Music Brings Israeli Society Together Israeli Society Chai: the Nation of Israel Is Alive

Total Page:16

File Type:pdf, Size:1020Kb

Music Brings Israeli Society Together Israeli Society Chai: the Nation of Israel Is Alive June 2017 Volume XXIX, Issue 7 Music Brings Israeli Society Together Israeli society chai: The nation of Israel is alive. Zeh is complicated. hashir sheSaba shar etmol le’Abba; There are crush- This is the song that Grandpa sang yes- ing geo-political terday to Dad. Vehayom ani; And today concerns on its it is me! borders and cul- Next, Koolulam unveiled its largest tural differences the group learned three parts of a song event to date. For Yom Ha’atzma’ut, Is- among Israel’s – in English. The result was filmed raeli’s 70th Independence Day, 12,000 own citizens. and posted on Facebook. The next day, people joined Israel’s President Reuven Within Israel’s the lead singer of the American rock Rivlin, famous musician Shlomi Sha- Jewish population there are tensions band Imagine Dragons marveled at his bat, Tel Aviv Mayor Ron Huldai, and between secular and observant Jews, band’s song “Believer” as produced MK Gila Gamliel to sing Naomi Shem- and Ashkenazic, Sephardic and Mizra- by Koolulam. He posted the video on er’s immortal ode to the beauty and the chi Jews, not to mention the differences his webpage stating: “This 600 person pain of life in Israel, Al Kol Alei, For among Israeli Arab Muslims, Chris- choir singing ‘Believer’ blew my mind All These Things. They sang: tians, Druze, and Bahai. this morning as I watched. So much For the honey and the sting, for the In 2017, a secular Israeli producer, passion.” bitter and the sweet/ Don’t uproot a Or Teicher, noticed observant Jews Next, it was on to Haifa, in February, sapling. Don’t forget the hope. passionately invoking piyutim (songs when Koolulam asked 3,000 Muslims Koolulam has no fancy website or of repentance) at the Kotel, the West- and Jews (none of whom had met be- complicated marketing operation. They ern Wall, on Yom Kippur. He began fore) to learn the song “One Day” by merely have their Facebook page on to wonder if he could bring ordinary Matisyahu. In one hour, they learned which they announce their next venue Israeli strangers together to sing with how to harmonize the lyrics in English, and sell out tickets within an hour. The the same fervor. With his two partners, Hebrew and Arabic! The resulting con- production is filmed and then shared via Michal Shahaf Shneiderman (who runs cert was a breathtaking display of unity Facebook, YouTube, and WhatsApp. an Israeli ad agency) and charismatic as the participants sang: “All my life They are propelled by the excitement Ben Yefet (a director and composer) I’ve been waiting for, I’ve been pray- of bringing the people of Israel togeth- he dreamed up Koolulam. He created ing for, the people to say that we don’t er in a social choir full of hope and op- a social initiative dedicated to bringing wanna fight no more. There will be no timism. Koolulam’s slogan is “Singing Israelis together from across the di- more wars and our children will play... Is Believing” and whether they deem vides of age, race, class, religion and one day.” themselves religious or not, I feel sure demography to sing. The name Koolu- When Yom Hashoah, Israel’s Memo- their voices reach the Divine! lam is a combination of the Hebrew rial Day for the victims and resisters of In a discordant and divisive world, words Koolam (everyone), Kol (voice), the Holocaust arrived, Koolulam gath- here is a brilliant project inspiring and Olam (world). ered 600 Holocaust survivors and three hope, idealism and peace. Do yourself On December 17, 2017 the three di- generations of their descendants. To- a favor and search “Koolulam Project” rectors gathered 600 