DOCSLIB.ORG

2Pac Pac's Life Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2Pac Pac's Life Mp3, Flac, Wma 2Pac Pac's Life mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Pac's Life Country: Ukraine Released: 2006 Style: Thug Rap, Gangsta MP3 version RAR size: 1294 mb FLAC version RAR size: 1663 mb WMA version RAR size: 1974 mb Rating: 4.1 Votes: 695 Other Formats: WAV DMF VQF MMF AAC AIFF AA Tracklist Hide Credits Untouchable (Swizz Beatz Remix) 1 4:16 Featuring – Bone Thugs-N-HarmonyRemix – Swizz Beatz Pac's Life 2 3:37 Featuring – Ashanti, T.I. Dumpin' 3 4:27 Featuring – Carl Thomas, Hussein Fatal, Papoose Playa Cardz Right (Female) 4 4:33 Featuring – Keyshia Cole Whatz Next 5 4:18 Featuring – A3*, Jay Rock Sleep 6 4:10 Featuring – Chamillionaire, Young Buck International 7 4:04 Featuring – Nipsey Hussle, Young Dre The Truth* Don't Sleep 8 3:36 Featuring – Yaki Kadafi*, Lil Scrappy*, Nutso*, Stormy Soon As I Get Home 9 3:41 Featuring – Yaki Kadafi* Playa Cardz Right (Male) 10 4:56 Featuring – Keon Bryce, Ludacris Don't Stop 11 5:26 Featuring – Big Syke, EDI*, Hussein Fatal, Yaki Kadafi*, Stormy , Young Noble Pac's Life Remix 12 3:40 Featuring – Chris Starr , Snoop Dogg, T.I. Untouchable 13 4:30 Featuring – Gravy, Hussein Fatal, Yaki Kadafi* Companies, etc. Licensed From – UMG Recordings Services, Inc. Phonographic Copyright (p) – Ukrainian Records Phonographic Copyright (p) – Amaru Entertainment Phonographic Copyright (p) – Interscope Records Copyright (c) – Amaru Entertainment Copyright (c) – Interscope Records Credits Executive-Producer – Afeni Shakur, Tom Whalley Notes Another version of this CD with the some differences in design: no logo Amaru Entertainment and other color writing some words on the CD. Для продажу на території України. For sale on the territory of Ukraine. Not for sale outside Ukraine. Catalog number Moon Records taken from the CD matrix. CD released with a 12-page booklet in a standard jewel case. Barcode and Other Identifiers Barcode (Printed): 6 02517 13396 9 Barcode (Scanned): 602517133969 Mastering SID Code: IFPI LU003 Mould SID Code (Variant 1): IFPI UAC01 Mould SID Code (Variant 2): IFPI UAD02 Matrix / Runout: [Moon Records Logo] MOON Records MR 1986-2 www.moonrec.kiev.ua Rights Society: SABAM/BIEM Label Code: LC 06406 Other versions Title Category Artist Label Category Country Year (Format) Pac's Life (CD, Amaru Entertainment, 1716888 2Pac 1716888 Europe 2006 Album) Interscope Records Pac's Life Interscope Records, none 2pac (CDr, Album, none US Unknown Amaru Records Promo, Cle) Amaru Entertainment, Pac's Life (CD, Interscope Records, UICS-1130 2Pac UICS-1130 Japan 2006 Album) Universal International Pac's Life INTF-11982-1 2Pac (2xLP, Album, Interscope Records INTF-11982-1 US 2006 Promo) Pac's Life (CD, Amaru Entertainment, 0602517206120 2Pac 0602517206120 Poland 2006 Album) Interscope Records Related Music albums to Pac's Life by 2Pac Young Noble & Deuce22 - Fast Life Young Life - Playa'z Nite Hussein Fatal - Fatalveli, Volume 1: The Mixtape Swizz Beatz - Bigger Business DJ Drama & DJ Nik Bean - Streetz Of LA 9 DJ Whoo Kid, Young Buck - Welcome To The Hood Nutt-So & Hussein Fatal - Outkasted Outlawz 2Pac - Better Dayz.
