DOCSLIB.ORG

Soho on Demand Two Bedrooms from $1995000

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Soho on Demand Two Bedrooms from $1995000 SoHo on Demand Two bedrooms from $1,995,000 Three bedrooms from $2,995,000 Penthouse B $5,650,000 Sean Murphy Turner, Director of Sales 570 Broome is a collection of fifty-four contemporary residences in West SoHo designed by Stribling Marketing Associates Exclusive Sales & Marketing acclaimed architect Tahir Demircioglu, with impeccable interiors by Skidmore, Owings and Merrill. Sales Gallery open by appointment 459 Washington Street, New York, NY 10013 Amenities include attended lobby, landscaped gardens on both the ground and second floors, 212-445-0570 | [email protected] private resident lounge and game room, fitness center with Peloton bikes and yoga studio, bicycle storage, and private storage. Equal Housing Opportunity. Sponsor reserves the right to make changes in accordance with the oering plan. Q2 2019 Closings The complete oering terms are in an oering plan available from the Sponsor. File No. CD17-0114. Sponsor: Soho Broome Condos LLC, 136 North 10th Street, Brooklyn, NY 11249. November 28, 2018 Hollywood’s War for India Disney, Netflix and Amazon vie for digital dominance L.A.’s Gated Community Craze From left: Glenn Close, Kathryn Hahn, Regina King, Rachel Weisz, Lady Gaga and Nicole Kidman were photographed in L.A. ‘Strength in Vulnerability’ The Actress Roundtable ‘We need to feed our souls, our hearts. That’s what our work does.’ — Glenn Close ‘The truth is, I am nothing like Ally. I created Gaga.’ — Lady Gaga ‘It’s an all-inclusive sisterhood now — that, I think, is pretty freaking fantastic.’ — Regina King ‘You’re going to give up things. There’s going to be compromise.’ — Nicole Kidman FOR YOUR SAG AWARDS® CONSIDERATION OUTSTANDING PERFORMANCE BY A CAST IN A MOTION PICTURE Paul Giamatti, Kathryn Hahn, Kayli Carter, Molly Shannon, John Carroll Lynch, Desmin Borges, Denis O’Hare OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A LEADING ROLE Kathryn Hahn OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A SUPPORTING ROLE Paul Giamatti OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A SUPPORTING ROLE Kayli Carter, Molly Shannon “AN ACTING SHOWCASE. Paul Giamatti and Kathryn Hahn are brilliant.” IndieWire “Kayli Carter “Beautifully played by is fl at-out terrifi c.” Molly Shannon.” Los Angeles Times Deadline Written and Directed by TAMARA JENKINS “PAUL GREENGRASS HAS MADE A BRAVE AND MASTERLY FILM THAT’S PERFECT FOR THESE DIFFICULT TIMES.” “A POWERFUL, “A MASTERPIECE MUST SEE FILM.” OF LOVE OVERCOMING HATE”. WRITTEN AND DIRECTED BY PAUL GREENGRASS OUTSTANDING PERFORMANCE OUTSTANDING PERFORMANCE BY A CAST IN A MOTION PICTURE BY A LEAD ACTOR ANDERS DANIELSEN LIE ANDERS DANIELSEN LIE JON ØIGARDEN OUTSTANDING PERFORMANCE JONAS STRAND GRAVLI BY AN ACTOR IN A SUPPORTING ROLE MARIA BOCK JONAS STRAND GRAVLI THORBJØRN HARR OUTSTANDING PERFORMANCE OLA G. FURUSETH BY AN ACTRESS IN A SUPPORTING ROLE SEDA WITT SEDA WITT ISAK BAKLI AGLEN MARIA BOCK Issue No. 39, November 28, 2018 FEATURES 62 The Actress Roundtable 76 ‘I Really Hoped I Could How has Hollywood changed Give a Voice to Her’ (and not changed) a year into Fourteen actors reveal the the Time’s Up era? Six fiercely leaps they took (weight gains, independent women debate. piano lessons, painting classes and even meeting a 72 Who Wins the War for Supreme Court justice) to re- Streaming Supremacy create real-life characters. 