secular Israelis, gether they belted out Ofra Haza’s song on YouTube, Facebook or Instagram. It many of them with special needs, in “I’m Alive:” Ani od chai, chai, chai; will make your heart soar! Tel Aviv. After 45 minutes of practice, I’m still alive, alive, alive. Am Yisrael B’shalom, Our Lives Do you have news or need prayers? Please contact the Temple office at 937-435-3400 to share a birth, marriage or seek get well wishes. Your congregation cares about you! The congregation wishes strength, hope and health to the following: THE LIGHT Madalyn Ammons, Arlene Graham and Judie Kell. Published monthly by The congregation extends its deepest sympathy to the family and friends Temple Beth Or of Adam C. Nelson who passed away in Chicago on May 4. 5275 Marshall Rd. The congregation extends its deepest sympathy to Lisa-Marie Ewing on Dayton OH 45429 the passing of her grandfather, Dr. Bob Ewing on May 10. Mazel Tov to Rachel and Heath Gilbert on the birth of their fourth child, daughter Livnat “Livy” Bella Gilbert, on May 1. www.templebethor.com Mazel Tov to the Brown Family on the marriage of Dr. Melissa Brown Phone: (937) 435-3400 to Dr. Jonathan Price on May 27. Melissa is the daughter of Dr. Gary and Debra Brown. RABBI Judy Chessin ASSOCIATE RABBI Yahrzeit Remembrances Ari Ballaban Temple Beth Or remembers our loved ones on the Sabbath nearest the ADMINISTRATOR anniversary of their passing or yahrzeit. The following names will be read Donna Brodnick during services this month. June 1 Lillian Orlinsky (6/19) COMMUNICATIONS COORDINATOR Sharon Bengel Joseph Briskin (5/30) Herman Sherline (6/19) Milton Geisenfeld (6/2) BOTY ADVISOR Seymour Miller (6/4) June 22 Gavi Douglass Arnold Jefferson Rosenkranz (6/4) Louis Barnett (6/20) Joseph Schlezinger (6/4) Irving Sanderson (6/20) OFFICERS Joseph Zendlovitz (6/20) Jerry Weckstein, President Micah Siegal, Vice President June 8 Sandra F. Low (6/21) John Granby, Secretary Roslyn Sureck (6/6) Edgar Slotkin (6/21) Karen Lindsay, Treasurer Jacob Orlinsky (6/7) Steve Bernstein (6/23) Harold Shane (6/7) Henry Rochelle (6/23) MEMBERS AT LARGE Esther Browman (6/8) Gisela Strauss (6/25) Jane Briskin Sue Nelson Herbert Bromberg (6/9) Harris Burte (6/26) Marni Flagel Jessica Simpson Joan Greenfield Dan Sweeny Elaine Rein Bloom (6/9) David Klein (6/26) Corky Katz Anita Rendler (6/9) Robert Merritt (6/10) June 29 COMMITTEE CHAIRS Margot Fried (6/11) Bessie Briskin (6/27) Administration: Ira Segalewitz Elizabeth Kruke (6/12) Donna Yagley (6/27) Education: Jessica Simpson Joseph Bloomberg (6/28) Fund-raising: Karen Lindsay Member Services: June 15 Marshall Fisher (6/29) Personnel: Micah Siegal Mandy Rendler (6/13) Frederick L. Reiger (6/29) Religious: Joan Greenfield Eugene A. Kleinman (6/15) Paula Shaiman (6/29) Volunteers: Paula Gessiness Mary Scott (6/15) Morris Kapustein (6/30) Nancy Self (6/16) Richard Sachs (6/30) AUXILIARY ORGANIZATIONS Ann Cuttler (6/17) Beatrice Michelson (7/3) Judaica Shop: Karen Lindsay BOTY President: Ava Kuperman & Sam Fiddler (6/18) Rose Landerman (7/4) Sara Zendlovitz Leah Gross Green (6/18) Juliet Simon (7/4) Connections for Seniors: Hank Adler Oscar Green (6/18) We Couldn’t Do It Without You! Temple Beth Or doesn’t accomplish anything without teamwork. Thanks to every contribution of prayer, time and funds, we can fulfill our mission of being a warm, welcoming place for ALL. Thank you! Financial Donations What will your General Fund In Memory of Sylvia Steiner legacy be? By Joel Shapiro By Helen Friedman Everyone, regardless of age, By Harriet and William Fenberg In Memory of Gertrude Phillips wealth or affiliation has the ability By Annette Nathan By Joan Isaacson to leave a legacy to sustain Temple By Jeffrey Levine By Joan and Art Greenfield By Mark Oxman By Gary M. Holstine Beth