DOCSLIB.ORG

THE NEXT GENERATION a Festival of the Performing Arts

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
THE NEXT GENERATION a Festival of the Performing Arts BROOKLYN ACADEMY OF MUSIC / 9 ISRAEL ,e1/1%fi THE NEXT GENERATION A Festival of the Performing Arts I r, . t r. ..411°, o 1 .'-me . c . k .t. ° It t ft.... a' . ' 0 . .., t] ° V 110 *lir 4141 ' A 1 o . IP THE BROOKLYN ACADEMY OF MUSIC in conjunction with THE CONSULATE GENERAL OF ISRAEL IN NEW YORK, DEPARTMENT OF CULTURAL AFFAIRS Oefil4TION . in association with UJA-FEDERATION OF NEW YORK'S OPERATION EXODUS % presents ISRAEL ,1 THE NEXT GENERATION A Festival z of the Performing Arts OFFICIAL CARRIER Towe it UI Funding has been provided by THE ISRAEL MINISTRY OF FOREIGN AFFAIRS THE ISRAEL MINISTRY OF EDUCATION AND CULTURE NATIONAL COUNCIL FOR THE ARTS Additional support from THE NORMAN AND ROSITA WINSTON FOUNDATION THE ROCKEFELLER FOUNDATION AMERICAN COMMITTEE FOR THE TEL AVIV FOUNDATION S.H. AND HELEN R. SCHEUER FAMILY FOUNDATION AMERICAN FRIENDS OF THE TEL AVIV MUSEUM GRENADIER REALTY CORP., MANAGING AGENT OF STARRETT AT SPRING CREEK AYA AND OFER AZRIELANT JORDACHE ENTERPRISES, INC. CAROL AND JOEY LOW HENRY AND LUCY MOSES FUND, INC. MR. AND MRS. MICHAEL STEINHARDT BOTWINICK-WOLFENSOHN FOUNDATION SAMUEL AND MAY RUDIN FOUNDATION, INC. BNAI ZION FOUNDATION THE HARKNESS FOUNDATIONS FOR DANCE MID ATLANTIC ARTS FOUNDATION AND OTHER INDIVIDUAL PATRONS The presentation of Hamlet by The Cameri Theatre of Tel Aviv is supported by a special three-year grant from LILA WALLACE-READER'S DIGEST FUND for innovative productions of the classics. The BAM facility is owned by the City of New York and its operation is made possible, in part, with public funds provided through the New York City Department of Cultural Affairs, with support from the Brooklyn Delegation of the New York City Council and Brooklyn Borough President Howard Golden. APOLOGIA: THIS YEAR, AS A RESULT OF A MAJOR REDUCTIONS IN FUNDING BY NEW YORK CITY AND NEW YORK STATE, WE HAVE BEEN FORCED TO REDUCE THE SIZE OF OUR HOUSE PROGRAMS AND, THEREFORE, ARE UNABLE TO PROVIDE YOU WITH BIOGRAPHICAL AND OTHER BACKGROUND INFORMATION. WE APOLOGIZE FOR THIS SITUATION AND ASK YOUR INDULGENCE AND PATIENCE IN THESE DIFFICULT TIMES. -THE EDITOR BROOKLYN ACADEMY OF MUSIC Harvey Lichtenstein, President and Executive Producer In conjunction with The Consulate General of Israel in New York, Consul for Cultural Affairs, Noam Semel In association with UJA-Federation of New York's Operation Exodus Peter W. May, Chairman presents in the BAM Opera House January 19, 7pm SALUTE TO FREEDOM CONCERT BROOKLYN PHILHARMONIC ORCHESTRA LUKAS FOSS, Conductor SHLOMO MINTZ, Violin VLADIMIR FELTSMAN, Piano MESKIE, Vocals ACHINOAM NINI and GIL DOR, Vocals and Guitar SERGEI NAKARAKOV, Trumpet ALEXANDER POTIOMKIN, Clarinet ITAY TALGAM, Guest Conductor TOVAH FELDSHUH and MIKE BURSTYN, Hosts and Masters of Ceremony Star Spangled Banner led by TOVAH FELDSHUH Hatikvah led by MESKIE Concerto in F Minor JOHANN SEBASTIAN BACH VLADIMIR FELTSMAN, Piano BROOKLYN PHILHARMONIC ORCHESTRA; LUKAS FOSS, Conductor Speeches of Welcome Carnival of Venice J. B. ARBAN SERGEI NAKARAKOV, Trumpet ALEXANDRA VERBITKAYA, Piano Symphony for Strings (2nd Movement) ALEXANDER LEVKOVICH BROOKLYN PHILHARMONIC ORCHESTRA; ITAY TALGAM, Conductor Original Works ACHINOAM NINI, Vocals GIL DOR, Guitar Depths of Light and Darkness RACHEL GALINNE Overture on Hebrew Themes SERGEI PROKOFIEFF ALEXANDER POTIOMKIN, Clarinet BROOKLYN PHILHARMONIC STRINGS; LUKAS FOSS, Conductor Israeli and Ethiopian Songs MESKIE, Vocals ROY SUAREZ, Piano Partita JOHANN SEBASTIAN BACH SHLOMO MINTZ, Violin Encore Masque from "Age of Anxiety" LEONARD BERNSTEIN LUKAS FOSS, Piano Program and order subject to change. This performance is made possible, in part, by U JA-Federation of New York's Operation Exodus and Grenadier Realty Corp., managing agent of Starrett at Spring Creek. ric7,7 Oa-) If you want to know how good Tower's service is, consider two points. 