DOCSLIB.ORG

Adam Wimpenny CV

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

ADAM WIMPENNY - DIRECTOR www.adamwimpenny.com Mob: 07976 838487 [email protected] BAFTA NO:18393 Agents:(Drama/Film) WILLIAM MORRIS ENDEAVOR (WME) David Karp For other work please contact Adam direct Director with over 15 years experience making award-winning TV series for all the major UK broadcasters. Featured as one of Screen International’s ‘Stars of Tomorrow’. Graduate of the University of Westminster’s BA hons. in Film and Television course. Directed BAFTA winning series ‘The Revolution Will Be Televised’ and other internationally award winning films. Experienced with directing high profile actors and TV talent. Strong visual style and experienced story-boarder. TV and FILM URBAN MYTHS: MADONNA & BASQUIAT Sky Arts / Wildcard Films Emmy nominated comedy drama series about Madonna’s early years in New York. MY MILLION POUND MENU ITV/Electric Ray Cooking show where restauranteurs look for angel investors. ‘THE INVESTIGATOR SERIES 2’ SYCO ENTERTAINMENT/ITV 3 x 1hr Crime drama/documentary series for ITV. Produced by Simon Cowell. Sold to Netflix. ‘BEHOLD THE MONKEY‘ (comedy drama) WILDCARD FILMS/SKY Fresco is a comedy/drama based on the true story about the infamous botched ‘restoration’ of a fresco of Jesus that took place in Spain in 2012. Nominated for ‘Best scripted program’ at the Broadcast Awards. Sold to HBO, Showtime and Canal+. ‘THE INVESTIGATOR’ SYCO ENTERTAINMENT/ITV 4 x 1hr Crime drama/documentary series for ITV. Produced by Simon Cowell. Sold to Netflix. ‘BLACKWOOD’ (feature film) WILDCARD FILMS / UNIVERSAL / BBC AMERICA The supernatural thriller stars Ed Stoppard and Sophia Myles as a history professor and his wife who move to a large country house with their eight year old son (Isaac Andrews). The husband has visions of a masked boy, and starts investigating a mysterious disappearance that may involve a war veteran (Russell Tovey). The family’s life gets further complicated with the arrival of an old friend (Greg Wise) and his beautiful girlfriend (Joanna Vanderham). ‘ROAR’ (Short film) 35mm WILDCARD FILMS Set in the heart of London at winter time, Roar is a short film about Tom, a young key cutter who’s chance encounter with a girl is about to have an extreme consequence. Starring Russell Tovey, Jodie Whittaker and Tom Burke. WINNER BEST OF FEST RHODE ISLAND FILM FESTIVAL, and ASPEN FF. ‘FIRST TIME’ (Comedy Short film) 35mm POISSON ROUGE FILMS A young man finds himself caught in the headlights when he spends the night with an more experienced woman. Released theatrically through Lionsgate Films alongside 'The Bad Lieutenant'. ANGEL CAKE (comedy drama) MUTINY FILMS A coming of age tale set in Yorkshire about Ellie, a ten year old Tom boy and her baby brother. Winner JVC Tokyo Film festival 1st Prize ‘TFI FRIDAY‘ CH 4 Directing comedy VT’s for the Ch 4 90 min special with Chris Evans. ‘THE JOHN BISHOP SHOW‘ BBC 1 Directing for the Saturday night show. ‘KATHERINE MILLS: MIND GAMES’ WATCH/OBJECTIVE New magic show for watch starring Katherine Mills ‘COMIC RELIEF‘ BBC Directing comedy VT’s for the BBC charity and a film with David Beckham ‘MISCHIEF MANSION’ CH 4 / SILVER RIVER/RUMPUS Alan Carr hosts a huge hidden camera show that puts an unsuspecting member of the public in the middle of their own tailor made movie ‘MAN VS. EXPERT’ MAGNUM/DISCOVERY 2 presenter travel the globe to find experts to beat at their own game. ‘THE REVOLUTION WILL BE TELEVISED‘ BBC3 /HATTRICK 6 x 30 mins BAFTA and ROSE D’DOR winning satirical comedy show ‘STAND UP TO CANCER‘ CH4 Directing comedy sketches with NICOLE SCHERZINGER, MIRANDA HEART, TOM DALEY, GREG DAVIES, ANNA FRIEL ETC. ‘ALAN CARR’S SUMMER SPECSTACULAR’ CH4 Directing comedy sketches and spoof movie trailers with Alan Carr ‘LEE NELSON’S WELL GOOD SHOW’ BBC3 /AVALON 8 x 30 mins A location based comedy sketch show starring Simon Brodkin as Lee Nelson. ‘CHANNEL 4’S MASHUP‘ CH 5 HRS. on Jan 2nd 2012 Channel 4 host a special evening of mashed-up shows as the Ch 4 headline talent swap shows for the night. Comedy sketches include Derren Brown, Davina Maccall, Allan Carr, Dermot O’Leary, Cast of phone shop, Jamie Oliver, Mary Portas and Bear Grylls. ‘HIT THE ROAD JACK‘ pilot CH4/Magnum media A location based comedy series starring Jack Whitehall. ‘THE BRITISH COMEDY AWARDS‘ Ch 4 Directing comedy sketches and the opening sequence for the awards with Jonathan Ross in 2011. ‘LEMON-AID’ ITV Keith Lemon’s TV series. Directing comedy sketches and VT’s for the series. ‘THIS IS WONDERVISION’ BBC /OBJECTIVE A new BBC comedy sketch show pilot involving live action and animation. Starring David Armand, Katherine Jakeways and Will