Or. Temple has partnered with In Honor of Temple Beth Or In Memory of Adam Nelson the Jewish Foundation of Greater By Marc Low By Shirlee Gilbert Dayton and the Harold Grinspoon In Honor of Rachel and Heath By Jan Maharam and Phillip Foundation as part of the Life and Gilbert’s new baby Elhardt Legacy Program. By Joan and Art Greenfield By Joan and Art Greenfield Life and Legacy provides support In Honor of Dan Weckstein By Helene and Hank Adler to Temple in organizing a strong By Annette and Bert Cream By Marsha and Stephen planned giving program which in- In Honor of Stuart and Mimi Goldberg creases our Endowment. Temple Rose’s reception of the Governor’s By Gary Holstine Arts Award By Lorraine Fortner Beth Or is eligible for incentive By Marni Flagel By Marni Flagel grants if it receives 18 Letters of In- In Honor of Joan & Art Green- tent. To date, we have 13. field’s 60th Wedding Anniversary Rabbi’s Discretionary Fund For more information, contact By Erika and Felix Garfunkel In Memory of Pearl Lumberg Rabbi Judy Chessin or Dan Swee- In Memory of Yetta Schwartz and By Gary Holstine ny. Call the office at 937-435-3400 Phillip Schwartz, beloved parents In Memory of Eugene A. Kleinman and we will help you make the con- By Harriet and Bill Fenberg and By Drs. Yana and Jeffrey nection. Family Kleinman Sincere thanks to the following In Memory of Mimi Wolnstein In Appreciation of b’nai mitzvah By Arlene Graham and Family By Leesa Kaufman and Gino members who have signed one or In Memory of Ashland Cracey and Roncallo more Letters of Intent as well as Jill Wadleigh In Appreciation of wedding cere- to those who have asked to remain By Karen and John Granby mony anonymous. In Memory of Aileen Adams By Helen and Steven Markman By Marsha and Stephen Elaine and Joe Bettman Goldberg Endowment Fund Eva Clair By Joan and Art Greenfield In Memory of Arnold Jefferson Marni Flagel In Memory of Martin Sumers Rosenkranz Cathy Gardner By Marsha and Stephen By Arlene Graham Dr.
Recommended publications
  • When Mizrahi Artists Said ‘No’ to Israel’S Pioneer Culture
    Riches To Rags To Virtual Riches: When Mizrahi Artists Said ‘No’ To Israel’s Pioneer Culture Shoshana Gabay. Ills. Joseph Sassoon Semah Upon their arrival in Israel, Mizrahi Jews found themselves under a regime that demanded obedience, even in cultural matters. All were required to conform to an idealized pioneer figure who sang classical, militaristic ‘Hebrew’ songs. That is, before the ‘Kasetot’ era propelled Mizrahi artists into the spotlight, paving the way for today’s musical stars. Part two of a musical journey beginning in Israel’s Mizrahi neighborhoods of the 1950s and leading up to Palestinian singer Mohammed Assaf. Read part one here. Our early encounter with Zionist music takes place in kindergarten, then later in schools and the youth movements, usually with an accordionist in tow playing songs worn and weathered by the dry desert winds. Music teachers at school never bothered with classical music, neither Western nor Arabian, and traditional Ashkenazi liturgies – let alone Sephardic – were not even taken into account. The early pioneer music was hard to stomach, and not only because it didn’t belong to our generation and wasn’t part of our heritage. More specifically, we were gagging on something shoved obsessively down our throat by political authority. Our “founding fathers” and their children never spared us any candid detail regarding the bodily reaction they experience when hearing the music brought here by our fathers, and the music we created here. But not much was said regarding the thoughts and feelings of Mizrahi immigrants (nor about their children who were born into it) who came here and heard what passed as Israeli music, nor about their children who were born into it.
