DOCSLIB.ORG

Wolfram & Kyot

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Wolfram + Kyot Part II: The Night Journey a play by Chas LiBretto Draft date: 10/5/20 Agent contact: Katie Gamelli [email protected] A3 Artists Agency Literary Division The Empire State Building Fifth Ave. 38th Floor New York, NY 10118 ii CHARACTER NAME BRIEF DESCRIPTION AGE GENDER Frederick VI Duke of Swabia 23 M Advisor Attendant to Duke of Swabia 60s M Wolfram von Eschenbach young knight early 20s F Fatima of Toledo Muslim astronomer early 20s F Esclarmonde de Foix Cathar priestess early 40s F Berengaria Princess of Navarre early 20s F Highwayman 1 German criminal 20s M Highwayman 2 German criminal 20s M Priest English priest 40s M Richard I King of England 33 M John Prince 24 M Eleanor Duchess of Aquitaine 68 F Robert de Boron Poet late 20s M Sir Hagan Knight Templar 40s M Gerald of Wales Welsh archdeacon mid 40s M Peredur Welsh knight 30s M Fulk FitzWarin Young Noble late 20s 20s M Soldier 1/Roger French soldier 20s M Soldier 2 French soldier 20s M Soldier 3 French soldier 20s M Ibn Rushd Muslim Astronomer 50s M "Frederick" Ghost M "Christina" Ghost M Actor 1: Frederick VI, Highwayman 1, Fulk Fitz Warin, Roger Actor 2: Wolfram Actor 3: Advisor, Highwayman 2, John, Soldier 2 Actor 4: Fatima Actor 5: Esclarmonde, Eleanor, Christina Actor 6: Berengaria Actor 7: Richard Actor 8: Sir Hagan, Gerald, Peredur Actor 9: Robert, Soldier 3 Actor 10: Ibn Rushd, Frederick Time: 1190 AD Setting: Europe and the Near East iii "Here time becomes space." - Wagner, "Parsifal" “Come, let me know whether thou art a creature of good or not.' And he replied: `I am a man.’” - Chretien de Troyes, "Yvain" “Shall I then bring the crown That was made by 60,000 angels? Who wished to force GOD out of the Kingdom of Heaven. See! Lucifer, there he is! If there are master-priests, Then you know well that I am singing the truth. Saint Michael saw GOD’s anger, plagued by His insolence. He took (Lucifer’s) crown from his head, In such a way that a stone jumped out of it. Which on Earth became Parsifal’s stone. The stone which sprang out of it, He found it, he who struggled for honor at such a high cost.” - Wartburgkrieg “When he shall die, Take him and cut him out in little stars, And he will make the face of heaven so fine That all the world will be in love with night And pay no worship to the garish sun." - William Shakespeare, Romeo and Juliet ACT ONE Projection: “1190 AD. One year after embarking on a Crusade to retake Jerusalem, the Holy Roman Emperor Frederick Barbarossa has drowned crossing a river in Anatolia. His army has now limped to Antioch, with little hope of success. And in England, a new King named Richard prepares to launch his own attempt on the Holy City....” SCENE 1: PRINCIPALITY OF ANTIOCH - JUNE, 1190 A young man, FREDERICK VI, looks out a window. FREDERICK VI “...And the stone that struck the image became a great mountain and filled the whole earth.” FREDERICK VI shakes his head. An ADVISOR approaches. ADVISOR My lord? FREDERICK VI I’m sorry. My mind must have nodded off there for a moment. ADVISOR Are you feeling well, my lord? You should let a physician have a look at you. There have been reports of a sickness in the barracks ever since we arrived in Antioch. It’s the swamps we marched through, I fear. Marsh fever. FREDERICK VI No, I’m all right. Just a good deal on my mind. That’s all. ADVISOR Quite understandable. It has been an enormously taxing time for you. Consoling your army, prostrated as we all are by grief. And so soon after your own injury. And, of course - FREDERICK VI With my father gone, the future of this endeavor is on my shoulders. It is a wonder I have slept at all. 2. ADVISOR Have faith, my lord. You’ve led us unscathed to Antioch, you’ll lead us yet to Jerusalem. You are the glory of the Christian army. And its only hope. FREDERICK VI smiles, pained. He grips the ADVISOR by his shoulder. FREDERICK VI Well. You do know how to relieve a man of his worries, my friend. ADVISOR I certainly endeavor to try, my prince. Bells are heard. But come. We don’t want to be late for the ceremony. You will feel peace once we have interred your father. The ADVISOR begins to go, and stops when he sees that FREDERICK VI has not left. My Lord? FREDERICK VI I was dreaming...of a stone. ADVISOR A stone, sire? FREDERICK VI There was statue of metal...or many