Facultade De Filoloxía Grao En Lingua E Literatura
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Masaryk University Faculty of Education Department Of
Masaryk University Faculty of Education Department of English Language and Literature The Passive in the British Political News Bachelor thesis Brno 2017 Supervisor: Written by: Mgr. Renata Jančaříková, Ph.D. Karolína Šafářová Announcement I hereby declare that I have worked on this thesis independently and that I have used only the sources from the works cited list. Brno, 30 March 2017 ..…..………………… Karolína Šafářová Acknowledgement I would like to thank my supervisor, Mgr. Renata Jančaříková, Ph.D, for her guidance, kind support and valuable advice. Anotace Tato bakalářská práce The Passive in the British political news je zaměřena na užití trpného rodu v politických článcích na téma Brexit vyskytujících se v seriozních novinách The Guardian a bulváru The Daily Mail. V práci je použita kvantitatvní analýza za účelem srovnání výskytu činného a trpného rodu, vyhodnocení důvodů pro používání trpného rodu, analyzování výskytu významových a uvozovacích sloves, a poměru činitelů trpného rodu vyjádřených pomocí 'by'. Annotation This bachelor thesis The Passive in the British political news is focused on the use of the passive in the broadsheet The Guardian and the tabloid The Daily Mail on the topic of concerning Brexit. It uses quantitative analysis to compare the frequency of use of the active and the passive voice, to analyze reasons for using the passive, the frequency of occurrence of lexical and report verbs, and the proportion of agents expressed by 'by'. Klíčová slova trpný rod, činný rod, noviny, politické zprávy, The Guardian, The Daily Mail, analýza, kvalitní noviny, bulvár Key Words passive voice, active voice, newspaper, political news, The Guardian, The Daily Mail, analysis broadsheets, tabloids Content 1 Introduction ....................................................................................................................... -
Fabian Society
SOS POLITICAL SCIENCE & PUBLIC ADMINISTRATION M.A POLITICAL SCIENCE II SEM POLITICAL PHILOSOPHY: MODERN POLITICAL THOUGHT, THEORY & CONTEMPORARY IDEOLOGIES UNIT-III Topic Name-fabian socialism WHAT IS MEANT BY FABIAN SOCIALISM? • The Fabian Society is a British socialistorganisation whose purpose is to advance the principles of democratic socialism via gradualist and reformist effort in democracies, rather than by revolutionary overthrow WHO STARTED THE FABIAN SOCIETY? • Its nine founding members were Frank Podmore, Edward R. Pease, William Clarke, Hubert Bland, Percival Chubb, Frederick Keddell, H. H. Champion, Edith Nesbit, and Rosamund Dale Owen. WHO IS THE PROPOUNDER OF FABIAN SOCIALISM? • In the period between the two World Wars, the "Second Generation" Fabians, including the writers R. H. Tawney, G. D. H. Cole and Harold Laski, continued to be a major influence on socialistthought. But the general idea is that each man should have power according to his knowledge and capacity. WHAT IS THE FABIAN POLICY? • The Fabian strategy is a military strategy where pitched battles and frontal assaults are avoided in favor of wearing down an opponent through a war of attrition and indirection. While avoiding decisive battles, the side employing this strategy harasses its enemy through skirmishes to cause attrition, disrupt supply and affect morale. Employment of this strategy implies that the side adopting this strategy believes time is on its side, but it may also be adopted when no feasible alternative strategy can be devised. HISTORY • This -
How Hollywood Casting Directors' Performances Of
1 Tiffany Matzas 5/15/2019 MMUF Final Essay Working Hard in Hollywood: How Hollywood Casting Directors’ Performances of Gatekeeping Invest in Whiteness Following the “Oscars So White” controversies of 2015 and 2016, film and television casting has become increasingly exposed to public scrutiny. Consider the backlash when a press release revealed that Ghost in the Shell had cast Scarlett Johansson, a white actress, to play the role of an Asian character.1 Or the social media outrage when the creators of Crazy Rich Asians and To All The Boys I’ve Loved Before revealed that multiple studios insisted on restricting the casting of main characters of color to white actors.2 These responses are indicative both of the ways in which casting has become an especially contentious arena for the success of a film and of the ways in which casting remains relatively conservative in its insistence on centering whiteness on-screen. Casting in film and television is an especially critical moment for understanding Hollywood’s relationship to race. It is where decisions are made about the aesthetics of the final product. Decisions centering whiteness from producers, directors, writers, and studios are often obscured in the final product, but casting decisions are one place where race in Hollywood is rendered hypervisible. 