Cheffins Clifton House 1 & 2 Clifton Road Cambridge The Fine Art Sale Cambridgeshire CB1 7EA Started 06 Mar 2013 11:00 GMT United Kingdom
Lot Description
A Mintons majolica asparagus tray, date symbol for 1877, modelled as a round arched trough of asparagus on a brown underdish with 1 green rounded rectangular rim band with white flower heads central to each side, impressed marks, 25.5cm (10in) (W)
2 A late 18th century white pearlware monkey, its long tail tucked under his feet as he sits on a mound, 7cm (2.75in) high
3 A mid 18th century white saltglaze jug painted with a spray of coloured flowers below the serrated rim, 8cm (3.25in) high
A late 18th century Whieldon type creamware George and the dragon group, he rides his green and brown spotted horse over the 4 dragon and lances it in its mouth, 28.5cm (11.25in) high (R)
A William Greatbatch teapot and cover printed and painted one side with `Cybele` and on the other with one of the twelve houses of 5 Heaven (2) (D). For illustrations of these subjects, see Davis Barker `William Greatbatch`, plates 146 and 149
A Royal Worcester `Vitreous` dinner service, date codes for 1917, decorated with pattern number 5969 of a central iron red tub of 6 hibiscus within four sprays on the brown edged rims, comprising: two sauce tureens, covers and stands, two vegetable tureens and covers, soup tureen, cover, stand and lad ...[more]
`Success to the Orange Cause`, an early 19th century creamware jug, the printed inscription below the spout flanked by Masonic 7 armorials printed in black and painted each side, 16cm (6.25in) high (D)
A late 18th/early 19th century creamware mug, possibly Liverpool, printed in black with a ship to one side and a verse on the other 8 beginning `When This You See, Remember Me`, 15cm (6in) high (D)
An early 19th century creamware jug printed in red and painted on each side with `The Independent Order of Odd Fellows` armorial and 9 motto `Amor Honor Justitia`, a verse below the spout, the rims and shoulders with blue lines, 15cm (6in) high
An early 19th century creamware jug, possibly Liverpool, printed in black on one side with a scene of the sailor`s farewell and on the 10 other with one of John Bull and Napoleon, titled (sic) `The Governor of Europe stoped in his Career`, 15cm (6in) high (D)
A `Phillips & Co Sunderland Pottery` creamware jug bearing a W Cockburn print of `His Grace the Duke of Wellington` leading a charge 11 on horseback on one side and with the iron bridge across the Wear on the other, inscribed to the `Remembrance of Mr Robt Mellanby` below the spout, 20cm (8in) high ...[more]
A late 18th century pearlware jug moulded with leaves in the manner of Caughley, the edges picked out in pink and enclosing sprays of 12 flowers, 21cm (8.25in) high (D)
A creamware jug inscribed to `Joseph Houes 1772`, possibly painted by William Rhodes in black and red below the spout with the 13 central of three men holding up a green bag, a punch bowl and cards on the table before him, the interlacing reeded strap handle ending in green, blue and yellow floral term ...[more] A late 18th/early 19th century creamware jug, possibly Liverpool, painted on one of the bellied sides with the sun and on the other with 14 the moon amongst stars, each framed by sprays of flowers, the rims with blue lines, 17cm (6.75in) high
An early 19th century pearlware satirical jug, silver lustre rim bands above black printed and painted scenes titled `Cossack Mode of 15 Attack` and `Boneys return from Russia to Paris`, 14cm (5.5in) high (D)
An early 19th century pearlware jug, possibly Sunderland, printed in black and painted on one side with a trophy of farming implements 16 inscribed `The Husbandman`s Diligence Provides Bread`, the other with a verse beginning `Success to the Fleece` and motto `Industry Produceth Wealth`, 13cm (5in) hig ...[more]
An early 19th century creamware mug, possibly Dixon Austin & Co, Garrison Pottery, printed in black and painted on one side with the 17 `Mariners Arms` and on the other with a verse beginning `Have Communion with Few...`, 15cm (6in) high (D). A marked version with this verse and the Sunderland Brid ...[more]
A Sunderland pink lustre jug commemorating `Columbus the Largest Ship Ever Built` and printed with it below the spout, verses on the 18 flanking sides, 21cm (8.25in) (W). The four masted wooden ship was built so large in 1824 for tax reasons. It was to sail one way to Quebec and its constituents to be ...[more]
A George IV Sunderland pink lustre jug commemorating `Columbus the Largest Ship ever Built` on one side and with a verse to 19 Prosperity on the other, an anchor painted below the spout, 21cm (8.25in) high (D)
An 18th century Delft blue and white tankard, possibly Bristol, the cylindrical sides slightly flaring at the foot and painted with a bird on a 20 rock amongst flowers opposite the dashed handle, the European pewter lid incised with a cartouche enclosing the initials CV and the date 1707, the pottery 1 ...[more]
An early 19th century porcellaneous cow creamer and cover, possibly Yorkshire, the open mouthed beast standing four square above a 21 pink flower on a rounded base with yellow and iron red trellis bands, its body painted with a carpet of flowers, 16cm (6.25in) wide (2)
Three basalt portrait profiles, a Danish caneware roundel and a bronze profile of Pitt, the Wedgwood profile of Caesar framed, the 22 Leeds Pottery profiles of Da Vinci and Osippidus unframed, the largest 7cm (2.75in) high, the roundel with Cupid leading a giant hound in relief, 7cm (2.75in) diameter, ...[more]
A mid 18th century Staffordshire red ware punch pot and cover, the spout of the compressed spherical shape with foliate tip, the sides 23 and cover with floral wheel decoration and sprigging (D). The sprig of a lady with a falcon should be distinctive to a particular maker but neither of the red wares ...[more]
James Henry Liseron Lewis, an oil painting dated 1933, a still life of fruit on a ledge by a column before a landscape, oil on canvas, 42.5 27 x 57cm (16.75 x 22.5in), in gilt frame. For a short history of Lewis` time at the Worcester factory see Henry Sandon `Royal Worcester Porcelain`, page 97
A Flight, Barr and Barr Worcester oval platter bearing an earl`s coronet over SG on the salmon rim band gilt with vermicular scrolls, FBB 28 impressed, 50cm (19.75in) wide
A Royal Worcester comport, date code for 1901, painted by Harry Davis with a central view of `Ben Lomond` with eight floral vignettes 29 on the gilt celadon rim band, 23cm (9in) diameter
An early 20th century Wedgwood chinoiserie lustre standing bowl, the interior decorated with three phoenix and the mottled green 30 exterior gilt with three qilin, printed mark and Z4831, 10.5cm (4in) diameter
Three early 19th century Spode miniature dishes, each with gilt scroll handles attached to gilt blue ovolo rims enclosing painted flowers, 31 painted Spode marks, the single 13cm (5in) and the pair 7.5cm (3in) diameter (3) (R) 32 A red anchor Chelsea plate painted with scattered fruit within the red lined rim, 22.5cm (8.75in) diameter (D)
An 18th century Derby inkstand, the outer of the three receivers painted with butterflies, enclosed by gilt rocaille and before an insect 33 painted pen trough, supported on five scroll feet, 25cm (9.75in) wide (R)
A pair of Flight, Barr and Barr Worcester plates, centrally painted with views of St Bernard`s Well and Virginia Water within claret rim 34 bands and gilt gadrooning, marks in red, 23cm (9in) diameter (2)
An 18th century Worcester coffee pot and cover, painted with sprigs and sprays of flowers, the lip of the spout and the rim of the lid with 35 gilt lines (2) (R)
36 An 18th century Worcester blue and white spittoon printed with flowers and butterflies, crescent mark, 12cm (4.75in) diameter
An 18th century Worcester blue and white punch pot and cover printed with roses and lilies below festoons on the rim and lid, crescent 37 mark (R)
An 18th century Worcester standing bowl and a polygonal dish, each with a turquoise chevron edged rim band, the interlacing handles 38 to the bowl ending in gilt flower terminals, 18.5cm (7.25in) diameter, the centre of the dish with a flower head and gilt foliage, 30cm (11.75in) wide (2)
A Bow double lipped sauce boat, painted in Imari palette with flowers, the two handles applied to the broader sides joining a diamond 39 diaper and flowerhead rim band, 18.5cm (97.25in) wide (D)
An 18th century Worcester sauce boat, the exterior moulded with rococo reserves and painted with flowers below a red lined rim, 15cm 40 (6in) wide
A pair of Bow cherubs standing on purple marbled bases, one with a bottle and glass and the other with floral chain, 15cm (6in) high (2) 41 (R)
An 18th century Derby butter dish and cover, the latter with strawberry cover finial, both painted with pink roses bunched with other 42 flowers above three feet, 12.5cm (5in) diameter (2) (D)
An 18th century Derby figure of an opera singer, she holds a letter in her raised right hand as she stands amongst applied flowers, her 43 floral skirt below her red lined cloak, 21.5cm (8.5in) high (R)
A Bow tea bowl and saucer painted in Imari palette with pattern 31 of lotus flowers below a willow tree, bears Basford Collection labels 44 (2) (D)
An 18th century Derby figure of a nun, she wears a chocolate cloak over a red habit as she preaches, cross in her right hand and two 45 books at her feet, 16.5cm (6.5in) high (R)
An 18th century Derby figure of a man encouraging people forward by raising his right hand over his head as he stands by bocages, 46 18cm (7in) high (R)
Five Worcester pickle dishes and a spoon, four of leaf shape and the other of shell shape printed with the cormorant pattern, 15cm (6in) 47 wide, the spoon painted with flowers and with pierced bowl (6) (D)
An 18th century Derby blue and white pickle dish, the leaf shape with three part triangular handle, the interior painted with leaves and 48 fruit, bears Alasdair Morrison collection label, 10cm (4in) wide A Bow polychrome pickle dish, the leaf shape painted with roses and flowers within a shaded green serrated rim, 9.5cm (3.75in) wide 49 (D)
An early 19th century Derby tea caddy and cover, the baluster shape painted with alternating chinoiserie and gilt scroll panels, the latter 50 with puce landscape vignettes, 18cm (7in) high (2)
An 18th century Derby `Spectacle` plate, the guilloche and diamond piercing to the rim centred by pink roses, the centre moulded and 51 painted as three leaves, 18cm (7in) diameter (D)
A red anchor Chelsea sauce boat, the leaf shape with rustic handle, floral terminals and feet, the sides painted with bunches of flowers 52 below a red lined rim, bears McShane Stephens Collection label, 20cm (8in) wide (D)
A red anchor period Chelsea soup plate moulded with flowers within the red lined petal rim and painted with five bunches of flowers, 53 24cm (9.5in) diameter
A red anchor period Chelsea dish moulded and painted with grape vine leaves within the red lined rim and enclosing flowers, 21cm 54 (8.25in) wide
A Bow chinoiserie plate black line printed and painted with central Chinese figures watching a child throw a stick for a dog on a garden 55 terrace, 21cm (8.25in) diameter
A pair of 18th century Derby oval dishes, the red brackets on the rims enclosing an apple, butterflies and insects, 23cm (9in) wide (2) 56 (W)
An 18th century Derby basket, the red lined petal edged oval rim with double loop handles raised to each end, the interior painted with 57 flower sprays enclosing a vignette of two exotic birds, 20.5cm (8in) wide (D)
An 18th century Worcester gilt white teapot and cover, one of the barrel shaped sides moulded with a fisherman below a tree, the other 58 with a spray of flowers, the rims with gilded dentil bands (2) (W)
A Royal Worcester vase, date code for 1918, the painting of highland cattle to one side of the slender ovoid shape attributed to John 59 Stinton, the socle, handles and waisted neck gilt, 26.5cm (10.5in) high
60 A Royal Worcester vase, date code for 1932, the waisted cylindrical shape painted with two sheep on the moors, 15cm (6in) high
Attributed to Minton, a pair of late 19th century oval plaques painted by Anton Boullemier a campanula girl with a butterfly and a girl on a 61 red poppy with an insect, signed, 13.5cm (5.25in) high, in gilt frames (2)
62 A Royal Worcester plate, date code for 1916, painted by E Johnson with three flamingos on a lake at dawn, 23cm (9in) diameter
A pair of 1930 Derby plates painted by W E Dean with sailing barges on an estuary within gilt blue wavy rims, signed and dated in the 63 clay, 22cm (8.75in) diameter (2)
64 A red anchor Chelsea botanical plate, the oval red lined rim enclosing a pink primula, 22cm (8.5in) wide
A Royal Worcester orchid wall pocket, date code for 1899, painted with flowers on the blush pink ground the fluted petals of the trefoil 65 above lined in gilt, printed marks, 20cm (8in) high A pair of Flight, Barr and Barr Worcester two handled urns painted with the Yorkshire views of `Middleham Castle`, and `Kirkstall Abbey` 66 on celadon grounds, the heads of the gilt snake handles resting on beaded rims, the socles on square plinths each painted with a single travelling figure, marks in ...[more]
An early 19th century Chamberlain`s Worcester two handled vase, the gilt lined oval rim above a grisaille painted reserve of a view of 67 `Worcester` from the river towards the bridge and cathedral, the fluting below filled with alternating gilt pendants and gold lines, the socle on canted rectangular ...[more]
A Barr, Flight and Barr Worcester pot pourri vase and cover painted with views `On the River Usk` and of `Okehampton Castle` below 68 gilt ram`s head handles and beading on the rim, the sphinx handle to the diamond pierced cover, the blue socle with gilt cailloute, the base of the square foot with a bl ...[more]
A Chamberlain`s Worcester two handled preserve vase and cover, the gilt fruiting finial of the cover central to a round arched recess in 69 its rim to take a spoon handle, the sides of the urn shape painted with floral vignettes on a pale yellow band, gilt fluting above the socle and circular foot, mar ...[more]
A Barr, Flight and Barr Worcester sauce tureen, cover and stand, the rounded body painted with a rectangular reserve of a baby 70 sleeping in its cot on a gilt vermicular ground between foliate bands, the cover with flambeau finial, marks printed in puce, 20cm (8in) across the eagle head handles (3)
A pair of early 19th century Derby jugs, each painted below the gilt detailed spouts with views `In Northumberland` and `In 71 Westmoreland`, the trees on each creating a mirror style image, the leaf moulded handles with gilt details, marks in red, 12cm (4.75in) high (2) (R)
Two 18th century Worcester blue and white mugs, the larger printed with a parrot reaching for fruit, inscribed `Anchor` on the base with 72 crescent mark, 14cm (5.5in) high, the smaller with sprigs and sprays of flowers, 8.5cm (3.25in) high (2) (D)
An 18th century Worcester blue and white bowl, tea bowl and saucer, each printed with butterflies about sprigs and sprays of flowers, 73 crescent marks, the bowl 16cm (6.25in) diameter (3)
A Flight, Barr and Barr Worcester vase and cover painted with a view of `Ripple Church, Worcestershire` within gilding on a pale green 74 ground, the body supported by three gilt winged mermen on a tripartite base, marks in puce and impressed, 25cm (9.75in) high (2) (R)
A Victorian Derby twin handled vase and cover, the baluster shape with blue framed yellow compartments gilt with flowers, stiff leaves 75 on the flared circular foot, marks in red but date codes obscured, 21cm (8.25in) high (2)
A pair of early 20th century Meissen swan groups, the male with outspread wings and the female with two cygnets, crossed swords 78 marks, 14cm (5.5in) high (2) (R)
A Marcolini Meissen cream jug, the interior of the rim with a band of half flowerheads alternating with diaper in blue, the reeded exterior 79 of the tripod baluster shape with oatmeal glaze, crossed swords and star mark, 10cm (4in) high
A Sevres sucrier and cover, date letter for 1756, painted in mauve with two birds on the lid and two scenes of birds amongst foliage on 80 the body within dentil gilt rims, painter`s mark is closest to that of Claude Couturier, 9cm (3.5in) diameter (2) (W)
A 19th century German porcelain rectangular plaque painted with a dark haired classical lady in blue and white robes standing by a 81 column and brown curtain, dagger drawn in readiness, 15 x 10cm (6 x 4in)
A late 19th century Austrian terracotta figure of a gnome, possibly by Johann Maresch, the bearded gentleman playing bowls on rocky 82 base, stamped J M mark, 50cm (19.75in) high An harlequin set of eleven early 20th century Dresden plates, each decorated with flowers within pierced and gilt wavy rims, the five 83 larger plates possibly by Heufel, 21.5cm (8.5in) diameter and the smaller by Schumann, 19cm (7.5in) (11) (D)
After Raphael, a 19th century Madonna della Sedia plaque, the round arched rectangular porcelain in gilt metal easel frame, painted 84 with the Madonna and Child seated, the plaque 9.5 x 5.5cm (3.75 x 2.25in)
A 19th century Italian maiolica urn, the baluster shape with twin coiled snake handles raised above the rim and ochre masks on the 85 shoulders, painted on one side with a meeting of shepherds on a track before a water locked town with blue mountains beyond, S C I mark impressed possibly for Laveno or ...[more]
A set of three Samson Meissen busts of children representing the seasons, Summer wearing a flower trimmed yellow hat, Autumn with 86 grape vine garlands and Winter with pine cones trimming her mauve shawl, crossed swords and S marks, 25.5cm (10in) high (3) (R)
An 18th century opaque twist wine glass and a soda glass wine, the basally fluted bowl of the first on short double helix stem and 89 circular foot, 11.5 cm (4.5in) high, the second with the clear stem teared above a knop and the folded foot, 17cm (6.75in) high (2)
90 An early 18th century wine glass, the bell bowl resting on a disc knop, hollow baluster stem and folded foot, 20cm (8in) high
An early 18th century wine glass, the bell bowl directly on a triple annulated knop above a hollow baluster stem with a bun knop resting 91 on the folded foot, 16cm (6.25in) high
An 18th century double helix opaque twist wine, the slightly tapering bowl becoming conical above the stem resting on circular foot, 92 14.5cm (5.75in) high
An 18th century air twist wine glass, the rounded conical bowl cut with floral rim band, the double knopped stem on circular foot, 15.5cm 93 (6.25in) high (D)
94 An 18th century opaque twist wine glass, the trumpet bowl on slender stem and circular foot, 17cm (6.75in) high (D)
95 An 18th century double helix opaque twist wine glass, the slender trumpet bowl and stem on a circular foot, 16cm (6.25in) high
An 18th century double helix opaque twist wine glass, the base of the waisted bucket bowl squared above the stem resting on circular 96 foot, 16cm (6.25in) high
An 18th century air twist wine glass, the trumpet bowl resting on a bun knop, another central to a stem on circular foot, 15.5cm (6.25in) 97 high
98 An 18th century opaque twist wine glass, the conical bowl on double helix stem and circular foot, 15cm (6in) high (D)
A mid 18th century wine glass, the bell bowl with spindle shaped tear at its base, the clear stem on folded foot, the metal of grey colour, 99 15cm (6in) high
An 18th century air twist wine glass, the trumpet bowl tapering into a clear stem resting a bun knopped top to the air twist section on 100 circular foot, 17cm (6.75in) high
An 18th century air twist wine, the base of the bell bowl resting on the first of two bun shaped knops above the circular foot, 16.5cm 101 (6.5in) high
102 An 18th century wine glass, the bowl tapering to a bun knop at the top of the teared stem resting on folded foot, 17cm (6.75in) high An 18th century wine glass, the trumpet bowl resting directly on a bun knop with that below bearing two rows of tears, the clear stem 103 with two further knops above the circular foot, 18cm (7in) high
104 A mid 18th century wine glass, the bell bowl on swollen knopped stem with elongated tear above the circular foot, 17cm (6.75in) high
An 18th century opaque twist wine glass, the bell bowl engraved with initials amongst flowers, the double helix stem on circular foot, 105 16cm (6.25in) high
An 18th century flute, the tall slender conical bowl on a triple annulated knop, disc knopped short stem and circular foot, 18cm (7.25in) 106 high (D)
An 18th century hollow stemmed wine glass, the bell bowl on a baluster stem with bun knop resting on the folded foot, 15.5cm (6.25in) 107 high