    [Show full text]
  • 1 Lahiton [email protected]
    Lahiton [email protected] 1 Lahiton magazine was founded in 1969 by two partners, Uri Aloni and David Paz, and was funded by an investment from Avraham Alon, a Ramlah nightclub owner and promoter. Uri Aloni was a pop culture writer and rabid music fan while David Paz, another popular music enthusiast, was an editor who knew his way around the technical side of print production. The name “Lahiton,” reportedly invented by entertainers Rivka Michaeli and Ehud Manor, combines the Hebrew words for hit, “lahit” and newspaper, “iton.” Lahiton [email protected] 2 Uri Aloni cites the British fan magazines Melody Maker and New Music Express as influences; (Eshed 2008) while living in London and writing for the pop music columns of Yediot Ahronot and La-Isha, he would lift editorial content and photos from the latest British pop magazines, write articles, then find an Israel-bound traveler at the London airport to transport the articles into the hands of his editors. In Lahiton’s early days, Aloni and Paz continued this practice (Edut 2014). Eventually, however Lahiton’s flavor became uniquely secular Israeli. Although in 1965 the Beatles were famously denied permission to perform in Israel (Singer 2015), by the time Lahiton got started in 1969 there was no stemming the tide; the international pop music scene had permeated Israel’s insular and conservative culture. At the time there were no other Hebrew publications that covered what was going on both at home and in America and Europe. Lahiton began as a bimonthly publication, but within the first year, when press runs of 5000 copies sold out on a regular basis, Paz and Aloni turned it into a weekly.
    [Show full text]
  • Karaoke Mietsystem Songlist
    Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind.
    [Show full text]
  • Karaoke-Katalog Update Vom: 17/06/2020 Singen Sie Online Auf Gesamter Katalog
    Karaoke-Katalog Update vom: 17/06/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Cordula grün - Die Draufgänger Dance Monkey - Tones and I Rote Lippen soll man küssen - Gus Backus Amoi seg' ma uns wieder - Andreas Gabalier Perfect - Ed Sheeran Tears In Heaven - Eric Clapton Chasing Cars - Snow Patrol Griechischer Wein - Udo Jürgens My Way - Frank Sinatra You Are the Reason - Calum Scott Someone You Loved - Lewis Capaldi Lemon Tree - Fool's Garden Tage wie diese - Die Toten Hosen Angels - Robbie Williams 99 Luftballons - Nena Up Where We Belong - Joe Cocker Im Wagen Vor Mir - Henry Valentino And Uschi I Want It That Way - Backstreet Boys Zombie - The Cranberries All of Me - John Legend Ich war noch niemals in New York - Ich War Noch New York, New York - Frank Sinatra Blinding Lights - The Weeknd Niemals In New York Hulapalu - Andreas Gabalier Hallelujah - Alexandra Burke Creep - Radiohead EXPLICIT Verdammt, Ich Lieb' Dich - Matthias Reim Can't Help Falling In Love - Elvis Presley Let It Be - The Beatles Always Remember Us This Way - A Star is Born Atemlos durch die Nacht - Helene Fischer A Million Dreams - The Greatest Showman Kuliko Jana, Eine neue Zeit - Oonagh Eine Nacht - Ramon Roselly In The Ghetto - Elvis Presley (Everything I Do) I Do It For You - Bryan Adams Can You Feel The Love Tonight - The Lion King Bohemian Rhapsody - Queen Egal - Michael Wendler Warum hast du nicht nein gesagt - Roland Kaiser Der hellste Stern (Böhmischer Traum) - DJ Ötzi Ich wollte nie erwachsen sein (Nessajas Lied) - Über Sieben Brücken Musst Du Gehn - Peter Maffay Uber den Wolken - Reinhard Mey Losing My Religion - R.E.M.
