DOCSLIB.ORG

Race Forward Annual Report 2019 Annual Cimb Niaga

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Race Forward Annual Report 2019 Annual Cimb Niaga Performance Highlights Management Reports Company Profile Management Discussion Risk Management and Analysis RACE FORWARD ANNUAL REPORT 2019 ANNUAL CIMB NIAGA 460 Supporting Business Corporate Governance Corporate Social Others Corporate Data Consolidated Review Report Responsibility Financial Report Create connections and build success ANNUAL REPORT 2019 ANNUAL CIMB NIAGA 461 Performance Highlights Management Reports Company Profile Management Discussion Risk Management and Analysis COPORATE GOVERNANCE REPORT ANNUAL REPORT 2019 ANNUAL CIMB NIAGA 462 Supporting Business Corporate Governance Corporate Social Others Corporate Data Consolidated Review Report Responsibility Financial Report GCG Implementation Quality Enhancement 465 Public Accountant 600 GCG Objectives 466 Risk Management 602 Banks’ Governance Mechanism & Structure 467 Internal Control System 607 GCG Implementation Milestones 470 Legal/Litigation Issues of 609 The Bank and its Subsidiaries GCG Implementation Assessment 471 Administrative Sanction from Relevant Authorities 612 Application Of Corporate Governance Aspects 474 and Principles In Line with the Access to Corporate Data and Information 613 Otoritas Jasa Keuangan Regulations Employees Code of Ethics 618 General Meeting of Shareholders 479 and Conduct Board of Commissioners 492 Corporate Culture 621 Independent Commissioners 505 Goods and Services Procurement Policy 622 Board of Directors 507 Anti Corruption Policy 624 Board of Commissioners and Board of Directors’ 516 Protection of Creditors’ Rights 624 Performance Assessment Transparency of the Bank’s Financial and 625 Board of Commissioners and Board of Directors’ 520 Non-Financial Conditions Diversity Policy CIMB Niaga Shares and Bonds Buyback 626 Remuneration Policy 523 Dividend Policy 626 Board of Commissioners and 531 Funding For Social and Political Activities 627 Board of Directors’ Meeting Provision of Funds to Related Parties 627 Ultimate and Controlling Shareholders 542 Customer Protection Policy 628 Affiliated Relationships Between 543 Board of Commissioners, Board of Directors Conflict Management Policy 630 and Controlling Shareholder (Including Insider Trading) Committees Under the Board of Commissioners 544 Internal Fraud 631 Audit Committee 544 Whistleblowing System 633 Nomination and Remuneration Committee 550 Asean Corporate Governance Scorecards 635 Application Risk Oversight Committee 556 Integrated Governance Implementation Report 644 Integrated Governance Committee 561 Sharia Business Unit Governance Report 654 Committees Under the Board Of Directors 566 Bad Corporate Governance Practices 665 Corporate Secretary 574 Good Corporate Governance Declaration 665 Internal Audit (IA) 579 of Conduct Compliance Unit 590 Anti Money Laundering And Counter- 595 Terrorist Financing (AML & CFT) ANNUAL REPORT 2019 ANNUAL CIMB NIAGA 463 Performance Highlights Management Reports Company Profile Management Discussion Risk Management and Analysis With the increasingly complex business activities and the CIMB Niaga also understands the important role of the banking current digital era development, implementation of Good industry, and knows that the quality of good governance Corporate Governance (GCG) principles has become the main will have a positive impact in supporting the national foundation to run prudent banking operations and business. economy. Based on that, the Board of Commissioners, Board of Directors and all working units are committed to CIMB Niaga realizes,the implementation of GCG in the current implementing the highest standards in the application of global competition era has become a necessity for companies GCG principles in CIMB Niaga. These principles serves as a to run their business, and its implementation will create a reference for responsible decision making, avoids conflict of solid and supportive foundation for becoming a strong and interest, optimizes performance, and improves accountability. sustainable Bank. Therefore, CIMB Niaga is committed to Furthermore, the commitment to implement GCG also aims make GCG a necessity that should always be applied in every to protects stakeholders and increases compliance with rules Bank process. and regulations. The implementation of GCG brings enormous benefits