1 Tel Aviv When an airline flies the New York to carpeting, the works. (You see, we're Tel Aviv route, it has to satisfy some pretty as concerned about your comfort as discriminating customers. you are.) So the only way for an airline to succeed Of course, no matter who you fly to is to have even higher standards than its Israel, you'll be dazzled by the beaches passengers. of Tel Aviv, the views from Masada, and Which is why Tower Air does so much the glory of Jerusalem. for the passengers on our Israel run. But when you fly Tower, your fond ride. We offer more leg room than other memories will also include the plane Air's airlines, so your knees can enjoy traveling To find out more about Tower as much as the rest of you. regularly scheduled, nonstop flights to And we always staff extra flight Israel, call your travel agent today. attendants, so everyone gets extra 0 1991 Tower Air. JFK Intl Airport, Hangar 8, Jamaica, NY 11430 attention. And our food isn't just good for airline food, it's just plain good. Toweir even remodeling the cabins of Its not how many people you fly. We're them. our entire fleet with new seats, new It's how well you fly BROOKLYN ACADEMY OF MUSIC Harvey Lichtenstein, President and Executive Producer In conjunction with The Consulate General of Israel in New York, Consul for Cultural Affairs, Noam Semel In association with UJA-Federation of New York's Operation Exodus Peter W. May, Chairman presents in the BAM Opera House January 23 & 25, 8pm OFRA HAZA IN CONCERT and AMKA YEMENITE DANCE TROUPE REGIONAL COUNCIL MATE ASHER RINA SHARETT, Artistic Director Dancers: RAHEL ADMONI, BILA VISER, GILA COHEN, YONA DAMTY, YAAKOV DOGMA, ISRAEL GACOV, YOSEF HASON, ARYE MANZUR, MOSHE YIRMIYAHU, MOSHE YOSEPH, AMNON OVED, MOSHE OVED, HAIM SAADIA, LEVANA SAID, ILANIT SHAPIRA, SARA ULI, YOSEF TZADAKA Drummer: SAMYEL DAUS Singers: MOSHE HARIR, YEHUDA YAFA ZION SHLOMI, Troupe Manager The American Friends of the Tel Aviv Museum will sponsor the first evening's program, with special guests of honor Claes Oldenburg and Coosje Van Bruggen. These performances are made possible, in part, by the Harkness Foundations for Dance and the Mid Atlantic Arts Foundation. 119zj, obs-d-c) OPERATION EXODUS Chairman, Dear Friends: Operation Exodus PETER W. MAY Co-Chairman, In the past two years, more Soviet Jews have emigrated to Israel than Operation Exodus ALEXANDER FISHER we ever thought possible. Indeed, the dream of freedom for Soviet Jews has Co-Chair, Special Gifts, finally become a reality. In fact, it is likely that ultimately, Israel will absorb Operation Exodus PEGGY TISHAUN one million new citizens. Honorary Chairs, Operation Exodus WIWAM ROSENWALD On the average,10,000 Soviet Jews begin new lives in Israel each JACK D. WEBER month. As of today, more than 335,000 Soviet Jews have made aliyah. And Chair, Board of Directors IRWIN HOCHBERG in May, 1991, nearly 14,500 Ethiopian Jews were airlifted to safety in President Israel during a daring rescue effort. DAVID G. SACKS Executive Vice President STEPHEN D. SOUNDER Since the OPERATION EXODUS campaign began, New Yorkers have President-Elect responded with characteristic generosity, donating more than $130 million ALAN S. JAFFE - - an enormous sum of money, but still not enough to meet the growing General Chair, Campaign HARVEY SCHULWEIS needs. General (hair -Elect, Campaign ALVIN H. EINBENDER The people of Israel are working feverishly to house, feed, retrain and Choir, Domestic Affairs employ this massive immigrant wave. They are going about this Division LOUISE B. GREILSHEIMER tremendous task with a dedication of spirit unequaled in recent history. But Chair, Overseas Affairs they cannot do it alone. Simply put, they need our help. ALAN R. RATION Treasurer PHILIP LASKAWY Of the new immigrants in the work force, approximately 8,500 - or Secretory roughly 5% are professional