarantino’s Reservoir Dogs. www.sundance.org/featurefilm Sundance Institute Sundance Institute is a global nonprofit organization founded by Robert Redford in 1981. Through its artistic development programs for directors, screenwriters, producers, composers and playwrights, the Institute seeks to discover and support independent film and theatre artists from the United States and around the world, and to introduce audiences to their new work. The Institute promotes independent storytelling to inform, inspire, and unite diverse populations around the globe. Internationally recognized for its annual Sundance Film Festival, Sundance Institute has nurtured such projects as Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, An Inconvenient Truth, Spring Awakening, Born into Brothels, Trouble the Water, Light in the Piazza and Angels in America. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube. # # # .
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