An 18th century air twist wine glass, the bell bowl on a cylindrical stem resting on a separate baluster section above the circular foot, 108 15cm (6in) high
109 An 18th century air twist stemmed wine glass, the tall slender conical bowl on double knopped stem and circular foot, 20cm (8in) high
110 An 18th century air twist wine glass, the trumpet bowl continuous with the stem on circular foot, 16cm (6.25in) high
111 An 18th century double helix mercury stemmed wine, the base of the bowl fluted, the stem resting on circular foot, 14.5cm (5.75in) high
112 An 18th century air twist wine, the conical bowl resting on a bun knop, the stem below on a circular foot, 15.5cm (6in) high
113 An 18th century wine glass, the bell bowl on wrythen stem and folded foot, 15.5cm (6.25in) high
A set of three 18th century double helix opaque twist stemmed wine glasses, each of the tapering bowls rounding into stems on circular 114 feet, 14cm (5.5in) high (3)
An 18th century opaque twist wine glass, the slightly tapering cylindrical bowl becoming conical above the single helix stem resting on 115 circular foot, 14.5cm (5.75in) high
116 An 18th century double helix opaque twist wine glass, the conical bowl rounded into the stem on circular foot, 15cm (6in) high
An 18th century air twist wine glass, the base of the bell bowl resting on disc knop, double baluster stem and circular foot, 15.5cm 117 (6.25in) high
118 An 18th century air twist wine glass, the pan topped bowl on a cord like spiral of air twist and a circular foot, 16cm (6.25in) high
119 An 18th century opaque twist wine glass, the tapering bowl rounding into the double helix stem on circular foot, 17cm (6.75in) high
A late 18th/early 19th century green glass bottle, the trailed rim and short neck above rounded square shoulders, the sides tapering to 120 the foot, 42cm (16.5in) high (D)
121 An 18th century air twist wine glass, the rounded bowl on double bun knopped stem and circular foot, 15cm (6in) high An 18th century wine glass, the trumpet bowl cut with two diamonds flanked by foliage above a tear at the top of the clear stem, the foot 122 folded, 16cm (6.25in) high
123 Two similar 18th century wine glasses, the trumpet bowls on clear stems tapering to circular feet, 19cm (7.5in) high (2)
124 An 18th century opaque stemmed wine glass, the slender bell bowl on double helix stem and circular foot, 16cm (6.25in) high
125 An 18th century opaque twist wine glass with rounded conical bowl on double helix stem and circular foot, 15.5cm (6.25in) high
126 Two 18th century wines with bell bowls, clear stems and circular feet, 19cm (7.5in) and 16cm (6.25in) high (2) (D)
Two 18th century wines, both with trumpet bowls, clear stems and circular feet, the taller with a tear below the bowl, 18cm (7.25in) high, 127 the other 17cm (6.75in) high (2)
Two 18th century wine glasses, the taller with conical bowl rounding above the clear stem, 15cm (6in) high, the other with a bell bowl 128 immediately above a bun knop on the clear stem, another above the folded foot, 13cm (5in) high (2) (D)
Two 18th century soda glass opaque double helix twist wines, the taller with six tears at the base of the bell bowl, 15.5cm (6.25in) high, 129 the other with larger bell bowl, shorter stem and folded foot, 14cm (5.5in) high (2)
Two 18th century soda wine glasses, one with trumpet bowl on hourglass teared stem and slightly domed foot, 17.5cm (6.75in) high and 130 the other with a tear at the base of the bell bowl on hollow triple bun knopped stem and folded foot, 12cm (4.75in) high (2)
A pair of 1950s onyx and diamond drop earrings, each comprising a hexagonal onyx plaque within a border of single cut diamonds, 133 suspending via a short chain punctuated by a similar collet set diamond, a cushion shape cabochon onyx bound by a diamond set cross, mounted in white and yellow precious me ...[more]
An Italian gold collar necklace, formed as a continuous tapered fringe of flattened textured bars with rounded ends and polished lines, 134 London import hallmarks for 9ct gold, weight 30.35g
Three oval flower brooches, the first Victorian with a carved coral rose and polished chased and textured leaves in an open similarly 135 decorated ribbon border; the second a pietra dura panel with a sprig of white orange blossom; the third of hallmarked silver, with a central red enamel ground with pa ...[more]
A 19th century diamond and pearl brooch / pendant, of open circular and bar form, set to the centre with an old mine cut diamond in a 136 border of ten rose cut diamonds on a bar crossed by a ring, both set with half pearls threaded through with four ribbon ends set with further rose cut diamonds and pe ...[more]
An oval hardstone cameo pendant of a maiden in profile, using the layers of the stone to delineate the girl from the background and the 137 flowers in her hair and clasp on her shoulder, double claw set to a plain mount and tapered bale of rose precious metal, length of cameo 4.3cm
A collection of ten assorted stick pins, to include a garnet and seed pearl jewel, a mounted scarab, a carved bone wolf, a mabe pearl, a 138 large fly, and various unmarked gold pins (10)
A moonstone and ruby Latin cross together with another similar gemset cross, the first of sugarloaf cabochon moonstones spaced by 139 five small rubies with articulated moonstone-set bale, the second of closed back rectangular cabochon garnets with four small rose cut diamonds; lengths 4.5cm and 3.2cm ( ...[more] A hardstone cameo and seed pearl brooch, the carved banded agate depicting a girl`s head in profile with ornate Georgian hairstyle, 140 within a seed pearl border and yellow precious metal mount, pin with safety clasp, removable brooch fitting, length 4.2cm
A collection of five mainly eighteenth century Continental paste set jewels, a foliate brooch, a possibly Iberian foliate pendant and a Latin 141 cross pendant all of white pastes, a pink and green foil backed jewel (possibly an earring), and a `topaz`, `garnet` and white paste peardrop pendant with Ger ...[more]
A 9ct gold curb link bracelet, the chunky flattened links, all individually hallmarked, to a heart-shaped locket clasp, 30.85g; together with 142 two hallmarked 9ct gold charms, of a cow, and a boxed
A single stone diamond ring set in platinum, the round brilliant cut diamond four claw set to a tapered shank, Birmingham hallmark, size 143 M; estimated weight of diamond 0.75cts, estimated colour H, estimated clarity VS2, gross weight 5.4g
A `champagne` diamond single stone ring, the round brilliant cut diamond of lightly tinted hue, estimated colour M, four claw set to 144 pierced foliate shoulders and plain shank of white precious metal stamped `18k`, size Q, estimated weight of diamond 0.90cts
A Georgian topaz and diamond ring, the oval mixed cut honey-coloured topaz in a reeded closed back setting between two rose cut 145 diamonds to trifurcated shoulders and fluted shank, size approximately O, in Cameo Corner box
A 3ct diamond single stone ring, the round brilliant cut diamond, estimated weight 3.26cts, eight claw set between baguette diamond 146 shoulders to plain shank of white precious metal, size N, estimated colour of principal diamond J/K, estimated clarity VS or better
A Continental topaz, turquoise and cannetille work cross, the Latin cross set with five oval foiled pink topazes, with cabochon turquoises 147 set between and at the terminations, amongst bead and swirl cannetille work, the verso with small glazed compartment containing woven hair; length 4.6cm
A half-hoop ruby and diamond ring, the six round cut rubies spaced by pairs of round brilliant cut diamonds the whole bordered by 148 similar diamonds, to bifurcated shoulders and a plain shank of white precious metal stamped `750`, size R
A single stone diamond and platinum ring, the round brilliant cut diamond, estimated weight 1.75cts, estimated colour K/L, estimated 149 clarity VVS, claw set to a crown mount and plain shank, London hallmark 1997, size K
An Art Deco diamond brooch set in 18ct white gold, of delicately pierced oblong form with partially scalloped outline, set throughout with 150 round brilliant cut diamonds with three principal stones along a central line, estimated total weight of diamonds 1.15cts, pin with safety catch, hallmarked on p ...[more]
A late Victorian amethyst, aquamarine and seed pearl fringe necklace, the fringe of graduated round cut amethysts with seed pearl 151 surmounts each above a bar with graduated oval cut amethyst terminations, spaced by arabesque links each with an oval cut pale aquamarine, to a belcher link back chain an ...[more]
152 A faceted amethyst bead necklace, individually knotted, of vintage graduated 8.5 - 13mm multi-faceted beads, length 57cm
A small collection of nineteenth century mourning jewellery, comprising three rings and two brooches, with, variously, black enamel, 153 hairwork, gems and inscriptions, one ring dated 1836 (5)
A pair of diamond `angel wings` earrings, each with a central flowerhead of old round brilliant and mine cut diamonds apparently floating 154 within a circle of similar diamonds, with feather extensions all similarly set; set in white and yellow precious metal with post fittings and broad butterflies; l ...[more] An 18ct gold and diamond set lady`s dress watch by Gubelin, the circular cream dial with baton hour markers to an open oval chevron 155 chain link surround highlighted to either side by white gold demi-barrels, set with round brilliant cut diamonds, grasping the tapered bracelet edged with similar chevr ...[more]
A full hoop diamond eternity ring, the uniform round brilliant cut diamonds channel set to plain borders of white precious metal (tests for 156 platinum), size N, gross weight 8.7g, estimated weight of diamonds 1.0cts
A diamond and pearl bar brooch, the central cluster with a pearl surrounded by eight old round brilliant cut diamonds, flanked along a 157 knife-edge bar, by trefoils of similar diamonds with stalk, and single diamond terminations, length 4.6cm, estimated total weight of diamonds 1.55cts
A single stone diamond ring, the round brilliant cut diamond, estimated weight 0.77ct, eight claw set to a plain shank of white precious 158 metal, size Q
An Art Deco diamond panel ring, of pierced rectangular form with fleur-de-lys ends, set throughout with round brilliant cut diamonds, in 159 white precious metal, with carved chevron shoulders and a plain shank, size L; length 3cm, estimated total weight of diamonds 0.86cts
A diamond and sapphire dress ring, of pierced tapered ropetwist design with five square clusters of small diamonds between curved 160 lines of alternating pale blue and dark blue sapphires, to a polished shank of hallmarked 9ct gold, size N
An American diamond set lady`s cocktail watch by Wittnauer, the small circular dial with sprung hinged cover in the form of a daisy 161 flower head set throughout with round brilliant cut diamonds, the bracelet formed of continuous flat textured links bounded by barley link chain set with two further di ...[more]
A diamond cluster ring, the central round brilliant cut diamond claw set above 8 smaller similarly cut stones, shank stamped `18ct, Plat`, 162 estimated total weight of diamonds 1.02cts, size L
A diamond and 18ct gold star brooch by David Thomas, the asymmetric five-point star with tapered linear gold outline, filled with 163 irregular old cut diamonds claw set and pierced around; width 4.4cm, estimated total weight of diamonds 2.14cts, gross weight 8.74g, designer`s stamp and London hallmark ...[more]
An asymmetric diamond cluster ring, an open oval cluster of twenty-seven round brilliant cut diamonds claw set above the flared, reeded 164 crossover shank of yellow precious metal stamped `14k`; estimated total weight of diamonds 1.50cts, length of cluster 2.5cm, size L½
A pearl and diamond cluster ring, set to the centre with a 7mm pearl surrounded by a border of nine old mine and cushion cut diamonds 165 to a plain shank of yellow precious metal, size J, estimated total weight of diamonds approximately 2cts
A pair of 19th century sleeve links set with rock crystal, each with a cushion cut rock crystal claw set to a cast domed back embellished 166 with curling fronds, and linked with a short chain to a torpedo stay
An 18ct gold and sapphire leaf brooch, the realistically modelled currant or sweet geranium leaf with three central stamens each with a 167 trio of sapphire highlights, Birmingham import hallmarks for 1990, length 4.2cm, gross weight 12.24g
An 18ct gold, star sapphire and diamond three stone ring by David Tinsley, the deep cabochon lilac sapphire collet set between trilliant 168 cut diamonds, to a broad tapered slightly convex band with ropetwist edging, signed David Tinsley, Sheffield hallmarks 2006, size T
A four row curb link bracelet with heart locket clasp, the bracelet has been made up from different chains of slightly different sized and 169 coloured links, some of which are stamped `15ct`, length 19cm, width 2cm, weight 49.1g An 18ct gold three strand necklace, each strand a continuous fully articulated ribbon of flattened links with a matt lightly textured finish, 170 the clasp with safety catch, London import hallmarks for 1966, length of shortest strand 42cm, weight 38g
A diamond and enamel Royal Artillery pin brooch, the crown, grass and mottos in coloured enamels, the wheel set with rose cut 171 diamond points, length 4.5cm, in original leather box by the Goldsmiths and Silversmiths Company
An Art Deco synthetic sapphire and diamond ring, the oval mixed cut sapphire, estimated weight 3.53ct, collet set in a rectangular panel 172 with a line of five old round cut diamonds above and below, and similarly embellished shoulders (one small stone lacking), to a pierced recessed gallery and plain ...[more]
An Art Deco diamond and sapphire double clip / brooch, of open geometric form, each half set to the centre with an oval cut mid-blue 173 sapphire and set throughout the rest with old European cut diamonds, on white precious metal, with safety clasp; estimated total diamond weight 2.16cts, length 4.9cm
A sapphire and diamond three stone ring set in 18ct gold, the cornflower blue cushion cut sapphire, estimated weight 3.64cts, four claw 174 set in white gold, and each shoulder set with a princess cut diamond between rows of round brilliant cut highlights also in white gold, to a solid, tapered yellow g ...[more]
An old cut two stone diamond ring, each old mine cut diamond eight claw set above a coronet gallery and plain shank of white precious 175 metal stamped `18ct, Plat`, size P; estimated weights of diamonds 0.79 and 0.74cts, estimated clarity SI2 and P2, and estimated colour J/K
An 18ct gold and diamond brooch probably by Andrew Grima, the asymmetrical open starburst of fine short gold rods scattered with ten 176 round brilliant cut diamonds, hallmarked London 1963, sponsor`s mark HJ Co, length 5.8cm, estimated total weight of diamonds 1.09cts, gross weight 21.07g. After fighti ...[more]
A Victorian diamond, seed pearl and turquoise heart pendant and similar brooch, the heart shaped pendant pave set to the front with 177 seed pearls apart from a forget-me-not on the left with six cabochon turquoise petals and a single cut diamond centre, the verso with small circular glazed panel with p ...[more]
A sapphire and diamond open crescent brooch, of graduated alternating old brilliant cut diamonds and round cut sapphires, all claw set, 178 length 5cm
A pair of diamond and sapphire eardrops, each with a graduated line of three old round brilliant cut diamonds, crimp collet set, and 179 suspending a pear cut royal blue claw set sapphire, in white and yellow precious metal, Continental hook and clip fittings, length 2.2cm, estimated total weight of dia ...[more]
An 18ct gold emerald and diamond cluster ring, the oval mixed cut emerald, estimated weight 2.46cts, collet set within a border of 180 twelve round brilliant cut diamonds (total estimated weight 0.90cts), plain tapered shank, import hallmarks, size S
A contemporary carved teal blue tourmaline ring, the elongated oval tourmaline carved in deep smooth undulating curves, set in a 181 steeply tapered, textured band, stamped `750`, maker`s and other marks indistinct, size M
A sapphire and diamond three stone ring in 18ct white gold, the oval cut light blue sapphire claw set between round brilliant cut 182 diamonds, to a tapered shank of 18ct white gold, Birmingham hallmark, estimated total weight of diamonds 0.82cts, size L
A circular emerald and diamond cluster ring, the square cut emerald in the centre of a millegrain grid with eight round brilliant cut 183 diamonds in a segmented circle around, set in white and yellow precious metal stamped `18ct & Plat`, size L½
A pair of 19th century chain and locket bracelets, each of large, textured tyre-shaped links clasped by a cast rococo-patterned hinged 184 witch`s heart set to the centre with a cabochon green chrysoprase; length of each 21cm (2) A contemporary 18ct gold and cabochon sapphire ring, the oval deep cabochon collet set above a broad, tapered, angled shank, 185 London import hallmarks 1998, size J
A black opal and diamond ring, the elongated oval opal, with predominantly green and blue play of colour, supported on each shoulder 186 by a baguette and three round brilliant cut diamonds, to a plain narrow shank of white precious metal, size N
An opal and diamond ring, the elongated oval cabochon opal within a border of twenty-six round brilliant cut diamonds all claw set, 187 above an open wire cage and reeded shank of white precious metal stamped `18ct`, length 3.1cm, estimated total weight of diamonds 1.30cts, size P½
A jade and diamond ring, the oval cabochon green jade claw set with a T-bar of baguette diamonds on each shoulder, to a plain shank 188 of white precious metal, size N
A French diamond and platinum dress ring, the centre a tiered triple row of round brilliant and single cut diamonds bound at each end by 189 a further band of single cut diamonds and ropetwist detail, to a geometric cage and triple wire shank, French dog`s head mark; size L, estimated total weight of di ...[more]
A 9ct gold half hunter cased pocket watch, with white enamel dial printed in black with Arabic numerals, the Swiss keyless movement 195 and dial unsigned, case marked for Birmingham 1927, 50mm diameter, 96gm gross weight
An 18ct gold cased gentleman`s wristwatch by Patek Philippe, Ref.3546, Movement No.121 of 614, calibre 23.300, with blued dial with 196 gold coloured baton numerals, circa 1971, no box but with original Certificat de Origine
A gold cased openface pocket watch, the keyless movement signed `Vanguard`, Waltham Mass, No.10028469, case stamped 18c, 197 white dial with raised chapter ring, Roman numerals printed in black, secondary seconds dial, 55mm diameter, 141gm gross weight
A Swiss gold cased open face pocket watch, unsigned, the case with Swiss 18ct marks, the keyless movement with white dial printed 198 with Roman numerals, subsidiary seconds, the inner case inscribed `Nickel 17 Rubis ancre ligne droite balancier Coupe Spiral Breguet No.23043`, inner cover gold plated, 5 ...[more]
A Swiss 18ct yellow gold cased `Universal` gentleman`s automatic wristwatch, the gold coloured dial with baton numerals, date aperture 199 and centresweep seconds hand, case numbered 169113/2856897
A lady`s 9ct gold wristwatch by Bueche Girod, the circular champagne coloured dial with baton numerals, the case and integral 200 articulated bracelet with bark effect decoration, hallmarked for London 1967, 26gm gross weight
A platinum and rock crystal manual wind open face pocket watch Lacloche Freres, London, circa 1925, with silvered dial having applied 201 baton hour markers and outer applied dot minute divisions, moon hands, platinum bezel set within rock crystal case with platinum band and bow, cabochon set winding cr ...[more]
A Gentleman`s 9ct yellow gold cased Omega Seamaster wristwatch, having a silvered dial with gold coloured baton numerals, 202 centresweep seconds, the back presentation engraved and dated 1966, on a gold plated Omega articulated bracelet
A lady`s cocktail watch, the circular silvered dial with Arabic numerals, unsigned within a diamond set octagonal concave section bezel, 203 movement unsigned
A gentleman`s steel cased Rolex Oyster Perpetual Datejust wristwatch, silvered dial, Model 1601/4 No.1429055, with Guarantee dated 204 1967, no box A George III silver pair cased pocket watch, the white enamel dial printed in black with Roman numerals, the verge movement signed 205 `John Brownbill` and `Joseph Pattison` Liverpool, No.236, the case marked for Chester 1813, 55mm diameter.