metals, actually. And then a stone broke it apart, and then it grew to become a mountain, crushing everything in its wake. ADVISOR That’s the Book of Daniel. Nebuchadnezzar’s dream. The statue, the stone. The Destroyer of Nations. FREDERICK VI What does it mean? 3. ADVISOR That’s precisely what Nebuchadnezzar wanted to know. When he told the seer Daniel of his dream, Daniel told the king that the statue represented all the kingdoms upon the earth. Babylon, Egypt, the Medes. Its collapse means the end of all earthy rule. FREDERICK VI And the stone? ADVISOR It’s an apocalypse, sire. The Last Days, when the Kingdom of God arrives, falling like a stone and dispersing the wicked crowd through the might of God, scattering them like dust on the face of the earth. You really should consult your scripture more often, sire, given that you are - FREDERICK VI Yes, the last hope of Christendom and all that, indeed. I will. One more thing... ADVISOR Yes, my lord? FREDERICK VI Nebuchadnezzar. He is not generally a beloved figure in the Old Testament. Is he? ADVISOR No. He is not. Paue. FREDERICK VI Let them know I am on my way. ADVISOR leaves. FREDERICK VI watches him go. And then he reaches into his pocket, and pulls out a glowing STONE. LIGHTS SHIFT. SCENE 2: PRINCIPALITY OF ANTIOCH - JUNE, 1190 The funeral of the Emperor FREDERICK. It’s a humble affair, in a small church built by crusaders less than a hundred years earlier. Some bells are heard and some chanting. 4. FREDERICK VI and the ADVISOR walk outside the church, along with the other congregants, generals, and advisors. FREDERICK VI looks back toward the church. FREDERICK VI I hope you’ve found your peace at last, father. ADVISOR Burial in the Church of St. Peter has a certain...directness to it, I think. A straight path to the apostle, waiting at heaven’s gate. Yes, I think your father would like that. FREDERICK VI There’s talk of bringing his bones to Jerusalem, so that he may be laid to rest there too. Dead in Selucia, his flesh and intestines in Tarsus, his bones here in Antioch, his skull in Jerusalem...God. He was coming apart for so long...I didn’t...I... ADVISOR puts his hand on FREDERICK VI’s shoulder. ADVISOR My lord. Do not dwell on such things. He had his eye on Jerusalem. It would make him proud to see you bury him there. FREDERICK VI He needed me. FREDERICK VI looks up at the desolate landscape of Antioch. A crow is heard. Such a humble place. ADVISOR Indeed, sire. FREDERICK VI If he’d known the war would be ended for him here, would he still have gone? ADVISOR But it’s not ended. Not with you leading us forward. ADVISOR goes. FREDERICK VI looks at the sky. A hooded figure comes out of the church, hoping to avoid being seen. FREDERICK VI spots him. 5. FREDERICK VI You there! Stop! Who are you, skulking about this holy place? The figure stops, hesitates. Should he try to run for it? Finally, he removes his hood. It’s WOLFRAM, a young knight. You! I know you, don’t I? WOLFRAM Yes, m’lord. FREDERICK VI Last Christmas, wasn’t it? In Phillipopolis? Pause. ...Wolfram? WOLFRAM Wolfram von Eschenbach. Yes, sir. You have a very good memory. FREDERICK VI I remember you wanted to speak to my father about something. WOLFRAM I did. FREDERICK VI I’m afraid it might be a bit late for that conversation now. WOLFRAM I just wanted to see him again. FREDERICK VI Not much to see. Just his bones. His flesh is in Tarsus, or haven’t you heard? Rotting in bad vinegar under the Turkish sun. You said last Christmas that you believed the army was doomed if we kept marching to Jerusalem. WOLFRAM doesn’t say anything. It seems you were right. WOLFRAM I won’t trouble you, sir. I should be returning to the barracks anyway. There’s a fever going around, and I’ve been helping to treat - 6. FREDERICK VI Why did you wish to tell my father such a thing? Pause. WOLFRAM It was a feeling. FREDERICK VI It was more than that, Wolfram. You can tell me. I won’t be mad at a friend. WOLFRAM is startled by this. The son of the Emperor thinks of him as a friend? WOLFRAM It was last year. The night before we left Germany. In Ratisbon. I met someone...a girl. FREDERICK VI A girl? You don’t mean the spy who snuck into my father’s room? The one who tried to kill him? You saw her? Spoke to her? WOLFRAM She didn’t try to kill him.
Recommended publications
  • How Geoffrey of Monmouth Influenced the Story of King Arthur