Load more

Recommended publications
  • Tom Jennings
    12 | VARIANT 30 | WINTER 2007 Rebel Poets Reloaded Tom Jennings On April 4th this year, nationally-syndicated Notes US radio shock-jock Don Imus had a good laugh 1. Despite the plague of reactionary cockroaches crawling trading misogynist racial slurs about the Rutgers from the woodwork in his support – see the detailed University women’s basketball team – par for the account of the affair given by Ishmael Reed, ‘Imus Said Publicly What Many Media Elites Say Privately: How course, perhaps, for such malicious specimens paid Imus’ Media Collaborators Almost Rescued Their Chief’, to foster ratings through prejudicial hatred at the CounterPunch, 24 April, 2007. expense of the powerless and anyone to the left of 2. Not quite explicitly ‘by any means necessary’, though Genghis Khan. This time, though, a massive outcry censorship was obviously a subtext; whereas dealing spearheaded by the lofty liberal guardians of with the material conditions of dispossessed groups public taste left him fired a week later by CBS.1 So whose cultures include such forms of expression was not – as in the regular UK correlations between youth far, so Jade Goody – except that Imus’ whinge that music and crime in misguided but ominous anti-sociality he only parroted the language and attitudes of bandwagons. Adisa Banjoko succinctly highlights the commercial rap music was taken up and validated perspectival chasm between the US civil rights and by all sides of the argument. In a twinkle of the hip-hop generations, dismissing the focus on the use of language in ‘NAACP: Is That All You Got?’ (www.daveyd.
    [Show full text]
  • Ethnic Studies Review
    esr37-38_cv_esr37-38_cv 7/28/2017 1:37 PM Page 2 COLOR IS FOR APPROXIMATION ONLY – DO NOT USE FOR COLOR APPROVAL Volumes 37 and 38 Volumes National Association For Ethnic Studies Ethnic Studies Review Ethnic Studies Review Pages 1–154 Pages 2014-2015 2014-2015 Volumes 37 and 38 ISSN: 1555-1881 esr37-38_cv_esr37-38_cv 7/28/2017 1:37 PM Page 3 The National Association For Ethnic Studies Ethnic Studies Review (ESR) is the journal of the National Association For Ethnic Studies (NAES). ESR is a multi-disciplinary international journal devoted to the study of ethnicity, ethnic groups and their cultures, and inter-group relations. NAES has as its basic purpose the promotion of activities and scholarship in the field of Ethnic Studies. The Association is open to any person or institution and serves as a forum for its members in promoting research, study, and curriculum as well as producing publications of interest in the field. NAES sponsors an annual spring Ethnic Studies Review conference. Journal Information Editorial Board Editor Associate Editors Ron Scapp, College of Mount Saint Vincent David Aliano, College of Mount Saint Vincent Guidelines for Submitting Manuscripts Ravi Perry, Virginia Commonwealth University ESR uses a policy of blind peer review. All papers are read by at least two Book Review Editor reviewers who are experts in the area. Manuscripts must not have been Emily M. Drew, Willamette University published previously or be under consideration by other publications. ESR seeks manuscripts of 7500 words or less, inclusive of notes and works cited. Editorial Advisory Board Endnotes rather than footnotes should be utilized, although these should be Edna Acosta-Belen Rosanne Kanhai kept to a minimum.
    [Show full text]
  • Outlawz, in the Event of My Demise
    Outlawz, In The Event Of My Demise [Geronimo Ji Jaga] In the event of my demise when my heart can beat no more I hope I die for a princeple Or a belief that I have lived for I will die before my time Beacause I feel the shadow's depth So much I wanted to acomplish Before I reached my death I have to come to grips with the possibility And wiped the last tear from my eyes I loved all who were positive In the event of my demise [Young Noble] In the event of my demise don't shed no tear I'll share my wizdom with the world, they'll know I was here Know I was clear, every thing I said I ment A outlaw, when I was born they prepared my ditch Said I won't live long, statistic showed I'm tryna past 24 realistic goal, listen all You gotta stay cold inside That's what I tell myself when I feel alone sometime But I can't cry, I don't tear no more I love god, from death I don't fear no more A part taken in this movment to better my people Though they see me on TV, I tell them we equal Don't look at me as a stranger, I'm one of your own We was rised in concrete and grew as a rose Still I rise, but never get a chance to fly Mama please don't cry In the event of my demise [Chorus: Young Noble] In the event of my demise can't breathe no more hope I die for a princeple something I lived for dying before my time feel the shadows of depth Trying to fulfill all my dreams before I reach my death came to grips with the possibility The world's killing me, and my soldiers die young with no sympathy I wipe the last tear from my eyes I loved all who stand strong
    [Show full text]
  • Touring Biz Awaits Rap Boom
    Y2,500 (JAPAN) $6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), II1I11 111111111111 IIIIILlll I !Lull #BXNCCVR 3 -DIGIT 908 #90807GEE374EM002# BLBD 863 A06 B0116 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 HOME ENTERTAINMENT THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND Labels Hitching Stars To Clive Greeted As New RCA Chief Global Consumer Brands Artists, Managers Heap Praise On Davis, But Some Just Want Stability given five -year contracts, according BY MELINDA NEWMAN BY BRIAN GARRITY Goldstuck had been pres- While managers of acts signed to to Davis. NEW YORK -In the latest sign of J Records. Richard RCA Records are quick to praise out- ident/C00 that the marketing of music is will continue as executive going RCA Music Group (RMG) Sanders undergoing a sea change, the RCA Records. chairman Bob Jamieson, they are also VP /GM of major labels are forging closer ties "We absolutely loved and have heralding the news that J Records with global consumer brands in with Bob Jamieson head Clive Davis will now control enjoyed working an effort to gain exposure for their and hope our paths will cross with him both the J label and RCA Records. acts. As the deals become more says artist manager Irving BMG announced Nov. 19 that it is again," pervasive, they raise questions for whose client Christina Aguilera buying out Davis' 50 %, stake in J Azoff, artists, who have typically cut on RCA Oct. 29. "I've Records -the label he formed in released Stripped their own sponsorship deals.