musicians, writers, actors, dancers and SELMA SHAVITZ - Chief Operating Officer, singers. I encourage you to experience the wealth of talent these new Financial Resources immigrants have brought to Israel during the Brooklyn Academy of Music's ADAM B. KAHAN Arts festival, Israel: The Next Generation. Chief Operating Officer, Israel Performing Program Services JEFFREY R. SOLOMON On behalf of Operation Exodus and UJA-Federation, I thank you for Executive Vice President Emeritus your support and hope you enjoy the festival. ERNEST W. MICHEL Director, Operation Exodus STEPHEN DOOCHIN Sincerely, Peter W. May Chairman, Operation Exodus UJA-FEDERATION 130 East 59th Street New York, N.Y. 10022 (212) 980-1000 Oleo* (212) 836-1820 FREEDOM FOR SOVIET JEWS ISN'T FREE. BROOKLYN ACADEMY OF MUSIC Harvey Lichtenstein, President and Executive Producer In conjunction with The Consulate General of Israel in New York, Consul for Cultural Affairs, Noam Semel In association with UJA-Federation of New York's Operation Exodus Peter W. May, Chairman presents in the BAM Opera House Febuary 1, 7:30pm SHLOMO ARTZI IN CONCERT with Guest Artist ETTI ANKRI Arrangements & Keyboards: ADI RENERT Drums and Percussion: MEIR ISRAEL Bass Guitar: MICHAEL MICHAELI Electric Guitar: SHMUEL BOUDAGOV Saxophones: AMIR GWIRTZMAN Lighting: "BAMBI" AVI YONA BUENO Sound: AMIR ETKIN Producers: GAD ORON & MICHAEL TAPUACH Look at Your Bank's CD Rate. Then Look at Israel Bonds. State of Israel Bet We Variable Rate Issue Bond Can Peak 750% Current Rate of Interest Your Interest. (through May, 1992, for bonds purchased If you invested in a five-year CD, you were through April, 1992) probably attracted by the interest rate. Maybe Bonds can be redeemed by employee benefit funds you should have considered Israel bonds. after 3 years, others can redeem Israel's Variable Rate Issue Bond offers a after 5 years - on 120 days notice. minimum annual rate of 7.50% - higher than the 6.31 %' national average rate for five-year Annual rate is a minimum of 7.50% plus half the bank CDs. And when the average prime rate excess of the average prime rate over 7.50%.
Load more

Recommended publications
  • When Mizrahi Artists Said ‘No’ to Israel’S Pioneer Culture
    Riches To Rags To Virtual Riches: When Mizrahi Artists Said ‘No’ To Israel’s Pioneer Culture Shoshana Gabay. Ills. Joseph Sassoon Semah Upon their arrival in Israel, Mizrahi Jews found themselves under a regime that demanded obedience, even in cultural matters. All were required to conform to an idealized pioneer figure who sang classical, militaristic ‘Hebrew’ songs. That is, before the ‘Kasetot’ era propelled Mizrahi artists into the spotlight, paving the way for today’s musical stars. Part two of a musical journey beginning in Israel’s Mizrahi neighborhoods of the 1950s and leading up to Palestinian singer Mohammed Assaf. Read part one here. Our early encounter with Zionist music takes place in kindergarten, then later in schools and the youth movements, usually with an accordionist in tow playing songs worn and weathered by the dry desert winds. Music teachers at school never bothered with classical music, neither Western nor Arabian, and traditional Ashkenazi liturgies – let alone Sephardic – were not even taken into account. The early pioneer music was hard to stomach, and not only because it didn’t belong to our generation and wasn’t part of our heritage. More specifically, we were gagging on something shoved obsessively down our throat by political authority. Our “founding fathers” and their children never spared us any candid detail regarding the bodily reaction they experience when hearing the music brought here by our fathers, and the music we created here. But not much was said regarding the thoughts and feelings of Mizrahi immigrants (nor about their children who were born into it) who came here and heard what passed as Israeli music, nor about their children who were born into it.
