Roy Harper HQ Mp3, Flac, Wma

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Roy Harper HQ mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: HQ Country: UK Released: 1975 Style: Acoustic, Prog Rock MP3 version RAR size: 1249 mb FLAC version RAR size: 1682 mb WMA version RAR size: 1301 mb Rating: 4.3 Votes: 655 Other Formats: AIFF MOD AUD FLAC AHX MP3 WMA Tracklist Hide Credits A1 The Game (Parts 1-5) A2 The Spirit Lives A3 Grown Ups Are Just Silly Children B1 Referendum (Legend) B2 Forget Me Not B3 Hallucinating Light When An Old Cricketer Leaves The Crease B4 Arranged By – David BedfordBrass – The Grimethorpe Colliery Band Companies, etc. Record Company – EMI Records Ltd. Phonographic Copyright (p) – EMI Records Ltd. Published By – Western Music Ltd. Recorded At – EMI Studios Credits Acoustic Guitar, Written-By – Roy Harper Bass – David Cochran*, John Paul Jones Drums – Bill Bruford, Steve Broughton Engineer – John Leckie Engineer [Assistant] – Mark Vigars Guitar – Chris Spedding, David Gilmour Photography By [Photographs], Design [Sleeve Design] – Hipgnosis Producer – Peter Jenner Saxophone – Ray Warleigh Notes Recorded at EMI Studios, Abbey Road. Cover reads: The Game (Parts 1-5) Label reads: The Game (Parts I-V) Came with lyrics printed on inner sleeve. Barcode and Other Identifiers Matrix / Runout (Side 1 Label): SHSP 4046A Matrix / Runout (Side 2 Label): SHSP 4046B Matrix / Runout (Side 1 runout stamped): SHSP 4046 A-3 G Matrix / Runout (Side 2 runout stamped): SHSP 4046 B-1 G Matrix / Runout (Variant Side 1): SHSP 4046 A-3 R A 2 Matrix / Runout (Variant Side 2): SHSP 4046 B-1 R A I Other versions Category Artist Title (Format) Label Category Country Year HQ (7xFile, MP3, Album, Science none Roy Harper none UK 2012 320) Friction When An Old Cricketer CHR-1105 Roy Harper Leaves The Crease (LP, Chrysalis CHR-1105 US 1975 Album, Promo) Science HUCD019 Roy Harper HQ (CD, Album, RE) HUCD019 UK 1995 Friction When An Old Cricketer CHR 1105 Roy Harper Leaves The Crease (LP, Chrysalis CHR 1105 Canada Unknown Album, RE) SHSP 4046 Roy Harper HQ (LP, S/Sided, W/Lbl) Harvest SHSP 4046 UK 1975 Related Music albums to HQ by Roy Harper Roy Harper & Black Sheep - Sail Away John Prine - Diamonds In The Rough Michael Nyman - Michael Nyman Band - Prospero's Books Roy Harper - One Of Those Days In England (Bullinamingvase) David Gilmour - David Gilmour Josh Record - Pillars Michael Berkeley, Heather Harper, David Wilson-Johnson, London Symphony Chorus, London Symphony Orchestra, Richard Hickox - Or Shall We Die? Yes - Yesterdays Bill Bruford's Earthworks - Dig? Roy Harper - Once Van Morrison - The Philosopher's Stone (The Unreleased Tapes Volume One) Pink Floyd - Wish You Were Here.

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Barrett Vol 1.Pdf
Introduction usician, psychedelic explorer, eccentric, cult icon – Roger “Syd” Barrett was many things to many people. Created in conjunction with the Barrett family and The Estate of Roger Barrett, who have provided unprece- dented access to family photographs, artworks, and mem- Mories, Barrett oﬀers an intimate portrait of the Syd known only to his family and closest friends. Previously unseen photographs taken on seaside holidays and other family occasions show us a happy and loving young man, smiling energetically in images that map his early life, from childhood through his teenage years. Along with newly available photos from the album cover shoots for The Madcap Laughs and Barrett (taken by Storm Thorgerson and Mick Rock) they reveal the positive energy of a grinning Syd as he fools about in front of the camera. We are oﬀered a rare glimpse of one who was immensely popular among friends and contemporaries. Also contained within these pages are recently unearthed images of Pink Floyd in which we see Syd practising handstands, making muscle-man poses, and having fun. The other members of Floyd lark about too – a fledgling young band enjoying itself with a sense of real camaraderie. The images transport one back in time to 166–67: the London Free School gigs, the launch of International Times at the Roundhouse, the UFO club, the band’s first European dates. There are photos of Syd and Floyd at numerous locations and events, giving a real sense of what it must have been like to be there as the infant light shows, experimentation, and collective spirit of the time emerged, grew, and flourished in the psychedelic hothouse that was the late 160s.