1 in India? Amazon, Disney and Netflix 80 Making of Ben Is Back will battle it out for domi- How Peter Hedges convinced ON THE COVER 2 nance in an online video one of the most in-demand The Actress Roundtable participants were photographed by Miller Mobley. market estimated to reach young actors in Hollywood — On Kathryn Hahn: MSGM jacket, Jennifer Meyer earrings. 550 million users by 2023: you know, his son Lucas — to On Rachel Weisz: Jenny Packham dress. On Nicole Kidman: Sally LaPointe dress, Christian Louboutin shoes. On Lady 1 From left: THR’s Jennifer Laski and “Globally, India is going to be play a struggling drug addict Gaga: Johanna Ortiz dress. On Regina King: Galvan dress, Giuseppe Zanotti shoes, Jennifer Meyer earrings. On Glenn Kate Pappa, Hahn and Mobley. 2 THR editorial the center of this universe.” opposite Julia Roberts. Close: Lafayette 148 suit, Jimmy Choo shoes. director Matthew Belloni moderated. 62 From left: Rachel Weisz, Glenn Close, Regina King, Nicole Kidman, Lady Gaga and Kathryn Hahn were photographed Nov. 18 at Line 204 Studios in Hollywood. Photographed by Charles W. Murphy THE HOLLYWOOD REPORTER 2 NOVEMBER 28, 2018 Issue No. 39, November 28, 2018 55 Great to wrap around your finger: Alison Lou 14-karat gold and enamel signet rings ($950 each). 56 The colorful set of a fair in an idyllic London park in 80 Mary Poppins Returns. Writer-director Peter Hedges and Julia Roberts on the set of Roadside Pictures’ Ben Is Back. THE REPORT STYLE 11 Popular Oscars After All? 55 Pinky Bling While big, commercial films Your daintiest digit is getting mostly have been tokens the biggest bijoux boost at the Academy Awards in this season with designer the past, this year, some diamonds for daytime. acclaimed movies, including Black Panther and A Star 56 Capturing the Is Born, also have been hits. Colorful Couture of Mary Poppins Returns Hand-painted costumes ABOUT TOWN and painstakingly designed 25 The Garcetti Efect 1930s London create a on the Midterms stylized landscape where How L.A.’s mayor out- “fantasies and realities come clouted Hollywood in races together emotionally,” across the country. says director Rob Marshall. THE BUSINESS REVIEWS 43 Creative Space: 85 The Great Performances Bill Abbott of 2018 Thirty-seven holiday mov- THR film critics delve ies?! Christmas is king for into a dazzling variety of Hallmark’s top programmer, first-rate female turns who talks Netflix compe- (all hail Melissa McCarthy!), tition and his networks’ celebrate the John C. Reilly response to diversity issues. renaissance and cheer under-the-radar standouts. BACKLOT 90 Let’s Add a Few Zeroes to That Ofer Dealmakers behind the 43 Crown Family year’s big-spending stream- Media Networks president Bill THIS WEEK ON THR VIDEO ers and record-setting Abbott was pho- Glenn Close, Lady Gaga and Regina King talent paydays (and the tographed Nov. 19 MAIDMENT/DISNEY.: JAY RINGS: WILL DELEON. ABBOTT: JAI LENNARD. in New York. talk about their most compelling roles. Obamas’ Netflix