for the Bank, and as guidelines for the Bank to run its business to be aligned with the goals and needs of each stakeholder. By doing so, mutual trust and a conducive attitude in the company will be fostered and result in an increase in the Bank's overall performance. BASIS & GUIDELINES FOR GOOD CORPORATE GOVERNANCE IMPLEMENTATION CIMB Niaga is committed to implement GCG principles by As internal guidelines in GCG implementation, Bank has in referring to prevailing regulations, among others: place Corporate Governance Charter which stipulated in 1. Republic of Indonesia Laws, particularly those related to the Corporate Policy Manual which is also the highest policy Capital Market, Limited Liability Company, and Banking; of the Bank. In addition, the Corporate Policy Manual is also 2. Regulations and Circular Letters issued by the Otoritas Jasa supported by other internal policies including Code of Ethics & Keuangan (OJK), particularly those related to Corporate Conducts, Charters, Risk Management Policy, Whistleblowing Governance, Annual Report, Risk Management, and various Policy and Conflict Management Policy. OJK Regulations and Circular Letters related to corporate governance implementation; CIMB Niaga periodically reviews and evaluates the 3. The Indonesian Corporate Governance Roadmap issued completeness and updating of the internal policies issued through the OJK press release on 4 February 2014; by CIMB Niaga, to ensure that the provisions in the policy 4. ASEAN Corporate Governance (CG) Scorecard issued by are always relevant and in accordance with organizational ASEAN Capital Market Forum (ACMF); conditions, Bank strategies, applicable regulations and best 5. Indonesian GCG General Guidelines issued by the National practices Committee of Governance Policy (KNKG); ANNUAL REPORT 2019 ANNUAL 6. Articles of Association and General Meeting of Shareholders (GMS) Resolutions. 7. Bank’s Regulations and Policies. CIMB NIAGA 464 Supporting Business Corporate Governance Corporate Social Others Corporate Data Consolidated Review Report Responsibility Financial Report GCG IMPLEMENTATION QUALITY ENHANCEMENT In line with the Bank’s efforts to continuously improve Thru the various efforts have been made throughout 2019 in its business achievements, CIMB Niaga also continues to maximizing the effectiveness of GCG implementation as part strengthen its commitment to improve the quality of GCG of the Bank’s supervision and management, CIMB Niaga was implementation. During 2019, CIMB Niaga carried out able to garner appreciations from external parties in the form various activities to continuously improve the quality of GCG of awards as follows: implementation in the Bank environment as a basis for creating sustainable added value for the interests of Shareholders, the 1. 1st Winner of the Annual Report Award 2019 for Private wider community, and other stakeholders both in the short Financial Institution category and long term. GCG ACHIEVEMENTS IN 2019 1. Enhancement of GCG implementation by referring to the ACGS criteria: a. Appointment of one of the Independent Commissioners as Senior Independent Commissioner. b. Use of third-party service (search firm) in the process of finding candidates for Commissioners and Directors. c. Issuance of Anti-Corruption Policy 2. Renewal of the Charters of the Board of Commissioners, Board of Directors, Audit Committee, Nomination and Remuneration Committee, as well as Code of Ethics & 2. TOP GRC 2019: TOP GRC, The Most Committed GRC Conduct. Leader and The High Performing Corporate Secretary 3. The implementation of induction programs for newly on GRC. appointed members of the Board of Commissioners & Board of Directors has been carried out through the e-Learning Bank (LoG) application. 4. Implementation of the Compliance Culture & Awareness program aimed at establishing & increasing awareness & compliance culture at the Bank including through e-Learning & sharing sessions, RCU Forum and including the RCU Head for the Compliance Certification program. 5. Development of a monitoring application system to fulfill commitments and reporting to regulators, namely ReCoM (Regulatory Commitment Monitoring). 