    How Geoffrey of Monmouth Influenced the Story of King Arthur

    Western Oregon University Digital Commons@WOU Student Theses, Papers and Projects (History) Department of History 6-10-2019 The Creation of a King: How Geoffrey of Monmouth Influenced the Story of King Arthur Marcos Morales II [email protected] Follow this and additional works at: https://digitalcommons.wou.edu/his Part of the Cultural History Commons, Medieval History Commons, and the Medieval Studies Commons Recommended Citation Morales II, Marcos, "The Creation of a King: How Geoffrey of Monmouth Influenced the Story of King Arthur" (2019). Student Theses, Papers and Projects (History). 276. https://digitalcommons.wou.edu/his/276 This Paper is brought to you for free and open access by the Department of History at Digital Commons@WOU. It has been accepted for inclusion in Student Theses, Papers and Projects (History) by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected], [email protected], [email protected]. The Creation of a King: How Geoffrey of Monmouth Influenced the Story of King Arthur. By: Marcos Morales II Senior Seminar: HST 499 Professor David Doellinger Western Oregon University June 05, 2019 Readers Professor Elizabeth Swedo Professor Bau Hwa Hsieh Copyright © Marcos Morales II Arthur, with a single division in which he had posted six thousand, six hundred, and sixty-six men, charged at the squadron where he knew Mordred was. They hacked a way through with their swords and Arthur continued to advance, inflicting terrible slaughter as he went. It was at this point that the accursed traitor was killed and many thousands of his men with him.1 With the inclusion of this feat between King Arthur and his enemies, Geoffrey of Monmouth shows Arthur as a mighty warrior, one who stops at nothing to defeat his foes.
  • The Songs Songs That Mention Joni (Or One of Her Songs)

    The Songs Songs That Mention Joni (Or One of Her Songs)

    Inspired by Joni - the Songs Songs That Mention Joni (or one of her songs) Compiled by: Simon Montgomery, © 2003 Latest Update: May 15, 2021 Please send comments, corrections or additions to: [email protected] © Ed Thrasher, March 1968 Song Title Musician Album / CD Title 1968 Scorpio Lynn Miles Dancing Alone - Songs Of William Hawkins 1969 Spinning Wheel Blood, Sweat, and Tears Blood, Sweat, and Tears 1971 Billy The Mountain Frank Zappa / The Mothers Just Another Band From L.A. Going To California Led Zeppelin Led Zeppelin IV Going To California Led Zeppelin BBC Sessions 1972 Somebody Beautiful Just Undid Me Peter Allen Tenterfield Saddler Thoughts Have Turned Flo & Eddie The Phlorescent Leech & Eddie Going To California (Live) Led Zeppelin How The West Was Won 1973 Funny That Way Melissa Manchester Home To Myself You Put Me Thru Hell Original Cast The Best Of The National Lampoon Radio Hour (Joni Mitchell Parody) If We Only Had The Time Flo & Eddie Flo & Eddie 1974 Kama Sutra Time Flo & Eddie Illegal, Immoral & Fattening The Best Of My Love Eagles On The Border 1975 Tangled Up In Blue Bob Dylan Blood On The Tracks Uncle Sea-Bird Pete Atkin Live Libel Joni Eric Kloss Bodies' Warmth Passarela Nana Caymmi Ponta De Areia 1976 Superstar Paul Davis Southern Tracks & Fantasies If You Donít Like Hank Williams Kris Kristofferson Surreal Thing Makes Me Think of You Sandy Denny The Attic Tracks Vol. 4: Together Again Turntable Lady Curtis & Wargo 7" 45rpm Single 1978 So Blue Stan Rogers Turnaround Happy Birthday (to Joni Mitchell) Dr. John Period On Horizon 1979 (We Are) The Nowtones Blotto Hello! My Name Is Blotto.
  • Tom Jennings

