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How Hollywood Casting Directors' Performances Of
1 Tiffany Matzas 5/15/2019 MMUF Final Essay Working Hard in Hollywood: How Hollywood Casting Directors’ Performances of Gatekeeping Invest in Whiteness Following the “Oscars So White” controversies of 2015 and 2016, film and television casting has become increasingly exposed to public scrutiny. Consider the backlash when a press release revealed that Ghost in the Shell had cast Scarlett Johansson, a white actress, to play the role of an Asian character.1 Or the social media outrage when the creators of Crazy Rich Asians and To All The Boys I’ve Loved Before revealed that multiple studios insisted on restricting the casting of main characters of color to white actors.2 These responses are indicative both of the ways in which casting has become an especially contentious arena for the success of a film and of the ways in which casting remains relatively conservative in its insistence on centering whiteness on-screen. Casting in film and television is an especially critical moment for understanding Hollywood’s relationship to race. It is where decisions are made about the aesthetics of the final product. Decisions centering whiteness from producers, directors, writers, and studios are often obscured in the final product, but casting decisions are one place where race in Hollywood is rendered hypervisible. 1 Eliza Berman, “A Comprehensive Guide to the Ghost in the Shell Controversy,” Time, March 29, 2017, http://time.com/4714367/ghost-in-the-shell-controversy-scarlett-johansson/. 2 Heidi Saman and Smith Kelley, “'It's Taken On A Whole Other Life,' Says 'Crazy Rich Asians' Author Kevin Kwan,” NPR, August 20, 2018, https://www.npr.org/2018/08/20/638967374/its-taken-on-a-whole-other-life-says- crazy-rich-asians-author-kevin-kwan; Sam Gillette, “Why To All The Boys I’ve Loved Before Author Jenny Han Had to Fight for an Asian American Star,” People, August 22, 2018, https://people.com/books/to-all-the-boys-ive- loved-before-asian-american-representation/. -
Introduction: the New Journalist
Intoduction.qxd 4/23/2007 12:27 PM Page 1 INTRODUCTION: THE NEW JOURNALIST Journalism is changing – and so are journalists. As someone considering enter- ing the trade, or just taking your first steps in it, you are in an enviable posi- tion. Enviable, certainly, to those who have spent some time in the job and are struggling to keep up with the speed at which things are now moving. Enviable because you will take for granted the new realities of journalism. Realities such as that, where once journalists tended to consider themselves as newspaper journalists, or magazine journalists, or broadcasters, the new journalist is likely to work in several media instead of just one. What has brought about this change? In a word, or rather two: the internet. Because of the internet, the way news is obtained is undergoing a transfor- mation which is nothing short of revolutionary. Increasingly, the internet is the news medium of choice for many people – particularly young people. Don’t give up. I didn’t even get an interview at the BBC after university. MARTHA KEARNEY, POLITICAL EDITOR BBC2 NEWSNIGHT AND PRESENTS RADIO 4 WOMAN’S HOUR Almost all publishers of newspapers and magazines, and broadcasters of radio and television programmes, now have a web version of their product. And those websites, increasingly, use elements from all the traditional media in order to tell their stories: text and still pictures from the newspapers and magazines, audio and moving images from broadcasting. So, whereas the old journalist only learned the specific skills required to tell a story in one medium, the new journalist is likely to learn techniques from various media. -
Disobedience