6. Holding of Anti-Fraud Socialization Week, which was 3. IICD Award 2019: The Best Corporate Governance Overall launched by the President Director & Board of Directors and Top 50 Emiten for Indonesia Public Companies with and carried out intensively for 2 (two) weeks. The program Large Capitalization category was marked by various activities including AFM Booth which contained games with anti-fraud messages, poster contests, visits and sharing sessions in 10 cities in Jakarta, West Java, Central Java and East Java. 7. New Anti Fraud tagline “Anytime... Anywhere… Integrity First!” to replace the previous tagline “Fraud? No Way! “ as the Bank’s commitment to further strengthen the work culture with integrity in all functions and activities of the Bank’s employees. ANNUAL REPORT 2019 ANNUAL CIMB NIAGA 465 Performance Highlights Management Reports Company Profile Management Discussion Risk Management and Analysis GCG OBJECTIVES The implication of consistent GCG implementation by CIMB The implementation of GCG principles will also provide long- Niaga through 4 (four) pillars of governance aspects is that
Load more

Recommended publications
  • Celebrunner: Henry Golding @ Dashing for Men
    RUNNING WITH PASSION: Celebrunner: Henry Golding @ Dashin... http://runwitme.blogspot.com/2013/09/celebrunner-henry-golding-das... 0 More Next Blog» Create Blog Sign In A B O U T M E RUNWITME KUALA LUMPUR, MALAYSIA This is a virtual invitation for you to RUN WITH ME in most road races all over my beautiful country, MALAYSIA and also in oversea places that I have visited.... Don’t run in front of me, I do not want to chase you. Don’t run behind me, I don’t want to be pursued. Run beside me…and share my PASSION. VIEW MY COMPLETE PROFILE ADS BY NUFFNANG. PLS CLICK IF TUESDAY, SEPTEMBER 03, 2013 YOU'RE INTERESTED Celebrunner: Henry Golding @ Dashing For Men - 2 in 1 Face & Body Wash Launch NOTE TO RACE ORGANISERS/ PROMOTERS If you want to drum up your events (not limited to roadraces) in this blog, feel free to send me your press releases, entry forms, flyers, maps, invitations to your launchings etc. I would be delighted to get the first hand info for the readers of this blog. Majulah Sukan Untuk Negara! 1 of 13 4/9/2013 11:53 AM RUNNING WITH PASSION: Celebrunner: Henry Golding @ Dashin... http://runwitme.blogspot.com/2013/09/celebrunner-henry-golding-das... FACEBOOK BADGE Runwitme / Celebrunner A smile that melt your heart! Thank you Henry Golding for the running pose! Promote your Page too Travel with Passion My Picasa Photo Album My Daily Motion Videos MY OTHER BLOG We caught up with travel host/ presenter, Henry Golding at the launch of Dashing For Men Clear Matte 2 in 1 Face & Body Wash, together MY OTHER BLOG TOO with fellow brand ambassador, actor – Remy Ishak.
    [Show full text]
  • Revisiting Transnational Media Flow in Nusantara: Cross-Border Content Broadcasting in Indonesia and Malaysia
    Southeast Asian Studies, Vol. 49, No. 2, September 2011 Revisiting Transnational Media Flow in Nusantara: Cross-border Content Broadcasting in Indonesia and Malaysia Nuurrianti Jalli* and Yearry Panji Setianto** Previous studies on transnational media have emphasized transnational media organizations and tended to ignore the role of cross-border content, especially in a non-Western context. This study aims to fill theoretical gaps within this scholarship by providing an analysis of the Southeast Asian media sphere, focusing on Indonesia and Malaysia in a historical context—transnational media flow before 2010. The two neighboring nations of Indonesia and Malaysia have many things in common, from culture to language and religion. This study not only explores similarities in the reception and appropriation of transnational content in both countries but also investigates why, to some extent, each had a different attitude toward content pro- duced by the other. It also looks at how governments in these two nations control the flow of transnational media content. Focusing on broadcast media, the study finds that cross-border media flow between Indonesia and Malaysia was made pos- sible primarily in two ways: (1) illicit or unintended media exchange, and (2) legal and intended media exchange. Illicit media exchange was enabled through the use of satellite dishes and antennae near state borders, as well as piracy. Legal and intended media exchange was enabled through state collaboration and the purchase of media rights; both governments also utilized several bodies of laws to assist in controlling transnational media content. Based on our analysis, there is a path of transnational media exchange between these two countries.