A Swiss gold full hunter cased keyless recording chronograph pocket watch, the movement stamped `The Ascot`, patent 20th June 206 1887`, the white dial printed with black numerals with centre seconds, subsidiary thirty minute recording dial over constant seconds, 5cm diameter, gross weight 102gm
207 A Rolex Oyster Perpetual Air King wristwatch, circa 1970, steel case and bracelet
208 An open face Chronograph pocket watch, dial signed Dorey, Lester & Co, Swiss movement, base metal case
A platinum and diamond cased lady`s cocktail watch, the Deco style half articulated bracelet set with diamonds, the movement 209 unsigned, the silver coloured dial printed with Arabic numerals and signed `Norma`, the case unmarked
A lady`s 18ct gold wristwatch by Baume & Mercier, the circular bezel indented with Roman quarters and containing a black dial without 210 numerals, signed Baume and Mercier with integrated 18ct gold articulated bracelet, lacks crown, quartz movement numbered 16611/2056620, grossweight 67.4gm
212 An Elizabeth I silver groat, 1562, together with a 14th century silver penny probably Edward II but very rubbed (2)
213 Twelve Ville de Lille proof and withdrawn issue banknotes, circa 1917, 5 centimes to 100 francs (12)
214 An Elizabeth II gold sovereign, 1959
215 An Edward VII gold sovereign, 1908, in a 9ct yellow gold pendant mount
An Edward VII gold sovereign, 1908 in loose 9ct gold pendant mount, a Victorian gold half sovereign, 1856; an Edward VII gold half 216 sovereign, 1908 and a George V gold half sovereign, 1913 (4)
217 An Edward VII gold sovereign, 1905, a George V gold sovereign, 1914 and a George V gold half sovereign 1914 (3)
A pair of Old Sheffield plate telescopic candlesticks, each raised from a circular base with applied shell scrolled band below a cylindrical 220 telescopic stem supporting a campana shaped socket, 21.5cm closed, 27.5cm extended
A late 18th/early 19th century Danish silver standing bowl, maker`s mark NC, Copenhagen town mark, assay master`s mark for 222 Frederick Fabritius, circa 1787-1823, also struck with the figure of a goat, the shallow circular bowl with band of scrolling leaves to the rim, lion mask and ring handles, all ...[more]
A pair of French silver `Main Pince` or asparagus servers, by Alphonse Debain, Paris 1st standard, circa 1900, the spring loaded blades 223 pierced and embossed with foliate scrolling, 9cm, 3.98oz
A Mid 18th century German parcel gilt silver beaker, possibly by Johann Mittnacht III, Augsburg circa 1753-55, of fluted oval tapering 224 section, the body embossed with exotic birds within panels of scrolling foliage, 9cm, 3.8oz
A Mexican metalwares coffee pot, of lobed vase shape below a foliate scrolled edge and raised on a circular stepped foot, insulated leaf 225 patterned handle, 26cm high, 45.2oz A gilt metalwares horse racing rosebowl trophy, stamped `Barton Silver`, the shallow bowl with moulded edge raised on a circular 226 pedestal with pierced stem, the bowl applied with a palm tree emblem, inscribed `Mr & Mrs R E O Careys` b.rn.i.m Magic Touch 2200 metres`, 15.5cm high, 28.1oz
A Chinese metalwares salver, by ZeeSung, Shanghai, of circular shape, the matted ground with raised border having a faux bamboo 227 edge, initialled A O`H to the centre, 34.25cm diameter, 27.5oz
A modern metalwares bowl, possibly Canadian, maker`s mark CM, of oval navette shape, embossed allover with abstract design, 13cm, 228 8oz
229 By Tiffany - an American retracting pencil, 12.5cm, including suspension ring, 18.4gm gross wt
A pair of 19th century Italian silver salts, with Venice town mark, 800 standard mark, of plain oval navette form showing Austrian 230 influence, on square special base, central divider, 10cm wide, 5.1oz (2)
An Indian metalwares incense burner, of heavily chased and pierced spherical form, the hinged cover with peacock finial opening to 231 revealing a pierced liner, all standing on a similarly chased and embossed circular stand with petallate border and complete with a pair of tongs, 22.5cm, 35.7oz
An extensive German 20th century metalwares flatware service, crown and crescent mark, 800 standard, maker`s mark indistinct, 232 comprising:- 12 tablespoons with knot to the stem and applied with a monogram, 21.5cm; 12 table forks, 21.5cm; 11 dessert forks, 18cm; 11 dessert spoons, 18cm; 14 teaspoons, ...[more]
Three Chinese white metal ingots, cast with images of animals and human figures, rectangular with canted corners, drilled to one end, 233 Chinese hieroglyphs to reverse,10 x 5.7cm, 14.4oz
A silver cafe au lait set, by Mappin & Webb, Birmingham 1933, comprising: - a coffee pot of plain tapering cylindrical form with moulded 238 edges, hinged domed cover, 17.5cm together with the companion hot milk jug, 17.5cm, 19.9oz
A silver sugar bowl, by Jays, Chester 1931, of plain compressed circular shape below a reeded edge, two beaded `S` scroll handles, 239 inscribed `The Master of Colville, August 24th 1932`, 11.75cm diameter, 7.9oz
A small silver casket tea caddy, by Robert Frederick Fox, London 1917, of plain sarcophagus shape, the hinged cover with simple latch 240 clasp, raised on four claw feet, 12cm wide,13.3oz
A silver salver, by Jays & Co, London 1930, circular with shaped moulded edge, raised on four spade feet, inscribed to the reverse `To 241 Viscount Colville on the occasion of his marriage`, 31cm diameter, 31.3oz
A pair of George III silver salts, by James Waters, London 1773, each of plain compressed tub shape below a shaped gadrooned edge 242 and raised on three shell headed hoof feet, monogrammed, 6.5cm diameter, 3.7oz (2)
A small silver teapot and matching cream jug, by Samuel Walton Smith & Co, London 1910, the teapot of compressed circular shape 243 with moulded girdle and rim, plain footring, 11.5cm diameter, the companion milk jug 7.5cm diameter, 10oz (2)
A Victorian silver seven bar toast rack, by J Wippell & Co, Exeter 1880, of plain rectangular shape and flatwire construction, raised on 244 four winged foliate decorated feet, 16.5cm, 7.6oz
A set of twelve silver gilt figural teaspoons, by Charles & Richard Comyns, London 1922, each with shell heel and cast and spiral twist 245 stem with cast terminal depicting a figure holding an owl, in an unassociated case, 15.5cm, 11.7oz 246 An Edwardian silver Old English pattern soup ladle, by Joseph Rodgers & Sons, Sheffield 1909, crested, 30cm, 7oz
An Edwardian silver pocket snuffbox, by William Neale, Chester 1901, of rectangular shape having serpentine edges, the base and 247 cover foliate scroll engraved, 6.5 x 4.75cm, also a small silver shield shaped pill box by E J Houlston, Birmingham 1905, embossed allover with foliate scrolling, the pull ...[more]
A silver hot water jug, by Charles Edwards, London 1918, of baluster shape with cut card decoration applied to the base of the plain 248 body, ebonised handle and finial to the cover, 17.5cm, 18.7oz
A Victorian silver pepper caster, by Edgar Finley & Hugh Taylor, London 1885, of slim baluster shape, floral engraved the lower body 249 part fluted, the cover drill pierced below a wrythen finial, 14.5cm, 2.4oz
A small Victorian silver perfume bottle, by Sampson Mordan & Co, London 1887, of square section, allover engraved with arabesques, 250 the hinge cover revealing a glass stopper, 5.5cm high, together with a silver Art Nouveau vesta case by the Gorham Manufacturing Co, import marked for Birmingham 190 ...[more]
A pair of Victorian silver tub salts, by Charles Boyton (II), London 1873, of compressed circular shape with embossed floral decoration, 251 each raised on three shell headed claw feet, complete with blue glass liners, 7cm diameter together with two unassociated salt spoons, 4.6oz (4)
A silver six bar toast rack, by Thomas Bradbury and Sons, Sheffield 1924, the flat tray base with gadrooned edges between two loop 252 handles standing on four bun feet below a plain wire six bar rack, 19cm, 8.3oz
A pair of George III silver tub salts, maker WC, London 1773, each circular with shaped gadrooned border raised on three shell headed 253 hoof feet, complete with blue glass liners, 6.5cm diameter, 3.9oz (2)
A late Victorian silver twin bottle inkstand, by James Parkes, London 1899, the plain rectangular base with two raised bottle holders with 254 covers to the centre each with a clear glass liner, flanked on either side by a pen depression within a reeded border, all raised on four fan fluted feet, 23cm w ...[more]
A matched pair of silver pin cushions modelled as pigs, one by Adie & Lovekin, Birmingham 1905, the other by W J Myatt & Co, 255 Birmingham 1910, each 6.5cm long (2)
A George IV silver salver by William Brown, London 1823, circular, the ground floral scroll chased within a shell scrolled border, raised 256 on three scrolled feet, crested, 19.25cm diameter, 12oz
A Victorian silver Old English pattern flatware service, by Reid & Sons, Newcastle 1874, comprising:- twelve table forks, 20.75cm, 257 twelve dessert forks, 17.5cm, six tablespoons, 22.75cm, six dessert spoons, 18cm, two sauce ladles, 17.5cm, all monogrammed WES, together with a further six silver O ...[more]
A George III silver coffee pot, by Daniel Shaw, London 1763, of baluster design, later repoussee decorated below a gadrooned edge, 258 wooden double scrolled handle, leaf decorated spout, 25.5cm high, 23.7oz
An Edwardian silver Arts and Crafts style Loving Cup or Tyg, by Thomas William Dobson, London 1902, of hand-beaten thistle shape 259 with three stylised loop handles, inscribed as a Middelburg Gymkhana Trophy, June 1907, 14cm, 11.4oz, 14.25cm (5in). Provenance: Middelburg Gymkhana (Eastern Cape Province ...[more]
A George III silver creamer maker`s mark indistinct, London 1809, of compressed rectangular shape with moulded girdle, raised on four 260 ball feet, initialled JMV in a cartouche, 9.5cm, 4.3oz An Edwardian silver cafe au lait set, by The Cooper Brothers and Sons, each pot with plain ovoid body raised on a circular foot, the reed 261 banded collar bright cut engraved with arabesque scrolls below a hinged cover and short beak spout, 19cm high, with turned wooden side handles, 27oz (2)
A Victorian silver gilt christening mug, by George Ivory, London 1850, of baluster shape embossed with broad strapwork decoration, 262 cast scroll handle and raised on four cast scroll feet, 10.25cm, 6.9oz
A set of six Scottish Provincial fiddle pattern teaspoons, Montrose, circa 1815/20, maker`s mark illegible and poorly struck, each struck 263 twice with five petalled rose town mark, initialled JMN, 13.5cm, 2.21oz (6)
264 A George III silver marrow scoop with bright cut stem, by Thomas Wallis II, London 1790, 22.5cm
A set of six Scottish Provincial fiddle pattern silver teaspoons, maker I & GS (unascribed), Paisley, circa 1820, initialled GAJ, 14cm, 265 3.1oz (6)
A set of six Scottish Provincial Old English pattern teaspoons, by William Jamieson, Aberdeen circa 1806, initialled `A`, 12.8cm, 2.05oz 266 (6)
267 A set of five Scottish silver point end teaspoons, by Robb & Whittet, Edinburgh 1838, 14cm, 2.6oz (5)
Three Scottish Provincial silver fiddle pattern teaspoons, one by I&GH (unascribed), Paisley circa 1815, initialled RL,15cm; another by 268 Charles Fowler, Elgin, circa 1820, 13.5cm; another by William Ritchie, Perth circa 1810, 14cm, 1.5oz (3)
A silver tazza, by Mappin and Webb, Birmingham 1912, the shallow panelled bowl below a moulded edge between two elongated loop 269 handles and all raised on a conforming pedestal foot with knopped stem, 16cm high, 11.2oz
An Edwardian silver salver, by Turner Bradbury, London 1903, of plain circular form with shaped and moulded border and raised on 270 three foliate scrolled feet, uninscribed, 31.25cm, 32oz
A small Edwardian silver tea caddy possibly by Nathan & Hayes, Chester 1909, of canted square section between gadrooned edges 271 and with a circular pull off cap, 9cm high, 5.2oz
A pair of George III silver meat skewers, by William Eley and William Fearn, London 1821, each with reeded ring handle, 33cm & 28cm 272 respectively, 6.1oz
A Victorian silver three piece tea set, by The Barnards, London 1870, of lobed oval shape with bright cut engraving, comprising: a teapot 273 with insulated handle, 16cm, together with the companion sugar basin and milk jug, 37oz (3)
A silver Windsor pattern flatware service, by The Atkin Brothers, Sheffield 1929/1930/1931, comprising:- six table forks, 20cm, six 274 dessert forks, 18cm, six dessert spoons, 18cm, six soup spoons, 19cm, four tablespoons, 21.5cm, five teaspoons, 12.75cm, five fish knives, 20cm and six fish forks, 16.7 ...[more]
A George III silver Christening mug, by Hester Bateman, London 1790, of barrel shape with reeded scroll handle, later inscription `AGH 275 Nov 2nd 1878`, 7cm high, 2.3oz
Twelve Scottish silver Old English pattern table forks, by Hamilton and Inches, Edinburgh 1889, each with three tines, crested, 19.5cm 277 together with eleven matching dessert forks, 16.5cm, 41.8oz (23) A George III silver helmet cream jug, by Hester Bateman, London 1786, the plain body below a beaded edge and reeded loop handle, 278 standing on a square pedestal foot, 16.5cm, 3.7oz
A silver salver, by The Goldsmiths` and Silversmiths` Co Ltd, London 1934, of plain circular shape with shaped moulded edge, raised on 279 three scrolled feet, 25.5cm diameter, 19.8oz
A matched graduated set of three silver pincushions modelled as chicks, the largest by Sampsom Mordan and Co, Chester 1905, 35mm 280 high, the two smaller examples by Ari D Norman, London 1979 and 1985, each 25mm high, and a modern silver pincushion modelled as a hedgehog by A Ltd, Birmingham 1982, 6cm ...[more]
A silver tea caddy, by Nathan and Hayes, Birmingham 1912, the oval body embossed with a scene of marine mythology below an oval 281 pull off cap, 9.25cm, 4.15oz
An Edwardian silver three piece garniture of baskets, by Charles Stuart Harris, London 1901/1902, comprising a large oval pierced 282 basket of compressed oval shape below a floral scrolled edge, the cartouches to the body inscribed `W&KA to WJN&CEN 21st April 1903`, 28.5cm diameter, also two sm ...[more]
A Victorian silver teapot, by Walter Morrisse, London 1848, of melon shape, the upper body decoratively chased, insulated handle, 283 13cm high, 22.3oz
A George III silver wine funnel and strainer, by James Mince, London 1799, the bowl of compressed circular shape with reeded edge, 284 hook to the side, the detachable spout with reeded rim, monogrammed, 14cm, 3.2oz
A silver cigar box by Jays, London 1930, of plain rectangular shape with flat hinged cover all raised on pillar legs with spreading square 285 feet, wood lined, crest of Colville below a Viscount`s crest, 23.5 x 13 x 7cm
A small late 17th century style two handled cup, by Henry & Arthur Vander, London 1907, part fluted below a ribbed girdle, two reeded 286 handles, 7cm high, 5.2oz
A George III silver chamberstick, by John Arnell, London 1774, the circular base with beaded edge and scrolled finger grip, baluster 287 socket to the centre with unmarked socket and with a conical extinguisher, 13.5cm, 9.2oz (all in)
An Edwardian silver four piece tea set, by D & J Welby, London 1902/1903, comprising: a teapot of circular shape with reeded girdle 288 and rim, the lower body decorated with strapwork, wooden scroll handle, 14.5cm high, together with the companion sugar basin and two milk jugs, 47oz
A silver salver, by Harrison Bros and Howson, Sheffield 1935, circular with shape moulded border, raised on four scrolled feet, inscribed 289 ATH-CLH 1911-1936, 26cm diameter, 17.9oz