Andrews, Kerry Howard and Dan Skinner. ‘CHRIS MOYLES QUIZ NIGHT‘ CH4/MAGNUM MEDIA 8 x 60 min Directing 2 series of comedy sketches and spoof movie trailers involving many special effects for the Ch4 comedy series. ‘MEET THE PARENTS’ OBJECTIVE/CH4 A realtime hidden camera comedy show where a victim has to introduce an actor masquerading as their unhinged partner to their parents. ‘THE JIM JEFFRIES SHOW’ PARAMOUNT- COMEDY CENTRAL A new comedy pilot starring Australian standup Jim Jeffries. Out spoken Jim accidentally becomes a playboy millionaire and tries to start a new life in London after being thrown out of his country.. ‘DERREN BROWN’S 3D SPECTACULAR’ OBJECTIVE / CH 4 Derren Brown’s presents a 3D magic spectacular. Flagship show of Channel 4's 3D week. In Nov 2009. Shot multi-cam in Hi Def 3D. ‘STRUTTER’ OBJECTIVE / MTV 8 x 30 min Paul Kaye stars as Mike Stutter, a New Yorker with anger management issues in this outrageous sketch show. Winner of the Area O2 X awards for best comedy. Studio and single camera sketches. ‘HINDSIGHT’ DLT 1 x 30 min Comedy/drama pilot about Ed Arkel, a young Tory politician who has the impossible task of winning a seat in the fictional Northern mining town of Bauldover. Starring Sebastian Dunn and Miranda Raison. ‘DERREN BROWN –TRICK OR TREAT’ OBJECTIVE/ CH 4 6 x 30 min The mind control star Derren Brown makes a Faustian pact with 6 new victims in this RTS nominated show. ‘DON’T MISS A TRICK’ OBJECTIVE/BBC 1 BBC ONE Saturday night entertainment show mixing high-stake stunts and illusions with the cast from The Real Hustle. THE REAL HUSTLE SERIES 3 OBJECTIVE/ BBC 3 10 x 30 min Directing the hit BBC show that explores the world of the conman as the team of hustlers attempt to pull off infamous stings. RTS ‘Best Factual Ent’ nominee. (Nominated for best director BAFTA craft awards 2008) THE REAL HUSTLE CHRISTMAS SPECIAL OBJECTIVE/ BBC 3 Directing a Christmas special of the hit BBC show that explores the world of the conman. THE REAL HUSTLE SERIES 2 OBJECTIVE/ BBC 3 10 x 30 min. Directing the hit BBC show that explores the world of the conman as the team of hustlers attempt to pull off infamous stings. (RTS ‘Best Factual Ent’ nominee.) ANT AND DEC’S SATURDAY NIGHT TAKEAWAY ITV 8x 1hr Directing and writing studio comedy sketches and VT’s for Ant and Dec’s Award winning series. Winner National Television awards best Show. DEATH WISH LIVE OBJECTIVE/CHANNEL 4 Directing on a week of live studio shows demonstrating death-defying stunts. RAJAN AND HIS EVIL HYPNOTISTS OBJECTIVE/CHANNEL 4 8 x 30 min Directing a new comedy series as well as creating the titles and animations for the new Channel 4 series. LIVE 8 DOCUMENTARY INITIAL 1 x 1hr. Directing and filming a behind-the-scenes documentary to LIVE 8, the second global music event. Produced by Richard Curtis. RDF USA VH1 / GRANADA Working out in LA as a directing consultant doctoring a prime time show for VH1. MONSTER GARAGE LWT / CHANNEL 4 8 x 1 hr shows Channel Four series where a team has only seven days to modify vehicles into amazing machines inside the Monster Garage. A NEW LIFE DOWN–UNDER / A PLACE DOWN UNDER CHANNEL 4 8 x 1 hr TV series and 24 x 30 min series Documentary series focusing on the lives of 8 different families who have chosen to leave Britain and move to Australia for what they think will be a better life. LWT G.F.I GRANADA/ITV Series 8 x 30 mins. Comedy sketch show featuring new comic talent. Featuring Marek Larwood, Rhod Gilbert, Phil Nochol. COMMERCIALS WORK I have directed campaigns for Sony, Coke, Mazda, Rosetta Stone, Vodafone and Berroca. My test commercials for Apple (Ipod Bod) and Alka-Seltzer (Big Baby) featured in SHOTS magazine. I have also shot and animated the title sequences for over 10 high profile TV shows. AWARDS and NOMINATIONS ‘The Revolution Will Be Televised - BAFTA Best comedy show 2014.’ ‘Behold the Monkey’ -Nominated for best scripted program at the 2016 Digital Broadcast Awards. “ROAR” Best of Fest and Grand Jury best Screenplay award and the 2009 Rhode Island Film Festival. Aspen FF Best Cinematography, Marbella FF runner up best film. “ANGEL CAKE” Direction Award: 23RD. JVC Tokyo Film Festival Winner. BAFTA craft awards best director nominee 2008. The Real Hustle’ BBC3- RTS nominated show ‘ National Television Awards, best entertainment. ‘Saturday Night Takeaway’. ITV1 The David Brown young designer of the Year award. Lloyds Young Script Writer of the year awards. runner up. EDUCATION University of Westminster, London (BA Hons.), Film and Television, June 2000 Queen Elizabeth’s Grammar School, Wakefield. West Yorkshire. .
Recommended publications
  • Theguardian and NUS: Campaign Didn’T Organise a Moves to Parliament Piss-Up in a Brewery