    [Show full text]
  • Warisan Song List
    VerSeS Music Ensembles www.versespj.com Program Title: Warisan In line with the exhibition that focuses on the 50s-70s Malaya/Malaysia, we have devised a music appreciation program of lagu-lagu rakyat consisting well known folk songs of Malaya, and included some popular tunes of P. Ramlee, Saloma and Sheila Majid. The music is tastefully arranged for voice, choral and instrumental, retaining the flavours of the original tune, yet timeless and refreshing. Song List: Acappela Welcome Pak Ketipang Ketipung Acappella Potong Padi Keyboard + Solo Voice Ala Canggung Acappella Wang Chun Feng Keyboard + Men's Trio Anak Ayam Keyboard + Voices Anak Itik Keyboard + Solo Voice Suriram Keyboard + Solo Voice Mak Inang Instrumental Getaran Jiwa (P Ramlee) Instrumental Violin: Bengawan (Saloma) Keyboard + Solo Voice Tunggu Sekejap (P Ramlee) Instrumental Violin: Legenda (Sheila Majid) Acappella Finale Jong Jong Inai The total duration of the program is approximately 40 – 45 minutes. Cultural Value of the program: 1. It promotes the a renewed and refreshing take on the traditional music, which may be more conducive to the younger generation of today. 2. The concert aims to inspire greater appreciation of music, promote healthy music activities and cultivate community music making. 3. It promotes the involvement of Classical Trained musicians in practicing and performing in a genre that may be less common. 4. The program will be of good publicity value for ILHAM Gallery as a wholesome entity that promotes and keeps Aseana arts (including musical heritage) lively and relevant. 5. The repertoire is huge and varied, therefore this program has the potential to be repeated periodically with different selections, thereby creating a series program.
    [Show full text]
  • 3. 10 SHANTY Mencari Cinta Sejati (4:05) 4
    Disc Bola 1. Judika Sakura (4:12) 2. Firman Esok Kan Masih Ada (3:43) 3. 10 SHANTY Mencari Cinta Sejati (4:05) 4. 14 J ROCK Topeng Sahabat (4:53) 5. Tata AFI Junior feat Rio Febrian There's A Hero (3:26) 6. DSDS Cry On My Shoulder (3:55) 7. Glenn Pengakuan Lelaki Ft.pazto (3:35) 8. Glenn Kisah Romantis (4:23) 9. Guo Mei Mei Lao Shu Ai Da Mi Lao Shu Ai Da Mi (Original Version) (4:31) 10. Indonesian Idol Cinta (4:30) 11. Ismi Azis Kasih (4:25) 12. Jikustik Samudra Mengering (4:24) 13. Keane Somewhere Only We Know (3:57) 14. Once Dealova (4:25) 15. Peterpan Menunggu Pagi [Ost. Alexandria] (3:01) 16. PeterPan Tak Bisakah (3:33) 17. Peterpan soundtrack album menunggu pagi (3:02) 18. Plus One Last Flight Out (3:56) 19. S Club 7 Have You Ever (3:19) 20. Seurieus Band Apanya Dong (4:08) 21. Iwan Fals Selamat Malam, Selamat Tidur Sayang (5:00) 22. 5566 Wo Nan Guo (4:54) 23. Aaron Kwok Wo Shi Bu Shi Gai An Jing De Zou Kai (3:57) 24. Abba Chiquitita (5:26) 25. Abba Dancing Queen (3:50) 26. Abba Fernando (4:11) 27. Ace Of Base The Sign (3:09) 28. Alanis Morissette Uninvited (4:36) 29. Alejandro Sanz & The Corrs Me Iré (The Hardest Day) (4:26) 30. Andy Lau Lian Xi (4:24) 31. Anggun Look Into Yourself (4:06) 32. Anggun Still Reminds Me (3:50) 33. Anggun Want You to Want Me (3:14) 34.
    [Show full text]
  • Bodies of Sound, Agents of Muslim Malayness: Malaysian Identity Politics and The
    Bodies of Sound, Agents of Muslim Malayness: Malaysian Identity Politics and the Symbolic Ecology of the Gambus Lute Joseph M. Kinzer A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Christina Sunardi, Chair Patricia Campbell Laurie Sears Philip Schuyler Meilu Ho Program Authorized to Offer Degree: Music ii ©Copyright 2017 Joseph M. Kinzer iii University of Washington Abstract Bodies of Sound, Agents of Muslim Malayness: Malaysian Identity Politics and the Symbolic Ecology of the Gambus Lute Joseph M. Kinzer Chair of the Supervisory Committee: Dr. Christina Sunardi Music In this dissertation, I show how Malay-identified performing arts are used to fold in Malay Muslim identity into the urban milieu, not as an alternative to Kuala Lumpur’s contemporary cultural trajectory, but as an integrated part of it. I found this identity negotiation occurring through secular performance traditions of a particular instrument known as the gambus (lute), an Arabic instrument with strong ties to Malay history and trade. During my fieldwork, I discovered that the gambus in Malaysia is a potent symbol through which Malay Muslim identity is negotiated based on various local and transnational conceptions of Islamic modernity. My dissertation explores the material and virtual pathways that converge a number of historical, geographic, and socio-political sites—including the National Museum and the National Conservatory for the Arts, iv Culture, and Heritage—in my experiences studying the gambus and the wider transmission of muzik Melayu (Malay music) in urban Malaysia. I argue that the gambus complicates articulations of Malay identity through multiple agentic forces, including people (musicians, teachers, etc.), the gambus itself (its materials and iconicity), various governmental and non-governmental institutions, and wider oral, aural, and material transmission processes.