    [Show full text]
  • University Musical Society Oslo Philharmonic
    UNIVERSITY MUSICAL SOCIETY OSLO PHILHARMONIC ORCHESTRA MARISS JANSONS Music Director and Conductor FRANK PETER ZIMMERMANN, Violinist Sunday Evening, November 17, 1991, at 8:00 Hill Auditorium, Ann Arbor, Michigan PROGRAM Concerto in E minor for Violin and Orchestra, Op. 64 . Mendelssohn Allegro molto appassionata Andante Allegretto non troppo, allegro molto vivace Frank Peter Zimmermann, Violinist INTERMISSION Symphony No. 7 in C major, Op. 60 ("Leningrad") ..... Shostakovich Allegretto Moderate Adagio, moderate risoluto Allegro non troppo CCC Norsk Hydro is proud to be the exclusive worldwide sponsor IfiBUt of the Oslo Philharmonic Orchestra for the period 1990-93. The Oslo Philharmonic and Frank Peter Zimmermann are represented by Columbia Artists Management Inc., New York City. The Philharmonic records for EMl/Angel, Chandos, and Polygram. The box office in the outer lobby is open during intermission for tickets to upcoming Musical Society concerts. Twelfth Concert of the 113th Season 113th Annual Choral Union Series Program Notes Violin Concerto in E minor, Op. 64 root tone G on its lowest note, the flute and FELIX MENDELSSOHN (1809-1847) clarinets in pairs are entrusted with the gentle melody. On the opening G string, the solo uring his short life of 38 years, violin becomes the fundament of this delicate Mendelssohn dominated the passage. The two themes are worked out until musical world of Germany and their development reaches the cadenza, exercised the same influence in which Mendelssohn wrote out in full. The England for more than a gener­ cadenza, in turn, serves as a transition to the ationD after his death. The reason for this may reprise.
    [Show full text]
  • Biografie Shlomo Mintz & Sander Sittig
    Critici, colleghi e pubblico sono concordi nel considerare Shlomo Mintz uno dei maggiori violinisti del nostro tempo, stimato per la sua impeccabile musicalità, versatilità stilistica e padronanza tecnica. Nato a Mosca nel 1957, due anni dopo è emigrato con la famiglia in Israele dove ha iniziato a studiare con Ilona Feher. A undici anni ha debuttato con la Israel Philharmonic Orchestra e a sedici anni ha debuttato alla Carnegie Hall di New York con la Pittsburgh Symphony Orchestra, suo mentore fu il grande violinista Isaac Stern. Ha poi continuato gli studi con Dorothy DeLay alla Julliard School of Music di New York. Ha collaborato con direttori storici come Sergiu Celibidache, Pablo Casals, Eugene Ormandy, Claudio Abbado, Lorin Maazel, Mistislav Rosptropovich, Carlo Maria Giulini e continua a collaborare con le orchestre più celebri e i direttori più noti della scena internazionale. Ha vinto numerosi premi di prestigio, quali il Premio Accademia Musicale Chigiana di Siena, il Diapason d’Or, il Grand Prix du Disque, il Gramophone Award e l’Edison Award. Nel 2006 ha ricevuto la laurea honoris causa dall’Università Ben –Gurion di Beersheba. Oltre ad essere violinista e violista Shlomo Mintz ha aggiunto al suo curriculum artistico il ruolo di direttore d’orchestra dirigendo le più importanti orchestre internazionali. Ha fatto parte della giuria di importanti concorsi internazionali di violino, come il Tchaikovsky di Mosca e il Queen Elisabeth International Music Competition di Bruxelles. Sander Sittig, nato a Rotterdam nel 1961, ha studiato al Conservatorio di Amsterdam con Jan Wijn e dopo il diploma ha continuato con Naum Grubert, Willem Brons, Eugene Indjic.