A set of four silver five bar toast racks, by G Brace & Co Ltd, London 1911, each on a rectangular flat wire frame raised on four ball feet, 290 the centre wire bar with loop handle, 8.75cm, 10.7oz (4)
291 An early Victorian silver fiddle and shell pattern stuffing spoon, by William Lister, Newcastle 1838, initialled, 29cm, 2.8oz
A silver muffin dish and cover, the plain circular base and liner by Mappin & Webb, Sheffield 1937, the plain domed cover by Henry 292 Hodson Plante, London 1918, 18.75cm diameter, 16.6oz
A Victorian three piece silver tea set, by Thomas Smily, London 1863, the teapot of pear shape below a flat cover and with an insulated 293 handle, engraved with festoons and crested, 14cm high, 37.9oz (3) A silver inkwell Commemorating the Silver Jubilee of HM King George V, by Garrard & Co, London 1935, of compressed circular shape 294 and of heavy gauge, the hinged cover cast with the arms of the Goldsmiths` Company, and inscribed to the body `The Gift of The Goldsmiths` Company - Silver Jubilee of ...[more]
An Edwardian baby`s silver whistle, rattle and teether, by Colen Hewer Cheshire, Chester 1908, of chased and embossed baluster form 295 suspended with two rows of bells (one missing), the coral or bone teether bar also missing, 11.5cm, 2.4oz
An Edwardian silver mustard, by Edward John Haseler & Noble Haseler, London 1903, of navette form, the wirework body over an oval 296 reeded foot, 7cm high, complete with blue glass liner, together with an Old English pattern mustard spoon by George Guirren Rhoden, Sheffield 1905, 4.25oz
A pair of modern Britannia standard wine coasters, by Garrard & Co, London 1977, of plain circular compressed form with wooden insert 297 bases, uninscribed, 14.5cm diameter (2)
A Victorian silver tea pot, probably by William Cooper, London 1843, of compressed circular shape, the upper body foliate scroll 298 engraved, plain circular foot, insulated loop handle, 16cm high, 24.1oz
A matched set of mostly early/mid 19th century silver fiddle pattern flatware, comprising:- twenty-four dessert spoons (12 x Samuel 299 Hayne & Dudley Cater, London 1846 (1 x 1844); 10 x John Stone, Exeter 1844 & 2 x John Smyth, Dublin 1856); six tablespoons (2 x old English pattern by Thomas Wa ...[more]
A small silver Britannia standard pin cushion modelled as an elephant, maker N & SJ, London 1982, 45mm long and a small silver pin 300 cushion modelled as a pig by Levi and Salaman, Birmingham 1905, 5cm long (2)
A matched part service of George III Old English thread pattern flatware comprising: nine table forks by Richard Crossley, London 1797 301 (1 x 1798), 20cm; six dessert forks (four by Richard Crossley, London 1797 and two by Williams Eley, Fearn and Chawner, London 1811) and eight dessert spoons (4 by W ...[more]
302 A George III silver fiddle pattern gravy spoon, by Richard Britton, London 1831, initialled, 30.5cm, 3.8oz
A pair of early Victorian silver chambersticks, by Henry Wilkinson & Co, Sheffield 1838, each raised on a plain multifoil base with 303 moulded edges below a vase shaped socket, open loop handle and plain conical extinguisher, dual crests, 15cm diameter, 17.8oz (2)
An Edwardian silver Britannia standard covered dish, by the Crichton Brothers, London 1908, the bowl of plain octagonal form with deep 304 reeded edge and with two pierced flat handles, conforming liner and cover, 26.5cm over handles, bowl 18cm diameter, 29.5oz
A George II silver beer mug, by John Bayley, London 1752, of plain baluster shape with leaf capped scrolled handle, gilt lined, 13cm 305 high, 12oz
A silver combination cigarette case and cigar lighter presented by HM King George V, by Louis Willmott, London 1907, rectangular and 306 of oval section, the flush hinged cover engraved with the Royal cypher and inscribed `HMS Medina India 1911-1912`, 10.5 x 6.5cm, 5.8oz all in. Provenance: HMS Medina w ...[more]
A large early Victorian silver soup tureen, by S Roberts & Co, Sheffield 1839, of compressed oval lobed form with leaf scrolled edge and 307 with two leaf capped loop handles, raised on four foliate scrolled legs, the cover with foliate scrolled ring handle, presentation inscription to `William Gale ...[more]
A Victorian silver rosebowl, by William Hutton & Sons, London 1897, of circular shape, the lower body wrythen fluted below a reeded 308 rim, 26cm diameter, 29oz A silver rosebowl, by Horace Woodward & Co Ltd, London 1910, the plain octagonal bowl with moulded wavy edge between two loop 309 handles, all raised on an octagonal pedestal foot, 11.25cm high, 11.9oz
A circular silver salver, by Arthur and Frank Parsons (Tessiers), London 1910, of plain circular shape with raised reed and ribbon edge, 310 raised on three reed edged feet, 21.75cm, 14.7oz
An Edwardian silver sugar caster, by Harrison Brothers and Howson, London 1909, wrythen lobed baluster shape with leaf pattern 311 pierced cover below a bell finial, 20.5cm, 9.8oz
A late Victorian silver teakettle by Charles Stuart Harris, London 1899 of plain tapering rounded shape, the handle with wooden 312 insulator, together with a matching Edwardian heater stand with central spirit burner by the same maker, London 1902, 23.5cm, 25.2oz
A George III silver snuffbox by John Shaw, Birmingham 1811, of rectangular shape and curved section with engine turned design, 6.5 x 313 4cm together with a late Victorian silver snuff box by Maurice Freeman, London 1900, of rectangular shape, the body engine turned within foliate edges, 7.25 x 4.25cm, ...[more]
Eighteen 19th century silver fiddle pattern teaspoons, comprising:- six George IV Irish teaspoons by William Cummins, Dublin 1825, 314 14cm; six George III teaspoons by Solomon Hougham, London 1814, 13cm; five William IV teaspoons by Robert Gray & Son, Glasgow 1830, 14.5cm and one Victorian example, ...[more]
A George III silver two handled cup, by Hester Bateman, London 1778, of inverted bell shape raised on a broad circular foot, the body 315 embossed with flowers and flutes between two S scroll handles, 14cm, 10.6oz
A Victorian silver tea caddy, by Turner Bradbury, London1892, of bombe shape embossed with shells and scrolling leaves, raised on 316 four foliate scrolled feet and having a detachable cover with anthemion finial, 15cm, 10.1oz
A pair of early Victorian silver table candlesticks by Hawkesworth Eyre & Co, Sheffield 1838/1841, each raised from a shaped circular 317 foot embossed with scrolls below a tapering stem supporting a leaf decorated campana shaped socket, 24cm high, loaded
A George III silver navette sugar bowl, by Robert Hennell, London 1786, the oval body bright cut engraved with festoons below a reeded 318 edge and bail handle and standing on a plain oval pedestal, gilt lined, 14cm high, 5.1oz
A George III silver navette sugar bowl, by William Plummer, London 1784, the plain oval body below a reeded edge and bail handle, 319 standing on an oval reed edged pedestal foot, inscribed to the base "Viscount Rothermere to Janet Trevelyan Foundling Site Appeal 1931-36", initialled `P` to th ...[more]
320 A set of six Old English pattern silver forks, probably by John Bourne, London 1798, initialled, 20.75cm, 13.36oz (6)
A George IV silver Old English thread pattern part flatware service - Thornton crest, by William Chawner II, London 1829, comprising: 321 twelve table spoons, 22.25cm; and twenty-one table forks, 20cm; 82oz (33)
A pair of George IV silver Old English thread pattern gravy spoons, by William Eley and William Fearn, London 1821, 30.5cm and a 322 fiddle pattern soup ladle by William Chawner, London 1828, 32.75cm, 15.3oz (3)
323 A Victorian silver Queen`s pattern soup ladle, by John James Whiting, London 1840, with anthemion heel, 33cm, 9.9oz
A silver pocket cigarette case, by Cohen & Charles, Chester 1912, rectangular with engine turned decoration, the cover containing a 324 coloured image of a naked girl reclining, 8.25 x 7.25cm, 2.8oz A George III silver sugar basket, by Charles Aldridge & Henry Green, London 1775, the tapered circular body part fluted with stylised 325 leaves below a trellis pierced upper body embossed with swags below a wavy bead edge and bail handle all raised on a low leaf embossed and beaded pedestal foot, o ...[more]
A large silver tray, by D & J Welby, London 1903, of rectangular shape with wavy gadrooned edge having two loop handles, 77cm, 326 150oz
Twelve pairs of Edwardian silver bladed fruit knives and forks, by Thomas Bradbury & Sons, London 1908 with green stained bone 327 handles (knives 18.5cm, forks 15.5cm) in fitted R B Thomas & Company case
A small silver waiter, by Hawkesworth Eyre & Co, London 1910, square with serpentine canted corners with moulded edge, and raised 328 on four bun feet, 17.5cm diameter, 10.7oz
A set of four modern silver gilt beakers, by Gerald Benney, London 1970, each of tapering cylindrical shape with matt bark finish below a 329 plain rim band, 8.5cm high, contained in a purpose made trade box, 27.6oz (4)
A silver porringer, by Gorham Manufacturing Co, Birmingham 1919, the plain circular bowl with everted rim between two reeded scroll 330 handles, uninscribed, 13cm diameter, 7 oz
A Regency silver gilt caddy spoon by Samuel Pemberton, Birmingham 1813, the shell bowl embossed to the heel with flowers below 331 fiddle pattern handle, 8.5cm, 0.3oz
332 A Scottish silver gilt bladed paper knife, Edinburgh 1833, no maker`s mark, with later gilt mounted moss agate handle, 22.5cm
333 A pair of modern cast silver stirrup cups, maker HB, London 1968, each modelled as a wolfhound mask, 16.5cm, 42.1oz (2)
334 A pair of modern cast silver stirrup cups, maker HB, London 1968/1969, each modelled as a wolfhound mask, 16.5cm, 41.7oz (2)
A George III silver candle snuffer tray, by William Cafe, London 1763, of waisted rectangular shape with shaped moulded edges with a 335 shell headed trefid foot to each corner, central finger grip, crested, 18cm, 8oz
A Victorian pair of parcel gilt trifle spoons, by John Edward Bingham, Sheffield 1887, with hexagonal stems and figural terminals, 22cm, 336 together with the companion sifter spoon, 18.25cm, contained in an unassociated case. 6.4oz (3)
A small Irish silver salver, by Edmond Johnson Ltd, Dublin 1913, of circular shape with pierced quatrefoil border within a gadrooned 337 edge, and raised on three pierced feet, crested, 21cm diameter, 13.3oz
A Victorian silver ovoid nutmeg grater, probably by Frederick Marson, Birmingham 1845-65, partial marks to cover only, grater absent, 339 5cm
Attributed to Giovanni Battista Lusieri (Italian, 19th Century), A View of Rome, with Peasants with Donkeys, watercolour, 36 x 28cm (14 345 x 11in). Provenance: An East Anglian private collection
Attributed to William Henry Hunt, OWS (British, 1790-1864), A Dead Chaffinch, a Bird`s Nest, and Flowers on a Bank, one signed 346 indistinctly with initials and date of 1856. watercolour, 21 x 28cm (8 x 11in) (a pair)
Giovanni Francesco Barbieri, il Guercino (Italian, 1591-1666), Cupid returning an Arrow to his Quiver, red chalk and stumping, laid down 347 on to canvas, 24 x 15cm (9 x 6in). The elegance of the figure`s pose, the subtlety of the chiaroscuro (from the highlight in the child`s body to the velvety shadow ...[more] Attributed to Ludolf Backhuysen (1630-1708), A Sailing ship in a storm, pencil and grisaille washes on paper, 12 x 16cm (5 x 6in). 348 Provenance: Acquired by a forebear of the current beneficiaries in the middle of the 20th Century, and thence by descent to the present owners. On the basis of a photogr ...[more]
Nicolaus van der Horst (Antwerp 1587-Brussels 1646), Saint Francis of Assisi in Ecstasy, signed lower right "Nicolaus van der Horst", 349 pen and ink on paper, 13 x 9cm (5 x 4in). Provenance: Acquired by a forebear of the current beneficiaries in the middle of the 20th Century, and thence by d ...[more]
Attributed to Giovanni Battista Cipriani (Italian, 1727-1785), Figure studies from the Old Masters, red chalk, double-sided within a gilded 350 Italian, poker-work frame, 22 x 29cm (9 x 11in)
Jean Martial Fredou (French, 1710-1795), Portrait of Monsieur Joseph Valentine Blaise Marty, signed lower right "Fredou 1753", pastel, 351 in an 18th Century carved and gilded frame, 38 x 27cm (15 x 11in). The Versailles Museum has portraits of Louis XVIII and of the Duke of Burgundy by Fredou ...[more]
Giuseppe Vincenzo Spampani (Italian, 1768-1828), An Architectural Capriccio, signed lower left "Spampani", brown wash, 37 x 45cm 352 (14 x 18in)
Thomas Espin of Louth, FSA (British, 1767-1822), A View of Lifford Hall, Kings Norton, Worcestershire, the Residence of Mr Dobbs, 353 with a spectacular Captain Cook`s Pine in the foreground, watercolour, 14 x 19cm (5 x 7in). Thomas Dobbs bought Lifford Hall in 1789; he was an engineer who constructed b ...[more]
Alexander Davidson (British, 19th Century), Portrait of a small child holding a coral and silver rattle, and seated on a pink cushion, 354 signed lower left "Alex. Davidson fecit 1846", watercolour, 29 x 22cm (11 x 9in)
355 Attributed to John Russell, RA (British, 1745-1806), Portrait of Mrs Andrews, pastel, oval, 57 x 48cm (22 x 19in)
356 Dirk Maes (Dutch, 1656-1715), A soldier on horseback, inscribed faintly upper left, pencil, 24 x 19cm (9 x 7in)
Simone Cantarini, called il Pesarese (Italian, 1612-1648), Scene from Ariosto`s "Orlando Furioso" (canto 22), with Bradamante and 357 Ruggiero, Finding an Abandoned Woman by the Wayside, red chalk, 20 x 26cm (8 x 10in). Provenance: Colonel Henry Stephen Olivier. The prominent collection mark i ...[more]
Hendrik Frans de Cort (Dutch, 1742-1810), Study of Rocks in the Grounds of Downton Castle, Herefordshire, the house of Richard 358 Payne Knight Esq, signed and dated 1802. watercolour and wash, 36 x 53cm (14 x 21in). Provenance: Christie`s, Ray Livingston Murphy, sale, 8 July 1986, lot 47, whence bought ...[more]
John Fulleylove, RI (British, 1847-1908), Clare College Bridge; and St John`s College, Cambridge, signed lower right "Fulleylove", 359 watercolour, 13 x 19cm (5 x 7in) (2), Provenance: Sir George Agnew and by descent.
Anthony Devis (British, 1729-1817), View of St Nicholas Church, Pyrford, Surrey, inscribed in the artist`s handwriting, pencil and 360 watercolour, 15 x 23cm (6 x 9in)
English School (late 18th-early 19th Century), Portrait of a Young Girl in a Coral Necklace, with blue ribbons in her hair, watercolour, in a 361 grey-painted and beaded frame, 43 x 33cm (17 x 13in)
Captain Cowper Phipps Coles (British, 1819-1870), Figures standing by the Odivelas Memorial, near Lisbon, Portugal, inscribed lower 362 right "C P Coles", watercolour, 13 x 19cm (5 x 7in). Captain Cowper Coles was an English naval captain, artist and inventor. He distinguished himself at the S ...[more] Augustus Osborne Lamplough (British, 1877-1930), Arab Village at Esna, signed lower left "A Lamplough", watercolour, 38 x 58cm (15 x 363 23in). The present watercolour is one of a group of watercolours shown by Augustus Osborne Lamplough to Edward VII in 1907 (a letter from Buckingham Palace t ...[more]
364 Henry Brittan Willis, RWS (British, 1810-1884), New Forest Ponies, signed lower right "H B Willis", watercolour, 42 x 68cm (16 x 27in)
365 English School (20th Century), An Edwardian Cricket Match, watercolour, 25 x 36cm (10 x 14in)
English School (19th Century), A View of Frith Grange, Hendon, Middlesex, mixed media, in a bird`s eye maple frame, 26 x 34cm (10 x 366 13in). Frith Grange originally stood on what is now Finchley Golf Course and was last owned by the Heals furniture family before being demolished in 1929.
Albert Goodwin, RWS (British, 1845-1932), Whitby, signed lower right with monogram "AG", watercolour, 13 x 18cm (5 x 7in). 367 Provenance: Christie`s, London, Sale, 1991.