    Theguardian and NUS: Campaign Didn’T Organise a Moves to Parliament Piss-Up in a Brewery

    Issue 949 - Weekly Thursday 19th November 1998 Tuition Fees TheGuardian and NUS: Campaign Didnt organise a Moves to Parliament piss-up in a brewery he Guardian / NUS London”. Student Media Awards Tare the highlight of the The following academic year for all involved morning, back at in producing student media, the Media be it newspapers, magazines, Conference, NUS radio or television. President Andrew Pakes released a Last Saturday saw the 20th statement from Anniversary event, part of the the NUS which Student Media Conference, claimed that The take place at the Truman Guardian were Breweries building in East responsible for the London. Unfortunately around arrangements for Union Officers campaigning at Westminster 200 of the conference dele- the awards cere- n Thursday 12th November, students from gates were unable to get into mony and that it across the country converged on the awards ceremony due to was The Guardian OWestminster to take the Student Rights the ceremony taking place in a who had refused Charter to the Government. After the successful venue that could not cater for entry to confer- Day of Action held in the Unions on 30th October, the required number of peo- ence delegates, Some of the entries for the media awards with Pluto winning the coveted ple. who have in the campaign was taken to MPs in the Houses of Newspaper of the Year Award - full list of winners on page 2. Parliament. It was also a chance for Union officials previous years to gather more information about why the battle is As the situation developed the attended the the problem, but look forward workshops presented by so important to all students.
  • 2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday

    2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday

    Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p.
  • New Brochure & Film Newbrochure &Film

    New Brochure & Film Newbrochure &Film

    week 7 / 13 February 2014 PIONEERING SPIRIT How RTL Group made entertainment history PIONEERING SPIRIT How RTL Group bmaderochu entertainmentre & history New film week 7 / 13 February 2014 PIONEERING SPIRIT How RTL Group made entertainment history PIONEERING SPIRIT How RTL Group bmaderochu entertainmentre & history New film Cover Montage with covers of the Always Close To The Audience’s brochure and DVD Publisher RTL Group 45, Bd Pierre Frieden L-1543 Luxembourg Editor, Design, Production RTL Group Corporate Communications & Marketing k before y hin ou T p r in t backstage.rtlgroup.com backstage.rtlgroup.fr backstage.rtlgroup.de QUICK VIEW Happy anniversary, Plug RTL! Plug RTL p. 8–9 90 years of entertainment – captured, documented and celebrated Simon Cowell RTL Group plans return to p.4–7 The X Factor UK FremantleMedia p. 10 Mega marketing campaign for Big Picture Game Of Thrones p.12 RTL II p. 11 PEOPLE p. 13–15 In February 1924 Radio Luxembourg took to the airwaves. 90 years later, RTL Group is marking – and celebrating – the anniversary with a new brochure and film. Titled Always Close 90 YEARS To The Audience, both productions recount the vivid and rich events that OF ENTERTAINMENT – turned a modest radio station based in tiny CAPTURED, Luxembourg into the leading European DOCUMENTED AND entertainment network. CELEBRATED Luxembourg – 13 February 2014 RTL Group Collage from the Always Close To The Audience brochure: Autographe cards & advertisements for various activities 4 Hauled up in their attic in 1924, experimenting with a single radio transmitter, the Anen brothers couldn’t have begun to imagine that their modest Radio Luxembourg would not only become one of the most-listened-to and admired radio stations of their generation but would go on to develop into Europe’s largest commercial free-to-air broadcaster.
  • Screen International and Bfi London Film Festival Reveal Uk Stars of Tomorrow 2015

    Screen International and Bfi London Film Festival Reveal Uk Stars of Tomorrow 2015

    SCREEN INTERNATIONAL AND BFI LONDON FILM FESTIVAL REVEAL UK STARS OF TOMORROW 2015 London, Monday 5 October 2015: Screen International has today revealed its 2015 UK Stars of Tomorrow, a showcase of the UK and Ireland’s newest and most exciting actors, directors, writers and producers, eagerly-anticipated by the international film industry. They are being presented for the first time in a high-profile industry event at the BFI London Film Festival held in partnership with American Express (7-18 October). Following last year’s successful collaboration between the Festival and Stars of Tomorrow, this year’s talent will be introduced to leading lights from the international film industry in London for the Festival, including US casting directors, European and US producers, festival programmers and international filmmakers. The Stars of Tomorrow featured in a special photoshoot at BFI Southbank, published in industry trade magazine Screen International, will also be the special guests at an exclusive industry dinner during the Festival, hosted by British Council and the Casting Society of America (CSA). The 2015 UK Starts of Tomorrow announced today: Adelayo Adedayo, actor, made her mark in ITV’s Some Girls and appeared in feature films including Gone Too Far! (LFF 2013) and Unlocked; Aleem Khan, writer-director, shortlisted for a BAFTA award for his short Three Brothers is currently working on his first debut feature After Love; Alex Lawther, actor, a UK Critics’ Circle young British performer of the year award- winner as the young Alan
  • Noel Gallagher Meets Tim Jonze