    [Show full text]
  • View PDF Online
    MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951.
    [Show full text]
  • 1 Lahiton [email protected]
    Lahiton [email protected] 1 Lahiton magazine was founded in 1969 by two partners, Uri Aloni and David Paz, and was funded by an investment from Avraham Alon, a Ramlah nightclub owner and promoter. Uri Aloni was a pop culture writer and rabid music fan while David Paz, another popular music enthusiast, was an editor who knew his way around the technical side of print production. The name “Lahiton,” reportedly invented by entertainers Rivka Michaeli and Ehud Manor, combines the Hebrew words for hit, “lahit” and newspaper, “iton.” Lahiton [email protected] 2 Uri Aloni cites the British fan magazines Melody Maker and New Music Express as influences; (Eshed 2008) while living in London and writing for the pop music columns of Yediot Ahronot and La-Isha, he would lift editorial content and photos from the latest British pop magazines, write articles, then find an Israel-bound traveler at the London airport to transport the articles into the hands of his editors. In Lahiton’s early days, Aloni and Paz continued this practice (Edut 2014). Eventually, however Lahiton’s flavor became uniquely secular Israeli. Although in 1965 the Beatles were famously denied permission to perform in Israel (Singer 2015), by the time Lahiton got started in 1969 there was no stemming the tide; the international pop music scene had permeated Israel’s insular and conservative culture. At the time there were no other Hebrew publications that covered what was going on both at home and in America and Europe. Lahiton began as a bimonthly publication, but within the first year, when press runs of 5000 copies sold out on a regular basis, Paz and Aloni turned it into a weekly.
    [Show full text]
  • Karaoke Mietsystem Songlist
    Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind.
    [Show full text]
  • Music Brings Israeli Society Together Israeli Society Chai: the Nation of Israel Is Alive
    June 2017 Volume XXIX, Issue 7 Music Brings Israeli Society Together Israeli society chai: The nation of Israel is alive. Zeh is complicated. hashir sheSaba shar etmol le’Abba; There are crush- This is the song that Grandpa sang yes- ing geo-political terday to Dad. Vehayom ani; And today concerns on its it is me! borders and cul- Next, Koolulam unveiled its largest tural differences the group learned three parts of a song event to date. For Yom Ha’atzma’ut, Is- among Israel’s – in English. The result was filmed raeli’s 70th Independence Day, 12,000 own citizens. and posted on Facebook. The next day, people joined Israel’s President Reuven Within Israel’s the lead singer of the American rock Rivlin, famous musician Shlomi Sha- Jewish population there are tensions band Imagine Dragons marveled at his bat, Tel Aviv Mayor Ron Huldai, and between secular and observant Jews, band’s song “Believer” as produced MK Gila Gamliel to sing Naomi Shem- and Ashkenazic, Sephardic and Mizra- by Koolulam. He posted the video on er’s immortal ode to the beauty and the chi Jews, not to mention the differences his webpage stating: “This 600 person pain of life in Israel, Al Kol Alei, For among Israeli Arab Muslims, Chris- choir singing ‘Believer’ blew my mind All These Things. They sang: tians, Druze, and Bahai. this morning as I watched. So much For the honey and the sting, for the In 2017, a secular Israeli producer, passion.” bitter and the sweet/ Don’t uproot a Or Teicher, noticed observant Jews Next, it was on to Haifa, in February, sapling.
