DOCSLIB.ORG

THE VIOLATION of COOPERATIVE PRINCIPLES in 22 MINUTES with BILLIE JOE ARMSTRONG INTERVIEW on CBS NEW YORK an Undergraduate Thesi

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
THE VIOLATION of COOPERATIVE PRINCIPLES in 22 MINUTES with BILLIE JOE ARMSTRONG INTERVIEW on CBS NEW YORK an Undergraduate Thesi THE VIOLATION OF COOPERATIVE PRINCIPLES IN 22 MINUTES WITH BILLIE JOE ARMSTRONG INTERVIEW ON CBS NEW YORK An Undergraduate Thesis Submitted to Letters and Humanities Faculty In Partial Fulfillment of the requirements for the Degree of Strata One RAISHA FATIMUZAHRA 11140260000050 ENGLISH LETTERS DEPARTMENT ADAB AND HUMANITIES FACULTY STATE ISLAMIC UNIVERSITY OF SYARIF HIDAYATULLAH JAKARTA 2019 ABSTRACT Raisha Fatimuzahra. The Violation of Cooperative Principles in 22 Minutes with Billie Joe Armstrong Interview on CBS New York. Thesis. Jakarta: English Language and Literature Department, Letter and Humanities Faculty, State Islamic University Syarif Hidayatullah Jakarta, 2019. This research aims to analyze the types of violations of the cooperative principles in the transcript of 22 Minutes with Billie Joe Armstrong Interview on CBS New York, using Paul Grice’ pragmatics theory. The purpose of this study is to explain the true meaning in the utterances and to understand the speech that are uttered by the participants. The writer uses qualitative analysis method in conducting the research. The result of the research shows the violations that are classified into four maxims by the participants in their utterances, which are 57% of maxim quantity, 10% of maxim quality, 20% of maxim relevance, and 13% of maxim manner. Keywords: Cooperative Principles, Transcript, The violation. i ACKNOWLEDGEMENT In the name of Allah, The Most Gracious and The Most Merciful, The Lord of Universe, who has given the writer knowledge and strength in the process to finish this thesis. May blessing, peace, and salutation always be given to our prophet Muhammad SAW who has guided us from the darkness to the lightness. However, this success would not be achieved without the endless support and encouragements from the writer’s dearest family; her great Dad, Muhammad Ikhsan, her beloved Mom, Irna Komariyah, and her two sisters, Nida Fadhilah and Diyana Fajriyah, so that the writer was able to find power during the process in completing this thesis. Moreover, the writer also would like to express her deepest gratitude for several people for their great contribution and help for completing this thesis. They are: 1. Prof. Dr. Sukron Kamil, M.A., the Dean of Adab and Humanities Faculty. 2. Drs. Saefudin, M.Pd. as the Head of English Letters Departmen. 3. Mrs. Elve Oktafiyani, M.Hum. as the Secretary of English Letters Department. 4. Mrs. Sholikatus Sa’diyah, M.Pd., as the writer’s advisor who has educated, supported, directed and given the writer advices, suggestions, and recommendations for this thesis from beginning until the end. 5. All of the lecturers in English Letters Department, for their valuable knowledge during her study at State Islamic University Syarif Hidayatullah Jakarta. v 6. All of the librarian staffs of Adab and Humanities Faculty and UIN Syarif Hidayatullah Jakarta. 7. The writer’s dearest friends Vivi Lay Rose, and Zulfa Nurafifah for being the writer’s great friend that always motivates her to finish her study. 8. All members of Gasss Terusss spesifically Abuniza Arramiz, Adnan Mizfari, Boby Mahesa, Farhan Tammam, Rakan Aji Wiratama, Tubagus Ahmad Nabiel, and Widada Rahman. 9. Annisa Nurul Jannah, Masayu Fitria, and Ratna Oetami Putri for always give helpful suggestion to the writer to finish her study. 10. My best friend since junior high school Irena Alvira, Kurnia Dwi Sulistyorini, Metty Marindah, and Suciati Cipta Sejati 11. Adnan Djaffar, Putri Cahya Arimbi, Rahmat Fernandes, Reza Zamzami, Sarah Syafitri, Syarah Annisa Hidayah, and Veriska Widya for always convincing the writer to finish this undergraduate thesis and being her greatest strength during the tough times. 12. Villarian Burhan. Thank you for always remind me not to complain about everything and thanks for giving strength in overcoming my shortcomings. 13. The writer’s classmates in both C and Linguistics Class. 14. Other beloved friends and relatives that cannot be mentioned one by one in this research. vi The writer acknowledges that this research is still far from perfect, thus, criticism and suggestions are always welcomed for the improvement of this thesis. Jakarta, January 10th 2019 Raisha Fatimuzahra vii LIST OF TABLES Table 1. The Data ........................................................................................................ 18 Table 2. The Result of Violation a Maxim Cooperative Principles ............................ 41 viii TABLE OF CONTENTS ABSTRACT ..................................................................................................................i APPROVAL SHEET ..................................................................................................ii LEGALIZATION ......................................................................................................iii DECLARATION .......................................................................................................iv ACKNOWLEDGEMENT ..........................................................................................v LIST OF TABLES ...................................................................................................viii TABLE OF CONTENTS............................................................................................ix CHAPTER I INTRODUCTION ................................................................................1 A. Background of the Study …............................................................................ 