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Full Recording History Of
Why Are We Sleeping Joy Of A Toy The Recording Sessions WAWS is indebted to DAVID PARKER for a detailed and previously unpublished insight into the 1969 Abbey Road recording sessions that culminated in the now familiar masterpiece. This was originally planned as a ‘Why Are We Sleeping’ Special issue but the right moment and the required energy were running on parallel lines destined never to meet……………. Until now Stop that train To celebrate the imminent reissue of the Harvest classic, these details are intended to make your enjoyment complete. MW April 2003 The ‘Joy of a Toy’ Recording Sessions It was all a bit of a mistake on my part really. I had started the long-winded process of chronicling the recording sessions of my hero Syd Barrett, for an article or two in ‘Chapter 24’; a dull, forbidding read of a fanzine put out by myself and John Kelly. At some, now long forgotten, point I was introduced to the wonderful world of WAWS; a fanzine, which resembles what ‘Chapter 24’ would probably be like if our hero still did gigs, played an occasional radio session, wrote songs and released new recordings. In one of those rare and dangerous moments of bonhomie that come back to haunt one later in life, I suggested to Martin that I might be able to find the time to knock up a short piece about Mr Ayer’s recording sessions at Abbey Road. Little did I know what I was letting myself in for! Still, here is the first chunk, and I hope you find it interesting.
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May Newsletter MASTER.Indd
2nd TACTICAL AIR FORCE MEDIUM BOMBERS ASSOCIATION Incorporating 88, 98, 107, 180, 226, 305, 320, & 342 Squadrons 137 & 139 Wings, 2 Group RAF MBA Canada Executive Chairman/Newsletter Editor David Poissant 1980 Imperial Way, #402, Burlington, ON L7L 0E7 Telephone: 905-331-3038 E-mail: [email protected] Secretary/Treasurer Susan MacKenzie 406 Devine Street, Sarnia, ON N7T 1V5 Telephone: 519-332-2765 E-mail: [email protected] Western Representative Lynda Lougheed PO Box 54 Spruce View, AB T0M 1V0 Telephone: 403-728-2333 E-mail: [email protected] Eastern Representative Darrell Bing 75 Baroness Close, Hammond Plains, NS B4B 0B4 Telephone: 902-463-7419 E-mail: [email protected] MBA United Kingdom Executive Chairman/Liason To Be Announced Secretary/Archivist Russell Legross 15 Holland Park Drive, Hedworth Estate, Jarrow, Tyne & Wear NE32 4LL Telephone: 0191 4569840 E-mail: [email protected] Treasurer Frank Perriam 3a Farm Way, Worcester Park, Surrey KT4 8RU Telephone: 07587 366371 E-mail: [email protected] Registrar John D. McDonald 35 Mansted Gardens, Chadwell Heath, Romford, Essex RM6 4ED Telephone: 020 8590 2524 E-mail: [email protected] Newsletter Editor To Be Announced Contact Sectretary (Russell Legross) in interim. MBA Executive - Australia Secretary Tricia Williams PO Box 304, Brighton 3186, Australia Telephone: +61 422 581 028 E-mail: [email protected] DISPERSALS is published February Ɣ May Ɣ August Ɣ November On our cover: Peter Jenner toasts tablemates at dinner in Vienna with family and friends. Photo by Tricia Williams (2TAF MBA Secretary, Australia) CHAIRMAN’S NOTES • MAY 2016 This issue of Dispersals marks the passing of two Second Tactical Air Force Medium Bombers Association stalwarts: George Smith and Peter Jenner.