    Noel Gallagher Meets Tim Jonze

    “ I’ve got one fatal fl aw in my perfect makeup as a human being. I never forgive Noel Gallagher meets Tim Jonze Monday 05/08/19 Four pages of wellbeing! Rhik Samadder, how to say sorry and life without soap pages 2-5 Re-enter the dragon How Bruce Lee’s daughter brought his dream to life page 10 • The Guardian 2 Wellbeing Monday 5 August 2019 In Britain, we over-apologise out of politeness . Are you doing That not only detracts from an apology when we do have something to be sorry for, but it can be seen as it right? submission, especially in our professional lives. The classic example is at a social gathering or Sayingyg sorry y networking event . If you try to infi ltrate a group by saying, “sorry to interrupt” , the fi rst thing you have told people is that you are apologetic and interrupting . Likewise, people responding to emails with “sorry for the delay in getting back to you” are highlighting the fact there was a delay. Instead, start by thanking the person for allowing you the time to come back to them. In terms of saying sorry when you have something to apologise for, it is better to do it succinctly . You can tell a sincere apology by the fact that it is short and to the point. Qualifying an apology generally means the apologiser does not fully mean it. Preferably, the apology should be face to face ; if that is not possible, then do it over the phone. If you have really annoyed someone and done the initial apology face-to-face or over the phone, it is fi ne to follow up with something more expansive in writing.
  • Hermione Norris Talks About the Long-Awaited Return of ‘Cold Feet’ and How Her Children Now Take Centre Stage

    Hermione Norris Talks About the Long-Awaited Return of ‘Cold Feet’ and How Her Children Now Take Centre Stage

    ENJOYING FAMILY TIME IN SUNNY SARDINIA HERMIONE NORRIS TALKS ABOUT THE LONG-AWAITED RETURN OF ‘COLD FEET’ AND HOW HER CHILDREN NOW TAKE CENTRE STAGE Hermione, her husband Simon Wheeler and their children Wilf and Hero enjoy a scenic stroll while on holiday in Sardinia (above), a time to regroup after the actress spent six months away on projects, including the long-awaited return series of Cold Feet. “It’s lovely not to have to think about anything apart from, ‘Which pool shall we go to?’” she says of their sunshine break ermione Norris says she’s one of those people Cold Feet established Hermione’s career and put back projects in Leeds and Manchester – first on Hwho doesn’t like to look back. Yet that’s exactly her firmly on the map. But her husband, TV writer In the Club, the Kay Mellor drama about parents-to- what she found herself doing recently on the set of and producer Simon Wheeler, and their children be, then on Cold Feet. Away for months from their Cold Feet, the hit ITV series that last appeared on Wilf, 12, and Hero, eight, now take centre stage. Somerset home, this is the first decent stretch of our screens in 2003 and is due to return this autumn. “It’s all about them,” she says. “They are the most time they’ve spent together for a while. “It felt like only yesterday, but it first started 20 important people in my life.” “It’s lovely not to have to think about anything years ago, so you keep remembering where you We’re chatting in a shady spot of Forte Village, apart from, ‘Which pool shall we go to?’” Hermione were at that time,” she says of being back on set.
  • Trends in TV Production Ofcom, December 2015 Contents

    Trends in TV Production Ofcom, December 2015 Contents

    Trends in TV Production Ofcom, December 2015 Contents 1. Summary 2. What were the original aims of intervention? 3. The UK production market 4. How many companies are active in the market? 5. How easy is it to enter? 6. Production sector revenue and flow of funds 7. Production sector consolidation 8. Quotas 9. Regionality 10. Historical context of the US market Summary – the questions asked This pack aims to confirm (or dispel) many of the widely held beliefs about the UK television production sector. Among the questions it seeks to answer are: • What is the intervention (regulation of the sector) meant to do? • How has commissioning developed over time? • How has the number of producers changed over time? • Is it harder to get into the market? • How do terms of trade work? • How has the sector grown? • What has consolidation looked like? • How do quotas work? • How does the sector operate regionally? 3 Summary – caveats This report was produced for Ofcom by Oliver & Ohlbaum Associates Ltd (“O&O”). The views expressed in this report are those of O&O and do not necessarily represent the views of Ofcom. While care has been taken to represent numbers in this report as accurately as possible based on available sources there may be inaccuracies and they may not correspond with Ofcom’s view of the market and cannot be taken as officially representative of Ofcom data. 4 Summary - data sources used • Oliver & Ohlbaum Producer Database, 2006-2015 ₋ BARB data supplied by Attentional and further coded by O&O to include production companies and their status as qualifying or no-qualifying producers, plus their respective turnover bands.
  • Film Flight: Lost Production and Its Economic Impact on California