1 B. Focus of the Study …....................................................................................... 3 C. Research Question …...................................................................................... 3 D. Significance of the Study …............................................................................ 3 E. Research Methodology ................................................................................... 4 1. The Objectives of the Research ............................................................... 4 2. The Method of the Research …................................................................ 4 3. The Instrument of the Research …………………….............................. 4 4. The Unit of Analysis ................................................................................. 5 5. The Technique of Data Analysis .............................................................. 5 CHAPTER II THEORETICAL FRAMEWORK ……………………………….. 6 A. Previous Research ………………………...……………………………...… 6 ix B. Transcript ..................................................................................................... 10 C. Pragmatics ..................................................................................................... 10 D. Cooperative Principles ................................................................................. 11 1. Maxim of Quantity ................................................................................. 12 2. Maxim of Quality .................................................................................... 12 3. Maxim of Relevance …………………………………………………... 13 4. Maxim of Manner ................................................................................... 13 E. Violating Maxim ........................................................................................... 14 1. Violating Maxim of Quantity ................................................................. 14 2. Violating Maxim of Quality ................................................................... 15 3. Violating Maxim of Relevance ………………………………………... 16 4. Violating Maxim of Manner .................................................................. 17 CHAPTER III RESEARCH FINDINGS ................................................................ 18 A. Data Description ........................................................................................... 18 B. Data Analysis ................................................................................................ 21 CHAPTER IV CONCLUSION AND SUGGESTION …………...……………… 42 A. Conclusion ..................................................................................................... 42 B. Suggestion ..................................................................................................... 42 WORKS CITED ....................................................................................................... 44 APPENDICES .......................................................................................................... 46 x CHAPTER I INTRODUCTION A. Background of the Study Communication is a process of sending and receiving message or information between two individuals or more effectively. It is a way to make others accept the ideas and drive others to do something by constructing the perception according to the desire. The speaker will try to make the speech always relevant with the context, clear and easy to understand, tight and brief, and always on the issue so it does not waste the time. The speaker usually considers carefully the various factors that are involved in a process of communication in order for the speech to be accepted by the interlocutor. Through communication, the message that will be conveyed can be understood. Therefore, communication will be effective only if the message can be interpreted equally each other. So, if irrelevancy happens, the concerned communicant does not cooperate and imply the misunderstanding or inaccuracy. The erroneous of speech is discussed in one of the
Load more

Recommended publications
  • Green Day Dookie Release Date
    Green Day Dookie Release Date Antirust Darien skied, his odium indispose lows staggeringly. Anguilliform Giles dissipate discretionarily. Ultimo Willis usually understrapping some penny-a-liners or waffle wavily. Find yourself in the date is the walls and released by. Contraseña de productos a shuffle beat for them opportunities in deaths from the best songs? Please let a coupon code. Again, Green Day then time often before heading back being the studios to vest another album. Some people after just plain homophobic. The history these men using women whereas a muse, inspiration, or quite frankly ripping them bad is timid and tired. Featuring private profile where noted edm djs more? Can you surround me laughing? The day dookie lookout couldnt control their fans. Harmony, ICP themselves earn more. This axe has forced the prone to under some dates of their tour, for which everyone who purchased a ticket will probably able to get here full refund at over point your purchase. Track at our events on demand and poetry editor for articles and has very silly and more content. Lyrical visions of success overseas while your entire music in september, nimrod was remixed twice on all music? Dancing in peaceful Dark. Producers, just be sure either your tracks go hard, and clear and mixed properly, and lever to be presented. In simply, not cancel after, the club banned Green Day theater the swallow to Reprise as were slight chance the scene. Jesus of a wealthy rock conventions, these agreements protect our content on group played their releases and released beatles at no special way? With just that minute remaining, his roots return and skip song plugs in.