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Allmusic ((( the Pink Floyd and Syd Barrett Story > Overview
allmusic ((( The Pink Floyd and Syd Barrett Story > Overview ))) http://www.allmusic.com/cg/amg.dll?p=amg&token=&sql=10:h9fyxq8sldae You know your music - so do we. THE ALLMUSIC BLOG » New Releases » Editors' Choice » Music Videos » Writers' Bloc » Top Searches » Whole Note » Classical Corner » Artist Spotlight » Top Composers » Classical Reviews Artist/Group 6 You are not logged in. Login or Register Overview Review Credits Chart & Awards Buy Send to The Pink Floyd and Syd Barrett Story Friend Pink Floyd & Syd Barrett Review by Richie Unterberger In a couple important respects, Syd Barrett is a difficult documentary subject, as there isn't much film of him either performing or being interviewed. The 50-minute film (originally broadcast on the BBC) that's the main feature of this DVD, however, does an excellent job of summarizing the key aspects of his life and music. Its most important strength is its interviews with his close associates, scoring the hard-to-believe coup of first-hand talks with all four of Barrett's Pink Floyd bandmates (Roger Waters, Nick Mason, Rick Wright, and David Gilmour). Making briefer but meaningful contributions are such interesting figures as Bob Klose, Pink Floyd's original guitarist; early Barrett girlfriend Libby Chisman; early Pink Floyd co-manager Peter Jenner; and Mike Leonard, who worked on the group's early lighting Available On: effects. Mixed with those interviews are small but significant snippets of '60s footage Priced from $10.48 to $29.99 See all 6 sellers showing Barrett in performance with Pink Floyd, live and in the studio, as well as excerpts from home movies and the "Arnold Layne" promotional video; there's even a bit of the Album Browser legendary unreleased Floyd/Barrett song "Vegetable Man" on the soundtrack.
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Pink Floyd Sogni E Visioni Stellari Anselmo Patacchini
Pink Floyd Sogni e visioni stellari Anselmo Patacchini rassegna domenicale The Spontaneous Underground organizzata dal duo Steve Stollman e da John Hopkins. I Pink Floyd si cimentarono in lunghe e sconvolgenti versioni di Roadrunner e di altri pezzi di Chuck Berry, divertendosi, inoltre, a sovrapporre strati di feedback a volume altissimo. Peter Jenner (professore alla London School Of Economics) e l'amico Andrew King rimasero inebriati da quelle sonorità fuori dagli schemi e decisero di puntare su quei quattro talentuosi ragazzi a tal punto da formare assieme a loro la Blackhill Enterprises, società che avrebbe curato il management. Il 15 ottobre i Pink Floyd, o meglio, la Pink Floyd Steel Band - così annunciavano le locandine dell'epoca - assieme ai Soft Machine «Il sole splende sul mio cuscino/più Questo articolo, che riporta le fasi - gruppo di punta - si cimentarono salienti della lunga carriera dei mitici alla Roundhouse (una vecchia soffice di un piumino.../Vorrei che il Pink Floyd dagli esordi sino al 1969, stazione ferroviaria londinese in salice piangente agitasse intorno i vuole essere un doveroso omaggio disuso) che festeggiava con uno rami.../Sogno Julia/la sogno regina, alla figura di Syd Barrett, il geniale scatenato All Night-Rave la nascita artista passato a miglior vita lo dell'International Times (IT), la regina di tutti i miei sogni...» scorso 7 luglio. Ci piace ancora prima rivista underground nel ricordarlo come autore Regno Unito. Oltre duemila persone (Syd Barrett da Julia Dream) d’incantesimi stravolgenti, adornato si accalcarono all'interno del locale. da pantaloni a zampa d’elefante, Gente comune e bizzarra mischiata camicie sgargianti e una folta a personaggi famosi come il regista chioma che gli scendeva sulle Michelangelo Antonioni spalle, tra boccoli di capelli arruffati, accompagnato da Monica Vitti o con quei suoi occhi spaesati a Paul McCartney che si presentò costruire idealmente spazi vestito da arabo con tanto di tunica immaginari e infinite dimensioni.