pact). MARY : MARK SCHAFER. SCHAFER. MARK : BEN THE HOLLYWOOD REPORTER 4 NOVEMBER 28, 2018 WARNER BROS. ENTERTAINMENT PROUDLY CONGRATULATES OUR FRIEND BRADLEY COOPER ON RECEIVING THE AMERICAN CINEMATHEQUE AWARD ©2018 Warner Bros. Entertainment Inc. All Rights Reserved. Matthew Belloni EDITORIAL DIRECTOR Alison Brower Shanti Marlar Tom Seeley Sudie Redmond DEPUTY EDITORIAL DIRECTOR CREATIVE DIRECTOR DEPUTY EDITORIAL DIRECTOR, EXECUTIVE MANAGING EDITOR DIGITAL MEDIA Stephen Galloway Jennifer Martin Laski Jeanie Pyun Erik Hayden Lacey Rose David Katz EXECUTIVE EDITOR, FEATURES PHOTO & VIDEO DIRECTOR DEPUTY EDITOR NEWS DIRECTOR EXECUTIVE EDITOR, TELEVISION EXECUTIVE EDITOR, ARTICLES EDITOR-AT-LARGE Kim Masters FILM FILM EDITOR Gregg Kilday • DEPUTY FILM EDITOR Tatiana Siegel • SENIOR FILM WRITERS Borys Kit, Pamela McClintock TECH EDITOR Carolyn Giardina • STAFF WRITER, FILM Mia Galuppo • INTERNATIONAL FILM EDITOR Deborah Young TELEVISION TELEVISION EDITOR, EAST COAST Marisa Guthrie • TELEVISION EDITOR, WEST COAST Lesley Goldberg • SENIOR WRITER, TELEVISION Michael O’Connell TELEVISION WRITERS Rick Porter, Bryn Elise Sandberg • MEDIA & POLITICS WRITER Jeremy Barr REVIEWS REVIEWS EDITOR Jon Frosch • CHIEF FILM CRITIC Todd McCarthy • CHIEF TELEVISION CRITICS Tim Goodman, Daniel Fienberg • CHIEF THEATER CRITIC David Rooney SENIOR EDITOR Benjamin Svetkey • SENIOR EDITOR, COPY Mike Barnes • FASHION & BEAUTY DIRECTOR Carol McColgin • AWARDS EDITOR Rebecca Ford REAL ESTATE & CITY EDITOR Peter Kiefer • SENIOR EDITOR, FILM Rebecca Keegan • SENIOR WRITERS Seth Abramovitch, Gary Baum, Scott Johnson SENIOR AWARDS ANALYST Scott Feinberg • SENIOR EDITOR, EVENTS Ramona Saviss • SENIOR REPORTER Rebecca Sun • INTERNATIONAL BUSINESS EDITOR Georg Szalai WEST COAST BUSINESS EDITOR Paul Bond • SENIOR EDITOR, NEW YORK Eriq Gardner • SENIOR STAFF WRITER Chris Gardner • DIGITAL MEDIA EDITOR Natalie Jarvey STAFF REPORTER Ashley Cullins • ASSOCIATE EDITOR Lindsay Flans • EDITORIAL ASSISTANT Lindsay Weinberg • ASSISTANT TO THE EDITORIAL DIRECTOR Beno Akram COPY MANAGING EDITOR Jennifer H. Levin ASSISTANT MANAGING EDITOR Darah Head • SENIOR COPY EDITOR Lisa de los Reyes • SENIOR COPY EDITOR/FILM CRITIC Sheri Linden ART DESIGN DIRECTOR Peter B. Cury • SENIOR MANAGING ART DIRECTOR Kelsey Stefanson ASSOCIATE ART DIRECTORS Nicholas Brawley, Christopher Hawkins, Fah Sakharet SENIOR ART PRODUCTION MANAGER Michelle Mondragon ASSISTANT ART PRODUCTION MANAGER Amanda Tannen • PRODUCTION ARTIST BJ Samuels • JUNIOR PRODUCTION ARTIST Ashley Bradley PHOTO & VIDEO SENIOR PHOTO PRODUCER Kate Pappa • SENIOR PHOTO EDITOR Michelle Stark PHOTO EDITORS Chelsea Archer, Tristan Cassel, Lisa Dragani • ASSOCIATE PHOTO EDITORS Megan Downie, Jared Rosenthal ASSISTANT PHOTO PRODUCER Kayla Landrum • PHOTO & VIDEO ASSISTANT Efren Pinon • PHOTO EDITOR-AT-LARGE Jenny Sargent DIRECTOR OF PRODUCTION, VIDEO Stephanie Fischette SENIOR VIDEO PRODUCERS Marya Gullo, Victoria McKillop, Laela Zadeh • VIDEO PRODUCER Natalie Heltzel • ASSOCIATE VIDEO PRODUCER Brian Porreca LIVE PRODUCER/STUDIO MANAGER Michael Palmesino • YOUTUBE CHANNEL MANAGER Jason Al-Samarrie • WEB VIDEO CONTENT MANAGER Ciara McVey • RIGHTS & CLEARANCES MANAGER Travis Gollaher POSTPRODUCTION MANAGER
Load more