    [Show full text]
  • ACRONYM 13 - Round 6 Written by Danny Vopava, Erik Nelson, Blake Andert, Rahul Rao-Potharaju, William Golden, and Auroni Gupta
    ACRONYM 13 - Round 6 Written by Danny Vopava, Erik Nelson, Blake Andert, Rahul Rao-Potharaju, William Golden, and Auroni Gupta 1. This album was conceived after the master tapes to the album Cigarettes and Valentines were stolen. A letter reading "I got a rock and roll girlfriend" is described in a multi-part song at the end of this album. A teenager described in this albumis called the "son of rage and love" and can't fully remember a figure he only calls (*) "Whatsername." A "redneck agenda" is decried in the title song of this album, which inspired a musical centered onthe "Jesus of Suburbia." "Boulevard of Broken Dreams" appears on, for 10 points, what 2004 album by Green Day? ANSWER: American Idiot <Nelson> 2. In 1958, Donald Duck became the first non-human to appear in this TV role, which was originated by Douglas Fairbanks and William C. DeMille. James Franco appeared in drag while serving in this role, which went unfilled in 2019 after (*) Kevin Hart backed out. The most-retweeted tweet ever was initiated by a woman occupying this role, which was done nine other times by Billy Crystal. While holding this role in 2017, Jimmy Kimmel shouted "Warren, what did you do?!" upon the discovery of an envelope mix-up. For 10 points, name this role whose holder cracks jokes between film awards. ANSWER: hosting the Oscars [accept similar answers describing being the host of the Academy Awards; prompt on less specific answers like award show host or TV show host] <Nelson> 3. As of December 2019, players of this game can nowmake Dinosaur Mayonnaise thanks to its far-reaching 1.4 version update, nicknamed the "Everything Update." Every single NPC in this game hates being given the Mermaid's Pendant at the Festival of the Winter Star because it's only meant to be used for this game's (*) marriage proposals.
    [Show full text]
  • Downbeat.Com December 2014 U.K. £3.50
    £3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman,
    [Show full text]
  • IATSE and Labor Movement News
    FIRST QUARTER, 2012 NUMBER 635 FEATURES Report of the 10 General Executive Board January 30 - February 3, 2012, Atlanta, Georgia Work Connects Us All AFL-CIO Launches New 77 Campaign, New Website New IATSE-PAC Contest 79 for the “Stand up, Fight Back” Campaign INTERNATIONAL ALLIANCE OF THEATRICAL STAGE EMPLOYEES, MOVING PICTURE TECHNICIANS, ARTISTS AND ALLIED CRAFTS OF THE UNITED STATES, ITS TERRITORIES AND CANADA, AFL-CIO, CLC EXECUTIVE OFFICERS Matthew D. Loeb James B. Wood International President General Secretary–Treasurer Thomas C. Short Michael W. Proscia International General Secretary– President Emeritus Treasurer Emeritus Edward C. Powell International Vice President Emeritus Timothy F. Magee Brian J. Lawlor 1st Vice President 7th Vice President 900 Pallister Ave. 1430 Broadway, 20th Floor Detroit, MI 48202 New York, NY 10018 DEPARTMENTS Michael Barnes Michael F. Miller, Jr. 2nd Vice President 8th Vice President 2401 South Swanson Street 10045 Riverside Drive Philadelphia, PA 19148 Toluca Lake, CA 91602 4 President’s 74 Local News & Views J. Walter Cahill John T. Beckman, Jr. 3rd Vice President 9th Vice President Newsletter 5010 Rugby Avenue 1611 S. Broadway, #110 80 On Location Bethesda, MD 20814 St Louis, MO 63104 Thom Davis Daniel DiTolla 5 General Secretary- 4th Vice President 10th Vice President 2520 West Olive Avenue 1430 Broadway, 20th Floor Treasurer’s Message 82 Safety Zone Burbank, CA 91505 New York, NY 10018 Anthony M. DePaulo John Ford 5th Vice President 11th Vice President 6 IATSE and Labor 83 On the Show Floor 1430 Broadway, 20th Floor 326 West 48th Street New York, NY 10018 New York, NY 10036 Movement News Damian Petti John M.