Presents DISOBEDIENCE A film by Sebastián Lelio 114 mins, UK, 2017 Language: English, Hebrew and Yiddish Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Twitter: @starpr2 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia DIRECTED BY Sebastián Lelio STARRING Rachel Weisz, Rachel McAdams, Alessandro Nivola PRODUCED BY Frida Torresblanco, Ed Guiney and Rachel Weisz EXECUTIVE PRODUCED BY Rose Garnett, Daniel Battsek, Ben Browning, Glen Basner, Andrew Lowe, Eric Laufer, Giovanna Randall, SCREENPLAY BY Sebastián Lelio and Rebecca Lenkiewicz BASED ON THE NOVEL BY Naomi Alderman DIRECTOR OF PHOTOGRAPHY Danny Cohen BSC LINE PRODUCER Rachel Dargavel EDITOR Nathan Nugent MUSIC BY Matthew Herbert PRODUCTION DESIGNER Sarah Finlay COSTUME DESIGNER Odile Dicks-Mireaux CASTING DIRECTOR Nina Gold HAIR & MAKE UP DESIGNER Marese Langan 2 SHORT SYNOPSIS A woman returns to her Orthodox Jewish community after the death of her rabbi father and stirs up controversy when she shows an interest in an old childhood friend. LONG SYNOPSIS In a Jewish Orthodox Synagogue in Hendon, the frail RAV KRUSHKA (Anton Lesser) collapses whilst giving a sermon. As funeral rites commence in London, the Rabbi’s exiled daughter RONIT KHRUSKA (Rachel Weisz) is living her life as a photographer in Manhattan. During a photo shoot she is told by the Brooklyn Synagogue of her father’s death; wounded by the news and in a vulnerable state, she gets drunk in a local bar and sleeps with an undetermined man. -
The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960’S
1 The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960’s Francesca Mary Greatorex Theatre and Performance Department Goldsmiths University of London A thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) 2 I hereby declare that the work presented in this thesis is my own. Signed: ……………………………………………. 3 Acknowledgements This thesis could not have been written without the generosity of many individuals who were kind enough to share their knowledge and theatre experience with me. I have spoken with actors, musical directors, set designers, directors, singers, choreographers and actor-musicians and their names and testaments exist within the thesis. I should like to thank Emily Parsons the archivist for the Liverpool Everyman for all her help with my endless requests. I also want to thank Jonathan Petherbridge at the London Bubble for making the archive available to me. A further thank you to Rosamond Castle for all her help. On a sadder note a posthumous thank you to the director Robert Hamlin. He responded to my email request for the information with warmth, humour and above all, great enthusiasm for the project. Also a posthumous thank you to the actor, Robert Demeger who was so very generous with the information regarding the production of Ninagawa’s Hamlet in which he played Polonius. Finally, a big thank you to John Ginman for all his help, patience and advice. 4 The Development of the Role of the Actor-Musician in Britain by British Directors During the Period 1960 to 2000. -
FOOD and DRINK Salisbury Playhouse
SALISBURY PLAYHOUSE SALISBURY ARTS CENTRE AUTUMN/WINTER 2019/20 SEASON THEATRE | DANCE | MUSIC | COMEDY | FILM | EXHIBITIONS | WORKSHOPS | CAFÉS Book online www.wiltshirecreative.co.uk Or call 01722 320333 WELCOME Welcome to the Autumn/Winter Season at Salisbury Playhouse and Salisbury Arts Centre. At Salisbury Playhouse we are excited to be transforming the Main House for two special productions this Autumn. Alan Ayckbourn’s brilliant comedy Relatively Speaking and Hugh Whitemore’s compelling drama Breaking the Code will be produced with seating on all sides of the stage, bringing audiences closer than ever to the action and creating a special atmosphere in the theatre. Alongside these two Wiltshire Creative productions, we are thrilled to be producing the world premiere of Barney Norris’s new play – a retelling of Lorca’s Blood Wedding, set in a Wiltshire Village. At Salisbury Arts Centre, there is a lively mix of dance, comedy, music and film, as well as live screenings from NT Live and New York’s Met Opera and a fascinating programme of visual arts. And, of course, there is plenty of entertainment over the Christmas period – from the family pantomime Robin Hood, a new musical adaptation of The Tailor of Gloucester and Dylan Thomas’ A Child’s Christmas in Wales at the Playhouse, to a festive murder mystery, stand-up comedy and Christmas music at the Arts Centre. Finally, why not get creative yourself? Take a look at the wide range of workshops our Take Part team runs – from pottery and sculpture to dance, circus skills and even stand-up comedy – and give something a try. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
Phoebe Cummings Named Winner of the Inaugural Woman's Hour Craft
