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THE PUBLIC LIBRARY OF CINCINNATI AND HAMILTON COUNTY Author Schanker, Louis, 1903-1981. Title Line, form, color [picture] : five woodblock color prints / by Louis Schanker ; foreword by Carl Zigrosser. Publication New York : Wittenborn and Co., 1944. Info. Call No. 761 fS29 Rating Copies Location Call No. Note Status Main - 3rd floor - Cincinnati 761 fS29 LIBRARY USE Room - Secured - Ask Staff ONLY Description 5 art prints : col. ; 16 x 18 cm.-37 x 23 cm. in portfolio 53 cm. Note Includes 4 leaves of text: title page, foreword, table of contents and edition information. Prints mounted in mat frames. Size when mounted: 51 x 38 cm. Limited edition of 25 copies, of which this is no. 7. The prints, on Chinese rice paper, are hand-pulled and signed by the artist. Contents Cafe no. 1 -- Three men on horseback -- Brown and black -- Non- objective -- Three figures no. 2. Subject Wood-engraving, American. Color prints -- Specimens. Author Schanker, Louis, 1903-1981. Title Louis Schanker : two wood cuts. Publication Cincinnati : The Little Man, 1939. Info. Call No. 813.5208 L778sc 1939 Rating Copies Location Call No. Note Status Main - 3rd Floor - Cincinnati 813.5208 LIBRARY USE Room - Ask Staff L778sc ONLY Description 2 sheets : ill. ; 19 x 18 cm. + 1 card (11 x 8 cm.) Series The Little man ; no. 1 Little man ; no. 1. Note Originally issued in boxed set of 8 publications forming the first quarterly issue of The Little man. Two wood cuts: black ink on white paper with white paper title card printed in red. Held by grey paper wrapping strip, imprinted in red. Local Subject Imprints (in rare books) -- Ohio -- Cincinnati -- 1939. Added Author Little Man Press. Publisher. The Ten : birth of the American avant-garde : Ben-Zion, Bolotowsky, Gatch, Gottlieb, Graham, Harris, Kerkam, Knaths, Rosenborg, Rothko, Schanker, Solman : a 60th anniversary exhibition of the Whitney Dissenters originally held 1938 at the Mercury Galleries in New York City. Book | Mercury Gallery | 1998 Available at Main - 3rd Floor Art Stacks (759.13074 fT289) Items Location Call No. Note Status Main - 3rd Floor Art Stacks 759.13074 fT289 LIBRARY USE ONLY Details The Ten : birth of the American avant-garde : Ben-Zion, Bolotowsky, Gatch, Gottlieb, Graham, Harris, Kerkam, Knaths, Rosenborg, Rothko, Schanker, Solman : a 60th anniversary exhibition of the Whitney Dissenters originally held 1938 Title at the Mercury Galleries in New York City. Imprint Boston, Mass. : Mercury Gallery, [1998] Call No. 759.13074 fT289, 1998 Description 52 p. : col. ill. ; 31 cm. "This book is the catalogue of the exhibition held at the Mercury Gallery, Note December 12, 1998 to February 14, 1999."--T.p. verso. Ben-Zion -- Ilya Bolotowsky -- Lee Gatch -- Adolph Gottlieb -- John Graham -- Louis Harris -- Earl Kerkam -- Karl Knaths -- Ralph Rosenborg -- Mark Rothko -- Contents Louis Schanker -- Joseph Solman. Painting, American -- Exhibitions. Painting, American -- 20th century -- Exhibitions. Subject Philadelphia Ten (Group of artists) -- Exhibitions. Added Author Mercury Gallery (Boston, Mass.) .

