Boston Symphony Orchestra Concert Programs, Summer, 2010
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February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Sunday Morning Grid 4/12/15 Latimes.Com/Tv Times
SUNDAY MORNING GRID 4/12/15 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Bull Riding Remembers 2015 Masters Tournament Final Round. (N) Å 4 NBC News (N) Å Meet the Press (N) Å News Paid Program Luna! Poppy Cat Tree Fu Figure Skating 5 CW News (N) Å In Touch Hour Of Power Paid Program 7 ABC News (N) Å This Week News (N) News (N) News Å Explore Incredible Dog Challenge 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX In Touch Joel Osteen Fox News Sunday Midday Paid Program I Love Lucy I Love Lucy 13 MyNet Paid Program Red Lights ›› (2012) 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Cosas Local Jesucristo Local Local Gebel Local Local Local Local RescueBot RescueBot 24 KVCR Painting Dewberry Joy of Paint Wyland’s Paint This Painting Kitchen Mexico Cooking Chefs Life Simply Ming Lidia 28 KCET Raggs Space Travel-Kids Biz Kid$ News TBA Things That Aren’t Here Anymore More Things Aren’t Here Anymore 30 ION Jeremiah Youssef In Touch Bucket-Dino Bucket-Dino Doki (TVY) Doki Ad Dive, Olly Dive, Olly E.T. the Extra-Terrestrial 34 KMEX Paid Program Al Punto (N) Fútbol Central (N) Fútbol Mexicano Primera División: Toluca vs Atlas República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Liberate In Touch PowerPoint It Is Written Best Praise Super Kelinda Jesse 46 KFTR Paid Program Hocus Pocus ›› (1993) Bette Midler. -
LEADING LADIES GALA Commemorative Book
Cover 1 WELCOME TO THE LEADING LADIES GALA Bryn Mawr Film Institute Greetings all – Board of Directors Past & Present Tonight, we celebrate Juliet Goodfriend, a Renaissance person in the truest sense of the word: a lover of the arts, an astute Rev. Eugene Bay Charlie Bloom businessperson, a community leader, and a leader amongst Sabina Bokhari her peers. I mention peers because Juliet’s leadership is David Brind recognized within the ranks of the Art House Convergence Anmiryam Budner* (AHC), a national organization devoted to community-based, Alice Bullitt* mission-driven theaters like BMFI. Through the years, the AHC Elizabeth H. Gemmill has recognized Juliet for establishing and running one of the Juliet J. Goodfriend* Doris Greenblatt most successful member-supported motion picture theater Harry Groome* and film education centers in the country. Not only has Juliet Joanne Harmelin* moved BMFI forward, she has moved the entire art house John H. Hersker* movement forward. Tigre Hill* Francie Ingersoll* Working closely with Juliet over the last 12 years has Sandra Kenton allowed me to participate in a truly phenomenal process. Sir Ben Kingsley † She saw a need in our community for thoughtful films to be Paul Kistler presented, enjoyed, and studied, in a beautiful, state-of-the- Sidney Lazard art environment, with friends and family. Though a very small Daylin Leach ‡ Francis J. Leto* component of the film industry as a whole, so-called ‘art films’ Lonnie Levin are the lifeblood of Bryn Mawr Film Institute and continue to Stephanie Naidoff be a vital part of world cinema. Juliet has ensured that the Amy Nislow best of these films—the ones people end up talking about—are Robert Osborne† exhibited for BMFI audiences. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
A Reappraisal of Three Character Actors from Hollywood’S Golden Age
University of the Incarnate Word The Athenaeum Theses & Dissertations 12-2015 Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age Candace M. Graham University of the Incarnate Word, [email protected] Follow this and additional works at: https://athenaeum.uiw.edu/uiw_etds Part of the Communication Commons, and the Film and Media Studies Commons Recommended Citation Graham, Candace M., "Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age" (2015). Theses & Dissertations. 70. https://athenaeum.uiw.edu/uiw_etds/70 This Thesis is brought to you for free and open access by The Athenaeum. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of The Athenaeum. For more information, please contact [email protected]. SECOND-BILLED BUT NOT SECOND-RATE: A REAPPRAISAL OF THREE CHARACTER ACTORS FROM HOLLYWOOD’S GOLDEN AGE by Candace M. Graham A Thesis Presented to the Faculty of the University of the Incarnate Word in partial fulfillment of the requirements for the degree of MASTER OF ARTS University of the Incarnate Word December 2015 ii Copyright 2015 by Candace M. Graham iii ACKNOWLEDGEMENTS I wish to thank Dr. Hsin-I (Steve) Liu for challenging me to produce a quality thesis worthy of contribution to scholarly literature. In addition, thank you for the encouragement to enjoy writing. To Robert Darden, Baylor University communications professor, friend, and mentor whose example in humility, good spirit, and devotion to one’s passion continues to guide my pursuit as a classic film scholar. -
Áé( Áfý%¯Ð¨Ý Ñ˛