8 NOVEMBER 2017 FOR IMMEDIATE RELEASE Phoebe Cummings named winner of the inaugural Woman’s Hour Craft Prize Clay artist Phoebe Cummings was named the winner of the inaugural £10,000 Woman’s Hour Craft Prize in a live broadcast this morning from the V&A, where she was awarded the prize by a judging panel made up of Rosy Greenlees, Executive Director of the Crafts Council; Tristram Hunt, Director of the V&A; Martha Kearney, BBC journalist and broadcaster; Susie Lau, fashion writer and style influencer; and Jacky Klein, art historian. Rosy Greenlees, Executive Director, Crafts Council, said: “Phoebe’s work is truly original. It encompasses performance art and studio ceramics and defies easy categorisation. Working exclusively with raw clay to create site-specific pieces that change subtly day-to-day, her staggeringly beautiful work asks us to celebrate rather than mourn the passing of time. She challenges ideas of what craft is with work that is almost impossible to possess but delights in the physical process of making and shows a highly skilled understanding of the material. And so despite stiff competition from 11 other exceptional makers, she has been awarded the inaugural Woman’s Hour Craft Prize.” Phoebe uses unfired clay to create temporary sculptures and installations that gradually disintegrate, challenging expectations of what craft is. Intricate and detailed, her work responds to the natural world and lasts only for the duration of an exhibition after which the clay is, where possible, reclaimed and reused on future pieces. For the Craft Prize she created a fountain that dissolves as the water flows, which has been on display at the V&A since 7 September 2017 alongside work by the other 11 finalists. -
Broadcast@ ■ Melvyn Bragg on TV Street, London WC2H 9HQ ■ Jane Hudson Btinternet.Com the Author and Parliamentarian ■ Rtsdevonandcornwall@Rts
October 2017 A world of opportunity CAMBRIDGE CONVENTION 2017 MASTERCLASSES 14 November From the CEO The RTS Cambridge Convention not only kicked off the Society’s busy RTS STUDENT autumn events schedule, it generated headlines in abundance and helped to PROGRAMME set the media agenda. Huge thanks to the convention’s brilliant co-chairs, Sky’s Andrew MASTERCLASSES Griffith and Gary Davey, and to all the speakers and session producers. We enjoyed an extraordinary line-up of world-class entertainment execu- tives. James Murdoch’s appearance on the Thursday morning was a particular 15 November high point, as he outlined the corporate RTS STUDENT philosophy of 21st Century Fox. CRAFT SKILLS MASTERCLASSES Contents Kenton Allen’s TV diary Kenton Allen chills in Malibu and trades gossip at the RTS 5 Cambridge Convention RTS Cambridge Convention 2017 Reports by Matthew Bell, Maggie Brown, Steve Clarke and Tara Conlan One: A world of opportunity Steve Clarke listens as senior industry figures identify 7 British TV’s strengths and challenges Two: Zig when the others zag CEO Nancy Dubuc explains how A+E Networks has 10 prospered by taking risks and diversifying. Matthew Bell watches the showreel Three: Show me the money Maggie Brown hears how Andy Harries and Andy Wilman 12 made TV history by signing lucrative deals with Netflix and Amazon Four: Five fundamentals guiding the BBC Chairman Sir David Clementi lays out his vision for the 14 BBC – and defends its journalists from harassment Five: News we can trust? Steve Clarke watches news executives decide how to 17 handle emerging details of a terrorist attack as online reports of the event multiply Both at: Editor Production, design Writer IET, 2 Savoy Place, London WC2R 0BL Steve Clarke and advertising Matthew Bell [email protected] Gordon Jamieson [email protected] [email protected] Booking: www.rts.org.uk Journal of The Royal Television Society October 2017 l Volume 54/9 It was wonderful, too, to have the domestic news story unfolds. -
THE BBC and BREXIT