    Film Flight: Lost Production and Its Economic Impact on California

    I MILKEN INSTITUTE California Center I July 2010 Film Flight: Lost Production and Its Economic Impact on California by Kevin Klowden, Anusuya Chatterjee, and Candice Flor Hynek Film Flight: Lost Production and Its Economic Impact on California by Kevin Klowden, Anusuya Chatterjee, and Candice Flor Hynek ACKnowLEdgmEnts The authors gratefully acknowledge Armen Bedroussian and Perry Wong for their expert assistance in preparing this study. We also thank our editor, Lisa Renaud. About tHE mILKEn InstItutE The Milken Institute is an independent economic think tank whose mission is to improve the lives and economic conditions of diverse populations in the United States and around the world by helping business and public policy leaders identify and implement innovative ideas for creating broad-based prosperity. We put research to work with the goal of revitalizing regions and finding new ways to generate capital for people with original ideas. We focus on: human capital: the talent, knowledge, and experience of people, and their value to organizations, economies, and society; financial capital: innovations that allocate financial resources efficiently, especially to those who ordinarily would not have access to them, but who can best use them to build companies, create jobs, accelerate life-saving medical research, and solve long-standing social and economic problems; and social capital: the bonds of society that underlie economic advancement, including schools, health care, cultural institutions, and government services. By creating ways to spread the benefits of human, financial, and social capital to as many people as possible— by democratizing capital—we hope to contribute to prosperity and freedom in all corners of the globe.
  • P40 Layout 1

    P40 Layout 1

    Dior oozes ‘bourgeois cool’ at Paris men’s fashion week MONDAY, JUNE 29, 2015 38 An Iraqi vendor sells fruit in a street in the capital Baghdad during Islam’s holy month of Ramadan yesterday.—AFP Kanye gives defiant performance at Glastonbury anye West gave a defiant performance at Glastonbury on Saturday night, challenging critics Kwho said he was unsuitable for the event by declar- ing himself the “greatest living rock star”. The US rapper delighted many core fans with a 100-minute set on the Pyramid Stage that included big hits and new material, but did little to win over those festival-goers who came along out of curiosity. Wearing blue denim with a white splat- tered paint effect, West spent most of the set alone on a bare stage under a ceiling of hundreds of powerful spot lights, although he took a trip above the stage in a crane for “Touch the Sky”. “Thank you all for coming out tonight, thank you for coming to see me,” he said in a rare moment of engage- ment with the crowd. West’s performance opened with “Stronger” and closed with “Gold Digger”, and included a guest appearance by Justin Vernon of folk band Bon Iver, who lurked in the shadows on the edge of the stage as the rapper strode around. At one point, West sang part of Queen’s “Bohemian Rhapsody”-a bold move before declar- ing: “You are watching the greatest living rock star on the planet!” The decision to give West the coveted Saturday night Kanye West performs on The Pyramid Stage at the Glastonbury Festival, at Worthy Farm in Somerset, England, Saturday.—AP photos slot caused controversy among fans of the festival, which is better known for its rock and folk music, and 135,000 peo- ple signed a petition to get him dropped.
  • Tickets on Sale Now!

    Tickets on Sale Now!

    Media Contact: Haley Sheram BRAVE Public Relations 404.233.3993 [email protected] ‘DANCING WITH THE STARS: LIVE! PERFORMING LIVE AT THE FOX THEATRE, FEBRUARY 11TH All New Show to Feature “Dancing with the Stars” Season 27 Dancers Witney Carson, Artem Chigvintsev, Gleb Savchenko, Emma Slater, Sasha Farber, Alan Bersten, Jenna Johnson, Brandon Armstrong and More! Tickets on Sale Now! ATLANTA (October 2, 2018) TV’s biggest dance show returns to the Fox Theatre on February 11th. The show will feature fan favorite professional and troupe dancers in a brand-new production showcasing every type of dance style as seen on ABC’s hit show Dancing with the Stars, ranging from ballroom and jazz to modern and hip-hop. Choreographed and creative directed by Emmy© Award-winning choreographer Mandy Moore and Dancing with the Stars Executive Producer Ashley Edens-Shaffer, audiences will have the opportunity to experience the excitement, glamour and glitz they see in the ballroom every Monday night live at the Fox Theatre on Monday, February 11th. Tickets are on-sale now at FoxTheatre.org, the Fox Theatre Ticket Office, and 855-285-8499. Ticket prices start at $59.50, plus applicable fees. VIP packages will be available through foxtheatre.org and VIPNation.com, giving fans the chance to purchase premium tickets, meet and greet opportunities with the cast, exclusive merchandise and photo opportunities. Single-event access to the Marquee Club presented by Lexus will be available for purchase on top of your show ticket. Marquee Club passes are $65 per person and include an enhanced pre-show through post-show experience with complimentary food and non-alcoholic beverages.
  • Presents a Film by Michael Winterbottom 104 Mins, UK, 2019