    Tom Jennings

    12 | VARIANT 30 | WINTER 2007 Rebel Poets Reloaded Tom Jennings On April 4th this year, nationally-syndicated Notes US radio shock-jock Don Imus had a good laugh 1. Despite the plague of reactionary cockroaches crawling trading misogynist racial slurs about the Rutgers from the woodwork in his support – see the detailed University women’s basketball team – par for the account of the affair given by Ishmael Reed, ‘Imus Said Publicly What Many Media Elites Say Privately: How course, perhaps, for such malicious specimens paid Imus’ Media Collaborators Almost Rescued Their Chief’, to foster ratings through prejudicial hatred at the CounterPunch, 24 April, 2007. expense of the powerless and anyone to the left of 2. Not quite explicitly ‘by any means necessary’, though Genghis Khan. This time, though, a massive outcry censorship was obviously a subtext; whereas dealing spearheaded by the lofty liberal guardians of with the material conditions of dispossessed groups public taste left him fired a week later by CBS.1 So whose cultures include such forms of expression was not – as in the regular UK correlations between youth far, so Jade Goody – except that Imus’ whinge that music and crime in misguided but ominous anti-sociality he only parroted the language and attitudes of bandwagons. Adisa Banjoko succinctly highlights the commercial rap music was taken up and validated perspectival chasm between the US civil rights and by all sides of the argument. In a twinkle of the hip-hop generations, dismissing the focus on the use of language in ‘NAACP: Is That All You Got?’ (www.daveyd.
  • 11Th March 2021

    11Th March 2021

    USED CDs ––– NEW ARRIVALS –––11th–11th March 2021 REFCODEARTIST TITLE RRP 304933ADAMS RICHARD/GAVIN NIGEL RECENT WORKS (DIGI) 12.95 565013ALLEN TERRY JUST LIKE MOBY DICK (DIGI) 19.95 409432APHEX TWIN CHOSEN LORDS (DIGI) 25.95 540895ARNOLD PP TURNING TIDE (DIGI) 14.95 14783ATKINS CHET SAILS 12.95 430585AVERAGE WHITE BAND PICK UP THE PIECES (VERY BEST14.95 OF) (2CD) 34138BAILTER SPACE PHOTON EP (DIGI) 14.95 160003BARNES JIMMY SOUL SESSIONS (2CD) (BONUS19.95 DVD) 281306BARRUECO MANUEL NYLON AND STEEL 15.95 465584BIEBER JUSTIN PURPOSE (DELUXE EDITION) 12.95 11446BJORK DEBUT 12.95 168155BLACK SEEDS ON THE SUN 12.95 564896BLACK STAR RIDERS ANOTHER STATE OF GRACE 12.95 559583BLACK STAR RIDERS HEAVY FIRE 17.95 564898BLACKBERRY SMOKE FIND A LIGHT (DIGI) 15.95 100165BLOOD SWEAT AND TEARS GREATEST HITS 12.95 90927BLOOD SWEAT AND TEARS SUPER HITS 12.95 11115BON JOVI THESE DAYS 12.95 125938BON JOVI NEW JERSEY (REMASTERED) 12.95 564893BONAMASSA JOE MUDDY WOLF AT RED ROCKS 14.95 247983BONNIE PRINCE BILLY/PALACE MUSICVIVA LAST BLUES 14.95 366044BOWIE DAVID BEST OF BOWIE (AUSTRALIAN 2CD19.95 VERSION) 499928BOWIE DAVID/PROKOFIEV PETER AND THE WOLF 12.95 561612BRAXTON TONI TONI BRAXTON (AUTOGRAPHED)29.95 200656BRUBECK DAVE TIME OUT 12.95 486096BUCKLEY JEFF PLAYLIST VERY BEST OF 12.95 257144BUCKLEY JEFF SO REAL SONGS FROM 12.95 226462BUCKSHOT AND 9TH WONDER CHEMISTRY 14.95 17998BUENA VISTA SOCIAL CLUB BUENA VISTA SOCIAL CLUB 14.95 (SLIPCASE) 261087BURTON GARY/JARRETT KEITH GARY BURTON AND KEITH 15.95 JARRETT/THROB 130210CANNED HEAT VERY BEST OF 12.98 136396CASSIDY
  • Actions Héroïques