    [Show full text]
  • Selección De Memorias Del Máster De Diplomacia Y Relaciones Internacionales 2017-2018
    Selección de memorias del Máster de Diplomacia y Relaciones Internacionales 2017-2018 CUADERNOS DE LA ESCUELA DIPLOMÁTICA Selección de memorias del Máster de Diplomacia y Relaciones Internacionales 2017-2018 Nota Legal A tenor de lo dispuesto en la Ley de Propiedad Intelectual, no está permiti- da la reproducción total o parcial de esta publicación, ni su tratamiento informáti- co, ni la transmisión de ninguna forma o por cualquier medio, ya sea electrónico, por fotocopia, por registro u otros métodos, ni su préstamo, alquiler o cualquier otra forma de cesión de su uso, sin el permiso previo y por escrito del autor, sal- vo aquellas copias que se realicen para uso exclusivo del Ministerio de Asuntos Exteriores y de Cooperación”. MINISTERIO DE ASUNTOS EXTERIORES, UNIÓN EUROPEA Y COOPERACIÓN © de los textos sus autores © de la presente edición 2018: Escuela Diplomática Paseo de Juan XXIII, 5 - 28040 Madrid NIPO ESTABLE: (en línea) 108-19-002-1 NIPO ESTABLE: (en papel) 108-19-001-6 ISSN: 0464-3755 Depósito Legal: M-28074-2020 DISEÑA E IMPRIME: IMPRENTA DE LA DIRECCIÓN GENERAL DE COMUNICACIÓN, DIPLOMACIA PÚBLICA Y REDES DISEÑO PORTADA: JAVIER HERNÁNDEZ: (www.nolson.com) Reproducción en papel para conservación, consulta en biblioteca y uso exclusivo en sesiones de trabajo. Catálogo General de Publicaciones Oficiales de la Administración del Estado. https://publicacionesoficiales.boe.es "En esta publicación se ha utilizado papel reciclado libre de cloro de acuerdo con los criterios medioambientales de la contratación pública". Índice Nota Legal ........................................................................................................ 6 PRIMERA MEMORIA POR LUIS ÁLVAREZ LÓPEZ EL FESTIVAL DE EUROVISIÓN: un atípico Concierto Europeo ...................................................................... 13 AGRADECIMIENTOS ....................................................................................
    [Show full text]
  • Identity, Spectacle and Representation: Israeli Entries at the Eurovision
    Identity, spectacle and representation: Israeli entries at the Eurovision Song Contest1 Identidad, espectáculo y representación: las candidaturas de Israel en el Festival de la Canción de Eurovisión José Luis Panea holds a Degree in Fine Arts (University of Salamanca, 2013), and has interchange stays at Univer- sity of Lisbon and University of Barcelona. Master’s degree in Art and Visual Practices Research at University of Castilla-La Mancha with End of Studies Special Prize (2014) and Pre-PhD contract in the research project ARES (www.aresvisuals.net). Editor of the volume Secuencias de la experiencia, estadios de lo visible. Aproximaciones al videoarte español 2017) with Ana Martínez-Collado. Aesthetic of Modernity teacher and writer in several re- views especially about his research line ‘Identity politics at the Eurovision Song Contest’. Universidad de Castilla-La Mancha, España. [email protected] ORCID: 0000-0002-8989-9547 Recibido: 01/08/2018 - Aceptado: 14/11/2018 Received: 01/08/2018 - Accepted: 14/11/2018 Abstract: Resumen: Through a sophisticated investment, both capital and symbolic, A partir de una sofisticada inversión, capital y simbólica, el Festival the Eurovision Song Contest generates annually a unique audio- de Eurovisión genera anualmente un espectáculo audiovisual en la ISSN: 1696-019X / e-ISSN: 2386-3978 visual spectacle, debating concepts as well as community, televisión pública problematizando conceptos como “comunidad”, Europeanness or cultural identity. Following the recent researches “Europeidad” e “identidad cultural”. Siguiendo las investigaciones re- from the An-glo-Saxon ambit, we will research different editions of cientes en el ámbito anglosajón, recorreremos sus distintas ediciones the show.
    [Show full text]
  • Table of Contents
    1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis­ A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas.
