Dark night of the soul : applicability of theory in comics and radio through the scripted podcast drama McMurtry, LG http://dx.doi.org/10.1386/stic_00004_1 Title Dark night of the soul : applicability of theory in comics and radio through the scripted podcast drama Authors McMurtry, LG Type Article URL This version is available at: http://usir.salford.ac.uk/id/eprint/56015/ Published Date 2019 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at:
[email protected]. Dark night of the soul: Applicability of theory in comics and radio through the scripted podcast drama Leslie McMurtry, University of Salford Abstract This article responds to McCloud’s theoretical framework for comics and applies this framework to audio drama, which I argue is, like comics, a mono-sensory medium (one can only be seen in static image and the other can only be heard); both require a great degree of closure from the audience to frame together sequential narratives (of visual art and sound, respectively). To do this, it uses the case study of Marvel and Stitcher’s Wolverine: The Long Night (2018), a ‘scripted podcast’ (audio drama). While comics are escaping from decades of critical disregard due to their status as a popular or lowbrow medium, radio and by extension audio drama still suffer from critical neglect.