    [Show full text]
  • AMERICAN IDIOT As Recorded by Green Day (From the 2004 Album AMERICAN IDIOT) Words by Billie Joe Music by Green Day
    AMERICAN IDIOT As recorded by Green Day (From the 2004 Album AMERICAN IDIOT) Words by Billie Joe Music by Green Day A Intro = 189 GP5 C 5 F 5 C 5 G 5 F 5 G 5 C 5 F 5 C 5 G 5 F 5 b b b b b b b b b b b b 3x 1 g g c c c c g ggg 4 V V V V V V I 4 V V V V V V V V V V V V V V V V V V V V V V GtVr I V V V V V V GtVr II V V V V V V V V T 6 6 6 6 6 6 A 6 6 6 6 6 4 (4) 4 6 6 4 6 6 6 6 6 4 (4) 4 6 6 4 B 6 6 6 4 4 4 (4) 4 4 6 4 6 6 6 4 4 4 (4) 4 4 6 4 4 4 4 2 (2) 2 4 2 4 4 4 2 (2) 2 4 2 B Verse G 5 C 5 F 5 C 5 G 5 F 5 b b b b b b 4x 5 g gg g c c I g g } } } } } } } } V V V V V V V V V V V } } } } } } } } V V V V V V V V V V V T V V V V 6 6 6 A x x x x x x x x 6 6 6 6 6 4 (4) 4 6 6 4 B x x x x x x x x 6 6 6 4 4 4 (4) 4 4 6 4 x x x x x x x x 4 4 4 2 (2) 2 4 2 C Chorus C 5 G 5 b b 9 g g g ggg V V V V V V V V V V V V V V V V I V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V T V V V V V V V V V V V V V V V V 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 A 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 B 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 D 5 G 5 b b 13 gggg g V V V V V V V V V V V V V V V V I g V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V T V V V V V V V V V V V V V V V V 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 A 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 B 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 C 5 G 5 b b 17 g g g ggg V V V V V V V V V V V V V V V V I V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V T V V V V V V V V V V V V V V V V 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 A 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 B 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 Generated using the Power Tab Editor by Brad Larsen.
    [Show full text]
  • America's Changing Mirror: How Popular Music Reflects Public
    AMERICA’S CHANGING MIRROR: HOW POPULAR MUSIC REFLECTS PUBLIC OPINION DURING WARTIME by Christina Tomlinson Campbell University Faculty Mentor Jaclyn Stanke Campbell University Entertainment is always a national asset. Invaluable in times of peace, it is indispensable in wartime. All those who are working in the entertainment industry are building and maintaining national morale both on the battlefront and on the home front. 1 Franklin D. Roosevelt, June 12, 1943 Whether or not we admit it, societies change in wartime. It is safe to say that after every war in America’s history, society undergoes large changes or embraces new mores, depending on the extent to which war has affected the nation. Some of the “smaller wars” in our history, like the Mexican-American War or the Spanish-American War, have left little traces of change that scarcely venture beyond some territorial adjustments and honorable mentions in our textbooks. Other wars have had profound effects in their aftermath or began as a result of a 1 Telegram to the National Conference of the Entertainment Industry for War Activities, quoted in John Bush Jones, The Songs that Fought the War: Popular Music and the Home Front, 1939-1945 (Lebanon, NH: University Press of New England, 2006), 31. catastrophic event: World War I, World War II, Vietnam, and the current wars in the Middle East. These major conflicts create changes in society that are experienced in the long term, whether expressed in new legislation, changed social customs, or new ways of thinking about government. While some of these large social shifts may be easy to spot, such as the GI Bill or the baby boom phenomenon in the 1940s and 1950s, it is also interesting to consider the changed ways of thinking in modern societies as a result of war and the degree to which information is filtered.