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Making of the Madcap Laughs 21St Anniversary Edition
Malcolm Jones The Making Of The Madcap Laughs 21st Anniversary Edition Courtesy of www.Brain-Damage.co.uk Preface This publication was written and published, in a private printing, by renowned producer Malcolm Jones in 1982. It was since reprinted in a limited run by the Orange Sunshine (Pill) Press in 1986, and sold through the pages of Syd Barrett fanzines Opel and Terrapin (both of which have been defunct for some time). In 1997, arrangements were being made for Brain Damage, the International Pink Floyd Magazine, to do a fresh printing of this work. Tragically, shortly after publishing an interview with Malcolm, and commencing arrangements for this, Malcolm passed away. The desire to make this important and fascinating work available again to all Pink Floyd and Syd Barrett fans, has never died. With the return of Brain Damage, this time as a website, the opportunity to rekindle this project arose. This new, twenty-first anniversary edition of the “The Making of The Madcap Laughs” is being made available as a tribute to Malcolm Jones. We have faithfully transcribed from the original, to ensure this is the most complete version currently available. In the last few years, there have been a few different versions available, both electronically, and printed, most of which have errors, omissions or “corrections” from Malcolm’s original text. This edition hopefully corrects all those errors and amendments, and is as Malcolm intended from his original notes and memories. Copyright details The copyright for this work “The Making Of The Madcap Laughs” in its entirety remains with the estate of Malcolm Jones 1982 – 2003.
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Guy Morrow: Regulating Artist Managers
8 International Journal of Music Business Research, October 2013, vol. 2 no. 2 Regulating artist managers: An insider's perspective Guy Morrow1 Abstract It is problematic that artist managers in the international popular music industry are not currently subject to consistent regulatory frameworks, particularly given the increasing centralisation of responsibility with this role. This article examines the following research question: Can artist management practices be consistently regu- lated? In addition, it will address the following sub-research questions: What are the pitfalls that belie attempts to regulate for the betterment of musicians and the music industry? Is self-regulation a viable alternative? Keywords: Artist management, regulation, code of conduct Acknowledgement Many individuals have assisted and encouraged me throughout my research and work in artist management. I gratefully acknowledge the assistance of my co- manager, Rowan Brand, as well as the Boy & Bear band members: Killian Gavin, Ja- cob Tarasenko, David Hosking, Jon Hart and Tim Hart; without their support com- pletion of this article would not have been possible. Dr. Catherine Moore at New York University and Michael McMartin of Melody Management also provided valu- able advice and feed back. Furthermore, I received a Macquarie University New Staff Grant in 2009 that enabled me to travel and conduct research interviews and New York University graciously hosted me as a visiting scholar in 2010. 1 Guy Morrow was a visiting scholar at New York University where he studied artist management practices in the global economy with the International Music Managers' Forum and he currently has a Macquarie University Research Development Grant to research career development strategies within the new music industries.
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Pink Floyd. Il Fiume Infinito
THE LUNATICS PINK FLOYD IL FIUME INFINITO LE STORIE DIETRO LE CANZONI I Lunatics sono: Nino Gatti, Stefano Girolami, Danilo Steffanina, Stefano Mr. Pinky Tarquini e Riccardo Verani. I Lunatics desiderano ringraziare Riccardo Bertoncelli, Lucia Traina, Adrian Maben, Cesare Rizzi, Silvia Simonetti, Hervé Denoyelle, Lucilio Batini, Jenny Spires, Fabrizio Ginnetti, Patrizia Pizzarelli, Walter Romanus Donati (Zabriskie Point), Franco Zanetti, i fan club floydiani, le tribute band e tutte le migliaia di appassionati che sostengono il loro progetto. Tutti i diritti riservati Impaginazione e redazione: Studio Angelo Ramella, Novara www.giunti.it © 2014, 2018 Giunti Editore S.p.A. Via Bolognese 165 - 50139 Firenze - Italia Piazza Virgilio 4 - 20123 Milano - Italia ISBN: 9788809875012 Prima edizione digitale: luglio 2018 Sommario 7 La Preistoria 8 La storia delle band giovanili 23 1965: le prime registrazioni in studio 25 La scalata al successo 27 La prima registrazione della formazione Barrett-Wright-Waters-Mason 29 In volo dall’UFO alla EMI 37 La Storia 323 Appendici 324 Oltre il fiume 343 Indice delle opere LA PREISTORIA La Preistoria La storia delle band giovanili Cambridge rappresenta il telaio sul quale si annodano i primi fili della vicenda; i protagonisti sono dapprima scolaretti con la pagella di fine semestre, poi teenager butterati dall’acne, un po’ strimpellatori abusivi nella casa di mammà un po’ sogna- tori di fino, infine baldanzosi giovanotti in cerca di emozioni forti e di qualche sterlina da tirare in saccoccia. È una storia tutta da declinare, del tutto normale in avvio, come del resto i suoi attori, ignari di un destino da rockstar.