1 Eliza Berman, “A Comprehensive Guide to the Ghost in the Shell Controversy,” Time, March 29, 2017, http://time.com/4714367/ghost-in-the-shell-controversy-scarlett-johansson/. 2 Heidi Saman and Smith Kelley, “'It's Taken On A Whole Other Life,' Says 'Crazy Rich Asians' Author Kevin Kwan,” NPR, August 20, 2018, https://www.npr.org/2018/08/20/638967374/its-taken-on-a-whole-other-life-says- crazy-rich-asians-author-kevin-kwan; Sam Gillette, “Why To All The Boys I’ve Loved Before Author Jenny Han Had to Fight for an Asian American Star,” People, August 22, 2018, https://people.com/books/to-all-the-boys-ive- loved-before-asian-american-representation/. -
“Naughty Willie” at Rhodes House
Gowers of Uganda : Conduct and Misconduct Being an abridged version of an article forthcoming in ARAS : Gowers of Uganda: The Public and Private Life of a Forgotten Colonial Governor Roger Scott, University of Queensland I Apparently, not a lot has been written about the conduct of the private lives of colonial governors. This is in contrast to the information provided in histories and novels and films about white settler society in southern and eastern Africa. In my conference contribution, I want to add to this scarce literature. My forthcoming article in ARAS has a wider compass, including an appreciation of the intersection between the public and private life of a forgotten governor of Uganda, Sir William Gowers. Both pieces draw upon original archival and obscure secondary sources examined in the context of a wider project, a biography by my wife focussed on another member of the Gowers family, her paternal grand-father, Sir Ernest Gowers. These primary sources1 provide testimony from, among others, the Prince of Wales and his aide-de-campe, that Gowers was outgoing, entertaining, and full of bravado as well as personal bravery. The same files also reveal that his personal life became a source of widespread scandal among the East African Europeans, especially missionaries, and it required the intervention of his mentor Lord Lugard to fight off his dismissal by the Colonial Secretary. William was in other words a prototype of the cliché of the romantic literature of his era: the “Black Sheep” of the family. William and his younger brother Ernest were provided with an education at Rugby and Cambridge explicitly designed for entry to the public service. -
June 2014 Newsletter
D M A Newsletter June 2014 Editorial David M Riches Welcome to the June 2014 Newsletter. Thanks to our contributors I think we have another interesting newsletter that I hope you will find informative and enjoy reading. I’m always amazed at the variety of activities the museums in Dorset are engaged in. One of the beauties of visiting museums is that no two are the same, nor even similar. As some of you may already know, one of my other interests is vintage and antique scientific instruments, which I personally collect. I belong to an organisation called the Scientific Instrument Society and each year they hold two study tours, an overseas one in the spring and a shorter one, usually in Britain, in the autumn. By the time you read this I will probably be in Switzerland on the first of these this year visiting a variety of museums and CERN. However, the autumn tour this year will be to Dorset. I am organising it and over the three days from 17th to 19th October they will be visiting the Dorset Clock & Cider Museum, the BNSS, The Royal Signals Museum and the Water Museum at Sutton Poyntz, before finishing at Weymouth Museum where there will be a viewing and handling session of part of my collection. Sadly, I had also planned a visit to the Museum of Electricity which is now closed, as this had a good collection of electrical instruments amongst its impressive collection of electrical equipment and machinery. Hopefully this tour will encourage some of the members to visit Dorset and its museums again. -
Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell
Copyrights sought (Albert) Basil (Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell) Filson Young (Alexander) Forbes Hendry (Alexander) Frederick Whyte (Alfred Hubert) Roy Fedden (Alfred) Alistair Cooke (Alfred) Guy Garrod (Alfred) James Hawkey (Archibald) Berkeley Milne (Archibald) David Stirling (Archibald) Havergal Downes-Shaw (Arthur) Berriedale Keith (Arthur) Beverley Baxter (Arthur) Cecil Tyrrell Beck (Arthur) Clive Morrison-Bell (Arthur) Hugh (Elsdale) Molson (Arthur) Mervyn Stockwood (Arthur) Paul Boissier, Harrow Heraldry Committee & Harrow School (Arthur) Trevor Dawson (Arwyn) Lynn Ungoed-Thomas (Basil Arthur) John Peto (Basil) Kingsley Martin (Basil) Kingsley Martin (Basil) Kingsley Martin & New Statesman (Borlasse Elward) Wyndham Childs (Cecil Frederick) Nevil Macready (Cecil George) Graham Hayman (Charles Edward) Howard Vincent (Charles Henry) Collins Baker (Charles) Alexander Harris (Charles) Cyril Clarke (Charles) Edgar Wood (Charles) Edward Troup (Charles) Frederick (Howard) Gough (Charles) Michael Duff (Charles) Philip Fothergill (Charles) Philip Fothergill, Liberal National Organisation, N-E Warwickshire Liberal Association & Rt Hon Charles Albert McCurdy (Charles) Vernon (Oldfield) Bartlett (Charles) Vernon (Oldfield) Bartlett & World Review of Reviews (Claude) Nigel (Byam) Davies (Claude) Nigel (Byam) Davies (Colin) Mark Patrick (Crwfurd) Wilfrid Griffin Eady (Cyril) Berkeley Ormerod (Cyril) Desmond Keeling (Cyril) George Toogood (Cyril) Kenneth Bird (David) Euan Wallace (Davies) Evan Bedford (Denis Duncan) -
Disobedience
Presents DISOBEDIENCE A film by Sebastián Lelio 114 mins, UK, 2017 Language: English, Hebrew and Yiddish Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Twitter: @starpr2 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia DIRECTED BY Sebastián Lelio STARRING Rachel Weisz, Rachel McAdams, Alessandro Nivola PRODUCED BY Frida Torresblanco, Ed Guiney and Rachel Weisz EXECUTIVE PRODUCED BY Rose Garnett, Daniel Battsek, Ben Browning, Glen Basner, Andrew Lowe, Eric Laufer, Giovanna Randall, SCREENPLAY BY Sebastián Lelio and Rebecca Lenkiewicz BASED ON THE NOVEL BY Naomi Alderman DIRECTOR OF PHOTOGRAPHY Danny Cohen BSC LINE PRODUCER Rachel Dargavel EDITOR Nathan Nugent MUSIC BY Matthew Herbert PRODUCTION DESIGNER Sarah Finlay COSTUME DESIGNER Odile Dicks-Mireaux CASTING DIRECTOR Nina Gold HAIR & MAKE UP DESIGNER Marese Langan 2 SHORT SYNOPSIS A woman returns to her Orthodox Jewish community after the death of her rabbi father and stirs up controversy when she shows an interest in an old childhood friend. LONG SYNOPSIS In a Jewish Orthodox Synagogue in Hendon, the frail RAV KRUSHKA (Anton Lesser) collapses whilst giving a sermon. As funeral rites commence in London, the Rabbi’s exiled daughter RONIT KHRUSKA (Rachel Weisz) is living her life as a photographer in Manhattan. During a photo shoot she is told by the Brooklyn Synagogue of her father’s death; wounded by the news and in a vulnerable state, she gets drunk in a local bar and sleeps with an undetermined man. -
Personalities and Perceptions: Churchill, De Gaulle, and British-Free French Relations 1940-1941" (2019)
University of Vermont ScholarWorks @ UVM UVM Honors College Senior Theses Undergraduate Theses 2019 Personalities and Perceptions: Churchill, De Gaulle, and British- Free French Relations 1940-1941 Samantha Sullivan Follow this and additional works at: https://scholarworks.uvm.edu/hcoltheses Recommended Citation Sullivan, Samantha, "Personalities and Perceptions: Churchill, De Gaulle, and British-Free French Relations 1940-1941" (2019). UVM Honors College Senior Theses. 324. https://scholarworks.uvm.edu/hcoltheses/324 This Honors College Thesis is brought to you for free and open access by the Undergraduate Theses at ScholarWorks @ UVM. It has been accepted for inclusion in UVM Honors College Senior Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. Personalities and Perceptions: Churchill, De Gaulle, and British-Free French Relations 1940-1941 By: Samantha Sullivan Advised by: Drs. Steven Zdatny, Andrew Buchanan, and Meaghan Emery University of Vermont History Department Honors College Thesis April 17, 2019 Acknowledgements: Nearly half of my time at UVM was spent working on this project. Beginning as a seminar paper for Professor Zdatny’s class in Fall 2018, my research on Churchill and De Gaulle slowly grew into the thesis that follows. It was a collaborative effort that allowed me to combine all of my fields of study from my entire university experience. This project took me to London and Cambridge to conduct archival research and made for many late nights on the second floor of the Howe Library. I feel an overwhelming sense of pride and accomplishment for this thesis that is reflective of the work I have done at UVM. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
The Canadian Forces' Decorations