    Actions Héroïques

    Shadows over Camelot FAQ 1.0 Oct 12, 2005 The following FAQ lists some of the most frequently asked questions surrounding the Shadows over Camelot boardgame. This list will be revised and expanded by the Authors as required. Many of the points below are simply a repetition of some easily overlooked rules, while a few others offer clarifications or provide a definitive interpretation of rules. For your convenience, they have been regrouped and classified by general subject. I. The Heroic Actions A Knight may only do multiple actions during his turn if each of these actions is of a DIFFERENT nature. For memory, the 5 possible action types are: A. Moving to a new place B. Performing a Quest-specific action C. Playing a Special White card D. Healing yourself E. Accusing another Knight of being the Traitor. Example: It is Sir Tristan's turn, and he is on the Black Knight Quest. He plays the last Fight card required to end the Quest (action of type B). He thus automatically returns to Camelot at no cost. This move does not count as an action, since it was automatically triggered by the completion of the Quest. Once in Camelot, Tristan will neither be able to draw White cards nor fight the Siege Engines, if he chooses to perform a second Heroic Action. This is because this would be a second Quest-specific (Action of type B) action! On the other hand, he could immediately move to another new Quest (because he hasn't chosen a Move action (Action of type A.) yet.
  • Outlawz, in the Event of My Demise

    Outlawz, in the Event of My Demise

    Outlawz, In The Event Of My Demise [Geronimo Ji Jaga] In the event of my demise when my heart can beat no more I hope I die for a princeple Or a belief that I have lived for I will die before my time Beacause I feel the shadow's depth So much I wanted to acomplish Before I reached my death I have to come to grips with the possibility And wiped the last tear from my eyes I loved all who were positive In the event of my demise [Young Noble] In the event of my demise don't shed no tear I'll share my wizdom with the world, they'll know I was here Know I was clear, every thing I said I ment A outlaw, when I was born they prepared my ditch Said I won't live long, statistic showed I'm tryna past 24 realistic goal, listen all You gotta stay cold inside That's what I tell myself when I feel alone sometime But I can't cry, I don't tear no more I love god, from death I don't fear no more A part taken in this movment to better my people Though they see me on TV, I tell them we equal Don't look at me as a stranger, I'm one of your own We was rised in concrete and grew as a rose Still I rise, but never get a chance to fly Mama please don't cry In the event of my demise [Chorus: Young Noble] In the event of my demise can't breathe no more hope I die for a princeple something I lived for dying before my time feel the shadows of depth Trying to fulfill all my dreams before I reach my death came to grips with the possibility The world's killing me, and my soldiers die young with no sympathy I wipe the last tear from my eyes I loved all who stand strong
  • G-Eazy & DJ Paul Star in the Movie Tunnel Vision October/November 2017 in the BAY AREA YOUR VIEW IS UNLIMITED

    G-Eazy & DJ Paul Star in the Movie Tunnel Vision October/November 2017 in the BAY AREA YOUR VIEW IS UNLIMITED

    STREET CONSEQUENCES MAGAZINE Exclusive Pull up a seat as Antonio Servidio take us through his life as a Legitimate Hustler & Executive Producer of the movie “Tunnel Vision” Featuring 90’s Bay Area Rappers Street Consequences Presents E-40, Too Short, B-Legit, Spice 1 & The New Talent of Rappers KB, Keak Da Sneak, Rappin 4-Tay Mac Fair & TRAP Q&A with T. A. Corleone Meet the Ladies of Street Consequences G-Eazy & DJ Paul star in the movie Tunnel Vision October/November 2017 IN THE BAY AREA YOUR VIEW IS UNLIMITED October/November 2017 2 October /November 2017 Contents Publisher’s Word Exclusive Interview with Antonio Servidio Featuring the Bay Area Rappers Meet the Ladies of Street Consequences Street Consequences presents new talent of Rappers October/November 2017 3 Publisher’s Words Street Consequences What are the Street Consequences of today’s hustling life- style’s ? Do you know? Do you have any idea? Street Con- sequences Magazine is just what you need. As you read federal inmates whose stories should give you knowledge on just what the street Consequences are. Some of the arti- cles in this magazine are from real people who are in jail because of these Street Consequences. You will also read their opinion on politics and their beliefs on what we, as people, need to do to chance and make a better future for the up-coming youth of today. Stories in this magazine are from big timer in the games to small street level drug dealers and regular people too, Hopefully this magazine will open up your eyes and ears to the things that are going on around you, and have to make a decision that will make you not enter into the game that will leave you dead or in jail.
  • A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature

    A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature

    California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar.
  • A Welsh Classical Dictionary

    A Welsh Classical Dictionary

    A WELSH CLASSICAL DICTIONARY DACHUN, saint of Bodmin. See s.n. Credan. He has been wrongly identified with an Irish saint Dagan in LBS II.281, 285. G.H.Doble seems to have been misled in the same way (The Saints of Cornwall, IV. 156). DAGAN or DANOG, abbot of Llancarfan. He appears as Danoc in one of the ‘Llancarfan Charters’ appended to the Life of St.Cadog (§62 in VSB p.130). Here he is a clerical witness with Sulien (presumably abbot) and king Morgan [ab Athrwys]. He appears as abbot of Llancarfan in five charters in the Book of Llandaf, where he is called Danoc abbas Carbani Uallis (BLD 179c), and Dagan(us) abbas Carbani Uallis (BLD 158, 175, 186b, 195). In these five charters he is contemporary with bishop Berthwyn and Ithel ap Morgan, king of Glywysing. He succeeded Sulien as abbot and was succeeded by Paul. See Trans.Cym., 1948 pp.291-2, (but ignore the dates), and compare Wendy Davies, LlCh p.55 where Danog and Dagan are distinguished. Wendy Davies dates the BLD charters c.A.D.722 to 740 (ibid., pp.102 - 114). DALLDAF ail CUNIN COF. (Legendary). He is included in the tale of ‘Culhwch and Olwen’ as one of the warriors of Arthur's Court: Dalldaf eil Kimin Cof (WM 460, RM 106). In a triad (TYP no.73) he is called Dalldaf eil Cunyn Cof, one of the ‘Three Peers’ of Arthur's Court. In another triad (TYP no.41) we are told that Fferlas (Grey Fetlock), the horse of Dalldaf eil Cunin Cof, was one of the ‘Three Lovers' Horses’ (or perhaps ‘Beloved Horses’).
  • Sydney Program Guide

    Sydney Program Guide

    Page 1 of 36 Sydney Program Guide Sun Nov 24, 2013 06:00 THUNDERBIRDS Repeat WS G Alias Mr. Hackenbacker Follow the adventures of the International Rescue, an organisation created to help those in grave danger in this marionette puppetry classic. 07:00 KIDS' WB SUNDAY WS PG Hosted by Lauren Phillips and Andrew Faulkner. 07:05 LOONEY TUNES CLASSICS G 07:30 THUNDERCATS Repeat WS PG Berbils A group of robot bears need help from the ThunderCats. Cons.Advice: Mild Violence 08:00 GREEN LANTERN: THE ANIMATED SERIES Repeat WS PG …In Love and War Carol Ferris encounters an alien jewel and becomes the Star Sapphire, a powerful but unstable Violet Lantern. She learns Hal Jordan's identity and fights him for his deceiving her. Cons.Advice: Stylised Violence 08:30 SCOOBY-DOO! MYSTERY INCORPORATED WS PG Gates Of Gloom Professor Pericles and the gang try to gain access to caverns containing cursed treasure and the Evil Entity. 09:00 THE LOONEY TUNES SHOW WS G The Grand Old Duck of York 09:30 YOUNG JUSTICE: INVASION Repeat WS PG Endgame Young Justice defeats Black Beetle and The Reach, but discover the aliens' failsafe plan... to destroy Earth. Meanwhile, the Leagues face justice on the planet Rimbor. Cons.Advice: Stylised Violence 10:00 ADVENTURE TIME Repeat WS PG Power Animal/ Crystals Have Power A group of evil gnomes have kidnapped Finn, now it's up to Jake to find Finn and save him before the gnomes get Finn's awesomeness from him. Cons.Advice: Stylised Violence 10:30 BATMAN: THE BRAVE AND THE BOLD Repeat WS PG Shadow of the Bat! Infected with vampirism by the vampire Dala, Batman hunts down his Justice League colleagues, one by one turning them into creatures of the night.
  • Chwedlau'r Oesau Canol | Prifysgol Bangor University