THE BBC and BREXIT The ‘Today’ Programme’s Coverage of the UK General Election 6 November – 11 December 2019 1 Contents SUMMARY .....................................................................................................................................................3 PART ONE: MONITORING STATISTICS..................................................................................................6 1.1 OVERVIEW – THE BBC, THE ROYAL CHARTER AND OFCOM ......................................................6 1.2 THE POLITICAL BACKGROUND ....................................................................................................... 13 1.3 MAIN UK PARTIES IN THE 2019 GENERAL ELECTION ................................................................ 15 1.4 TODAY’S EU COVERAGE .................................................................................................................. 24 1.5 SPEAKERS AND CODING ................................................................................................................. 24 1.6 CONCLUSION ..................................................................................................................................... 31 PART TWO: CONTENT ANALYSIS ........................................................................................................ 35 SUMMARY OF ISSUES RAISED BY PRO-BREXIT COVERAGE ............................................................ 35 SECTION 1: WITHDRAWAL CONTRIBUTIONS ................................................................................... -
Contesting British Chinese Culture
Exploring the casting of British and Irish actors in contemporary US film and television Book or Report Section Accepted Version Knox, S. (2018) Exploring the casting of British and Irish actors in contemporary US film and television. In: Cantrell, T. and Hogg, C. (eds.) Exploring television acting. Bloomsbury, London, pp. 154-170. ISBN 9781474248594 Available at http://centaur.reading.ac.uk/67116/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Publisher: Bloomsbury All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online ‘Exploring the casting of British and Irish actors in contemporary US film and television’ for Hogg, C. and Cantrell, T. (eds.). Exploring television acting, Bloomsbury. Simone Knox From Josh Bowman, Liam Cunningham, Idris Elba, Marianne Jean-Baptiste, David Harewood, Kit Harington, Lena Heady, Hugh Laurie, Damian Lewis, Andrew Lincoln, Kelly McDonald, Iwan Rheon, David Tennant, to Ed Weeks and Dominic West – the presence of British and Irish actors in contemporary US television drama is certainly noticeable, spanning different genres as well as network, cable and streaming television. Add to this such recent outings on the big screen as by Christian Bale, John Boyega, Kate Beckinsale, Henry Cavill, Daniel Day- Lewis, Andrew Garfield, Tom Holland and David Oyelowo, and it is clear that British and Irish actors have been achieving success in the USA in terms of both breadth and depth, with many securing prominent roles in high-profile productions. -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
Autumn | Winter 2019/20 Season
Autumn | Winter 2019/20 Season THEATRE | DANCE | MUSIC | COMEDY | FILM | VISUAL ARTS | WORKSHOPS | CAFES Book online | wiltshirecreative.co.uk Or call | 01722 320333 Welcome Contents Welcome to the Autumn/Winter Season at Salisbury Playhouse and Salisbury Arts Centre. At Salisbury Playhouse we are excited to be transforming the Main House for two special productions this Autumn. Alan Ayckbourn’s brilliant comedy Relatively Speaking and Hugh P2-13 P49 Whitemore’s compelling drama Breaking the Code will be produced with seating on all The Main House at Christmas Entertainment at sides of the stage, bringing audiences closer than ever to the action and creating a special Salisbury Playhouse Salisbury Arts Centre atmosphere in the theatre. Alongside these two Wiltshire Creative productions, we are thrilled to be producing the world premiere of Barney Norris’ new play – a retelling of Lorca’s Blood Wedding, set in a Wiltshire Village. P14-33 At Salisbury Arts Centre, there is a lively mix of dance, comedy, music and film, as well as live The Salberg at P50 screenings from NT Live and New York’s Met Opera and a fascinating programme of visual arts. Salisbury Playhouse Take Part And, of course, there is plenty of entertainment over the Christmas period – from the family pantomime Robin Hood, a new musical adaptation of The Tailor of Gloucester and Dylan Thomas’ A Child’s Christmas in Wales at the Playhouse, to a festive murder mystery, stand-up comedy and Christmas music at the Arts Centre. Finally, why not get creative yourself? Take a look at the wide range of workshops our Take P35 Part team runs – from pottery and sculpture to dance, circus skills and even stand-up comedy Visual Arts at P51-53 – and give something a try.