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Syd Barrett: Art & Letters
PRICE LIST Syd Barrett: Art & Letters Syd Barrett Photograph by Storm Thorgerson ‘‘ Rock fans idolise Syd Barrett, the tormented genius behind Pink Floyd. When he quit the band in his early twenties, he returned to his first love --- painting..’’ The Sunday Times Magazine Syd Barrett Dispelling the myth behind some of the most outrageous stories from rock and roll, this exhibition gives unprecedented insight into the pioneering musician Syd Barrett, with the largest collection of photographs, intimate love letters, and original artworks ever assembled. Collated from friends, family and collectors, this extraordinary compilation offers a glimpse into the creative vision behind one of music’s most elusive artists. Universally known as the brilliant front man to Pink Floyd’s original line up, Syd Barrett's life has courted much mystery since his departure from the band in the sixties. Painting, his lesser known creative output, has come far from his first exhibition in a Cambridgeshire village pub in 1964, to a single still life fetching over £9,500 at auction in 2006. Despite being shy of the media spotlight in the latter years of his life, the public interest in Barrett’s creative brilliance has continued long past his death. From this remarkable collection, Idea Generation Gallery can offer the rare opportunity to own a unique limited edition print from the creatively inspired, rock legend, Syd Barrett. Also on sale are unseen and rare photographs taken by the photographers who captured his earlier years. IG Gallery and The Syd Barrett Estate have selected four of Syd ’s exceptional artworks to offer for the first time ever, as limited edition prints.
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Pink Floyd, Live at Pompeii, Het Laatste Hoera Van Psychedelische Muziek
Inhoud 08 _ Het Cambridgesyndroom 22 _ Joe Boyd, schepper van de UFO Club 24 32 40 122 128 160 230 260 284 450 454 488 4 INHOUD 76 82 116 182 196 224 328 352 374 584 _ Verklarende woordenlijst 586 _ Bibliograﬁe 588 _ Register 520 552 PINK FLOYD, COMPLEET 5 Roger Waters en Nick Mason met Andrew King (links), manager en medeoprichter van Blackhill Enterprises. Voor echte F loyd Fanaten In het kantoor van Blackhill Enterprises op 32 Alexander Street, Bayswater, Londen, vestigde zich later het indielabel Stiff Records, opgericht in 1976, dat artiesten tekende als Elvis Costello, Ian Dury en Madness. in de undergroundscene. Andrew was wat relaxter, en je kon een hoop lol met hem hebben, maar dat maakte hem soms ook Floyd, Tyrannosaurus Rex, Roy Harper en Jethro Tull; en het onbetrouwbaar.’ 5 Het eerste wat Jenner en King deden, was concert van The Rolling Stones op 5 juli 1969 (waar de Family, Blackhill Enterprises (genoemd naar Kings cottage in de Battered Ornaments, King Crimson, Roy Harper, de Third oprichten en een kleine erfenis die King had gekregen gebrui Wales) Ear Band, New Church van Alexis Korner en Screw ook optra ken om nieuwe apparatuur en heel veel lampen voor de licht - den), opgedragen aan Brian Jones, die twee dagen daarvoor - show kopen. - overleden was. De samenwerking tussen Jenner, King en Pink Floyd eindigde Blackhill en de gratis concerten toen Barrett wegging. De komst van David Gilmour luidde het Op 31 oktober werden Barrett, Waters, Wright en Mason part begin van een nieuw hoofdstuk in voor Roger Waters, Rick ners van Jenner en King in Blackhill Enterprises, dat een kan - Wright en Nick Mason, terwijl de twee producers voor Syd toor had op 32 Alexander Street, Bayswater.