    [Show full text]
  • 0 Stu 6N' Brew Men's Campaign Event Jewish Music
    NEWS OF THE JEWISH COMMUNITY OF GREATER CHATTANOOGA THE SHOFAR 0w A Publication of the Jewish Community Federation of Greater Chattanooga Volume 18 Number 3 November 2004 6 Save the Date Stu n' Brew Sunday, December 12,5:30 p.m. Men's Campaign Event Jewish Cultural Center Thursday, November 11, 6:00 p.m. Jewish Cultural Center Enjoy beer, hot dogs, wings and other "bar food" at this run and informative evening with Federation President Stuart Bush. Stuart will talk about his mission trip this past summer to Russia and Israel and the effect it had on his world view. Please RSVP to Laura Israel. 493-0270. Community Menorah ext. II or [email protected] Lighting and Dinner Jewish Music Series Details in the December Shofar A series of Jewish concerts is being planned by the Federation as the Shofar goes to press. A series of (most likely) five concerts will be performed at different venues between January and April, 2005. Young Leadership: A Taste So far, these two concerts have been confirmed: of Wine and Philanthropy Saturday evening, January 29 Story Bnd more photos, page 5 Israel singer Shalva Berti Shalva Berti was an Israeli child star when she performed in the military choir during the Lebanon war. Many years and six CDs later, Shalva Berti's HHaHHHHHHHH magical voice captures the hearts of all audiences, carrying them far away to distant exotic lands. Berti's Yemenite style and classical vocal training are Iplllli .* % reminiscent of the late Ofra Haza. Sunday afternoon, April 10 Gemini This musical duo of twin brothers' six recordings for children and families have won a number of awards from Parents' Choice Magazine, the American Library Association, the National Parenting Publications (NAPPA), and the Wolf Trap Institute for Early Learning Through the Arts.
    [Show full text]
  • Radio 3 Listings for 3 – 9 July 2010 Page 1 of 10
    Radio 3 Listings for 3 – 9 July 2010 Page 1 of 10 SATURDAY 03 JULY 2010 5:07 AM century and Edward's biographer, to learn more about this Rossi, Salomone (c.1570-c.1630) period, and she reflects on the Englishness of the music of his SAT 01:00 Through the Night (b00sv84f) Gia del volto - seconda parte age. John Shea presents rarities, archive and concert recordings from Ensemble Daedalus, Roberto Festa (conductor) Europe's leading broadcasters 5:11 AM SAT 14:00 Radio 3 Lunchtime Concert (b00sv73z) 1:00 AM Rossi, Salomone (c.1570-c.1630) Lars Vogt Gabriello Puliti (c.1583-1644) Tu parti, ahi lasso! Ghirlanda odorifera. Mascherate a tre voci (1612) Ensemble Daedalus (Eitan Sorek - tenor), Roberto Festa Internationally renowned pianist Lars Vogt performs live from (conductor) London's Wigmore Hall in this Radio 3 Lunchtime Concert. 1:53 AM Schubert's first set of four Impromptus were written in the year Monteverdi, Claudio (1567-164) 5:15 AM before his untimely death in 1828, and are some of the finest Damigella tutta bella (from Scherzi Musicali a tre voci (1607)) Scarlatti, Domenico (1685-1757) examples of the genre. Schumann's Fantasy was written during Sonata in A major, Kk.208 an enforced separation from his beloved Clara Wieck, a Ensemble Responsorium Ilze Graubina (piano) virtuoso pianist whose father was vehemently opposed to their relationship. Schumann wrote to her that 'the first movement 1:55 AM 5:19 AM [of the Fantasy] is the most passionate I have ever composed; it Mozart, Wolfgang Amadeus (1756-1791) arr.Agnieszka Scarlatti, Domenico (1685-1757) is a profound lament on your account'.