    [Show full text]
  • G-Eazy & DJ Paul Star in the Movie Tunnel Vision October/November 2017 in the BAY AREA YOUR VIEW IS UNLIMITED
    STREET CONSEQUENCES MAGAZINE Exclusive Pull up a seat as Antonio Servidio take us through his life as a Legitimate Hustler & Executive Producer of the movie “Tunnel Vision” Featuring 90’s Bay Area Rappers Street Consequences Presents E-40, Too Short, B-Legit, Spice 1 & The New Talent of Rappers KB, Keak Da Sneak, Rappin 4-Tay Mac Fair & TRAP Q&A with T. A. Corleone Meet the Ladies of Street Consequences G-Eazy & DJ Paul star in the movie Tunnel Vision October/November 2017 IN THE BAY AREA YOUR VIEW IS UNLIMITED October/November 2017 2 October /November 2017 Contents Publisher’s Word Exclusive Interview with Antonio Servidio Featuring the Bay Area Rappers Meet the Ladies of Street Consequences Street Consequences presents new talent of Rappers October/November 2017 3 Publisher’s Words Street Consequences What are the Street Consequences of today’s hustling life- style’s ? Do you know? Do you have any idea? Street Con- sequences Magazine is just what you need. As you read federal inmates whose stories should give you knowledge on just what the street Consequences are. Some of the arti- cles in this magazine are from real people who are in jail because of these Street Consequences. You will also read their opinion on politics and their beliefs on what we, as people, need to do to chance and make a better future for the up-coming youth of today. Stories in this magazine are from big timer in the games to small street level drug dealers and regular people too, Hopefully this magazine will open up your eyes and ears to the things that are going on around you, and have to make a decision that will make you not enter into the game that will leave you dead or in jail.
    [Show full text]
  • A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
    California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar.
    [Show full text]
  • Bartolomé De Las Casas, Soldiers of Fortune, And
    HONOR AND CARITAS: BARTOLOMÉ DE LAS CASAS, SOLDIERS OF FORTUNE, AND THE CONQUEST OF THE AMERICAS Dissertation Submitted To The College of Arts and Sciences of the UNIVERSITY OF DAYTON In Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy in Theology By Damian Matthew Costello UNIVERSITY OF DAYTON Dayton, Ohio August 2013 HONOR AND CARITAS: BARTOLOMÉ DE LAS CASAS, SOLDIERS OF FORTUNE, AND THE CONQUEST OF THE AMERICAS Name: Costello, Damian Matthew APPROVED BY: ____________________________ Dr. William L. Portier, Ph.D. Committee Chair ____________________________ Dr. Sandra Yocum, Ph.D. Committee Member ____________________________ Dr. Kelly S. Johnson, Ph.D. Committee Member ____________________________ Dr. Anthony B. Smith, Ph.D. Committee Member _____________________________ Dr. Roberto S. Goizueta, Ph.D. Committee Member ii ABSTRACT HONOR AND CARITAS: BARTOLOMÉ DE LAS CASAS, SOLDIERS OF FORTUNE, AND THE CONQUEST OF THE AMERICAS Name: Costello, Damian Matthew University of Dayton Advisor: Dr. William L. Portier This dissertation - a postcolonial re-examination of Bartolomé de las Casas, the 16th century Spanish priest often called “The Protector of the Indians” - is a conversation between three primary components: a biography of Las Casas, an interdisciplinary history of the conquest of the Americas and early Latin America, and an analysis of the Spanish debate over the morality of Spanish colonialism. The work adds two new theses to the scholarship of Las Casas: a reassessment of the process of Spanish expansion and the nature of Las Casas’s opposition to it. The first thesis challenges the dominant paradigm of 16th century Spanish colonialism, which tends to explain conquest as the result of perceived religious and racial difference; that is, Spanish conquistadors turned to military force as a means of imposing Spanish civilization and Christianity on heathen Indians.