Edward Stanley Inchbold (British, 1855-1921), Winchelsea Marshes, East Sussex, signed lower left "Stanley Inchbold", watercolour, 52 368 x 71cm (20 x 28in). Edward Stanley Inchbold studied art under Sir Hubert von Herkomer (1849-1914), the famous German-born painter of portraits and social rea ...[more]
369 Giuseppe Carelli (Italian, 1858-1921), Venetian Market, signed lower right "G Carelli, Venezia 1878", watercolour, 35 x 32cm (14 x 12in)
370 Richard Malcolm Lloyd (British, 1855-1945), Off Boulogne Pier, signed lower right "R M Lloyd", watercolour, 13 x 18cm (5 x 7in)
Y Gianni (Italian, 19th Century), The Bay of Naples with Vesuvius in the background, all signed "Y Gianni", gouache, 29 x 48cm (11 x 371 19in) (3)
W S Tomkyn (British, 19th-20th Century), Steam Ships and Sailing Boats in an Estuary, 1905. signed lower right "W S Tomkyn, June 372 1905", watercolour, 25 x 46cm (10 x 18in)
Stephen John Batchelder (British, 1849-1932), Departing Day, Irstead Church, signed lower left "S J Batchelder", watercolour, 18 x 373 28cm (7 x 11in)
John Henry Dearle (British, 1860-1932), Heavy horses watering at a pond with ducks and geese, signed lower left "J H Dearle `83", 374 watercolour, 43 x 67cm (17 x 26in)
William B Bradley (British, exh.1880-1889), Swans, sailing boats and narrow boats on a river, signed lower right "William Bradley 1884", 375 watercolour, 43 x 67cm (17 x 26in)
G H Jenkins (American, 19th Century), Lustleigh Woods, Devon; and Kynance Cove, Cornwall, signed lower left "G H Jenkins", 376 watercolour, 25 x 42cm (10 x 16in) (a pair)
377 Frank Rousse (British, 1897-1915), Off Scarborough, signed lower left "F Rousse", watercolour, 24 x 34cm (9 x 13in)
Leon de Smet (Belgian, 1881-1966), Portrait of Madame Blanche Lillian Sauter (1864-1924), inscribed upper left, "Tres 378 respectuesement au cher maitre G Sauter, Leon de Smet 6.7.16", red and brown crayon with charcoal, 52 x 37cm (20 x 14in). The Belgian artist Leon de Smet worked mainly as a ...[more] Frank Holl, RA, ARWS (British, 1845-1888), The Country Wedding, signed lower right with initials "FH", gouache, 36 x 25cm (14 x 10in). 379 Provenance: Martin Hardie (artist and author); Bought by the father of the present owner from Dr F Hardie (the son) via Agnew`s in 1971. Literature: Martin ...[more]
Richard Redgrave, RA (British, 1804-1888), Two Figures on a Bridge in a Welsh Landscape; and a Study of a Tree over a River, the 380 first signed lower left on the rocks "Rich. Redgrave", watercolour, 23 x 33cm (9 x 13in) (2). Provenance: Phillips, London, 24 March 1969, Lot 17; whence bought ...[more]
381 Thomas Bush Hardy, RBA (British, 1842-1897), Venice, signed lower left with initials "TBH", watercolour, 7 x 13cm (3 x 5in)
382 Frank Rousse (British, 1897-1915), Whitby Fisherfolk, signed lower left "F Rousse", watercolour, 24 x 34cm (9 x 13in)
Leyton Forbes (British, 19th Century), Country Lane with thatched cottages and chickens, signed lower right "Leyton Forbes", 383 watercolour, 14 x 22cm (5 x 9in)
Umberto Ongania (Italian, 19th Century), The Doge`s Palace, Venice, signed lower right "Umberto Ongania", watercolour, 27 x 57cm 384 (11 x 22in)
Thomas Francis Wainwright (British, fl. 1831-1883), Sheep in a Landscape; and Mountain Goats, both signed "T F Wainwright 1861", 385 watercolour, 17 x 30cm (7 x 12in) (a pair)
386 Harden Sidney Melville (British, fl. 1837-1881), Gypsy Ponies, signed lower right "H S Melville", watercolour, 23 x 31cm (9 x 12in)
Harrison William Weir (British, 1824-1906), A Cockerel, Hens and Ducks in a Farmyard, signed centre left "H W Weir 1868", 387 watercolour, 22 x 19cm (9 x 7in)
388 Henry Stanton Lynton (British, 1886-1900), Arab Street Scene, signed lower right "H S Lynton 1869", watercolour, 25 x 36cm (10 x 14in)
389 Henry Stannard, RBA (British, 1844-1920), The Poacher, signed lower left "Henry Stannard", en grisaille, 30 x 52cm (12 x 20in)
Samuel John Lamorna Birch, RA, RWS (British, 1869-1955), Near Penzance, with letter from Lamorna Birch to "Dear Nellie" on the 390 reverse, dated 20 December 1949. watercolour, 9 x 13cm (4 x 5in). Provenance: Christie`s, Sale, London, 1987.
J W Matthewman (British, 1800-1890), On the Beach, Treen, Porthcurnow, Cornwall, signed lower left "J W Matthewman", watercolour, 391 28 x 37cm (11 x 14in)
Anna Airy, RE, ROI (British, 1882-1964), Succory, signed lower centre with monogram "AA", watercolour, 38 x 17cm (15 x 7in). 392 Provenance: The Fine Art Society Ltd., 148 New Bond Street, London, W1. Exhibited: The Fine Art Society Ltd., 148 New Bond Street, London, W1, Anna Airy Exhibition, ...[more]
Roy de Maistre (Australian, 1894-1968), Study of the Sacred Heart central panel of a triptych in St Aidan`s Church, East Acton; and The 393 Crucifixion, inscribed on the reverse with artist`s label, pencil, oil and gold leaf; and pencil, 35 x 17cm (14 x 7in) (two). In 1951 Roy de Maistre was confirmed i ...[more]
Ian Conway (British, 20th Century), Racing Cutter; Day Sailing in the Estuary; and Windward Leg, all signed lower left "Ian Conway", 394 watercolour, 36 x 57cm (14 x 22in) (3). Provenance: The Royal Exchange Art Gallery at Cork Street, Mayfair
Gregory Robinson (British, 1876-1967), Waves breaking, rough weather, signed lower right "Gregory Robinson", watercolour, 38 x 28cm 395 (15 x 11in). Provenance: The Royal Exchange Art Gallery, 7 Bury Street, St James`s, London, SW1. An English 18th Century carved and giltwood frame slip, with laurel leaf carved decoration, sight size 202 x 165cm, overall size 215 x 401 177cm
An English 18th Century carved and giltwood frame slip, with laurel leaf carved decoration, slightly smaller than the previous one which 402 is of sight size 202 x 165cm, overall size 215 x 177cm
Circle of Adriaen Vandiest (Dutch, 1655-1704), Landscape with a Huntsman and Greyhounds in Pursuit of a Stag, oil on panel, in a grey 403 and cream painted frame, 53 x 63cm (21 x 25in). Provenance: From the collection of Ann Gore
404 T Pearson (British, 18th Century), Landscape with a Rider on a Grey Horse, Heading into a Storm, oil on panel, 11 x 16cm (4 x 6in)
405 English School (19th Century), A Family Playing with the New Baby, oil on board, 32 x 41cm (12 x 16in)
406 English School (18th Century), Riders on horseback in a classical landscape, oil on canvas, 67 x 99cm (26 x 39in)
John Westall of Cheltenham (British, 19th Century), Views of Baddesley Clinton, Warwickshire, oil on canvas, 33 x 46cm (13 x 18in) (a 407 pair)
408 Circle of Giovanni Battista Cipriani, (Italian, 1727-1785), The Judgement of Paris, oil on copper, 43 x 34cm (17 x 13in)
Attributed to Giovanni Remigio (Italian, 1607-1675), Portrait of an Infant before a blue curtain, oil on canvas, 39 x 32cm (15 x 12in). A 409 comparison can be made to a portrait by this artist to the Hon. Charles Cavendish Asleep in the Burghley House Collection.
Dutch School (18th Century), A Sportsman with a Greyhound and three Spaniels in an Italianate Landscape, oil on canvas, 46 x 64cm 410 (18 x 25in)
William Henry Crome (British, 1806-1873), A Windmill on a Hill, with a Walker on a Track, oil on canvas, 39 x 49cm (15 x 19in). 411 Provenance: Mandells Gallery, Norwich
Attributed to George Morland (British, 1763-1804), A Rider Watering a Grey Horse, with his Spaniel beside him, oil on panel, 20 x 24cm 412 (8 x 9in)
Patrick Nasmyth (Scottish, 1787-1831), A Shepherd, Sheepdog and Sheep before a Cottage, oil on panel, 28 x 37cm (11 x 14in). 413 Provenance: The Cider House Galleries, Bletchingley, Surrey
Circle of Francis Harding (British, 1740-1766), An Architectural Capriccio inset into a painted mirror wall panel in the manner of Kent, 414 with lion head roundels, and an egg and dart parcel gilt border, overall size 132 x 130cm (51 x 51in)
Circle of John Downman (British, 1750-1824), Portrait of a Lady in a Lace Cap with Ribbons and a Fur-Trimmed Stole, oil on canvas, 24 415 x 19cm (9 x 7in)
416 Italian School (18th Century), Portrait of a Lady in a Blue Dress with Pearls and a Lace Ruff, oil on a copper plate, 12 x 9cm (5 x 4in)
William James Webbe (British, fl.1853-1878), Study of Apples and Cobnuts; and Study of Apples, Grapes, and Strawberries, both 417 signed lower right with monogram "WJW", and dated 1864. oil on panel in burr walnut frames, 13 x 19cm (5 x 7in) (a pair). William James Webbe is included in Percy`s ...[more]
Anonymous English School (19th Century), in the manner of Paolo Veronese, The Virgin and Child with a Saint Interceding for Donors, 418 oil on panel, 27 x 33cm (11 x 13in). Provenance: Private collection, UK W H Alexandre (Dutch, 18th Century), Cattle with cowherds on a river bank; and a milkmaid milking a cow, one signed and dated lower 419 left "W H Alexandre 1795", oil on panel, 48 x 66cm (19 x 26in) (a pair)
Ramsay Richard Reinagle, RA (British, 1775-1862), The Sandpit, signed lower right "R R Reinagle RA, 1844", oil on canvas, 17 x 27cm 420 (7 x 11in). Provenance: Thos. Agnew and Sons Ltd., 43 Old Bond Street, Piccadilly, London.
Christopher Mark Maskell (British, 1846-1933), On the Avon, near Bristol, with a sailing ship and steam tug on an estuary, signed lower 421 right with initials "CM", oil on canvas, 34 x 44cm (13 x 17in). Provenance: The Royal Exchange Art Gallery, 7 Bury Street, St James`s, London, SW1.
422 Joseph Farington, RA (British, 1747-1821), A Herdsman with Cattle on a Bridge above a Raging Torrent, oil on card, 18 x 15cm (7 x 6in)
George William Mote (British, 1832-1909), A Donkey by the Seashore; and Fisher Children by the Seashore, both signed lower left with 423 monogram "M" in a circle, oil on canvas, 25 x 36cm (10 x 14in) (a pair)
Follower of Allan Ramsay (Scottish, 1713-1784), Portrait of Miss Sarah Wilson (1728-1774) in a pink shawl, oil on canvas, 74 x 62cm 424 (29 x 24in). Sarah Wilson (1728-1774) was the daughter of Christopher Wilson and heiress of Bradyll Dodding (1689-1748) of Conishead Priory, Cumbria. She married John G ...[more]
Gilbert Stuart (American, 1755-1828), Portrait of Major Henry Richmond Gale (1760-1814), in the uniform of the 7th Light Dragoons, oil 425 on canvas, in a painted oval, 75 x 62cm (29 x 24in). Provenance: By descent within the family of the sitter. Henry Richmond Gale joined the 7th Light Dragoons in 178 ...[more]
Follower of Henry Robert Morland (British, circa 1716-1797), Portrait of a Maidservant in a Mob Cap pressing a Glove, oil on canvas, 73 426 x 60cm (28 x 23in)
Manner of Sir Joshua Reynolds (British, 1723-1792), Portrait of a Lady, wearing a single strand pearl choker, and a portrait miniature 427 locket on a gold chain, oil on canvas, 73 x 60cm (28 x 23in)
Follower of George Romney (British, 1734-1802), Portrait of an Officer, a member of the Gale family, oil on canvas, 72 x 61cm (28 x 428 24in)
Follower of Sir Joshua Reynolds (British, 1723-1792), Portrait of a Young Girl in blue gathering roses, oil on canvas, 88 x 69cm (34 x 429 27in)
English School (18th Century), Portrait of the Reverend Dr Roger Baldwin, Rector of Aldingham, 1780 (d.1801), oil on canvas, 72 x 430 60cm (28 x 23in). Dr Baldwin`s daughter, Sarah, married Henry Richmond Gale (1760-1814) in 1785.
Alexander Keith, ASA (Scottish, fl.1836-1874), Portrait of Robertson Buchanan Stewart Esq of Ascog (1793-1871), signed on the 431 reverse "A Keith", oil on canvas, 112 x 86cm (44 x 34in). Robertson Buchanan Stewart was one of the founders of Stewart and Macdonald, later the House of Fraser and ...[more]
Alexander Keith, ASA (Scottish, fl. 1836-1874), (Probably) a Portrait of John Macdonald, holding plans for his Italian-style retail 432 premises north of Buchanan Street, Glasgow, planned in 1866. oil on canvas, 112 x 86cm (44 x 34in). John Macdonald and Robertson Buchanan Stewart together founded the f ...[more]
Scottish School (19th Century), Portrait of Mrs Alexander Bannantyne Stewart, (nee Fanny Stevenson of Lytham), in a feather-trimmed 433 cap and lace-trimmed black dress, oil on canvas, 112 x 87 x 87cm (44 x 34 x 34in). There is a statue of Alexander Bannatyne Stewart on the seafront near the Ferry Termi ...[more] Scottish School (19th Century), Portrait of Robertson Buchanan Stewart Esq the Younger of Ascog, holding a sporting hammer gun, 434 with his Retriever beside him, possibly Wildfowling, oil on canvas, 112 x 86cm (44 x 34in)
Sir Daniel Macnee, PRSA (Scottish, 1806-1882), Portrait of Master John Stevenson Stewart, with a Badminton Racquet and 435 Shuttlecocks, signed lower left "Daniel Macnee, RSA, 1868", oil on canvas, 128 x 101cm (50 x 39in). Provenance: By descent to the grandson of the sitter. John Stevenson St ...[more]
436 Axel Johansen (Danish, 1872-1938), Harbour Scene, signed lower left "Axel Johansen", oil on canvas, 33 x 38cm (13 x 15in)
John Arnold Alfred Wheeler (British, 1821-1903), Study of Ormonde, a Bay Racehorse, inscribed lower left "Ormonde" and signed with 437 monogram "JAAW", oil on artist`s board, 36 x 46cm (14 x 18in). Provenance: Bond Street Galleries, 9 New Bond Street, London, W1.
Franz Bergmann (Austrian, 19th Century), Landscape with Children and Cattle by a Pond, signed lower left "Bergmann", oil on canvas, 438 23 x 26cm (9 x 10in)
Henry George Moon (British, 1857-1905), Cottages at sunset; and Country lane, both inscribed on the reverse, oil on panel, 24 x 38cm 439 (9 x 15in) (2)
William Richards (British, fl.1879-1890), Fisherfolk on the shore, Newlyn, signed lower left and lower right "W Richards", oil on canvas, 440 39 x 29cm (15 x 11in) (a pair)
William Watt Milne (British, 1865-1949), Figures on a Windswept Beach, signed lower left "W W Milne", oil on board, 19 x 29cm (7 x 441 11in). William Watt Milne was born in Stirling, Scotland, in 1896. As a landscape painter his work mainly depicted coastal, farming and fishing scenes, both of ...[more]
442 William Watt Milne (British, 1865-1949), Sunday Morning Church, signed lower left "W W Milne", oil on board, 27 x 29cm (11 x 11in)
William Watt Milne (British, 1865-1949), Rose Cottage, Thicket Lane, Houghton, signed lower right "W W Milne", oil on board, 20 x 443 28cm (8 x 11in)
William Watt Milne (British, 1865-1949), Children blackberrying outside a rose-covered cottage, signed lower right "W W Milne", oil on 444 board, 25 x 28cm (10 x 11in)
William Watt Milne (British, 1865-1949), Heavy Horses Watering at a Brook, signed lower left "W W Milne", oil on board, 17 x 25cm (7 x 445 10in)
William Watt Milne (British, 1865-1949), Couple by a rowing boat on the river, signed lower right "W W Milne", oil on board, 31 x 23cm 446 (12 x 9in)
William Watt Milne (British, 1865-1949), St Ives Bridge, Huntingdon, with fishermen and boats in the foreground, signed lower right "W 447 W Milne", oil on board, 39 x 59cm (15 x 23in)
William Watt Milne (British, 1865-1949), St Ives Parish Church from the top of the Thicket path, signed lower left "W W Milne", oil on 448 canvas, 50 x 39cm (20 x 15in)
William Watt Milne (British, 1865-1949), Cottages on the River Ouse, signed lower right "W W Milne", oil on canvas, 76 x 63cm (30 x 449 25in) Johannes Christiaan Karel Klinkenberg (Dutch, 1852-1924), Dutch Canal Scene, signed lower right "Klinkenberg", oil on canvas, 48 x 450 68cm (19 x 27in). Johannes Christiaan Karel Klinkenberg was a pupil of Christoffel Bisschop (1828-1904) and Louis Meijer. He became a member of the Pulchri stu ...[more]
Haynes King, RBA (British, 1831-1904), A Young Girl reading the Christmas Number of The Graphic, signed lower left "H King 1881", oil 451 on canvas, 20 x 24cm (8 x 9in)
Albert Clark (British, 1821-1909), Portrait of a Dark Bay Shire in a Stable, signed lower left "Albert Clark 1895", oil on canvas, 49 x 60cm 452 (19 x 23in)
Walter Elmer Schofield (American, 1867-1944), River in Snow, signed lower right "W E Schofield `06", oil on canvas, 60 x 75cm (23 x 453 29in). Provenance: By descent within the family of the artist. Walter Elmer Schofield (1867-1944) trained first at the Pennsylvania Academy (1889-1892), and t ...[more]
Walter Elmer Schofield (American, 1867-1944), Farmhouse within Trees, oil on canvas, 59 x 74cm (23 x 29in). Provenance: By descent 454 within the family of the artist
Ivan Chehoff (Russian, 20th Century), Winter Snow, signed lower left "Ivan Chehoff", oil on canvas, 44 x 59cm (17 x 23in). Chehoff`s 455 signature is in Latin script and not Cyrillic. The transliteration of Chekhov, as Chehoff is interesting, since usually it is transliterated with a letter `k ...[more]
Alberto Ludovici, Senior (British, 1820-1894), The Puppeteers, signed lower left with monogram and dated 1876. oil on canvas, 32 x 456 42cm (12 x 16in)
A W Darby (British, 19th Century), A wooded lane with a castle beyond, signed lower left "A W Darby", oil on board, 15 x 26cm (6 x 457 10in)
458 Ebenezer Crawford (British, 1830-1874), A Musketeer, signed lower left "E Crawford 1887", oil on canvas, 24 x 29cm (9 x 11in)
L Richards (British, 19th Century), Summer Landscapes with Villagers passing a Quarry; and Cattle by a river, signed lower left and 459 lower right "L Richards", oil on canvas, 40 x 60cm (16 x 23in) (a pair)
Attributed to Louis Bosworth Hurt, (British, 1856-1929), The Highlands, oil on canvas, 83 x 124cm (32 x 48in). Provenance: One of 460 eleven paintings by Louis Bosworth Hurt sold from a Derbyshire country house at Arthur Johnson and Sons, Nottingham, in 2010 (letter refers). Louis Bosworth Hurt was a fr ...[more]
Lodewijk Johannes Kleijn (Dutch, 1817-1897), A stormy day on the ice, signed lower left on the fence post "L J Kleijn f", oil on canvas, 461 34 x 46cm (13 x 18in)
Richard Henry Brock (British, exh.1897-1915), Two Boys Fishing, Grantchester Meadows, Cambridge, signed lower left "R H Brock", oil 462 on canvas, 74 x 120cm (29 x 47in). Provenance: From the collection of L F Stokes, Dorset, and by descent. The Brocks - A Family of Cambridge Artists and Illus ...[more]
Edmund Aubrey Hunt (American, 1855-1922), Summer Skies, Holland, signed lower left "E Aubrey Hunt" and inscribed to the reverse, 463 oil on canvas, 37 x 54cm (14 x 21in). Provenance: The Royal Exchange Art Gallery, 7 Bury Street, St James`s, London, SW1.