    [Show full text]
  • Karaoke-Katalog Update Vom: 17/06/2020 Singen Sie Online Auf Gesamter Katalog
    Karaoke-Katalog Update vom: 17/06/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Cordula grün - Die Draufgänger Dance Monkey - Tones and I Rote Lippen soll man küssen - Gus Backus Amoi seg' ma uns wieder - Andreas Gabalier Perfect - Ed Sheeran Tears In Heaven - Eric Clapton Chasing Cars - Snow Patrol Griechischer Wein - Udo Jürgens My Way - Frank Sinatra You Are the Reason - Calum Scott Someone You Loved - Lewis Capaldi Lemon Tree - Fool's Garden Tage wie diese - Die Toten Hosen Angels - Robbie Williams 99 Luftballons - Nena Up Where We Belong - Joe Cocker Im Wagen Vor Mir - Henry Valentino And Uschi I Want It That Way - Backstreet Boys Zombie - The Cranberries All of Me - John Legend Ich war noch niemals in New York - Ich War Noch New York, New York - Frank Sinatra Blinding Lights - The Weeknd Niemals In New York Hulapalu - Andreas Gabalier Hallelujah - Alexandra Burke Creep - Radiohead EXPLICIT Verdammt, Ich Lieb' Dich - Matthias Reim Can't Help Falling In Love - Elvis Presley Let It Be - The Beatles Always Remember Us This Way - A Star is Born Atemlos durch die Nacht - Helene Fischer A Million Dreams - The Greatest Showman Kuliko Jana, Eine neue Zeit - Oonagh Eine Nacht - Ramon Roselly In The Ghetto - Elvis Presley (Everything I Do) I Do It For You - Bryan Adams Can You Feel The Love Tonight - The Lion King Bohemian Rhapsody - Queen Egal - Michael Wendler Warum hast du nicht nein gesagt - Roland Kaiser Der hellste Stern (Böhmischer Traum) - DJ Ötzi Ich wollte nie erwachsen sein (Nessajas Lied) - Über Sieben Brücken Musst Du Gehn - Peter Maffay Uber den Wolken - Reinhard Mey Losing My Religion - R.E.M.
    [Show full text]
  • Selección De Memorias Del Máster De Diplomacia Y Relaciones Internacionales 2017-2018
    Selección de memorias del Máster de Diplomacia y Relaciones Internacionales 2017-2018 CUADERNOS DE LA ESCUELA DIPLOMÁTICA Selección de memorias del Máster de Diplomacia y Relaciones Internacionales 2017-2018 Nota Legal A tenor de lo dispuesto en la Ley de Propiedad Intelectual, no está permiti- da la reproducción total o parcial de esta publicación, ni su tratamiento informáti- co, ni la transmisión de ninguna forma o por cualquier medio, ya sea electrónico, por fotocopia, por registro u otros métodos, ni su préstamo, alquiler o cualquier otra forma de cesión de su uso, sin el permiso previo y por escrito del autor, sal- vo aquellas copias que se realicen para uso exclusivo del Ministerio de Asuntos Exteriores y de Cooperación”. MINISTERIO DE ASUNTOS EXTERIORES, UNIÓN EUROPEA Y COOPERACIÓN © de los textos sus autores © de la presente edición 2018: Escuela Diplomática Paseo de Juan XXIII, 5 - 28040 Madrid NIPO ESTABLE: (en línea) 108-19-002-1 NIPO ESTABLE: (en papel) 108-19-001-6 ISSN: 0464-3755 Depósito Legal: M-28074-2020 DISEÑA E IMPRIME: IMPRENTA DE LA DIRECCIÓN GENERAL DE COMUNICACIÓN, DIPLOMACIA PÚBLICA Y REDES DISEÑO PORTADA: JAVIER HERNÁNDEZ: (www.nolson.com) Reproducción en papel para conservación, consulta en biblioteca y uso exclusivo en sesiones de trabajo. Catálogo General de Publicaciones Oficiales de la Administración del Estado. https://publicacionesoficiales.boe.es "En esta publicación se ha utilizado papel reciclado libre de cloro de acuerdo con los criterios medioambientales de la contratación pública". Índice Nota Legal ........................................................................................................ 6 PRIMERA MEMORIA POR LUIS ÁLVAREZ LÓPEZ EL FESTIVAL DE EUROVISIÓN: un atípico Concierto Europeo ...................................................................... 13 AGRADECIMIENTOS ....................................................................................