    [Show full text]
  • Tupac and Beyond: the Mplici Ations of the Tupac Hologram on Copyright and the Right of Publicity and What It May Mean for the Future of Music Michael Spiro Drecolias
    Seton Hall University eRepository @ Seton Hall Law School Student Scholarship Seton Hall Law 5-1-2014 Tupac and Beyond: The mplicI ations of the Tupac Hologram on Copyright and the Right of Publicity and What it May Mean for the Future of Music Michael Spiro Drecolias Follow this and additional works at: https://scholarship.shu.edu/student_scholarship Recommended Citation Drecolias, Michael Spiro, "Tupac and Beyond: The mpI lications of the Tupac Hologram on Copyright and the Right of Publicity and What it May Mean for the Future of Music" (2014). Law School Student Scholarship. 427. https://scholarship.shu.edu/student_scholarship/427 Tupac and Beyond: The Implications of the Tupac Hologram on Copyright and the Right of Publicity and What it May Mean for the Future of Music Michael Drecolias1 I. INTRODUCTION Over the last few decades, American society has developed a growing obsession with the public sphere of celebrity and entertainment gossip. What was once regarded as one’s private and intimate information has become the focal point of countless news and media outlets. The pervasive nature of American media has allowed celebrity information and gossip to be shared at alarming speeds. Consequently, Americans have developed strong emotional ties to celebrities that society has deemed famous. These emotional ties are often so strong that fans feel as if they actually know the celebrity, and begin to think about them as if they were a close personal friend. Media outlets have taken it upon themselves to choose how they will portray certain celebrities, and they inundate society with messages and stories that are in line with their desired perception.
    [Show full text]
  • Young Noble, Don't Know YOUNG NOBLE Noble Justice
    Young Noble, Don't Know YOUNG NOBLE Noble Justice... For the future Yeah --- This Outlaw Lifestyle Aye yo... I live life like a young nigga born in corruption God made me famous for my pain and suffering Or maybe that aint even the case You gotta watch -- what you wish for dawg It might blow up in ya face Feeling like Young Nobe' in a race Life is like rolling the Ace And I don't even like showing my face Cause muthafuckas get the wrong impression I ain't a rapper dawg This just how I make my living It ain't no telling where I'm supposed to be If Makaveli hadn't chosen me To til Outlaw royalty The game won't spoil me I keep dirt in my nails And won't knock you if you work at the Shell At least a muthafucka got a job That's ya problem there Knockin' the next man for tryna get theirs You betta try to get yours Cause time is hard And don't ask about the Lawz Cause we grinding hard Come on... CHORUS We don't -- know which way to go When ya ask 'em Don't nobody seem to know Either the right or you down the wrong road But I don't eat, don't sleep, don't We don't -- know which way to go When ya ask 'em Don't nobody seem to know Either the right or you down the wrong road But I don't eat, don't sleep, don't We don't know YOUNG NOBLE I thought you niggaz said you want chips (ya life is ya own) I ain't tryna bump fa' shit I'm tryna stack it for my grand kids Handle ya biz And get it how it come And seeing is believing Yall blind as fuck Til some niggaz in ya living room tyin' ya up For a couple of bucks You been oweing for months Let it pile up It all coming down at once On ya shoulders while you standing up Add it up That probably mean you gon' fall dawg All my niggaz tatted up They call us the OUTLAWZ And that means we the family by any means I ratha' sell CD's then work at Micky D's I can't knock that I love a Big Mac And everybody don't know how to rap So if you got a little hustle Or got a little talent You better get it cracking Don't be scared of the challenge Come on..