English School, circa 1820, A Cutter with the White Ensign, a Dutch barge with steamer, oil on panel, 39 x 57cm (15 x 22in). 464 Provenance: The Royal Exchange Art Gallery, 7 Bury Street, St James`s, London, SW1. Thomas Rose Miles (British, 1869-1910), A Race for Lowestoft Harbour, oil on canvas, 99 x 74cm (39 x 29in). Provenance: The Royal 465 Exchange Art Gallery, 7 Bury Street, St James`s, London, SW1.
Arthur Joseph Meadows (British, 1843-1907), Off Tynemouth Sands, signed lower left "Arthur Meadows", oil on canvas, 34 x 57cm (13 x 466 22in). Provenance: The Royal Exchange Art Gallery, 7 Bury Street, St James`s, London, SW1.
George Augustus Williams (British, 1814-1901), A Fisherboy with his dog bringing home the catch at dusk with a beached fishing boat, 467 signed lower left with monogram "GAW", oil on canvas, 38 x 72cm (15 x 28in). Provenance: Bought by the vendor at Bonhams, Knightsbridge, Sale, 14 August 1997 ...[more]
Henry Woods, RA (British, 1846-1921), A Village in Veneto, signed lower right "Henry Woods, 1912 Venice", oil on panel, 28 x 20cm (11 468 x 8in)
John Hobart (British, early 19th Century), Carlo, a Study of a King Charles Spaniel, signed lower right "J Hobart pinxit 1836", and 469 inscribed "Carlo", oil on canvas, 56 x 46cm (22 x 18in)
470 English School (19th Century), Study of a King Charles Spaniel, oil on canvas, 51 x 61cm (20 x 24in)
Follower of John Hoppner (British, 1758-1810), Portrait of Miss Cecilia Isabella Losh, later wife of William Gale, oil on canvas, 74 x 471 62cm (29 x 24in). Cecilia Isabella Losh married William Gale of Bardsea Esq; she was the daughter of James Losh Esq, and the present portrait was painted in 1820.
Follower of George Henry Harlow (British, 1787-1819), Portrait of James Losh, Recorder of Newcastle on Tyne, (1763-1833). oil on 472 canvas, 74 x 62cm (29 x 24in). James Losh was from a landed Cumberland family and was the first Chairman of the Newcastle-Carlisle railway. He was a barrister and politici ...[more]
Circle of Henry William Pickersgill (British, 1782-1875), Portrait of Lieutenant William Gale of Bardsea, (1760-1814), Royal Hussars. oil 473 on canvas, 94 x 74cm (37 x 29in)
474 Percy Bovill (British, fl.1883-1903), Newlyn, signed lower left "Percy C Bovill", oil on board, 34 x 24cm (13 x 9in)
Richard Beavis, RA, RWS (British, 1824-1896), Study of Goats on Cliffs by the Seashore; and Study of Sheep, both signed lower left "R 475 Beavis 1870", oil on canvas, 15 x 22cm (6 x 9in) (a pair)
Marshall Claxton (British, 1812-1881), Victorian Ladies in a Rowing Boat with two Pet Dogs, signed lower left on the rowing boat "M 476 Claxton 1875", oil on canvas, 30 x 60cm (12 x 23in). Marshall Claxton was born in Bolton, Lancashire in 1812, and his work consisted predominantly of narrativ ...[more]
477 French School (20th Century), Sailing Ship in Harbour, signed lower right indistinctly, oil on canvas, 44 x 53cm (17 x 21in)
Richard Foster (British, b.1946), The River Wensum at Great Ryburgh, Norfolk, oil on canvas, 50 x 75cm (20 x 29in). Richard Foster 478 studied art at the Studio Simi in Florence, Italy, from 1963-1966 and the City and Guilds of London Art School from 1967-70. He exhibits frequently at the Royal Academy ...[more]
Jonathan Trowell (British, b.1938), Summer`s Day in the Hambleton Hills, Yorkshire; and Loch Morar from Oban, signed bottom right 479 "Trowell", oil on board, 11 x 16cm (4 x 6in) (2). Jonathan Trowell was born in County Durham in 1938. He studied at the Sunderland College of Art and won a scho ...[more]
William Burns (British, 20th Century), St James`s Park and Buckingham Palace, Spring, signed lower left "William Burns", oil on board, 480 19 x 24cm (7 x 9in) Pieter Johannes Wagemans (Dutch, 1879-1955), Still Life of Red and Pink Roses on a Marble Plinth, signed lower right "P Wagemans" 481 and signed in monogram "PW" on the plinth, oil on canvas, 63 x 52cm (25 x 20in). Provenance: The Oakham Galleries, 27 Bury Street, St James`s, London.
Arthur A Friedenson (British, 1872-1955), Stoke by Nayland, Suffolk, 1895. signed lower left "A Friedenson", oil on canvas, 48 x 59cm 482 (19 x 23in)
483 George Graham (British, 1882-1949), Beach Scene, Cornwall, signed lower left "George Graham", oil on canvas, 24 x 34cm (9 x 13in)
Peter Wishart, ARSA (British, 1852-1932), Rural Landscape with Sheep, oil on board, 29 x 46cm (11 x 18in). Peter Wishart studied at 484 the Royal Institute, Edinburgh, and later at Antwerp under Charles Verlat (Belgian, 1824-1890). "An interesting and forward artist" Wishart lived and worked i ...[more]
Charles Pears, ROI, PPRS (British, 1873-1958), A Windjammer bound down channel off Beachy Head, signed lower left "Chas. Pears", 485 oil on canvas, 58 x 88cm (23 x 34in). Provenance: The Royal Exchange Art Gallery, 7 Bury Street, St James`s, London, SW1.
Alice Maud Fanner (British, 1865-1930), Yachts approaching a windwardmark, close-hauled, signed lower left "Alice Fanner", oil on 486 canvas, 62 x 75cm (24 x 29in). Provenance: The Royal Exchange Art Gallery, 7 Bury Street, St James`s, London.
Hugh Boycott Brown, RSMA (British, 1909-1990), Tide Mill, Woodbridge, signed lower right "Hugh Boycott Brown", oil on board, 17 x 487 24cm (7 x 9in). Provenance: Royal Exchange Art Gallery, 7 Bury Street, St James`s, London.
Hugh Boycott Brown, RSMA (British, 1909-1990), Lymington, signed lower right with initials "HBB", oil on board, 17 x 22cm (7 x 9in). 488 Provenance: The Royal Exchange Art Gallery at Cork Street, Mayfair. Hugh Boycott Brown studied at the Frobisher School of Painting, Bushey, Watford School of ...[more]
Hugh Boycott Brown, RSMA (British, 1909-1990), Calm - Two Barges Anchored with a Smack, oil on board, 17 x 22cm (7 x 9in). 489 Provenance: The Royal Exchange Art Gallery, 7 Bury Street, St James`s, London.
Tennyson Petrina Edmond Hughina Green, (British, 20th Century), Through the Looking Glass - a self-portrait of the artist inscribed to 490 the reverse "P Tennyson Green" and with title, oil on canvas, 50 x 40cm (20 x 16in). P Tennyson Green entered the Slade School in London in the early years ...[more]
491 Jose Luis Checa (Spanish, b.1950), Venice, signed lower right "J L Checa", oil on canvas, 37 x 54cm (14 x 21in)
492 Jose Luis Checa (Spanish, b.1950), Playa Valenciana, Spain, signed lower right "J L Checa", oil on canvas, 37 x 54cm (14 x 21in)
493 Jose Luis Checa (Spanish, b.1950), Dia Gris, Valencia, signed lower right "J L Checa", oil on board, 11 x 18cm (4 x 7in)
C G Kennaway (British, exh.1891-1918), An Officer of the 60th Rifles, a bivouac beyond, 1917. signed lower left "G Kennaway 1917", oil 494 on canvas, 40 x 30cm (16 x 12in)
Anne J Pertz (British, fl. 1880-1911), Cortina, signed with initials lower left "AJP" and inscribed on the reverse with title, oil on canvas, 67 495 x 80cm (26 x 31in)
Reginald Grange Brundrit, RA (British, 1883-1960), Mill by a riverboat, oil on panel, 24 x 34cm (9 x 13in). Provenance: Richard Green, 496 44 Dover Street, London. Edward Charles Williams (1807-1881) and William Shayer Senior (1787-1879), A Roadside Inn, Sussex, 1862. oil on canvas, 74 x 92cm 497 (29 x 36in)
Wendy Morel (British, 20th Century), Study of a Chinese man in an Artist`s Studio, signed lower left "W Morel `32" and inscribed on the 498 reverse "Wendy Morel, Diploma", oil on canvas, in its original carved and painted trailing vine leaf frame, 58 x 49cm (23 x 19in)
After Lionel D Edwards (1878-1966), `THE CUETOWN HUNT`, a set of four prints, entitled; `Cutting The Cloth`, `Pocket`, `Spot Leads` 505 and `A Canon off The White`, published by Landeker & Brown, London 1903. each within moulded oak frames, 60cm x 74cm (24 x 29in) (including frame) (4)
506 After Cecil Aldin (British, 1870-1935), The Huntsman, chromothographic print, 34 x 30cm (13 x 12in)
English School (19th Century), Lord Clifden, a dark bay racehorse in a stable, inscribed on the reverse, "Lord Clifden, winner of the St 507 Leger", oil on board, 19 x 27cm (7 x 11in). Lord Clifden won the St Leger in 1863. He was foaled in 1860, a bay colt by Newminster x The Slave. He starte ...[more]
J W Turner (British, 18th-19th Century), A Bay Horse and Rider watching the Hunt pass by, signed lower left "J W Turner", watercolour, 508 in a verre eglomise frame, 33 x 44cm (13 x 17in)
Tessa Campbell Fraser, FRBS (British, 20th Century), The Grand National, signed lower right "Campbell Fraser `91", watercolour on 509 hand-made paper, 50 x 48cm (20 x 19in)
Circle of Benjamin Herring, Senior (British, 1806-1830), Rockingham, a Dark Bay Racehorse, with Sam Darling up in Harlequin Silks, oil 510 on canvas, 29 x 40cm (11 x 16in). Rockingham by Humphrey Clinker out of Medora by Swordsman, was winner of the St Leger in 1833. Rockingham belonged to Richard Watt ...[more]
Archibald Thorburn (Scottish, 1860-1935), Study of a Fox, signed lower right "Archibald Thorburn 1901", en grisaille, 35 x 54cm (14 x 511 21in)
Eugene Pechaubes (French, 1890-1967), Racing at Longchamps, signed lower left and lower right "Eug. Pechaubes", oil on canvas, 25 512 x 34cm (10 x 13in)
John Arnold Alfred Wheeler (British, 1821-1903), Sun Star, a Dark Bay Racehorse, with Jockey Up, signed lower right "Sun Star, J A 513 Wheeler", oil on canvas, 41 x 54cm (16 x 21in). Sun Star was owned by H J Joel, and won the Epsom Derby in 2 minutes 36 seconds, a record up until then
Clarence Hailey (British, fl.1910-1916), A Bay Racehorse with Jockey Up, signed lower left "Clarence Hailey, Newmarket, 1910", oil on 514 canvas, 49 x 67cm (19 x 26in)
James Clark (British, 1858-1943), Cavaliero, a dark bay hunter in a stable, signed lower right "James Clark, 67 Riverdale Road, 515 Highbury Park, London N", oil on canvas, 50 x 60cm (20 x 23in)
Edward Henry Windred (British, 1875-1953), Study of Albert, a Racing Pigeon, Mr W Goreino`s "Albert" Num 22 PPS 37; 1st Thurso 516 Plaistow and Dist FC 1926, E H Windred", oil on canvas, 34 x 45cm (13 x 18in)
517 Charles Edward Stewart (British, 1822-1894), Full Cry, signed lower right "C E Stewart", oil on canvas, 86 x 68cm (34 x 27in)
518 Mark Chester (British, 20th Century), Tiger in the rushes, signed lower right "Mark Chester", acrylic on canvas, 49 x 74cm (19 x 29in) A gilt metal fob chain with shaped links of galloping huntsmen with central horn, whip and game bag link, rustic branch T-bar and clip 524 34cm long
525 A Drum Major`s Tiger skin robe, lined with scarlet cloth, with a half head mount, possibly by Van Ingen, Mysore, 169cm (66in) long
A Van Ingen Tiger skin, half head mount, canvas lined, stamped Van Ingen Mysore and dated on a label inside the head 21-01-1947. 526 272cm (107in) long
527 Josechu Lalanda, Spanish (b.1939), Boar Hunting, bronze with brown patina, 35/75, signed and dated 1983
A framed montage of Sandringham and Queen Victoria`s Maltese dogs named verso in ink, the watercoloured canines in an interior 532 overlaid on textiles about a window overlooking a lithograph of Sandringham after A F Lydon, 33 x 30.5cm (13 x 12in) within burr maple frame
A framed montage of Stoke Poges, three watercoloured pugs cut out in a textile lined interior before a window overlooking an aquatint of 533 the Palladian mansion after J Gendall as labelled verso, 38 x 30.5cm (15 x 12in) within bird`s eye maple frame
A framed montage of Elvills, the print of the country house viewed from a shell framed grotto where a child in textile dress teaches her 534 dog to beg, her doll resting on the tiled step into the grotto, 38 x 33cm (15 x 13in) in bird`s eye maple frame
A set of four late 19th/early 20th century bronze curtain tie backs, the hook shapes reeded and with acanthus leaf terminals, each linked 535 to C-scroll back plates stamped E & D 611, 34cm (13.5in) high (4)
A pair of early 20th century French gilt bronze wall lights, each with foliate backplates supporting two branches with porcelain flowers 536 between, 33cm (13in) high (2)
Two 19th century gold topped canes, one of narwhal with the top chased with Indian style flowers between columns, 105cm (41.25in) 537 long, the gold top of the other cane with crowned C cypher, 92cm (36.25in) long (2)
A Gieve & Sons 1856 pattern midshipman`s dirk and scabbard, the blade etched with Queen Victoria`s coat of arms, the wire bound 538 shagreen handle between brass acorn tipped quillons and lion mask pommel, the upper brass mount of the leather scabbard initialled MS, the dirk 59.5cm (23.5in) long
A mid 20th century Collins `Legitmus` machete and leather scabbard, the single edged blade stamped with the maker`s name and 539 No.1293 below the horn handle with eagle head pommel, the leather scabbard with rosette to one side, the machete 49cm (19.25in) long
A George V Queen`s Own Cameron Highlanders dress sword and leather scabbard, the chromed basket hilt lined in red and with purple 540 tassel over a shagreen grip, the double edged blade by Henry Wilkinson etched with thistles, 98.5cm (37.5in)
A 19th century Mameluke handled sabre and iron scabbard, the ivory handle above hexagonal quillons ending in bun knops, the curved 541 single edged blade etched with trophies and foliage, the sabre 99cm (39in) long
542 A 19th century Indian tulwar, the iron handle with gold koftgari scroll bands, the single edged blade curved, 91.5cm (36in) long
A late 18th/early 19th century Indian Shamshir, the watered blade with single curved edge, the horn of the handle gold pique and inlaid 543 with stars, 100cm (39.5in) long A pair of mahogany and nickel candlesticks, the metal nozzles on fluted columns flaring to wrythen balusters and dished circular feet, 544 36.5cm (14.5in) high (2)
An early 20th century ship`s binnacle compass, the domed cylindrical brass case with an oil lamp box to one side, the compass on 545 gimbals and viewed through a circular glazed window, 21cm (8.25in) high
`Taken from a Church in Sebastopol on 9th September 1855...`, two 18th century icons, the smaller labelled verso and painted with 546 figures of Christ and God the Father above St Helena and possibly St Demetrius who holds a spear and the martyrs` palm frond, 40.5 x 30cm (16 x 11.75in), the larger paint ...[more]
A quantity of polished stones and eggs, mainly chalcedony but to include bloodstone, fluorspar, serpentinite and pudding stone (a 547 quantity)
Two late 18th century ivory toothpick cases, the rectangular lid of the first set with a compass within gold bezel and pique edge, a 548 thermometer inside to one side of the toothpick compartment, 6.5cm (2.5in) wide, the second with a plait of hair mounted on the lid within diamante studs on blue ename ...[more]
A German ivory hunting horn commemorative of George I coronation in 1714, the mouthpiece extending from a boar`s mask, a 549 horseman and dogs hunting below, a relief carved band at the open end with a profile of the monarch and the Royal coat of arms, 56cm (22in)
A late 19th century mahogany microscope slide cabinet, the twenty-nine drawers containing some four hundred slides with amateur 550 preparation dates from 1869 to the 1930s, preparations by Flatters and Garnett, Deans, Cole, Watson and others and of pathology subjects, insects, rocks, diatoms and other ...[more]
A late 19th century Indian Bidri ware tripod planter, the flared rim of the rounded bowl and the body below inlaid with bands of silver fish, 551 the feet with stylised flowers, 16.5cm (6.5in) diameter
A collection of approximately fifty polished stones, mainly of the agate family and cut for potential jewellery mounts but to include a lapis 552 cabochon and three pebbles with polished surfaces (51)
Three 19th century Chinese ivory needle cases and three European, the former carved in low relief with dragons amongst clouds, the 553 largest 16cm (6.25in) high, the European examples in geometrically patterned bone one with a Stanhope viewer of the Arc de Triomphe, 9.5cm (3.75in) high (6)
Eight early 20th century carved ivory ducks, a bear and an elephant, the largest of the birds standing with wings slightly spread, 3cm 554 (1.25in) high, the elephant marginally larger than the bear, 2.5cm (1in) wide (10)
Two enamels, three glass portrait profiles and a grand tour miniature, the first a box lid painted in grisaille with a study of the classics, 6 555 x 8.5cm (2.25 x 3.25in), the second a copy of Raphael`s Madonna della Sedia, 4cm (1.5in) high, gilt frame, two of the glass profiles intaglio moulded on the ...[more]
A fine cased pair of flintlock overcoat pistols by Lacy & Witton, London, early 19th Century, with browned twist barrels each signed along 556 the top flat `Lacy & Co.`, and similarly to the border engraved locks with a starburst behind the pan, engraved safety catches, figured full stocks with ...[more]
A cased pair of English percussion cap pistols by William Dooley, Liverpool, circa 1850, each with browned twist octagonal sighted 557 barrel signed along the top, the signed lock with scroll, foliage and border engraving, the hammers similarly decorated with sliding safety-catch behind and un-engraved ...[more] `E Merck, Darmstadt` metals and BDH reagents, in two boxes, the first containing sixty four ampoules of metals and the second thirty 558 bottles of reagents, a rack of test tubes and a mixing palette, the first leatherette box, 35cm (13.75in) wide
A North West Coast native American walrus ivory totem, the top carved as a raven with outstretched wings perched on the head of a 559 bear with children`s faces its legs, 24cm (9.5in) high. The totem conjures up the legend of the raven carrying children to heaven to save them at flood time
A pair of 19th century serpentine `Dogs of Alcibiades`, each seated on shaped rectangular bases looking upwards expectantly, 25cm 560 (9.75in) high (2)
`Giuseppe Fiorini Roma 1923`, a cello in cloth casing, the original brown varnish showing a craquelure on the scroll, the back 75cm 561 (29.5 inch), the overall length 125cm (49 inch), together with an un-named nickel mounted bow, all in a `W.E.Hill & Sons London` cloth case. Giuseppe Fiorini (1861- ...[more]
A portrait miniature of Major N Austen wearing a red uniform and white sash bearing the number 17 against a mushroom ground, 7cm 562 (2.75in) high, in papier mache frame. The `17` is probably for the 17th Regiment of Foot.