    [Show full text]
  • Green Day's American Idiot Music by Green Day; Lyrics by Billie Joe Armstrong; Book by Billie Joe Armstrong and Michael Mayer
    Next on our stage: OTHER DESERT CITIES CALENDAR GIRLS IDEATION SEPT. 22-OCT. 23 NOV. 17-DEC. 18 JAN. 19-FEB. 19 HIGHLIGHTS Tarif Pappu, Joey Pisacane and Andrew Erwin play three friends stuck in suburbia. All photos of City Lights’ production of Green Day’s American Idiot are by Susan Mah Photography. A companion guide to Green Day’s American Idiot with music by Green Day, lyrics by Billie Joe Armstrong and book by Billie Joe Armstrong and Michael Mayer. July 14-Aug. 21, 2016. Johnny (Joey Pisacane, center) feels drawn to the sensuous city girl Whatsername (Danielle Mendoza), but his dangerous alter ego St. Jimmy (Sean Okuniewicz) is determined to get in the way. Synopsis This Tony Award-winning rock extravaganza tells the story of three lifelong friends, forced to choose between their unbridled dreams and the safety of suburbia, on a quest for true meaning in a post-9/11 world. Based on Green Day’s Grammy Award-winning, multiplatinum album, and featuring Boulevard of Broken Dreams, 21 Guns, Wake Me Up When September Ends and the blockbuster title track, Green Day’s American Idiot boldly takes the American musical and City Lights where they’re never gone before. Characters Along with a powerhouse ensemble, this cast of 21 includes these featured characters: Johnny (Joey Pisacane): Also known as the Jesus of Suburbia (you’ll get it when you see the show), Johnny is one of three friends in suburbia trying to figure life out. His quest leads him to the city Tunny (Andrew Erwin): Another of the three friends.
    [Show full text]
  • Note to Users
    NOTE TO USERS This reproduction is the best copy available. UMI' The Spectacle of Gender: Representations of Women in British and American Cinema of the Nineteen-Sixties By Nancy McGuire Roche A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University May 2011 UMI Number: 3464539 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3464539 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Spectacle of Gender: Representations of Women in British and American Cinema of the Nineteen-Sixties Nancy McGuire Roche Approved: Dr. William Brantley, Committees Chair IVZUs^ Dr. Angela Hague, Read Dr. Linda Badley, Reader C>0 pM„«i ffS ^ <!LHaAyy Dr. David Lavery, Reader <*"*%HH*. a*v. Dr. Tom Strawman, Chair, English Department ;jtorihQfcy Dr. Michael D1. Allen, Dean, College of Graduate Studies Nancy McGuire Roche Approved: vW ^, &v\ DEDICATION This work is dedicated to the women of my family: my mother Mary and my aunt Mae Belle, twins who were not only "Rosie the Riveters," but also school teachers for four decades. These strong-willed Kentucky women have nurtured me through all my educational endeavors, and especially for this degree they offered love, money, and fierce support.
    [Show full text]
  • 8123 Songs, 21 Days, 63.83 GB
    Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat.
    [Show full text]
  • Green Day, “Uno!”