559281bk Hersch 1/8/06 5:27 pm Page 8 AMERICAN CLASSICS MICHAEL HERSCH Symphonies Nos. 1 and 2 Fracta Arraché Michael Hersch would like to thank the Argosy Foundation, Fran Richard, the staff and musicians of the Bournemouth Symphony Orchestra, Andrew Walton, Bournemouth Symphony Ignat Solzhenitsyn, George and Gene Rochberg, Jamie Hersch, Christopher Middleton, Orchestra Jessica Lustig, Michael Lutz, Glenn Petry, Albert Imperato, Louise Barder, and his wife Karen and daughter Abigail Hersch. Marin Alsop 8.559281 8 559281bk Hersch 1/8/06 5:27 pm Page 2 Michael Hersch (b.1971): Symphonies Nos. 1 and 2 • Fracta • Arraché ierten Wiederholung der Anfangslinien überleitet. Eine choralartige, dunkel gefärbte Figur in Fagotten und Klari- Reihe sich steigernder Codas führt zum Augenblick der netten. Ist das vielleicht ein Gebet um Kraft gegen das Intensity and passion always increasing… conductor consistently programmed Hersch’s music Wahrheit: Tatsächlich endet die Symphonie mit einem Böse, das gleich ausgestrahlt werden wird? Auf jeden Fall This marking found in Michael Hersch’s Symphony No. 1 and helped to instill confidence that his voice was a Unisono-C der Glocken. Mag das Leben auch noch so wird der Hörer tatsächlich von dieser sorgenvollen Re- best sums up the American composer’s music. His worthy one. That relationship has continued to this day, düster sein, die Ausdauer wird doch belohnt. flexion durch ein kantiges, hüpfendes Thema „weggeris- output abounds with extreme shifts in dynamics and leading to the present disc of definitive recordings with Arraché, das jüngste Werk auf dieser CD, zeigt deut- sen“, das zu einem dichten, stachligen Allegro führt. -
Turner Classic Movies, Walt Disney World Resort and the Walt Disney Studios Team up to Share Stories Centered on Classic Film
Nov. 26, 2014 Turner Classic Movies, Walt Disney World Resort and The Walt Disney Studios Team Up to Share Stories Centered on Classic Film Features Include New TCM Integration in Theme Park Attraction and On-Air Showcase of Disney Treasures Turner Classic Movies (TCM) today announced new strategic relationships with Walt Disney World Resort and The Walt Disney Studios to broaden its reach in family entertainment with joint efforts centered on classic film. At Disney's Hollywood Studios, the "The Great Movie Ride" Attraction highlights some of the most famous film moments in silver screen history and is set to receive a TCM-curated refresh of the pre-show and the finale. TCM branding will be integrated into the attraction's marquee as well as banners, posters and display windows outside the attraction. In the queue line, families will enjoy new digital movie posters and will watch a new pre-ride video with TCM host Robert Osborne providing illuminating insights from the movies some of which guests will experience during the ride. The finale will feature an all-new montage of classic movie moments. After guests exit the attraction, they will have a photo opportunity with a classic movie theme. The TCM-curated refresh is set to launch by spring. As part of the relationship with The Walt Disney Studios, TCM will launch Treasures from the Disney Vault, a recurring on-air showcase that will include such live-action Disney features as Treasure Island (1950), Darby O'Gill and the Little People (1959) and Pollyanna (1960); animated films like The Three Caballeros (1944) and The Adventures of Ichabod and Mr. -
12Th National A&E Journalism Awards
Ben Mankiewicz Tarana Burke Danny Trejo Quentin Tarantino The Luminary The Impact Award The Visionary The Distinguished Award Award Storyteller Award 2019 TWELFTH ANNUAL Ann-Margret The Legend Award NATIONAL ARTS & ENTERTAINMENT JOURNALISM AWARDS LOS ANGELES PRESS CLUB 12TH ANNUAL National Arts & Entertainment Journalism Awards A Letter From the Press Club President Good evening and welcome to the 12th annual National Arts & Entertain- ment Journalism Awards. Think about how much the entertainment industry has changed since the Press Club introduced these awards in 2008. Arnold Schwarzenegger was our governor, not a Terminator. Netflix sent you DVDs in the mail. The iPhone was one year old. Fast forward to today and the explosion of technology and content that is changing our lives and keeping journalists busy across the globe. Entertainment journalism has changed as well, with all of us taking a much harder look at how societal issues influence Hollywood, from workplace equality and diversity to coverage of political events, the impact of social media and U.S.-China rela- tions. Your Press Club has thrived amid all this. Participation is way up, with more Chris Palmeri than 600 dues-paying members. The National Arts & Entertainment Journalism Awards have grown and changed as well. Tonight we’re in a ballroom in the Millennium Biltmore Hotel, but in 2008 the awards took place in the Steve Allen Theater, the Press Club’s old home in East Hollywood. That building has since been torn down. Our first event in 2008 featured a cocktail party with no host and only 111 entries in the competition. -
Music: the Quintessential American Sound