Recommended publications
  • In the Same Breath
    IN THE SAME BREATH A film by Nanfu Wang #InTheSameBreathHBO DEBUTS 2021 ON HBO SUNDANCE FILM FESTIVAL SCREENING SCHEDULE Thursday, January 28 at 5:00 PM PT / 6:00 PM MT – Online (WORLD PREMIERE) For press materials, please visit: ftp://ftp.homeboxoffice.com username: documr password: qq3DjpQ4 Running Time: 95 min Press Contact Press Contact HBO Documentary Films Cinetic Marketing Asheba Edghill / Hayley Hanson Rachel Allen / Ryan Werner Asheba cell: 347-721-1539 Rachel cell: 937-241-9737 Hayley cell: 201-207-7853 Ryan cell: 917-254-7653 [email protected] [email protected] [email protected] [email protected] LOGLINE Nanfu Wang's deeply personal IN THE SAME BREATH recounts the origin and spread of the novel coronavirus from the earliest days of the outbreak in Wuhan to its rampage across the United States. SHORT SYNOPSIS IN THE SAME BREATH, directed by Nanfu Wang (“One Child Nation”), recounts the origin and spread of the novel coronavirus from the earliest days of the outbreak in Wuhan to its rampage across the United States. In a deeply personal approach, Wang, who was born in China and now lives in the United States, explores the parallel campaigns of misinformation waged by leadership and the devastating impact on citizens of both countries. Emotional first-hand accounts and startling, on-the-ground footage weave a revelatory picture of cover-ups and misinformation while also highlighting the strength and resilience of the healthcare workers, activists and family members who risked everything to communicate the truth. DIRECTOR’S STATEMENT I spent a lot of my childhood in hospitals taking care of my father, who had rheumatic heart disease.
    [Show full text]
  • A Theory of Cinematic Selfhood & Practices of Neoliberal Portraiture
    Cinema of the Self: A Theory of Cinematic Selfhood & Practices of Neoliberal Portraiture Milosz Paul Rosinski Trinity Hall, University of Cambridge June 2017 This dissertation is submitted for the degree of Doctor of Philosophy Declaration This dissertation is the result of my own work and includes nothing which is the outcome of work done in collaboration except as declared in the Preface and specified in the text. It is not substantially the same as any that I have submitted, or, is being concurrently submitted for a degree or diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. I further state that no substantial part of my dissertation has already been submitted, or, is being concurrently submitted for any such degree, diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. The dissertation is formatted in accordance to the Modern Humanities Research Association (MHRA) style. This dissertation does not exceed the word limit of 80,000 words (as specified by the Modern and Medieval Languages Degree Committee). Summary This thesis examines the philosophical notion of selfhood in visual representation. I introduce the self as a modern and postmodern concept and argue that there is a loss of selfhood in contemporary culture. Via Jacques Derrida, Jean-Luc Nancy, Gerhard Richter and the method of deconstruction of language, I theorise selfhood through the figurative and literal analysis of duration, the frame, and the mirror.