    Presents a Film by Michael Winterbottom 104 Mins, UK, 2019

    Presents GREED A film by Michael Winterbottom 104 mins, UK, 2019 Language: English Distribution Publicity Mongrel Media Inc Bonne Smith 217 – 136 Geary Ave Star PR Toronto, Ontario, Canada, M6H 4H1 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com Synopsis GREED tells the story of self-made British billionaire Sir Richard McCreadie (Steve Coogan), whose retail empire is in crisis. For 30 years he has ruled the world of retail fashion – bringing the high street to the catwalk and the catwalk to the high street – but after a damaging public inquiry, his image is tarnished. To save his reputation, he decides to bounce back with a highly publicized and extravagant party celebrating his 60th birthday on the Greek island of Mykonos. A satire on the grotesque inequality of wealth in the fashion industry, the film sees McCreadie’s rise and fall through the eyes of his biographer, Nick (David Mitchell). Cast SIR RICHARD MCCREADIE STEVE COOGAN SAMANTHA ISLA FISHER MARGARET SHIRLEY HENDERSON NICK DAVID MITCHELL FINN ASA BUTTERFIELD AMANDA DINITA GOHIL LILY SOPHIE COOKSON YOUNG RICHARD MCCREADIE JAMIE BLACKLEY NAOMI SHANINA SHAIK JULES JONNY SWEET MELANIE SARAH SOLEMANI SAM TIM KEY FRANK THE LION TAMER ASIM CHAUDHRY FABIAN OLLIE LOCKE CATHY PEARL MACKIE KAREEM KAREEM ALKABBANI Crew DIRECTOR MICHAEL WINTERBOTTOM SCREENWRITER MICHAEL WINTERBOTTOM ADDITIONAL MATERIAL SEAN GRAY EXECUTIVE PRODUCER DANIEL BATTSEK EXECUTIVE PRODUCER OLLIE MADDEN PRODUCER
  • FOX SEARCHLIGHT PICTURES Presents PATHÉ, BBC FILMS

    FOX SEARCHLIGHT PICTURES Presents PATHÉ, BBC FILMS

    FOX SEARCHLIGHT PICTURES Presents PATHÉ, BBC FILMS, INGENIOUS MEDIA and BFI present with the participation of CANAL+ and CINÉ+ A YORUBA SAXON / HARBINGER PICTURES / PERFECT WEEKEND / FILM UNITED PRODUCTION An AMMA ASANTE Film DAVID OYELOWO ROSAMUND PIKE JACK DAVENPORT TOM FELTON LAURA CARMICHAEL TERRY PHETO JESSICA OYELOWO ARNOLD OCENG NICHOLAS ROWE ANTON LESSER ANASTASIA HILLE JACK LOWDEN MERVEILLE LUKEBA and NICHOLAS LYNDHURST DIRECTED BY ........................................................................... AMMA ASANTE SCREENPLAY BY ..................................................................... GUY HIBBERT PRODUCED BY .......................................................................... RICK MCCALLUM ..................................................................................................... DAVID OYELOWO ..................................................................................................... PETER HESLOP ..................................................................................................... BRUNSON GREEN ..................................................................................................... JUSTIN MOORE-LEWY ..................................................................................................... CHARLIE MASON EXECUTIVE PRODUCERS ....................................................... CAMERON MCCRACKEN ..................................................................................................... CHRISTINE LANGAN ....................................................................................................