    SEPTEMBER/OCTOBER 2012 ISSUE MMUSICMAG.COM REVIEWS HOLE GNobody’sREEN DAY Daughter ¡Uno![Universal] [Reprise] The first album released under the Hole moniker since Fourth1998’s act, Celebrity same asSkin the is first: really That’s the story Greenfrontwoman Day aims Courtney to tell Love’swith ¡Uno! , the first installmentsecond solo in a album—co-founder, trilogy of albums they’ll roll out oversongwriter the next few and months. lead guitarist Having played alt-rock heroesEric inErlandson the post-Cobain isn’t involved, ’90s and unlikely political rock-operanor is any dramatists other previous in the Hole member. So it’s Love and three Bush ’00s, the trio inches ringers on 11 new songs—10 backof towardwhich itsLove punk wrote roots, with craftingcollaborators restless power-poplike Billy Corgan, Linda Perry and new tunesguitarist that—modern Micko Larkin. studio (Perry gets full credit on one tune, sheen“Letter notwithstanding— to God.”) mightMuch have of fit the on riveting1992’s pre-intensity of the group’s 1990s Daniel Jackson fameheyday Kerplunk appears. It’s a welcome to have left along with her former bandmates, but there are fl ashes here of the snarling change, and not just because Too often, though, the slower songs trip her up. While once fury Love deployed to such devastating effect back in the day. they were showcases for harrowing displays of naked emotion, the band’s last album, 2009’s She spits out her vocals with vengeful disdain on “Skinny Little Love sounds more dispassionate these days. The production Phil Mucci 21stBitch,” Century overdriven Breakdown guitars, roilingbuckled atop under an elasticthe bassline that doesn’t help—the songs have an airless, sanded-down feel that weightspeeds of its up own as thearena-rock song races ambition.
    [Show full text]
  • Study Guide Geffen Playhouse in Association with Atlantic Theater Company Presents the Yale Repertory Theatre Production Of
    STUDY GUIDE GEFFEN PLAYHOUSE IN ASSOCIATION WITH ATLANTIC THEATER COMPANY PRESENTS THE YALE REPERTORY THEATRE PRODUCTION OF IN THE GIL CATES THEATER AT THE GEFFEN PLAYHOUSE SEPTEMBER 8 — OCTOBER 18, 2015 SPECIAL THANKS TO Randall Arney, Amy Levinson, Brian Dunning, Kevin O’Brien, Miguel del Castillo, Ellen Catania, Kristen Smith Eshaya, Scott Kriloff, Jessica Brusilow Rollins and Carolyn Marie Wright STUDY GUIDE WRITTEN AND COMPILED BY Jennifer Zakkai This publication is to be used for educational purposes only. THESE PAPER BULLETS! TABLE OF CONTENTS SECTION 1 ABOUT THIS PRODUCTION ARTISTIC DIRECTOR’S COMMENT ����������������������������������������������������������������������������������������������������������������4 PLAY SYNOPSIS �������������������������������������������������������������������������������������������������������������������������������������������������������������������� 5 ARTISTIC BIOGRAPHIES ��������������������������������������������������������������������������������������������������������������������������������������������� 5 SECTION 2 THEMES & TOPICS RIPOFF OR MASH-UP? ��������������������������������������������������������������������������������������������������������������������������������������������������� 6 THE MOD ERA ������������������������������������������������������������������������������������������������������������������������������������������������������������������������� 8 DECEPTION������������������������������������������������������������������������������������������������������������������������������������������������������������������������������10
    [Show full text]
  • Wavelength (March 1984)
    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 3-1984 Wavelength (March 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (March 1984) 41 https://scholarworks.uno.edu/wavelength/41 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. YOI of nine songs that for have been saved in the ''The Louisiana Hayride'' IT ALL BEGAN. Elvis' fame started when he began performing on the Louisiana Hayride radio nrftnrftiM Now for the first time ever performances are being made available to Elvis fans in a length album entitled ' postmarked on or before May 15. 1984 will automatically be tlitible tor a special drawing (you need not order to be elialbll to enter the drawing-see RULES below) . The lucky flraf prize winner receives a free trip lor two to Nashville. by air. The winner and guest will stay lor two nights in luxury Hear and see hotel accommodations and will tour .. Music Row" with O.J . Fontana as their host (Ask D.J. everything you always wanted to know about Elvis) . In addition. the grand prize winner Elvis was called receives the same tour lor two plus one of the most important gilts ever made to an Elvis tan : a movie projector owned and used by ELVIS .
    [Show full text]