    [Show full text]
  • 2Pac One Nation Album Amazon
    2pac one nation album amazon click here to download Format: Audio CD|Verified Purchase. when i heard this album i couldnt stop listing to it and plus on this cd its alot of songs on here u probably never heard of its a good 2pac album i brought last summer from amazon. If a true 2pac u will enjoy it. 0Comment| One person found this helpful. Was this review helpful to you? One Nation was the brainchild of Tupac and Boot Camp Clik, and was aimed at dispelling the growing tensions between East and West Coast artists and fans in the wake of the Bad Boy-Death Row feud. One Nation features contributions from Hip Hop's finest, including Snoop Dogg, Yukmouth, Big Daddy Kane, Yukmouth. Shop One Nation the Album. Everyday low prices and free delivery on eligible orders. One Nation [Explicit]: 2pac: www.doorway.ru: MP3 Downloads. '2Pacalypse Now' however is less a gangsta rap album as much as it is a politicized view of the inner-cities all across the nation. 'Violent' is by far the album's standout, in which 2Pac tells of he and his homey getting pulled over by the police one night and getting brutally mistreated, which eventually drives them to react. Bizzy,Layzie,Krayzie and Wish are back with this lackluster sophomore effort. Bone Thugs are preoccupied with their love of weed, thug life, and provincial pride for their hometown of Cleveland. Lyrically, there is nothing new or insightful here - and Bone Thugs seem frighteningly insular, they've seemingly forgotten that. Original Gangstas: The Untold Story of Dr.
    [Show full text]
  • Beyond the Triangle of Emancipation: Tupac's Hip Hop Theory of Criminal
    Thomas Ehrlich Reifer Beyond the triangle of emancipation: tupac’s hip hop theory of criminal (in)justice,the pope’s playlist, and the prophetic imagination For Tupac Shakur, 1971-1996, my brother, Matthew Benjamin Ehrlich, 1974-1999, Trayvon Martin, 1995-2012, Afeni Shakur-Davis and Maria Reyes and the Freedom Writers “All my songs deal with the pain I’ve felt from my childhood.” 2Pac/Tupac Amaru Shakur, Tupac, Resurrection “Hip hop is blues filtered through a century of experience and a thousand miles of asphalt.” William Jelani Cobb, To the Break of Dawn: A Freestyle on the Hip Hop Aesthetic “The need to let suffering speak is the condition of all truth.” Theodor Adorno, Negative Dialectics “Only for the sake of the hopeless ones have we been given hope.” Walter Benjamin, Selected Writings: Volume 1 “We must first of all rid ourselves of the illusion that penality is above all (if not exclusively) a means of reducing crime.…We must analyze rather the ‘concrete systems of punishment’…in which the punishment of crime is not the sole element…but...linked to a whole series of positive and useful effects which it is their task to support.” Michel Foucault, Discipline and Punish: The Birth of the Prison “The police force is arguably the most powerful organization in society because officers of all ranks are imbued with the power to infringe upon the civil liberties of society’s citizens. Therefore, the 1 Beyond the Triangle of Emancipation: Tupac’s Hip-Hop Theory of Criminal (In)justice, the Pope’s Playlist, & the Prophetic Imagination racist misconduct or power abuse of white officers entangles their victims in the criminal justice system.
    [Show full text]
  • No Church in the Wild: an Ontology of Hip Hop’S Socio-Religious Discourse in Tupac’S “Black Jesuz”
    No Church in the Wild: An Ontology of Hip Hop’s Socio-Religious Discourse in Tupac’s “Black Jesuz” Daniel White Hodge | March 23, 2013 Article, Nomos Journal <www.nomosjournal.org> ISSN 2165-8668 © 2013 by author. All rights reserved. Hip Hop is a voice: a voice that openly speaks for the marginalized, the poor, the downtrodden, and those living in oppressive conditions. Hip Hop is an urban sub- and co- culture that seeks to express a lifestyle, attitude, and/or urban individuality.1 Hip Hop rejects Eurocentric culture and seeks to increase a social consciousness along with a racial/ethnic pride. Hip Hop is also a musical genre that uses rap music as a vehicle to send and fund its message of social, cultural, and political resistance to dominant structures or norms. Thus, rap music is the primary medium of Hip Hop culture that brings definition, value, understanding, and appreciation to the social isolation, economic hardships, political demoralization, and cultural exploitation endured by most ghetto-poor communities. Rap and Hip Hop captures and esteems the ghetto-poor existence, located within many urban enclaves, as valid and real to all ethnic minorities and poor whites.2 Within this discourse, there is something larger at work: a fundamental attempt to make God more accessible to a people who have been, in large part, ignored by many religious and spiritual entities.3 Christina Zanfagna, an ethnomusicologist who studies Hip Hop and religion, claims, “Mainstream hip-hop percolates with unlikely and multifaceted religious inclinations.
    [Show full text]