    [Show full text]
  • A Canadian Perspective on the International Film Festival
    NEGOTIATING VALUE: A CANADIAN PERSPECTIVE ON THE INTERNATIONAL FILM FESTIVAL by Diane Louise Burgess M.A., University ofBritish Columbia, 2000 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the School ofCommunication © Diane Louise Burgess 2008 SIMON FRASER UNIVERSITY Fall 2008 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or by other means, without permission ofthe author. APPROVAL NAME Diane Louise Burgess DEGREE PhD TITLE OF DISSERTATION: Negotiating Value: A Canadian Perspective on the International Film Festival EXAMINING COMMITTEE: CHAIR: Barry Truax, Professor Catherine Murray Senior Supervisor Professor, School of Communication Zoe Druick Supervisor Associate Professor, School of Communication Alison Beale Supervisor Professor, School of Communication Stuart Poyntz, Internal Examiner Assistant Professor, School of Communication Charles R Acland, Professor, Communication Studies Concordia University DATE: September 18, 2008 11 SIMON FRASER UNIVERSITY LIBRARY Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the "Institutional Repository" link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work.
    [Show full text]
  • Delegates Guide
    Delegates Guide 9–14 March, 2018 Cultural Partners Supported by Friends of Qumra Media Partner QUMRA DELEGATES GUIDE Qumra Programming Team 5 Qumra Masters 7 Master Class Moderators 14 Qumra Project Delegates 17 Industry Delegates 57 QUMRA PROGRAMMING TEAM Fatma Al Remaihi CEO, Doha Film Institute Director, Qumra Jaser Alagha Aya Al-Blouchi Quay Chu Anthea Devotta Qumra Industry Qumra Master Classes Development Qumra Industry Senior Coordinator Senior Coordinator Executive Coordinator Youth Programmes Senior Film Workshops & Labs Coordinator Senior Coordinator Elia Suleiman Artistic Advisor, Doha Film Institute Mayar Hamdan Yassmine Hammoudi Karem Kamel Maryam Essa Al Khulaifi Qumra Shorts Coordinator Qumra Production Qumra Talks Senior Qumra Pass Senior Development Assistant Coordinator Coordinator Coordinator Film Programming Senior QFF Programme Manager Hanaa Issa Coordinator Animation Producer Director of Strategy and Development Deputy Director, Qumra Meriem Mesraoua Vanessa Paradis Nina Rodriguez Alanoud Al Saiari Grants Senior Coordinator Grants Coordinator Qumra Industry Senior Qumra Pass Coordinator Coordinator Film Workshops & Labs Coordinator Wesam Said Eliza Subotowicz Rawda Al-Thani Jana Wehbe Grants Assistant Grants Senior Coordinator Film Programming Qumra Industry Senior Assistant Coordinator Khalil Benkirane Ali Khechen Jovan Marjanović Chadi Zeneddine Head of Grants Qumra Industry Industry Advisor Film Programmer Ania Wojtowicz Manager Qumra Shorts Coordinator Film Training Senior Film Workshops & Labs Senior Coordinator
    [Show full text]
  • URMC V123no109 20150220.Pdf (6.062Mb)
    THE ROCKY MOUNTAIN theweekender Friday, February 20, 2015 FIRST ANNUAL OSCARS EDITION CSU alumnus nominated for an Oscar for his work on short animated film ‘The Dam Keeper’ McKenna Ferguson | page 10 To sum up: quick summaries of the eight Best Picture nominations Arts & Entertainment Desk | page 8 & 9 ‘Boyhood’: Overrated or a new classic? Aubrey Shanahan | page 4 Morgan Smith | page 4 “Why are they even called the ‘Oscars’?” A brief historical timeline of Hollywood’s biggest night Aubrey Shanahan | page 3 abbie parr and kate knapp COLLEGIAN 2 Friday, February 20, 2015 | The Rocky Mountain Collegian collegian.com THE ROCKY MOUNTAIN Follow @CollegianC COLLEGIAN on Twitter for the COLLEGIAN PHOTOSHOP OF THE WEEK latest news, photos Lory Student Center Box 13 and video. Fort Collins, CO 80523 This publication is not an offi cial publication of Colorado State University, but is published by Follow our an independent corporation using the name ‘The collegiancentral Rocky Mountain Collegian’ pursuant to a license Instagram for the granted by CSU. The Rocky Mountain Collegian is a 8,000-circulation student-run newspaper intended latest photos. as a public forum. It publishes fi ve days a week during the regular fall and spring semesters. During the last eight weeks of summer Collegian distribution drops to 3,500 and is published Like Collegian weekly. During the fi rst four weeks of summer the Central on Facebook Collegian does not publish. for the latest news, Corrections may be submitted to the editor photos and video. in chief and will be printed as necessary on page two.