Music: The Quintessential American Sound By Tim Smith The early years of the 21st century have yet to provide a clear-cut sense of where music in America is heading, but through the mixed signals, it's possible to draw some promising conclusions. Despite premature reports of its demise, the classical genre is still very much alive and kicking. American composers continue to create rewarding experiences for performers and listeners alike; most orchestras sound better than ever; most opera companies are enjoying increasingly sizable audiences, with particularly strong growth in the desirable 18- to-24-year-old category. Singer Norah Jones and her album "Come The pop music field -- from the cutting- Away With Me" captured eight Grammy Awards in 2003. edge to the mainstream to the retro -- is (Robert Mora, © 2002 Getty Images) still spreading its stylistic influences around a world that has never lost its appetite for the latest American sounds and stars. The Advent of Cyber Technology Technological advances continue to influence the whole spectrum of America's music in mostly positive ways. Composer Tod Machover has pioneered computer-generated "hyperinstruments" that electronically augment the properties of conventional instruments and expand a performer's options of controlling pitch, tempo, and all the other elements of music-making. Listeners are downloading not just the latest hit recordings, but also live classical concerts and opera performances via the Internet. Music organizations have been quick to add Web sites, giving regular and prospective patrons new opportunities to learn about works being performed and even to take music courses, not just buy tickets. -
Introduction: Placing the Self Within the Frame 1 New Storytelling
Notes Introduction: Placing the Self within the Frame 1. This is performed by the Mamas and the Papas (see Chapter 6). 2. For various opinions on the potential of textual analysis see Childs (2006), Kovala (2008) and McKee (2003). 3. Although Gwen Haworth’s documentary is relevant to lesbian discourse, as Haworth, a male to female transsexual, expresses lesbian desire, I have not included this work in my book, as the focus is largely transsexual. Despite this, Haworth’s documentary is highly contiguous to the theoretical ideas expressed within this book, concerning self-reflexive narrative expression and sexual diversity. 4. Also there are still laws which oppress non-heterosexuals within the Western world. 5. It is important to note that this often includes production funding from Anglocentric sources, which bears its own implications of textual influence. 1 New Storytelling: Transitions from the Past 1. Howard Auster had changed his name to Howard Austen early in his career, on advice from Gore Vidal to avoid advertising his Jewish identity at a time when it was hard to obtain work as a Jew (Vidal, 1995). In Gore Vidal’s mem- oir, Howard’s name is restored to the original spelling; hence I have adopted it here. 2. I use the term ‘literature’ in the general sense as ‘serious writing’, esteemed by authority such as academia. 3. I am only discussing the media of radio in this chapter, as a precursor to later developments in television, film and new media through the World Wide Web. 4. It is important to note that in some non-Western countries conversely homo- sexuality under certain circumstances may be considered to offer positive myths. -
BOMBSHELL: the Hedy Lamarr Story
! BOMBSHELL: The Hedy Lamarr Story ! Directed by Alexandra Dean ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! **Official Selection – 2017 Tribeca Film Festival, WINNER “Best of Fest” Nanctucket, WINNER San Francisco! Jewish Fest AUDIENCE AWARD** ! ! ! ! DISTRIBUTOR CONTACT SALES CONTACT Emily Russo David Koh, Submarine Entertainment 212-274 1989 [email protected] [email protected] ! ! ! ! 89 min // USA // 2017 http://www.reframedpictures.com/bombshell/ SYNOPSIS Hollywood star Hedy Lamarr (ZIEGFELD GIRL, SAMSON AND DELILAH) was known as the world's most beautiful woman – Snow White and Cat Woman were both based on her iconic look. However, her arresting looks and glamorous life stood in the way of her being given the credit she deserved as an ingenious inventor whose pioneering work helped revolutionize modern communication. Mislabeled as “just another pretty face,” Hedy’s true legacy is that of a technological trailblazer. She was an Austrian Jewish emigre who invented a covert communication system to try and help defeat the Nazis, then gave her patent to the Navy, but was ignored and told to sell kisses for war bonds instead. It was only towards the very end of her life that tech pioneers discovered her concept which is now used as the basis for secure WiFi, GPS and Bluetooth. Hedy never publicly talked about her life as an inventor and so her family thought her story died when she did. But in 2016, director Alexandra Dean and producer Adam Haggiag unearthed four never-before-heard audio tapes of Hedy speaking on the record about her incredible life. Combining this newly discovered interview with intimate reflections from her children, closest friends, family and admirers, including Mel Brooks and Robert Osborne, BOMBSHELL (executive produced by Susan Sarandon, Michael Kantor and Regina Scully) finally gives Hedy Lamarr the chance to tell her own story. -
February 26, 2021 Amazon Warehouse Workers in Bessemer
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; BLACKISH)