The Canadian Forces’ Decoration Christopher McCreery Foreword by His Royal Highness The Duke of Edinburgh CONTACT US To obtain more information contact the: Directorate of Honours and Recognition National Defence Headquarters 101 Colonel By Drive Ottawa, ON K1A 0K2 http://www.cmp-cpm.forces.gc.ca/dhr-ddhr/ 1-877-741-8332 DGM-10-04-00007 The Canadian Forces’ Decoration Christopher McCreery Foreword by His Royal Highness The DukeThe Canadian of Edinburgh Forces’ Decoration | i Her Majesty Queen Elizabeth II wearing her uniform as Colonel- in-Chief of the Scots Guards during a ceremony of Trooping the Colour in London, United Kingdom. The Canadian Forces’ Decoration she received as a Princess in 1951 can be seen at the end of her group of medals The Canadian Forces’ Decoration Dedication ...............................................................................................iv Frontispiece ................................................................................................v Foreword H.R.H. The Duke of Edinburgh, KG, KT, PC, OM, GBE, AC, QSO, GCL, CD, ADC ..............................vii Preface General Walter Natynczyk, CMM, MSC, CD .........................ix Author’s Note ................................................................................................x Acknowledgements ...............................................................................................xi Introduction .............................................................................................xiii Chapter One Early Long Service -
Where Next for the (Broadcast) Political Interview? David Dimbleby Looks Back and Forward
blogs.lse.ac.uk http://blogs.lse.ac.uk/polis/2014/10/18/where-next-for-the-broadcast-political-interview-david-dimbleby-looks-back-and-forward/ Where next for the (broadcast) political interview? David Dimbleby looks back and forward It all went wrong with the introduction of the sofa. Once politicians had the option of a cozy chat with comfy pillows, then the gladiatorial combat of the traditional broadcast interview was dead. The other David, Frost on the sofa with Mrs Thatcher That is the core message from David Dimbleby’s thoughtful lecture on the art of the political interview, given to celebrate the 90th birthday of the psephology legend Sir David Butler. The BBC recorded it so you will be able to judge for yourself, but listening in St Peter’s Chapel, Oxford along with a selection of broadcasting’s great and not so good, I realised just how much the form has changed and wondered whether it is now effectively dead. Newsnight editor Ian Katz has written an intelligent and progressive analysis of the crisis of the TV political interview. He suggests that to revive it politicians and journalists need to agree to a more relaxed, slightly less adversarial approach where the politicians are allowed to stray beyond the soundbites and indulge in thinking aloud without the journalist jumping on any phrase that does not fit precisely with the party line. Time, says Katz, is of the essence. Even a 5-7 minutes Newsnight (or Today programme) interview is not enough to get past the posturing. Dimbleby agrees with Katz that size matters. -
1 the Public Life of a Twentieth Century Princess Princess Mary Princess Royal and Countess of Harewood Wendy Marion Tebble
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by SAS-SPACE 1 The Public Life of a Twentieth Century Princess Princess Mary Princess Royal and Countess of Harewood Wendy Marion Tebble, Institute of Historical Research Thesis submitted for Degree of Master of Philosophy, 2018 2 Table of Contents Abstract 3 Acknowledgements 5 Abbreviations 7 Acronyms 8 Chapters 9 Conclusion 136 Bibliography 155 3 Abstract The histiography on Princess Mary is conspicuous by its absence. No official account of her long public life, from 1914 to 1965, has been written and published since 1922, when the princess was aged twenty-five, and about to be married. The only daughter of King George V, she was one of the chief protagonists in his plans to include his children in his efforts to engage the monarchy, and the royal family, more deeply and closely with the people of the United Kingdom. This was a time when women were striving to enter public life more fully, a role hitherto denied to them. The king’s decision was largely prompted by the sacrifices of so many during the First World War; the fall of Czar Nicholas of Russia; the growth of socialism; and the dangers these events may present to the longevity of the monarchy in a disaffected kingdom. Princess Mary’s public life helps to answer the question of what role royal women, then and in the future, are able to play in support of the monarchy. It was a time when for the most part careers of any kind were not open to women, royal or otherwise, and the majority had yet to gain the right to vote.