    [Show full text]
  • Jay & Silent Bob Reboot
    Presents JAY & SILENT BOB REBOOT A film by Kevin Smith 105 mins, USA, 2019 Language: English Distribution Publicity Mongrel Media Inc Bonne Smith 217 – 136 Geary Ave Star PR Toronto, Ontario, Canada, M6H 4H1 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com JAY AND SILENT BOB REBOOT SYNOPSIS: The stoner icons who first hit the screen 25 years ago in CLERKS are back! When Jay and Silent Bob discover that Hollywood is rebooting an old movie based on them, the clueless duo embark on another cross-country mission to stop it all over again! 1 CAST & CREW BIOGRAPHIES: KEVIN SMITH (Silent Bob, Director / Writer) Kevin Smith has been saying silly cinematic shit since his first film Clerks, released way back in 1994. He had a heart attack and almost died last year but survived solely so he could direct his magnum opus, Jay and Silent Bob Reboot. A polygamist, he’s married to both his wife Jen and podcasting. JASON MEWES (Jay) Jason Mewes most recently made his directorial debut on MADNESS IN THE METHOD, which was released in August 2019. With cult-fans following his controversial antics, Mewes has captured audiences with his rebellious banter against his unspoken other half and longtime friend, Kevin Smith. Since the beginning of the duo’s offbeat work together, Mewes and Smith have continued to build on their beloved character-driven roles from the Jay and Silent Bob series. It’s been over a decade since fans last saw the duo in live- action, but they’re back along with a star-studded cast in the upcoming comedy film, JAY AND SILENT BOB REBOOT.
    [Show full text]
  • Body Bags One Shot (1 Shot) Rock'n
    H MAVDS IRON MAN ARMOR DIGEST collects VARIOUS, $9 H MAVDS FF SPACED CREW DIGEST collects #37-40, $9 H MMW INV. IRON MAN V. 5 HC H YOUNG X-MEN V. 1 TPB collects #2-13, $55 collects #1-5, $15 H MMW GA ALL WINNERS V. 3 HC H AVENGERS INT V. 2 K I A TPB Body Bags One Shot (1 shot) collects #9-14, $60 collects #7-13 & ANN 1, $20 JASON PEARSON The wait is over! The highly anticipated and much debated return of H MMW DAREDEVIL V. 5 HC H ULTIMATE HUMAN TPB JASON PEARSON’s signature creation is here! Mack takes a job that should be easy collects #42-53 & NBE #4, $55 collects #1-4, $16 money, but leave it to his daughter Panda to screw it all to hell. Trapped on top of a sky- H MMW GA CAP AMERICA V. 3 HC H scraper, surrounded by dozens of well-armed men aiming for the kill…and our ‘heroes’ down DD BY MILLER JANSEN V. 1 TPB to one last bullet. The most exciting BODY BAGS story ever will definitely end with a bang! collects #9-12, $60 collects #158-172 & MORE, $30 H AST X-MEN V. 2 HC H NEW XMEN MORRION ULT V. 3 TPB Rock’N’Roll (1 shot) collects #13-24 & GS #1, $35 collects #142-154, $35 story FÁBIO MOON & GABRIEL BÁ art & cover FÁBIO MOON, GABRIEL BÁ, BRUNO H MYTHOS HC H XMEN 1ST CLASS BAND O’ BROS TP D’ANGELO & KAKO Romeo and Kelsie just want to go home, but life has other plans.