    [Show full text]
  • Hospitality Asia VOLUME 20 • ISSUE 3 JULY-SEPTEMBER 2013 PP 8897/05/2013(032307) • MICA (P) 169/05/2012
    hospitality asia hospitality asia VOLUME 20 • ISSUE 3 • JULY-SEPTEMBER 2013 VOLUME 20 • ISSUE 3 JULY-SEPTEMBER PP 8897/05/2013(032307) • MICA (P) 169/05/2012 hospitality asia ~ July-September 2013 Issue C M Y K hospitality asia ~ July-Sept 2013 Issue Page IFC C M Y K hospitality asia ~ July-Sept 2013 Issue Page 1 C M Y K publisher’s note The saying ‘tough times don’t last, tough people do’ is something I truly believe in. It’s not always been smooth sailing for us, but I have steered the magazine through some hard times. My recent coup is that finally, after a lot of challenges and ups and downs, we are finally hosting HAPA Indonesia in Bali. The Island of the Gods is the event destination of my dreams and I am glad that for once, at least, (but I am certainly going to try to do it again!), HAPA will be held in this iconic destination. Staying The Course lthough it’s a small Series, consultants and event managers. This we’re very proud to be able was our first car event in our portfolio. to host the inaugural HAPA We were also appointed to co-host the Indonesia this August. EO SuperChef Competition with celebrity Next we will be exploring the possibility of Chef Zam. Hospitality Asia covered this a Thailand Series because Thai hospitality event exclusively. With these portfolio’s has so much to offer and so many bright successfully tucked under our belt, we are stars to feature. looking forward to explore many, many Meanwhile, the adrenaline rush more event opportunities, in any industry.
    [Show full text]
  • Dato' Ong Theng Soon Dato' Ong Theng Soon Dato' Ong
    1 THE POWER OF BRAND IDENTITY : The Brand inception SMES : Shaping the economy EARTH HOUR : A climate message SAY YES2BRAND : Pride and plumage DATO’ ONG THENG SOON OF BINASTRA LAND CONTEMPORARY LIFESTYLE RM15 WM RM18 EM DEVELOPER EXTRAORDINAIRE 27 DECEMBER-JANUARY’ 14 #ISSUE19 II 1 All information herein is correct at time of publication. THE TEAM | The views and opinions expressed or implied in The BrandLaureate Business World Review ADVISOR are those of the authors and contributors and do not necessarily Dr KKJohan reflect those of The BrandLaureate, its editorial & staff. All editorial content and materials are copyright of PUBLISHER/EDITOR-IN-CHIEF THE BRANDLAUREATE BUSINESS WORLD REVIEW Chew Bee Peng No Permit KDN PQ/PP16972/08/2011)(028331) MANAGING EDITOR The BrandLaureate Business World Review is published by Ida Ibrahim THE BRANDLAUREATE SDN BHD (690453K), 39B & 41B, SS21/60, Damansara Utama, 47400 Petaling Jaya. Tel: (603) 7710 0348 Fax: (603) 7710 0350 SENIOR WRITER Ian Gregory Edward Masselamani Printed in Malaysia by PERCETAKAN SKYLINE SDN BHD (PQ 1780/2317) WRITERS 35 & 37, Jalan 12/32B, TSI Business Industrial Park, Batu 6 1/2, Nurilya Anis Rahim Off Jalan Kepong, 52000 Kuala Lumpur, Malaysia. Ain M.C. Gerald Chuah CONTRIBUTORS Anu Venugopal, Ken Chia, Tony Thompson, Suriyanita Sidek CREATIVE MANAGER Ibtisam Basri ASSISTANT CREATIVE MANAGER Mohd Shahril Hassan SENIOR GRAPHIC DESIGNER Mohd Zaidi Yusof MULTIMEDIA DESIGNER Zulhelmi Yarabi EDITORIAL ASSISTANTS Kalwant Kaur Lau Swee Ching For suggestions and comments or further
    [Show full text]
  • Malay Music in Singapore by Muhammad Hafiz Bin Salleh, Written in August 2010 National Library Board, Singapore