    Chwedlau'r Oesau Canol | Prifysgol Bangor University

    10/01/21 Chwedlau'r Oesau Canol | Prifysgol Bangor University Chwedlau'r Oesau Canol View Online A.H. Diverres, ‘Iarlles Y Ffynnawn and Le Chevalier Au Lion: Adaptation or Common Source?’, Studia Celtica, 16/17 (1981), 144–62 Bobi Jones, ‘Y Rhamantau Cymraeg A’u Cysylltiad â'r Rhamantau Ffrangeg’, Llên Cymru, 4 (1956), 208–27 Bowen, Geraint, ‘Dwy Chwedl a Thair Rhamant’, in Y Traddodiad Rhyddiaith Yn Yr Oesau Canol: (darlithiau Dewi Sant), pp. 143–75 Breudwyt Maxen Wledic (Dublin: School of Celtic Studies, Dublin Institute for Advanced Studies, 2005) Bromwich, Rachel, Trioedd Ynys Prydein: The Triads of the Island of Britain, 3rd ed (Cardiff: University of Wales Press, 2006) <https://www-jstor-org.ezproxy.bangor.ac.uk/stable/j.ctt9qhf8w> Bromwich, Rachel, and D. Simon Evans, Culhwch and Olwen: An Edition and Study of the Oldest Arthurian Tale (Cardiff: University of Wales Press, 1992) Bromwich, Rachel, Jarman, A. O. H., and Roberts, Brynley F., The Arthur of the Welsh: The Arthurian Legend in Medieval Welsh Literature (Cardiff: University of Wales Press, 1991) Brynley F. Roberts, ‘Owein Neu Iarlles Y Ffynnon’, in Ysgrifau Beirniadol, ed. by J.E. Caerwyn Williams, 1977, x, 124–43 Brynley, F Roberts, ‘Peredur Son of Efrawg’, in Perceval =: Parzival : A Casebook, 2002, pp. 105–18 ———, ‘The Idea of a Welsh Romance’, in Studies on Middle Welsh Literature, 1992, pp. 132–46 ———, ‘Ystoria’, The Bulletin of the Board of Celtic Studies, 26 (1974) Mac Cana, Proinsias, Branwen, Daughter of Llyr: A Study of the Irish Affinities and of the Composition
  • Arthurian Legend

    Arthurian Legend

    Nugent: English 11 Fall What do you know about King Arthur, Camelot and the Knights of the Round Table? Do you know about any Knights? If so, who? If you know anything about King Arthur, why did you learn about King Arthur? If you don’t know anything, what can you guess King Arthur, Camelot, or Knights. A LEGEND is a story told about extraordinary deeds that has been told and retold for generations among a group of people. Legends are thought to have a historical basis, but may also contain elements of magic and myth. MYTH: a story that a particular culture believes to be true, using the supernatural to interpret natural events & to explain the nature of the universe and humanity. An ARCHETYPE is a reoccurring character type, setting, or action that is recognizable across literature and cultures that elicits a certain feeling or reaction from the reader. GOOD EVIL • The Hero • Doppelganger • The Mother The Sage • The Monster • The Scapegoat or sacrificial • The Trickster lamb • Outlaw/destroyer • The Star-crossed lovers • The Rebel • The Orphan • The Tyrant • The Fool • The Hag/Witch/Shaman • The Sadist A ROMANCE is an imaginative story concerned with noble heroes, chivalric codes of honor, passionate love, daring deeds, & supernatural events. Writers of romances tend to idealize their heroes as well as the eras in which the heroes live. Romances typically include these MOTIFS: adventure, quests, wicked adversaries, & magic. Motif: an idea, object, place, or statement that appears frequently throughout a piece of writing, which helps contribute to the work’s overall theme 1.