    [Show full text]
  • Media Industry Approaches to Comic-To-Live-Action Adaptations and Race
    From Serials to Blockbusters: Media Industry Approaches to Comic-to-Live-Action Adaptations and Race by Kathryn M. Frank A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in the University of Michigan 2015 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Lisa A. Nakamura Associate Professor Aswin Punathambekar © Kathryn M. Frank 2015 “I don't remember when exactly I read my first comic book, but I do remember exactly how liberated and subversive I felt as a result.” ― Edward W. Said, Palestine For Mom and Dad, who taught me to be my own hero ii Acknowledgements There are so many people without whom this project would never have been possible. First and foremost, my parents, Paul and MaryAnn Frank, who never blinked when I told them I wanted to move half way across the country to read comic books for a living. Their unending support has taken many forms, from late-night pep talks and airport pick-ups to rides to Comic-Con at 3 am and listening to a comics nerd blather on for hours about why Man of Steel was so terrible. I could never hope to repay the patience, love, and trust they have given me throughout the years, but hopefully fewer midnight conversations about my dissertation will be a good start. Amanda Lotz has shown unwavering interest and support for me and for my work since before we were formally advisor and advisee, and her insight, feedback, and attention to detail kept me invested in my own work, even in times when my resolve to continue writing was flagging.
    [Show full text]
  • Updated 2019 Completemedia
    April 15, 2019 Dear Members of the Media, On behalf of the Boston Athletic Association, principal sponsor John Hancock, and all of our sponsors and supporters, we welcome you to the City of Boston and the 123rd running of the Boston Marathon. As the oldest annually contested marathon in the world, the Boston Marathon represents more than a 26.2-mile footrace. The roads from Hopkinton to Boston have served as a beacon for well over a century, bringing those from all backgrounds together to celebrate the pursuit of athletic excellence. From our early beginnings in 1897 through this year’s 123rd running, the Boston Marathon has been an annual tradition that is on full display every April near and far. We hope that all will be able to savor the spirit of the Boston Marathon, regardless whether you are an athlete or volunteer, spectator or member of the media. Race week will surely not disappoint. The race towards Boylston Street will continue to showcase some of the world’s best athletes. Fronting the charge on Marathon Monday will be a quartet of defending champions who persevered through some of the harshest weather conditions in race history twelve months ago. Desiree Linden, the determined and resilient American who snapped a 33-year USA winless streak in the women’s open division, returns with hopes of keeping her crown. Linden has said that last year’s race was the culmination of more than a decade of trying to tame the beast of Boston – a race course that rewards those who are both patient and daring.
    [Show full text]
  • Steve Aaron CAS Resume
    Steve C. Aaron, C.A.S. - Production Sound Mixer - Page 1 of 6 Professional sound mixing for the motion picture industry for over 35 years. Complete equipment packages to accommodate all aspects of location, stage and remote recording, as well as sync music playback, wireless ear wig prompting & ‘Voice Of God’ PA systems. Comprehensive background in ‘Post Production’ processing to include final mixing to ADR. “Solid sound tracks back up my body of work”. All credits listed are ‘actual worked’ credits. Feature film credits “Clover“ (aka She Hulk) MARVEL Studio Productions “Architect“ (aka LOKI) MARVEL Studio Productions Producers: Kevin Feige, Wendy Jacobson, Brad Winderbaum, Producers: Kevin Feige, Michael Waldron, Victoria Alonso, Victoria Alonso, Louis D’Esposito, Producer / Writer: Jessica Gao Louis D’Esposito, Tom Hiddleston Supervising Prod: Kevin Wright Line Producer: Trish Stanard Production Super: Amy Chance Line Producer: Trish Stanard Production Super: Amy Chance Director: Kat Coiro, Anu Valia Director: Kate Herron “Fear Street“ (Trilogy features 1994, 1666 & 1978) 20th Century Fox “Goosebumps 2“ – Sony Pictures Producers: Timothy Bourne, Peter Chernin, David Ready, Kori Adelson Producers: Timothy Bourne, Tania Landau, Neal Moritz, Deborah Forte Prod. Supervisor: Heath Howard Director: Leigh Janiak Prod. Supervisor: Heath Howard Director: Ari Sandel “MILE 22“ – STX Entertainment “The Hate U Give“ – 20th Century Fox Producers: Peter Berg, Mark Wahlberg, Stuart Besser, Stephen Levinson Producers: Tim Bourne, Wick Godfrey, Robert Teitel, Marty Bowen, Prod. Supervisor: Sharyn Shimada Director: Peter Berg Prod. Supervisor: Heath Howard Director: George Tillman Jr. “The Best of Enemies“ – Peachtree Cinema 2 “Simon vs The Homo Sapien Agenda“ – 20th Century Fox Prodrs: Jeremiah Sanders, Fred Bernstein, Dominique Telson, Matt Berenson Prodrs: Wyck Godfrey, Marty Bowen, Tim Bourne, Pouya Shahbazian Prod.