    ARTICLE Malay Music in Singapore by Muhammad Hafiz bin Salleh, written in August 2010 National Library Board, Singapore Its forms and genres have evolved through the ages, but the unmistakeably Malay sound and feel of the music remains constant. Introduction Malay music in Singapore dates back to the early 19th century. Highly influenced by the early migrants to Singapore, it began its development in an environment rich with diverse music forms brought to Singapore by the migrants who hailed from different parts of Indonesia and Malaysia. Because of its small size and intense activity, Singapore grew into a hub for Malay music, although there is little published documentation about this strand of Malay history. From the earliest times, there existed several music genres, including Asli , Malay music is characterised by its slow and gentle melodies and simple lyrics that often tell a moving story; Zapin, a traditional dance that originated from the Middle East involving rigorous, well- coordinated hand movements and intricate footwork, accompanied by singing and music created with instruments like the violin, harmonium, accordion and gambus ( lute ); and the ever popular Dondang Sayang , a vocal performance in which two parties converse with each other using quatrains. This is usually performed during Peranakan weddings. When the Malay film industry blossomed in the ‘50s and ‘60s with almost 50 films produced by the Malay production houses in Singapore, Malay music too enjoyed much exposure, since music was an essential element in Malay films. The separation of Singapore from Malaysia meant that the film and music action shifted to Kuala Lumpur, to tap on the huge domestic market in Malaysia.
    [Show full text]
  • Berita MPA July 2006
    THE MALAYSIAN PAEDIATRIC ASSOCIATION JULY 2006 FOR MEMBERS ONLY Editorial Board Thalassaemia Clinical Dr Zulkifli Ismail Dr Noor Khatijah Nurani Management Course MPA 2005/2006 EXECUTIVE COMMITTEE President A state-level Thalassaemia Clinical Dr Zulkifli Ismail Management Course was conducted in Kota Kinabalu on June 10, 2006. It was Vice-President Dr Soo Thian Lian held at the new Hospital Likas, located strategically on a hill overlooking the Hon Secretary scenic Likas Bay. A total of 114 Assoc Prof Tang Swee Fong participants attended the course, coming Asst Hon Secretary from all 20 hospitals in the state. Of note Dr Noor Khatijah Nurani was also active participation of the public Treasurer health sector. About 40% were medical Dr Musa Mohd Nordin officers, 50% were nurses and another 10% were medical lab technologists. Committee Members Dr Koh Chong Tuan The guest lecturers, Prof Chan Lee Lee from Dr Thiyagar Nadarajan UMMC and Prof. A. Rahman Jamal from Dato’ Dr Jimmy Lee HUKM, conducted a lively course, covering a Dr Hung Liang Choo A token of appreciation to guest lecturer, Assoc Prof Dr Koh Mia Tuang comprehensive range of topics ranging from Prof Chan Lee Lee(R) from Dr. Soo(L) Dr Zilfalil Alwi molecular diagnosis to practical day to day management of thalassaemia patients. Both patients. The carrier rate is estimated to be Co-opted Committee Members experts in the field, they addressed the various Prof Datuk Mohd Sham Kasim in the range of 5-10% among the local Dr Hussain Imam Haji topics in a manner that is well understood and indigenous population, with the highest Mohd Ismail appreciated by the target audience.