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ADOLPH GOTTLIEB (New York, 1903 – New York, 1974)
ADOLPH GOTTLIEB (New York, 1903 – New York, 1974) I use color in terms of emotional quality, as a vehicle for feeling... feeling is everything I have experienced or thought. Adolph Gottlieb was a prominent American painter and member of the first generation of Abstract Expressionists. Characterized by an idiosyncratic use of abstraction that utilized pictographs, tribal and mythological symbols and with a Surrealism influence. He was born in New York in 1903. He studied at public schools but at the age of 17 he left high school to travel around Europe and decided to be an artist. Gottlieb lived in Paris for six months where he visited The Louvre Museum daily and went to drawing classes at the Academie de la Grande Adolph Gotlieb, 1953 © Arnold Newman Chaumiere. He also spent another year visiting museums and galleries in Berlin, Munich, Vienna, Prague and Dresden, among other major European cities. He returned to New York in 1924. Gottlieb studied at The Art Students League, Parson School of Design, Educational Alliance and other local schools where he met his friends Barnet Newman, both shared a studio, Mark Rothko, John Graham, Milton Avery and Chaim Gross. He began producing works influenced by the stylized figuration of Milton Avery. Interested in Surrealism, Gottlieb’s art became more abstract with the incorporation of ideas as the automatic drawing. He was a founding member of some artists’ groups: “The Ten” (1935), the Federation of American Painters and Sculptors (1939) and New York Artist-Painters (1943). In 1951 Gottlieb is one of the main organizers of the protest that, would give him and his colleagues, the name of "The Irascibles".
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2 0 0 Jt COPYRIGHT This Is a Thesis Accepted for a Higher Degree of the University of London
REFERENCE ONLY UNIVERSITY OF LONDON THESIS Degree Year Name of Author 2 0 0 jT COPYRIGHT This is a thesis accepted for a Higher Degree of the University of London. It is an unpublished typescript and the copyright is held by the author. All persons consulting the thesis must read and abide by the Copyright Declaration below. COPYRIGHT DECLARATION I recognise that the copyright of the above-described thesis rests with the author and that no quotation from it or information derived from it may be published without the prior written consent of the author. LOAN Theses may not be lent to individuals, but the University Library may lend a copy to approved libraries within the United Kingdom, for consultation solely on the premises of those libraries. Application should be made to: The Theses Section, University of London Library, Senate House, Malet Street, London WC1E 7HU. REPRODUCTION University of London theses may not be reproduced without explicit written permission from the University of London Library. Enquiries should be addressed to the Theses Section of the Library. Regulations concerning reproduction vary according to the date of acceptance of the thesis and are listed below as guidelines. A. Before 1962. Permission granted only upon the prior written consent of the author. (The University Library will provide addresses where possible). B. 1962- 1974. In many cases the author has agreed to permit copying upon completion of a Copyright Declaration. C. 1975 - 1988. Most theses may be copied upon completion of a Copyright Declaration. D. 1989 onwards. Most theses may be copied. This thesis comes within category D.
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AT UR8ANA-GHAMPAIGN ARCHITECTURE The person charging this material is responsible for .ts return to the library from which it was withdrawn on or before the Latest Date stamped below '"" """"""'"9 "< "ooks are reason, ™racTo?,'l,°;'nary action and tor di,elpl(- may result in dismissal from To renew the ""'*'e™«y-University call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN I emp^rary American Painting and Sculpture University of Illinois Press, Urbana, 1959 Contemporary American Painting and Scuipttfre ^ University of Illinois, Urbana March 1, through April 5, 195 9 Galleries, Architecture Building College of Fine and Applied Arts (c) 1959 by the Board of Trustees of the University of Illinois Library of Congress Catalog Card No. A4 8-34 i 75?. A^'-^ PDCEIMtBieiiRr C_>o/"T ^ APCMi.'rri'Ht CONTEMPORARY AMERICAN PAINTING AND SCULPTURE DAVID D. HENRY President of the University ALLEN S. WELLER Dean, College of Fine and Applied Arts Chairman, Festival of Contemporary Arts N. Britsky E. C. Rae W. F. Doolittlc H. A. Schultz EXHIBITION COMMITTEE D. E. Frith J. R. Shipley \'. Donovan, Chairman J. D. Hogan C. E. H. Bctts M. B. Martin P. W. Bornarth N. McFarland G. R. Bradshaw D. C. Miller C. W. Briggs R. Perlman L. R. Chesney L. H. Price STAFF COMMITTEE MEMBERS E. F. DeSoto J. W. Raushenbergcr C. A. Dietemann D. C. Robertson G. \. Foster F. J. Roos C. R. Heldt C. W. Sanders R. Huggins M. A. Sprague R. E. Huh R. A. von Neumann B. M. Jarkson L. M. Woodroofe R. Youngman J.
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