    [Show full text]
  • SCMS 2019 Conference Program
    CELEBRATING SIXTY YEARS SCMS 1959-2019 SCMSCONFERENCE 2019PROGRAM Sheraton Grand Seattle MARCH 13–17 Letter from the President Dear 2019 Conference Attendees, This year marks the 60th anniversary of the Society for Cinema and Media Studies. Formed in 1959, the first national meeting of what was then called the Society of Cinematologists was held at the New York University Faculty Club in April 1960. The two-day national meeting consisted of a business meeting where they discussed their hope to have a journal; a panel on sources, with a discussion of “off-beat films” and the problem of renters returning mutilated copies of Battleship Potemkin; and a luncheon, including Erwin Panofsky, Parker Tyler, Dwight MacDonald and Siegfried Kracauer among the 29 people present. What a start! The Society has grown tremendously since that first meeting. We changed our name to the Society for Cinema Studies in 1969, and then added Media to become SCMS in 2002. From 29 people at the first meeting, we now have approximately 3000 members in 38 nations. The conference has 423 panels, roundtables and workshops and 23 seminars across five-days. In 1960, total expenses for the society were listed as $71.32. Now, they are over $800,000 annually. And our journal, first established in 1961, then renamed Cinema Journal in 1966, was renamed again in October 2018 to become JCMS: The Journal of Cinema and Media Studies. This conference shows the range and breadth of what is now considered “cinematology,” with panels and awards on diverse topics that encompass game studies, podcasts, animation, reality TV, sports media, contemporary film, and early cinema; and approaches that include affect studies, eco-criticism, archival research, critical race studies, and queer theory, among others.
    [Show full text]
  • Everyday Transcendence: Contemporary Art Film and the Return to Right Now
    Wayne State University Wayne State University Dissertations January 2019 Everyday Transcendence: Contemporary Art Film And The Return To Right Now Aaron Pellerin Wayne State University Follow this and additional works at: https://digitalcommons.wayne.edu/oa_dissertations Part of the Film and Media Studies Commons Recommended Citation Pellerin, Aaron, "Everyday Transcendence: Contemporary Art Film And The Return To Right Now" (2019). Wayne State University Dissertations. 2333. https://digitalcommons.wayne.edu/oa_dissertations/2333 This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. EVERYDAY TRANSCENDENCE: CONTEMPORARY ART FILM AND THE RETURN TO RIGHT NOW by AARON PELLERIN DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2019 MAJOR: ENGLISH (Film and Media Studies) Approved By: _________________________________________ Advisor Date _________________________________________ _________________________________________ _________________________________________ _________________________________________ © COPYRIGHT BY AARON PELLERIN 2019 All Rights Reserved DEDICATION For Sue, who always sees the magic in the everyday. ii ACKNOWLEDGEMENTS I‘d like to thank my committee, and in particular my advisor, Dr. Steve Shaviro. His encouragement, his insightful critiques, and his early advice to just write were all instrumental in making this work what it is. I likewise wish to thank Dr. Scott Richmond for the time and energy he put in as I struggled through the middle stages of the degree. I am also grateful for a series of challenging and exciting seminars I took with Steve, Scott, and also with Dr.
    [Show full text]