    [Show full text]
  • Izraelská Populární Hudba Od Konce 40. Let 20. Století Do Současnosti Michaela Wittwarová
    Západočeská univerzita v Plzni Fakulta filozofická Diplomová práce Izraelská populární hudba od konce 40. let 20. století do současnosti Michaela Wittwarová Plzeň 2016 Západočeská univerzita v Plzni Fakulta filozofická Katedra blízkovýchodních studií Studijní program Mezinárodní teritoriální studia Studijní obor Blízkovýchodní studia Diplomová práce Izraelská populární hudba od konce 40. let 20. století do současnosti Michaela Wittwarová Vedoucí práce: Mgr. Zbyněk Tarant, Ph.D. Katedra blízkovýchodních studií Fakulta filozofická Západočeské univerzity v Plzni Plzeň 2016 Prohlašuji, že jsem práci zpracoval(a) samostatně a použil(a) jen uvedených pramenů a literatury. Plzeň, duben 2016 ……………………… Poděkování: Děkuji svému vedoucímu práce Mgr. Zbyňku Tarantovi, Ph.D. za přínosné konzultace. Děkuji také všem svým bližním, kteří mě během psaní práce podporovali. Obsah 1 ÚVOD ......................................................................................... 1 1.1 Cíle................................................................................................. 1 1.2 Představení tématu ...................................................................... 1 1.3 Metoda práce ................................................................................ 1 1.4 Terminologie................................................................................. 2 1.5 Technické poznámky ................................................................... 3 1.6 Důvody k výběru tématu, přínos ................................................. 3 2 PRVNÍ
    [Show full text]
  • Eurovision Song Contest: the Story by Nathaly Schwarm-Bronson
    Back Eurovision Song Contest: the Story by Nathaly Schwarm-Bronson In the mid-1950s the members of the European Broadcasting Union set up an ad hoc committee to investigate ways of rallying the countries of Europe round a light entertainment programme. At Monaco in late January 1955 this committee, chaired by Marcel Bezençon, Director General of Swiss Television, came up with the idea of creating a song contest, inspired by the very popular San Remo Festival. The idea was approved by the EBU General Assembly in Rome on 19 October 1955 and it was decided that the first “Eurovision Grand Prix” – so baptized, incidentally, by a British journalist – would take place in spring 1956 at Lugano, Switzerland. The next step was to put together a set of rules to be followed by the participants, of which there were originally ten, although only seven countries were eventually allowed to take part: Belgium, France, Italy, Luxembourg, the Netherlands, Switzerland and West Germany. The other three countries – Austria, Denmark and United Kingdom – registered after the official deadline and were thus disqualified from entering the contest. The rules of the first contest allowed the participants to enter a maximum of two songs each, and it was strongly recommended that the songs be selected at a national final involving the participation of the public, to render the contest as popular as possible. There was no rule on language, each participant being entitled to choose the language in which they wished to perform. There was, however, a rule on the amount of time allowed: three and a half minutes was the maximum for each performance.
    [Show full text]
  • Title Artist Gangnam Style Psy Thunderstruck AC /DC Crazy In
    Title Artist Gangnam Style Psy Thunderstruck AC /DC Crazy In Love Beyonce BoomBoom Pow Black Eyed Peas Uptown Funk Bruno Mars Old Time Rock n Roll Bob Seger Forever Chris Brown All I do is win DJ Keo Im shipping up to Boston Dropkick Murphy Now that we found love Heavy D and the Boyz Bang Bang Jessie J, Ariana Grande and Nicki Manaj Let's get loud J Lo Celebration Kool and the gang Turn Down For What Lil Jon I'm Sexy & I Know It LMFAO Party rock anthem LMFAO Sugar Maroon 5 Animals Martin Garrix Stolen Dance Micky Chance Say Hey (I Love You) Michael Franti and Spearhead Lean On Major Lazer & DJ Snake This will be (an everlasting love) Natalie Cole OMI Cheerleader (Felix Jaehn Remix) Usher OMG Good Life One Republic Tonight is the night OUTASIGHT Don't Stop The Party Pitbull & TJR Time of Our Lives Pitbull and Ne-Yo Get The Party Started Pink Never Gonna give you up Rick Astley Watch Me Silento We Are Family Sister Sledge Bring Em Out T.I. I gotta feeling The Black Eyed Peas Glad you Came The Wanted Beautiful day U2 Viva la vida Coldplay Friends in low places Garth Brooks One more time Daft Punk We found Love Rihanna Where have you been Rihanna Let's go Calvin Harris ft Ne-yo Shut Up And Dance Walk The Moon Blame Calvin Harris Feat John Newman Rather Be Clean Bandit Feat Jess Glynne All About That Bass Megan Trainor Dear Future Husband Megan Trainor Happy Pharrel Williams Can't Feel My Face The Weeknd Work Rihanna My House Flo-Rida Adventure Of A Lifetime Coldplay Cake By The Ocean DNCE Real Love Clean Bandit & Jess Glynne Be Right There Diplo & Sleepy Tom Where Are You Now Justin Bieber & Jack Ü Walking On A Dream Empire Of The Sun Renegades X Ambassadors Hotline Bling Drake Summer Calvin Harris Feel So Close Calvin Harris Love Never Felt So Good Michael Jackson & Justin Timberlake Counting Stars One Republic Can’t Hold Us Macklemore & Ryan Lewis Ft.
    [Show full text]