    [Show full text]
  • Transdenominational MA in Jewish Music Program, Preparing
    THIS IS THE INSIDE FRONT COVER EDITOR: Joseph A. Levine ASSOCIATE EDITOR: Richard Berlin EDITORIAL BOARD Rona Black, Shoshana Brown, Geoffrey Goldberg, Charles Heller, Kimberly Komrad, Sheldon Levin, Laurence Loeb, Judy Meyersberg, Ruth Ross, Neil Schwartz, Anita Schubert, Sam Weiss, Yossi Zucker TheJournal of Synagogue Music is published annually by the Cantors As- sembly. It offers articles and music of broad interest to theh azzan and other Jewish professionals. Submissions of any length from 1,000 to 10,000 words will be consid ered. GUIDELINES FOR SUBMITTING MATERIAL All contributions and communications should be sent to the Editor, Dr. Joseph A. Levine—[email protected]—as a Word docu- ment, with a brief biography of the author appended. Musical and/or graphic material should be formatted and inserted within the Word document. Footnotes are used rather than endnotes, and should conform to the fol- lowing style: A - Abraham Idelsohn, Jewish Liturgy (New York: Henry Holt), 1932: 244. B - Samuel Rosenbaum, “Congregational Singing”; Proceedings of the Cantors Assembly Convention (New York: Jewish Theological Seminary), February 22, 1949: 9-11. Layout by Prose & Con Spirito, Inc., Cover design and Printing by Replica. © Copyright 2009 by the Cantors Assembly. ISSN 0449-5128 ii FROM THE EDITOR: The Issue of Niggunim in Worship: Too Much of a Good Thing? ..................................................4 THE NEO-HASIDIC REVIVAL AT 50 Music as a Spiritual Process in the Teachings of Rav Nahman of Bratslav Chani Haran Smith. 8 The Hasidic Niggun: Ethos and Melos of a Folk Liturgy Hanoch Avenary . 48 Carlebach, Neo-Hasidic Music and Liturgical Practice Sam Weiss.
    [Show full text]
  • JUST WHO ARE GOOD PEOPLE? LOOK INSIDE and Find out 2014
    JuSt WHO aRE GOOD PEOPLE? LOOK INSIDE aND fIND Out 2014 GOOD PEOPLE GuIDE www.goodpeoplefund.org Heshvan 5775 • November 2014 OuR StORY Dear Friends of the Good People Fund, Each year as I sit down to write this message, the final step in a process that spans several months, I am reminded of the generosity of each of you, our donors, who make this work possible. Once the body of this report is composed I can see before me the significant scope and impact of our work. It never ceases to amaze me and it certainly makes this work fulfilling beyond the norm. Photo by Mark Berkley I am often asked, “How do you find these amazing people and programs?” I sometimes ask myself that same question, not so much the mechanics of finding them (that’s another conversation) but how such extraordinary people or programs exist in the first instance, as each one of them is awe-inspiring and quietly engaging in acts that by all measure are selfless and compassionate. This past year alone we discovered 13 new Good People who are responding passionately and creatively to right some wrong in our world. Love and socialization opportunities for severely disabled people? For Rabbi Shaul Inbari, himself profoundly disabled, it was a most ordinary question but his response was extraordinary — starting an organization in Israel that opens doors for people with profound disabilities to establish meaningful relationships. Rescuing enslaved children? Yet another ordinary question that evoked an extraordinary response by Evan Robbins, a dedicated high school teacher, who read an article about kids sold into slavery in Ghana and was moved to form an organization to rescue them.
    [Show full text]
  • Concerts and Master Classes
    SUMMER SEASON Concerts and Master Classes From 3rd to 17th August 2013 www. cmclassics.ch In Crans-Montana music is in harmony with the beauty and the silence of the Valais’ mountains. « Silence is the most beautiful, the mightiest and the most rewarding music. The greatest music comes out of silence. » Philippe Jordan 2 3 Music has been the language of life par excellence In a world of turbulence and conflict it is more than throughout the ages, unfettered by time and space. ever the responsibility of each and every one of us For its 2013 summer edition, Crans-Montana Classics to promote culture and the arts, which are forces for is proposing a series of remarkable and original musi- harmony and peace. cal encounters, connecting classical and world music In the life of a musician, serving the great composers and bringing together experienced artists and young is an immense privilege and sharing musical emotions talents for a unique musical event. Setting the tone with the audience is an immense joy. But I also feel with the opening concert on 3 August, the artistic that passing on the love of music to future generations director Maestro Shlomo Mintz will combine his mu- Professor Jean Bonvin Maestro Shlomo Mintz is a noble mission, a natural commitment and an im- sical expertise with the talents of young violinists, all President Artistic Director portant duty. This is why I place so much importance prizewinners of major international competitions, in on the influence of the Crans-Montana Master Classes, an exciting and eclectic programme.
    [Show full text]