    [Show full text]
  • SEAS0903 Jalli.Pdf
    https://englishkyoto-seas.org/ Nuurrianti Jalli and Yearry Panji Setianto Revisiting Transnational Media Flow in Nusantara: Cross-border Content Broadcasting in Indonesia and Malaysia Southeast Asian Studies, Vol. 9, No. 3, December 2020, pp. 413-437. How to Cite: Jalli, Nuurrianti; and Setianto, Yearry Panji. Revisiting Transnational Media Flow in Nusantara: Cross-border Content Broadcasting in Indonesia and Malaysia, Southeast Asian Studies, Vol. 9, No. 3, December 2020, pp. 413-437. Link to this article: https://englishkyoto-seas.org/2020/12/vol-9-no-3-nuurrianti-jalli-and-yearry-panji-se tianto/ View the table of contents for this issue: https://englishkyoto-seas.org/2020/12/vol-9-no-3-of-southeast-asian-studies/ Subscriptions: https://englishkyoto-seas.org/mailing-list/ For permissions, please send an e-mail to: english-editorial[at]cseas.kyoto-u.ac.jp Center for Southeast Asian Studies, Kyoto University Southeast Asian Studies, Vol. 49, No. 2, September 2011 Revisiting Transnational Media Flow in Nusantara: Cross-border Content Broadcasting in Indonesia and Malaysia Nuurrianti Jalli* and Yearry Panji Setianto** Previous studies on transnational media have emphasized transnational media organizations and tended to ignore the role of cross-border content, especially in a non-Western context. This study aims to fill theoretical gaps within this scholarship by providing an analysis of the Southeast Asian media sphere, focusing on Indonesia and Malaysia in a historical context—transnational media flow before 2010. The two neighboring nations of Indonesia and Malaysia have many things in common, from culture to language and religion. This study not only explores similarities in the reception and appropriation of transnational content in both countries but also investigates why, to some extent, each had a different attitude toward content pro- duced by the other.
    [Show full text]
  • Celebrate the Power of the Word. Choose Your Party
    For Immediate Release The Arts House turns 13! Celebrate the power of the word. Choose your party. Singapore, 3 March 2017 – In celebration of its 13th anniversary, The Arts House has invited artists, writers and musicians to come together to share stories that inspire their being and their work. Held over the weekend of 25 and 26 March, the renewed House Party will feature poetry, storytelling, films, music and photography and will extend out onto the Empress Lawn in the Civic District. “Since its inception, The Arts House at Old Parliament Place has been supporting and presenting Singapore artists in the realm of literary arts, and we are glad to be able to continue this mission,” says Sarah Martin, Chief Executive Officer of Arts House Limited, “We welcome all to be inspired by the literary arts presented in various artistic disciplines in our specially curated celebrations this year.” Music and Poetry Produced by the NAC Young Artist Award 2016 recipient and poet Marc Nair, Note for Note sets up a poetic musical dialogue between ten poets and ten musicians. Featuring poets such as Aaron Lee, Bani Haykal, David Wong, Deborah Emmanuel, Pooja Nansi,, Shivram Gopinath, and Yong Shu Hoong, as well as musicians including Patrick Chng and Vick Low, this performance will give these talented artists, each with strikingly different styles, a chance to explore the space between music and meaning in the historic Chamber. Storytelling Words come to life through the timeless art of storytelling with master storyteller Kamini Ramachandran, who will put a spin on tales about mythical Transformations found in Asian folklore.
    [Show full text]
  • Research Note Malaysian Popular Music And
    Kajian Malaysia, Vol. 37, No. 2, 2019, 173–195 RESEARCH NOTE MALAYSIAN POPULAR MUSIC AND SOCIAL COHESION: A FOCUS GROUP STUDY CONDUCTED IN KUCHING, KOTA KINABALU AND KLANG VALLEY Adil Johan* and Shazlin Amir Hamzah Institute of Ethnic Studies, Universiti Kebangsaan Malaysia, Selangor, MALAYSIA *Corresponding author: [email protected] Published online: 20 November 2019 To cite this article: Adil Johan and Shazlin Amir Hamzah. 2019. Malaysian popular music and social cohesion: A focus group study conducted in Kuching, Kota Kinabalu and Klang Valley. Kajian Malaysia 37(2): 173–195. https://doi.org/10.21315/km2019.37.2.8 To link to this article: https://doi.org/10.21315/km2019.37.2.8 ABSTRACT In March and April 2019, a total of 12 focus groups were conducted in Kota Kinabalu, Kuching and Klang Valley. The study interviewed informants about their everyday experiences and preferences in consuming popular music. It also sought to determine specific popular and patriotic songs, made and circulated within Malaysia from the 1960s to 2000s, that garnered a wide appeal and fostered a sense of collective Malaysian identity amongst the informants. The informants were divided into four demographic groups in each location: (1) youths (aged 19 to 39), (2) business owners or entrepreneurs (any age), (3) professionals (any age), and (4) arts practitioners and musicians. This research note provides a brief review of the existing studies on Malaysian popular music that inform the study. However, despite the significant amount of research on Malaysian popular music from the 1980s until the present day, there has yet to be a study that considers the responses and attitudes of Malaysian citizens – as music listeners and consumers – toward Malaysian popular music.
    [Show full text]