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Strange Brew√ Fresh Insights on Rock Music | Edition 01 of August 16 2006
M i c h a e l W a d d a c o r ‘ s πStrange Brew Fresh insights on rock music | Edition 01 of August 16 2006 Shine on you crazy diamond! A tribute to Syd Barrett, eccentric Pink Floyd co-founder Over three remarkable years between He was once a daringly creative and 1965 and 1968 and one seminal devilishly good-looking leader of Britain’s album, the late Syd Barrett (60) was a mid-1960s cultural revolution before gifted songwriter, a witty counter- plunging into a reclusive world, mostly culture figurehead and a dandy English eccentric before tragically concealed at home in Cambridge, for more succumbing to the dark side of LSD than 30 years. and rock stardom and then, sadly, disappearing into reclusion and Syd Barrett – according to a Pink Floyd anonymity for the best of part of 35 spokesperson quoted through an online years. Michael Waddacor pays tribute to edition of BBC News on July 11 2006 – died one of the most influential pioneers of peacefully at home from diabetes-related the English psychedelic and post- psychedelic rock genres. complications in his hometown of Cambridge, England in July at the age of 60. Almost 40 years on, it is apt to dust off a For those of us who continue to celebrate vinyl copy of Pink Floyd’s classic debut Pink Floyd as one of the most inspirational and frontier-breaking British rock bands of album, The Piper at the Gates of Dawn, the past four decades, then Barrett merits a and again indulge in all 42 minutes of its special tribute for his contribution to the timeless fusion of freeform, experimental heady, ephemeral days of the psychedelic psychedelia and frolicsome 1960s Anglo movement.
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Pink Floyd Cronologia Storica 1965 Sulla Scia Dell
Pink Floyd Cronologia storica 1965 Sulla scia dell’enorme successo dei Beatles e dei Rolling Sto- nes, la musica entra nella vita sociale delle nuove generazioni britanniche. Nascono così, soprattutto tra gli studenti del ceto medio inglese, moltissime formazioni musicali, alcune delle qua- li riusciranno a elevarsi al di sopra del dilettantismo provinciale dei pub, delle scuole e dei college universitari, per dare vita al momento centrale della nuova cultura underground. Uno di questi gruppi è quello dei Pink Floyd, formato da tre studenti di architettura del Politecnico di Londra – Nick Mason, Roger Waters e Rick Wright – ai quali si è aggiunto Syd Barrett, un giovane geniale e stravagante, approdato a Londra dalla na- tia Cambridge grazie a una borsa di studio della Scuola di Belle Arti. Durante i primi tempi il repertorio dei Floyd si limita ai vec- chi blues tradizionali e alle canzoni di Bo Diddley e dei Rolling Stones, ma ben presto si fa strada la personalità, l’estro e il genio creativo di Barrett, che comincia a comporre una serie di strane canzoni surreali, ispirate alla fantascienza e costruite con l’ausi- lio di effetti elettronici; canzoni “folli”, ricordi di sogni, di “viag- gi” con gli allucinogeni, dei quali Barrett è assiduo consumatore. 1966 Tutto comincia al Marquee di Londra, locale divenuto por- tabandiera della cultura underground londinese, dove ogni do- 7 PINK FLOYD SONGS menica pomeriggio vengono organizzati gli spontaneous under- ground, veri e propri happening senza temi né motivazioni, dove lo spettacolo lo fa il pubblico. Un pubblico eterogeneo e vario- pinto, vestito nei modi più strani, che si reca al Marquee non per ascoltare musica, ma piuttosto per “viaggiare”.
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