A 19th century portrait miniature of [Will]liam Chandler of Canterbury, the dark haired gentleman wearing a blue coat, 7cm (2.75in) high, 563 in gilt frame
`S Birckman`, a portrait miniature on porcelain mounted as a brooch, painted with a young boy wearing a blue dress, inscribed verso, 564 6cm (2.5in) wide
565 A mid 19th century ivory relief profile of a lady wearing grapes in her hair, two strings of pearls around her neck, 7cm (2.75in) high
A portrait miniature of Lord Byron and two of early 20th century ladies, the miniature of the poet after the oil by Thomas Phillips, 9.5 x 566 9.5cm (3.75 x 3.75in), in leather case, the ladies from the same family, that of the elder initialled IS and dated 1914, 6.5cm (2.5in) high (3)
`Kiefer`, a late 18th century portrait miniature of a gentleman wearing a blue jacket over and open lace collared shirt and against a 567 brown ground, 5cm (2in) diameter, in wooden frame with gilt metal slip
A late 18th/early 19th century portrait miniature of a white bearded gentleman wearing a dark brown hat and toffee coloured coat, oil on 568 metal (copper?), 7.5cm (3in) diameter, in black papier mache frame
Four 18th century portrait miniatures, portraits of a husband and wife flanking another gentleman in a common frame, the fourth 569 miniature of a gentleman wearing a blue coat, 4cm (1.5in) high, in wood frame
An 18th century portrait miniature, possibly European, the young gentleman with powdered hair and wearing a pale blue jacket, posed 570 against an evening landscape, 4cm (1.5in) diameter, in gilt metal frame
`Bishop`, a portrait miniature of a gentleman and another of a lady, the powdered haired gentleman wearing a yellow collared blue 571 jacket and lace cravat, 4.5cm (1.75in) high, the lady wearing a black ribboned hat and jacket, 4.5cm (1.75in) high, both with plaited hair verso and in gold metal frames ...[more]
Two 18th century portrait miniatures of gentlemen, each with curled brown hair and wearing blue jackets, one wearing a white cravat, 572 7cm (2.75in) and the other a black bow cravat, 6cm (2.5in) high (2)
The family tree of Maximilian Joseph Freiherr von Leyden auf Affing, document dated Munich 1783, in watercolour and pen on laid 573 paper with embossed seal below, 49 x 72cm (visible; previously folded) A 19th century Swiss music box, the 35cm (14.75in) cylinder playing on a single comb below a glazed lidded compartment flanked by 574 two stop, start and change leavers and the crank winding handle, the rectangular lid of the ebonised case with line inlay, 58.5cm (23in) wide
Two early Victorian tinsel prints of an actor and actress, the first of `Mr Cooke in The Waterman` within burr maple frame, 26 x 18.5cm 575 (10.25 x 7.25in) and the second of `Madam Malibran as the Maid of Artois`, in satinwood painted frame, 24.5 x 20cm (9.75 x 8in) (2)
An early 19th century county map of England needlework, each of the counties named in black and with coloured silk boundaries, 25 x 576 47cm (9.75 x 18.5in), in burr maple frame
`Elizabeth Weekes 1786`, her county map of England and Wales needlework, each county named and outlined in black, the country 577 names within coloured oak garland, the compass points in blue, 50.5 x 50cm (20 x 19.75in) within burr maple frame
A 19th century bronze figure of a naked boy writing as he sits on his tunic covering a red variegated marble plinth with his satchel to its 578 fore, the fluted ormolu plinth with pairs of rosettes above the disc feet, 43cm (17in) high
A 19th century electrically lit lustre table centrepiece the glass obelisk surmount above four graded tiers of drops suspended from gilt 579 wires from the glass encased column with fluted covered, reel shaped base on beaded ormolu circular foot, 85.5cm (33.75in) high
An early 19th century iron weighted brass door stop cast as a hound seated amongst foliage with a wavy wine handle extending from its 580 back, 39cm (15.25in) high
A late 18th century oval reverse glass print depicting a Roman soldier parting from his wife as their nurse holds their baby, 35 x 42.5cm 581 (13.75 x 16.75in) within gilt frame
582 An early 20th century Austrian cold painted bronze cock pheasant standing alert with tail feathers raised, 22.5cm (8.75in) wide
An early 20th century Austrian cold painted Labrador, the black dog standing four square with a cock pheasant in its mouth, 6cm (2.5in) 583 high
An early 20th century Austrian cold painted bronze cock and a hen pheasant, the cock standing alert while the female eats, the cock 584 12cm (4.75in) wide (2)
Antoine-Louis Barye (1796-1875), a bronze figure of a percheron, the stallion with its tail bound by ribbons as it trots across the rocky 585 base, dark brown patination, 20cm (8in) high
A Napoleonic prisoner of war straw work trinket box, a mirror inside the round arched lid over compartmental tray, compartment and 586 drawer, the fall front and lids with chevron and diamond diaper geometric patterns, 25.5cm (10in) wide
An Indian horn and ivory watch case, the casket with arched rectangular lid mounted with floral engraved strapwork either side of a 587 foliate pierced rectangle engraved with a seated dignitary, the interior with an easel backed watch holder, 12.5cm (5in) wide
Two late Victorian Sutton`s oak frames of named grasses, one showing specimens `Useless in Agriculture` and the other Natural 588 Grasses analysed by Dr Voelcker and Mr M J Sutton, the frames 55 x 86cm (21.75 x 33.75in) (2)
An early 19th century reverse print on glass, the first of `Arthur Wentworth of Bulmer` on horseback, 25 x 35cm (9.75 x 13.75in) in bird`s 589 eye maple frame An Asante bronze kuduo and cover, the latter with round arch handle topped by an axe blade finial, the cylindrical sides raised above a 590 narrower foot with alternating pierced wavy and vertical wire panels, 12.5cm (5in) diameter
An Aboriginal wooden shield, the handle hollowed out centrally to geometric patterns on one side of the elongated oval shape, the flat 591 side with sinuous vertical chiselled lines, 78cm (30.75in) high
A South Seas paddle, possibly Fijian, the blunt end of the oar blade shape with a raised band pierced at each side and hung with cotton 592 balls hung from string, the handle flaring to meet the opposite end, 55cm (21.5in) long
A Russian icon of the Inverskaya mother of God, painted by Ivan Malyshev and dated 1877, depicting the Madonna holding the Christ 593 Child in her left arm and raising her right hand towards him, the gold ground chased with entrelac, inscriptions in black above and incised inscription with the date belo ...[more]
A 19th century leather cased R & J Beck microscope, No.26, 319, the brass instrument with sub stage condenser fitted with filter tray 594 and adjustable aperture to the plano/concave mirror, two objectives and oculars, the case 27cm (10.75in) wide
A mahogany cased Harris and Son drum microscope, circa 1830, the brass instrument with six objectives, live box, stage forceps, 595 mirror, magnifying glass and some slides, the case 26cm (10.25in) wide
An early 20th century W Watson dissecting microscope and about 200 slides, the former cased with three lenses and a pair of rests to fit 596 either side of the blackened stage, the three boxes of slides to include: a Milliken and Lawley box containing slides of hemp, jute and sisal, a box of mid 20th ce ...[more]
A mahogany cased 1856 Smith and Beck monocular microscope, No.1093, the brass instrument with coarse and fine focussing, two 597 way mechanical stage, plano/concave mirror and sub stage variable aperture disc, the accessories to include: bull`s eye condenser, centering nose piece, live box, stage forcep ...[more]
A 19th century Turkish yataghan sword, the horn handle joined to the blade by decorative brass work, the single edged blade etched 598 with inscription vignettes, 83.5cm (32.75in) long
An early 19th century Boulle inkstand with leather lined pen tray to one side of the brass carrying handle raised above a tortoiseshell 599 lidded compartment flanked by velvet lined recesses for glass inkwells, the brass and pewter inlaid drawer with rosewood lining, 28cm (11in) wide
A mid 19th century pin cushion, possibly Turkish, the pink velvet applied with gold thread tassels and knot work at each corner, 23cm 600 (9in) square
A pair of 17th century walnut cherubs converted to wall brackets, the wings running from the cherubs heads on to foliate brackets curling 601 on to rosette roundels, the round arched brackets at right angles to each other, 31cm (12.25in) wide (2)
A Victorian Tunbridgeware writing slope, the fall marquetried with stars flanking a central chequer board within a chevron band before 602 pen trays and inkwells and a pierced walnut three quarter gallery, the interior with compartments and three small drawers, 46.5cm (18.25in) wide
After Pierre Jules Mene (1810-1871), a bronze group of two whippets playing with a ball to one side of the oval base, 21cm (8.25in) 603 wide
After Pierre Jules Mene (1810-1871), a 19th century bronze figure of a hound frozen in alert position and crouching on a later yellow 604 marble rounded rectangular base, 20cm (8in) wide. For an illustration of this model, see Christopher Payne `Animals in Bronze`, page 222 A Gandharan schist frieze fragment carved in relief with the Buddha seated on a dais centrally to groups of three flanking figures, stiff 605 leaf bands carved above and below, 12 x 16cm (4.75 x 6.25in)
A late 18th century portrait miniature of a lady, her high collared jacket with five vertical rows of brass buttons, her brown hair against the 606 sky ground, 6.5cm (2.5in) high, in papier mache frame
Style of Frederick Buck (1771- circa 1839), a portrait miniature of a gentleman, he wears a white cravat and waistcoat under his black 607 coat, his hair powdered against the sky ground, 7.5cm (3in) high, in gilt oval frame
Two 19th century Bidri ware hookah pipe bases, disk knops below the rims on the slender necks flaring to the base of the bodies and 608 rounding sharply into the narrower circular feet, 23cm (9in) high (2)
An early 20th century tortoiseshell framed dressing table mirror, the bevelled rectangular plate below arbolette cresting, the supporting 609 square sectioned columns topped by ivory urns and on pairs of scroll feet, the plate 28 x 20cm (11 x 8in)
A late 17th/early 18th lacquered lace box, the hinged rectangular lid gold lacquered with relief flowers, the sides with further flowers the 610 front with a Chinese pavilion to one side, the three compartments to the interior blue paper lined, 53cm (20.75in) wide
Adolphe Jean Lavergne (1852-1901), `Pecheur`, a bronze figure of a young boy with his trousers rolled up to the knee as he ties bait to 611 his line, the rectangular base labelled, 46cm (18.25in) high
A Tongan hardwood club, an arrowhead pommel to one end of the lens sectioned staff, the other with a leaf shaped blade with central 612 rib, 100.5cm (39.5in) long
`Betty II`, an early 20th century pond yacht, the single mast rising from a flat boarded deck with removable mahogany cover into the hull, 613 the keel with weighted metal tip, 90cm (35.5in) from bow to stern
A late 18th/early 19th century Italian reverse glass painting depicting three prelates and a nun visited on a cherub supported cloud by 614 the Holy dove of God, 29 x 23cm (11.5 x 9in) in ebonised frame
A late 17th/early 18th century needlework picture, possibly depicting the Annunciation as the Madonna rises from a lectern within a 615 curtained niche, her hands raised in surprise, 26 x 19.5cm (10.25 x 7.75in) in ebonised frame
An `Edward Withers, Wardour Street` cased late 19th century violin, the back with mother of pearl cartouche and flowers within barber`s 616 pole line inlaid edges 59cm (23in) long
An Inuit antler knife, the blade incised with crosses between decorative bands, the antler with two stags and geometric shapes and 617 roundels, 38cm (15in) wide
An early 20th century oak and antler coat rack, the rectangular back board carved with deer in a forest, the three antlers below forming 618 the hooks, boar`s tusks separating the inscription `Gefertigl von Gg Endaes`, 60cm (23.5in) wide
A pair of late 19th century French bronze dore candelabra, each with two lights cast with rams heads between flambeau finials, the 619 tapering cylindrical stems with musical trophies, the three hoof feet below resting on tripartite red marble plinths, 32cm (12.5in) high (2)
`Antony Bailly, Lyon`, a late 19th century champleve, gilt bronze and onyx vase stand, the blue foliate enamelled body held above the 620 circular onyx plinth by three caryatids whose wings raise up beside three pierced foliate brackets flaring away from the bun shape below, the maker or retailer`s labe ...[more] `Mayot Lyon`, a gilt metal and champleve tazza centrepiece, four trefoils raised above the central cup to take an insert, the dish below 621 enamelled with white and ochre flowers on a black ground, the socle on four paw feet, labelled on the underside, 23cm (9in) high
`Heylin, Cornhill, London`, an early George III flintlock blunderbuss, circa 1760, the two-stage turned barrel belled at the muzzle and 622 signed at the breech, the signed lock with a raised border repeated on the hammer, figured full stock with chequered grip through the hand, brass butt-plate and tri ...[more]
A 16th /17th Century Italian bronze head of a man and a head of a woman, after the Antique, darkly patinated, on later Sienna marble 623 socles, (2) 30cm (11.75in) high. Provenance: Acquired in Italy by a forebear of the present owners in the 18th Century
J Soldano, a French brass repeating carriage clock the engraved canalee case with circular enamel dial within a scroll decorated 629 surround, the backplate with bell strike numbered 1168, the silvered platform similarly numbered and marked `J S`, with original winding key, 13.5cm high with handle folde ...[more]
A Regency mahogany and brass mounted bracket clock, backplate signed William Brooke, Westminster the altered case with stepped 630 pediment and recessed spandrels around the 8inch enamel dial, indistinctly signed `... Brooke..`, with Roman numerals and twin fusee movement, adjustable pendulum, rectangul ...[more]
A French 19th Century painted and gilt mantel clock the portico type glazed sided case with trumpeting angel surmount, above 631 breakarch front, having a 10cm enamel dial with bellstriking movement marked `ANCen Mn Franjls, Raison & Thomas, Successeurs`, 62cm high
John Pyke, London, a fine George II figured walnut longcase clock the bold arched hood with 12inch brass dial having silvered 632 strike/silent to the arch, signed to an oval plaque, silvered seconds dial, chapter ring and date aperture, scroll mask spandrels, the 8 day 5 pillar movement with long pendu ...[more]
Coates, Horncastle, a mahogany longcase clock of small proportions the moulded hood with swanneck pediment above signed 7¼ inch 633 (18.5cm) brass dial, the twin weight 8 day movement probably associated, the trunk with lancet top door and mock stonework sides to the base, all on bracket feet, 19th cent ...[more]
A decorated gilt brass repeating carriage clock with alarm, late 19th century marked to the underside for the Goldsmiths Alliance Ltd, 634 London, No.2757-54, the case and dial with raised decoration on a matted background, silvered platform lever escapement and twin gong striking movement, the backplat ...[more]
A French ormolu mantel clock, early 19th century the case naturalistically designed as a classical hunter with bow sitting with a fawn on 635 his lap, upon a stepped rectangular base, the 8.5cm gilt dial with Roman numerals and bell striking drum movement with outside countwheel strike, backplate number ...[more]
Richond a Paris, a French bronze and ormolu mantel clock, early 19th century the case with cavalier style figure on horseback (lacking 636 his sword), upon a naturalistic base with moulded apron to the plinth, the 9cm silvered dial with bell striking silk suspension drum movement with outside countwheel ...[more]
An oak chiming mantel clock marked for Maple & Co. Paris, circa 1900 the architectural case with sloping roof top above two brass 637 columns flanking the 17cm engraved silvered dial, having slow/fast adjustment and brass gong striking movement chiming on 8 bells below, 52cm high
An early 19th Century clock picture the oil landscape with church incorporating a 3cm painted dial movement, with three figures crossing 638 over a river to the foreground, 53 x 64cm, within a gilt frame and enclosed back, overall 69cm high, 79cm wide, 17cm deep
644 A cast iron fire back bearing the Arms of Charles II, 81 x 103cm (32 x 40in) 645 A small 18th century oak lambing chair, circa 1700 enclosed panelled oak base, lacking drawer, on rockers, 82 x 44cm (32 x 17in)
646 An 18th century oak cricket table, the circular top on three baluster turned and stretchered legs, 58 x 77cm (23 x 30in)
647 An 18th century sycamore cricket table, with undertier on elm legs, 80 x 81cm (31 x 32in)
A Queen Anne laburnum lace box, circa 1710 decorated with oyster veneers, later gilt metal escutcheon and carrying handles, 12 x 51 x 648 36cm (5 x 20 x 14in)
A George I walnut bureau, circa 1715 with figured veneers, fitted two short and three long drawers on later bracket feet, 101 x 100 x 649 50cm (39 x 39 x 20in)
An early 18th century walnut dressing table mirror, circa 1720 fitted three small drawers to the inverted base, on ogee bracket feet, 62 x 650 45 x 21cm (24 x 18 x 8in)
651 An early 19th century elm wall cupboard, panelled with single door, 89 x 79 x 33cm (35 x 31 x 13in)
652 An 18th century oak and walnut kneehole desk, with later veneers on square bracket feet, 74 x 77 x 46cm (29 x 30 x 18in)
653 A George III yew and elm Windsor chair, on turned legs and crinoline stretcher, 88 x 49cm (34 x 19in)
An 18th century French chestnut armoire, panelled doors above two small drawers to the base, on bun feet, 231 x 173 x 79cm (90 x 67 654 x 31in)
An early 19th century oak and iron bound strong box, fitted three locks with end carrying handles to a moulded base, 30 x 62 x 38cm (12 655 x 24 x 15in)
An 18th century oak refectory table, circa 1780 the two plank top on square section legs and end stretcher supports, 74 x 251 x 70cm 656 (29 x 98 x 27in)
A set of six rush seated ash ladder backed chairs, and a similar elbow chair (7), 116cm high x 50cm wide 97 x 47cm (38 x 18in) (the 657 elbow chair)
An early 18th century walnut chest on stand, cross banded in ash, on a later stand and stretchered supports, 104 x 99 x 58cm (41 x 39 x 658 23in)
A 17th century oak chest of drawers, circa 1670 four long drawers with geometric applied mouldings, brass drop handles and on later 659 bracket feet, 89 x 92 x 57cm (35 x 36 x 22in)
660 A six fold fabric screen, 20th century decorated with a Hunting scene from a Verdure tapestry, 231 x 264cm (90 x 103in)
A late 17th century Flemish tortoiseshell lace box, mother of pearl inlaid decoration, fitted a blind lower drawer, with later 19th century 661 mirrored interior to the lid and on a later barley twist stand, 21 x 55 x 42cm (8 x 21 x 16in)
A George I walnut chest on chest, canted fluted sides to the upper half, cross and feather banded border decoration, on bracket feet, 662 183 x 104 x 54cm (71 x 41 x 21in)
663 A French Hepplewhite style salon chair, circa 1900 caned oval back and seat, 100 x 48cm (39 x 19in) A Regency mahogany bow front sideboard, with quarter fan inlay decoration on square tapering legs, and spade feet, 168 x 70 x 89cm 664 (66 x 27 x 35in)
An 18th century and later walnut dressing table mirror, the shaped base fitted four small drawers, with ivory handles and one with ivory 665 escutcheon, on bracket feet, 72 x 38 x 19cm (28 x 15 x 7in)
A Regency revival drum top library table, 20th century leather lined top fitted four drawers and alternate dummy drawers on a turned 666 column pedestal, four swept legs and brass terminal casters, 75 x 122cm (29 x 48in)
A small George III revival serpentine mahogany sideboard, boxwood line border inlaid decoration, on square tapering legs and spade 667 feet, 88 x 211 x 57cm (34 x 82 x 22in)
A Sheraton revival satinwood bookcase, neo-classical marquetry inlaid ribbon swag and anthemion decoration, with cupboards to the 668 base on bracket feet, 213 x 92 x 41cm (83 x 36 x 16in)
A George III Sheraton style mahogany cellarette, circa 1800 fitted interior for bottles and inlaid with quarter fan and within a tassel 669 border, 57 x 63 x 41cm (22 x 25 x 16in)
670 A George III mahogany wine cooler, the oval brass bound cistern, on a later stand, 61 x 70 x 52cm (24 x 27 x 20in)
A Sheraton revival mahogany writing table by Collinson & Lock, circa 1890 the raised gallery back fitted four small drawers with brass 671 line inlay, on tapering square legs united by a cross stretcher, stamped Collinson & Lock London 7365, 120 x 60 x 41cm (47 x 23 x 16in)
A Louis XVI revival painted urn stand, with later faux marble top and urn mounted cross stretcher and a painted Sheraton style elbow 672 chair (2), 75cm high x 45 cm diameter (urn stand), 95cm high x 49 cm wide (chair)
A Hepplewhite revival mahogany elbow dining chair, 19th century a wheel back design, carved with acanthus leaf scroll to the back and 673 arms and on blind fret square chamfered legs, 98 x 50cm (38 x 20in)
A Hepplewhite style mahogany elbow dining chair, a wheel back design, with scroll carved arms and on stretchered tapering square 674 legs, 88 x 47cm (34 x 18in)
A George III revival mahogany wing back armchair, circa 1870 on carved claw and ball feet, upholstered in a Bennison printed fabric, 675 107 x 57cm (42 x 22in)
A set of five Regency rail back mahogany dining chairs, overstuffed circular seats, incurved backs and on gadroon moulded legs (5), 86 676 x 51cm (34 x 20in)
A late 18th century Continental fruitwood commode, circa 1790 fitted two shaped front drawers and two long drawers, on square 677 tapering swept legs, 88 x 101 x 48cm (34 x 39 x 19in)
A pair of George III Sheraton mahogany dining chairs, with rail backs, woven horse hair and brass studded seats, on tapering square 678 legs (2), 90 x 47cm (35 x 18in)
A George III mahogany chest of drawers, circa 1780 fitted four long graduated drawers, original brass handles on square bracket feet, 679 83 x 90 x 58cm (32 x 35 x 23in)
A George III and later mahogany pedestal supper table, with a circular top on four swept legs and brass casters, 73 x 100 x 135cm (28 x 680 39 x 53in) A George III mahogany dumb waiter, circa 1800 of three tiers with two revolving sections on three reeded splayed legs and brass 681 terminal casters, 110cm (43in)
A late Victorian satinwood bijouterie table, circa 1900 bevelled glass top and sides, inlaid with trailing leaf and husk within a fiddle back 682 mahogany banded border, 76 x 61 x 46cm (30 x 24 x 18in)
683 A pair of carved wood columns with Corinthian capitals, from an interior fitment with traces of paint (2), 126cm (49in)
A George III leather upholstered oak framed wing arm chair, on stretchered square chamfered legs and later casters, 110 x 58cm (43 x 684 23in)
685 A Regency mahogany tray top tripod table, circa 1820 on a birdcage support and inverted swept legs, 73 x 55cm (28 x 21in)
A George III mahogany chest of drawers with brushing slide, above four long graduated drawers on square bracket feet, 79 x 84 x 50cm 686 (31 x 33 x 20in)
An 18th century mahogany dining chair, circa 1770 carved vase splat back and on ball and claw feet - possibly American, 98 x 52cm (38 687 x 20in)
A Sheraton mahogany bow front chest of drawers, crossbanded decoration, fitted four long drawers on bracket feet, 91 x 95 x 57cm (35 688 x 37 x 22in)
689 A George III mahogany corner armchair, 85 x 56cm (33 x 22in)
690 A George III mahogany corner armchair, 83 x 56cm (32 x 22in)
A Sheraton mahogany serpentine sideboard, circa 1800 quarter fan inlaid decoration, fitted cellarette drawers with lift out trays, on 691 tapering square legs and spade feet, 90 x 130 x 63cm (35 x 51 x 25in)
692 A pair of Adam period bookcase doors with copper tracery, and floret moulded decoration, 196 x 90cm (76 x 35in)
A George III mahogany cockpen chair, open lattice work back and sides to an upholstered seat and on square chamfered legs, 92 x 693 59cm (36 x 23in)
694 An 18th century gilt gesso framed overmantle mirror in the manner of Robert Adam, with urn and swag cresting, 81 x 135cm (32 x 53in)
A George III style mahogany console table, circa 1890 with a faux marble top, shaped brackets raised on square tapering satinwood 695 legs on block feet, 80 x 183 x 92cm (31 x 71 x 36in)
696 A George IV mahogany drop leaf work table, fitted two small drawers and dummy verso, 73 x 94 x 63cm (28 x 37 x 25in)
697 A Regency gilt framed overmantle mirror, circa 1825 twist column moulded frame, 52 x 127cm (20 x 50in)
698 A Regency mahogany library bergere, buttoned leather drop in seat, on gadroon moulded legs and brass casters, 92 x 50cm (36 x 20in)
699 A Regency mahogany breakfront sideboard, circa 1820, 95 x 183 x 71cm (37 x 71 x 28in) A Regency maplewood card table, circa 1820 fold over action with rosewood banded border decoration, on slender turned legs and 700 casters, 73 x 91 x 45cm (28 x 35 x 18in)
A Pair Regency faux rosewood dining chairs, circa 1815 with parcel gilt rope twist bar backs and shaped splats mounted with gilt metal 701 oak leaf and rosette, cane seats and sabre legs (2), 92 x 40cm (36 x 16in)
A Regency mahogany gallery back wash stand, the raised back with a lead lined cistern concealed by a hinged cover and the base 702 fitted a central cupboard and small drawers - alterations, 102 x 68 x 51cm (40 x 27 x 20in)
A Regency mahogany pedestal supper table, the tilt top to a turned column and four reeded and swept legs with acorn and oak leaf cast 703 caps and casters, 73 x 136 x 99cm (28 x 53 x 39in)
704 A set of five Regency mahogany dining chairs, with rail backs and drop in seats (5), 83 x 48cm (32 x 19in)
A Continental satinwood side table with single drawer, circa 1860 rosewood banded border inlay decoration with shaped ends, on 705 turned column supports, stretcher and casters, 73 x 92 x 50cm (28 x 36 x 20in)
A small Edwardian mahogany satinwood etagere, circa 1910 of three open tiers with urn finials, on swept legs, 81 x 51 x 31cm (32 x 20 706 x 12in)
A pair of Regency Grecian pattern faux rosewood side chairs, circa 1810 parcel gilt decoration, upholstered scroll backs and drop in 707 seats, on sabre legs with lion paw feet (2), 87 x 40cm (34 x 16in)
A cast iron pedestal jardiniere, 20th century the base moulded with entwined Dolphin supporting a faux porphyry bowl, 94 x 42cm (37 x 708 16in)
A pair of French Empire faux rosewood and parcel gilt armchairs, upholstered back and seat with lappet carved arms and scroll outline 709 architectural frame, 94 x 50cm (37 x 20in)
710 A late Regency upholstered armchair, with loose cushion seat, on turned faux rosewood legs and casters, 99 x 46cm (39 x 18in)
A late Regency rosewood sofa, the show wood with cut brass inlaid decoration, on swept legs with brass paw feet and casters, 86 x 105 711 x 64cm (34 x 41 x 25in)
712 A 19th century mahogany specimen cabinet, with lift out cases, each numbered, 78 x 78 x 56cm (30 x 30 x 22in)
A 19th century French padouk press, circa 1830 with column sides and brass capital mounts, fitted slides enclosed by panel doors 713 above five drawers and on later ogee bracket feet, 217 x 117 x 57cm (85 x 46 x 22in)
A George III mahogany step commode, tooled leather step treads, with a drawer out second tier, ebony line inlay and on turned legs, 70 714 x 45 x 68cm (27 x 18 x 27in)
715 An early Victorian mahogany folio stand, circa 1840 with ratchet adjustable sides and on turned feet, 111 x 70 x 70cm (43 x 27 x 27in)
A George III mahogany music Canterbury, of four divisions, fitted a single drawer on turned legs and brass casters, 55 x 47 x 34cm (21 716 x 18 x 13in)
A 19th century mahogany pedestal desk, faded leather lined top, fitted nine drawers with later brass handles on plinth bases and 717 casters, 76 x 137 x 90cm (30 x 53 x 35in) 718 A Regency brass inlaid elbow dining chair, circa 1820 the bar back inlaid with brass on gadroon moulded legs, 83 x 42cm (32 x 16in)
A Sheraton mahogany corner wash stand, with a folding gallery top and satinwood line inlaid decoration, on swept legs with stretcher 719 undertier, 83 x 61 x 44cm (32 x 24 x 17in)
A Regency mahogany Canterbury, fitted small drawer, brass bound corners and on ring turned legs and casters, 56 x 46 x 31cm (22 x 720 18 x 12in)
A Regency rosewood Gueridon, circa 1810 inset ceramic liner, on three gadroon moulded column legs to a shaped base on three 721 turned feet, 92 x 57cm (36 x 22in)
A Pair of Adam revival mahogany Gueridon, 19th century circular tops carved with Rams` heads, each on four architectural column legs, 722 united by an undertiers and shaped bases, 126 x 48cm (49 x 19in)
A Regency rosewood writing table, circa 1810 leather lined top with fitted end drawer and two dummy drawers on turned legs, 76 x 67 x 723 45cm (30 x 26 x 18in)
A 19th century mahogany D-end dining table, crossbanded in blond oak on gadroon moulded column legs and brass casters, extending 724 to accommodate two additional leaves - some reconstruction, 75 x 146 x 297cm (29 x 57 x 116in)
725 A Victorian walnut luggage stand, circa 1880 on turned tapering legs, 46 x 68 x 33cm (18 x 27 x 13in)
726 A 19th century butler`s tray on stand, the oval tray with hinged folding sides, on a folding stand tray, 89cm x 64cm (35 x 25in)
An early 19th century Colonial teak and brass bound travelling trunk, fitted with arcaded interior to the lid and a series of lidded 727 compartments and lift out trays, the brass inlaid front fitted with a long pen or brush drawer, on shaped apron and bracket outline feet, 61 x 90 x 50cm (24 x 35 x 20i ...[more]
A Biedermeier burr walnut and marble commode, with blind frieze drawer above three further long drawers, brass handles and on 728 shaped feet to a plinth base, 93 x 116 x 56cm (36 x 45 x 22in)
A Biedermeier mahogany commode, dark marble top above a blind frieze drawer and three further graduated drawers to a plinth base, 729 98 x 128 x 57cm (38 x 50 x 22in)
A large 19th century gilt framed overmantle mirror, the architectural frame with applied carved wood leaf scroll decoration, 173 x 160cm 730 (67 x 62in)
A 19th century gothic oak library chair in the manner of Pugin, circa 1850 the buttoned leather back and seat with an arched crest rail 731 and on stretched chamfered supports and casters to the front legs, 88 x 47cm (34 x 18in)
A Daw`s patent rosewood reclining armchair, circa 1825 with a hinged back and drawer out foot rest, on lappet carved legs, stamped `R 732 Daws patent`, 98 x 46cm (38 x 18in)
A Victorian oak twin pedestal partners desk, circa 1860 the pedestals fitted drawers and cupboards verso, on plinth bases, 46 x 68 x 733 33cm (18 x 27 x 13in)
A Sheraton revival painted satinwood sofa table, circa 1890, decorated with neo-classical floral swags about a central medallion to a 734 border, fitted two drawers on swept legs and brass paw casters, 71 x 148 x 61cm (28 x 58 x 24in) A late 19th century Continental mahogany cabinet, the single door inset with two marquetry inlaid and painted capriccio panels, 735 enclosing a shelved interior, with ebonised border mouldings and on small shaped legs, 138 x 69 x 43cm (54 x 27 x 17in)
A Transitional revival French kingwood and marquetry secretaire a abattant by Joseph Cremer, of shallow bombe outline, with floral 736 marquetry inlays, signed `Cremer 1863` and stamped twice on the carcase `Cremer marqueteur` on ormolu sabot, 122 x 67 x 33cm (48 x 26 x 13in). Provenance: Private collec ...[more]
A pair of Baccarat glass and gilt metal six light chandeliers, with cut lozenge shaped drops, engraved mark to the pendant ball (2), 62cm 737 (24in)
An 18th century Dutch oak commode on stand, serpentine outline fitted three drawers, flanked by columns carved with classical 738 capitals, the stand on swept legs, 82 x 73 x 46cm (32 x 28 x 18in)
A French transitional style mahogany petit commode, 20th century a tray top inlaid with flowers in a basket, on swept legs, 76 x 50 x 739 33cm (30 x 20 x 13in)
A 19th century French marquetry etagere, the three tiers of serpentine outline and inlaid with a lyre within a burr maple border, on 740 ebonised legs, 85 x 46 x 36cm (33 x 18 x 14in)
A Louis XV revival kingwood bombe commode, 20th century marble top with gilt brass mounts on swept legs and sabot, 90 x 90 x 43cm 741 (35 x 35 x 17in)
A 19th century mahogany kidney shaped writing desk, circa 1870 inset green leather to a satinwood crossbanded border, fitted nine 742 drawers with brass handles, 75.5 x 32.5 x 68cm (29 x 12 x 27in)
743 A Louis XVI revival gilt brass `fan` fire screen, cast brass scroll and leaf decoration, 59 x 83cm (23 x 32in)
744 A pair of Regency revival walnut Fauteuil, circa 1900 profusely carved frames with rocaille, shell and leaf scroll, 101 x 60cm (39 x 23in)
745 A French painted hall stand, mounted with brass hooks and stick rail, 195 x 75cm (76 x 29in)
A 19th century burr walnut Louis XVI revival etagere, circa 1870 parcel gilt decoration, brass gallery back and three open shelves on 746 small turned feet and casters, 96 x 84 x 38cm (37 x 33 x 15in)
A small 19th century French marble top pier cabinet, the door painted with a fan with gilt metal mounts on dwarf turned feet, 87 x 50 x 747 28cm (34 x 20 x 11in)
748 A 19th century French painted and carved trumeau mirror, 130 x 106cm (51 x 41in)
A pair of carved wood and parcel gilt pilasters, each pillar carver with a Corinthian capital and trailing husk to a plinth base, 193 x 26cm 749 (75 x 10in)
750 A late 19th century ash and beechwood faux bamboo tripod table, circa 1880, 70 x 73cm (27 x 28in)
A late 19th century leather upholstered library chair, spindle gallery bow back with studded leather back rest, on turned legs and casters, 751 76 x 52cm (30 x 20in) Leon-Joseph Chavalliaud, (French 1858-1921) a late 19th century marble figure of a boy, signed L Chavalliaud, the child subject in bare 752 feet and carrying a shrimping net - restorations, 116 x 47cm (45 x 18in). Literature: Chavalliaud had been a pupil of the renowned and influential French sculptor F ...[more]
A composite stone Cherub fountain head, the moulded subject wrestling a serpent, on a moss covered circular plinth base, 79 x 43cm 753 (31 x 17in)
A reconstituted figure of a classical female subject, carrying a cornucopia of flowers, later painted and weathered with lichen, 120cm 754 (47in)
755 A 17th century oak panelled chest, with foliate carved panel front, on stile legs 76 x 145 x 58cm
760 A Tekke Turkmen wine ground rug, 350 x 410cm (137 x 160in)
761 A Sarab runner, circa 1880, North West Persian, 106 x 510cm (41 x 199in)
762 A Malayer rug, circa 1890, 193 x 195cm (75 x 76in)
763 A Kashan part silk rug, 194 x 138cm (76 x 54in)
764 A pair of Kashan rugs, circa 1930 (2), 210 x 130cm (82 x 51in)
765 An Isphahan rug, 235 x 145cm (93 x 57in)
766 A Karabagh runner, signed, 362 x 109cm (141 x 43in)
767 A Perepedil rug, 194 x 138cm (76 x 54in)
768 A Perepidil rug, circa 1900, 116 x 89cm (45 x 35in)
769 A Qashqai rug, 161 x 224cm (63 x 87in)
770 A Sino-Iranian wool runner, 20th century, 69 x 255cm (27 x 99in)