2000 Yolanda Kondonassis and Eugenia Zukerman Event Program
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Mch Kaufmanconnectsbell 050
Kaufman Music Center presents A Virtual Concert and Cocktail Tasting Kaufman Connects Streamed Monday, May 3, 2021 at 6:30 pm ET with Joshua Bell, violin and Peter Dugan, piano Kevin Peterson, mixologist Program Welcome and Introduction KATE SHEERAN, Executive Director SHAHRIAR RAFIMAYERI, President, Board of Trustees JUSTIN BERRIE, Trustee SAMUEL COLERIDGE-TAYLOR La Tarantelle Frétillante BIANNA BELL, violin Special Music School,10th Grade Student of Nurit Pacht Tasting: Cocktail Experience #1 KEVIN PETERSON, mixologist LUDWIG VAN BEETHOVEN Violin Sonata No. 5 in F Major, Op. 24 “Spring” Allegro JOSHUA BELL and PETER DUGAN Tasting: Cocktail Experience #2 KEVIN PETERSON, mixologist KaufmanMusicCenter.org|866-222-6330 FRÉDÉRIC CHOPIN Nocturne in E-flat Major, Op. 9, No. 2 arr: Bell/Wallace HENRYK WIENIAWSKI Polonaise brillante in D Major, Op. 4 JOSHUA BELL and PETER DUGAN Tasting: Cocktail Experience #3 KEVIN PETERSON, mixologist Event Sponsors and Hosts Justin Berrie Shahriar Rafimayeri Castalia at Sfumato Maker’s Mark Winfield Flynn Wine & Spirits Kaufman Connects Benefactors Bethany and Robert B. Millard Cathy White O’Rourke Joy and Graham Wyatt All 2020-21 Kaufman Music Center performances are online, filmed in safe, socially distanced locations observing health and safety protocols, and enjoyed from the safety of your home. Steinway is the official piano of Merkin Hall KaufmanMusicCenter.org|866-222-6330 About the Artists Joshua Bell With a career spanning almost four decades, Joshua Bell is one of the most celebrated violinists of his era. Having performed with virtually every major orchestra in the world, Bell continues to maintain engagements as a soloist, recitalist, chamber musician, conductor, and Music Director of the Academy of St. -
The Shanghai Quartet with Eugenia Zukerman
University of Richmond UR Scholarship Repository Music Department Concert Programs Music 10-30-1995 The hS anghai Quartet with Eugenia Zukerman Department of Music, University of Richmond Follow this and additional works at: https://scholarship.richmond.edu/all-music-programs Part of the Music Performance Commons Recommended Citation Department of Music, University of Richmond, "The hS anghai Quartet with Eugenia Zukerman" (1995). Music Department Concert Programs. 590. https://scholarship.richmond.edu/all-music-programs/590 This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in Music Department Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. UNIVERSITY OF RICHMOND DEPARTMENT OF MUSIC CONCERT SERIES THE SHANGHAI QUARTET Quartet-in-Residence Weigang Li, violin Yi-Wen Jiang, violin Honggang Li, viola James Wilson, cello ~ith Guest Artist Eugenia Zukerman, flute October 30, 1995, 8:15 PM Cannon Memorial Chapel An extraordinary flutist whose communicative gifts extend to other media, Eugenia Zukerman is in great demand worldwide as she appears regularly with orchestras, in solo and duo recitals, and in chamber music ensembles in North America, Europe, Asia and the Middle East over the past twenty-five years. Ms. Zukerman is also a successful writer and television commentator. As a recording artist, Ms. Zukerman is embarlcing on a series for Delos, of which the first album, Music for a Sunday Morning, has just been released. In this recording, Ms. Zukerman teams up with her frequent concert collaborators, the Shanghai Quartet and keyboardist Anthony Newman for a delightful program including music of Mozart, Bach, American composers Amy Beach and Arthur Foote, and finally South American composer Alberto Ginastera. -
Eugenia Zukerman, Flute & Andrã©-Michel Schub, Piano
Ithaca College Digital Commons IC All Concert & Recital Programs Concert & Recital Programs 10-27-1987 Guest Artists: Eugenia Zukerman, flute & André-Michel Schub, piano Eugenia Zukerman André-Michel Schub Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Zukerman, Eugenia and Schub, André-Michel, "Guest Artists: Eugenia Zukerman, flute & André-Michel Schub, piano" (1987). All Concert & Recital Programs. 8214. https://digitalcommons.ithaca.edu/music_programs/8214 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons IC. Ithaca College School of Music ITHAO-~ ro-- I - ITHACA COLLEGE CONCERTS '87 - '88 EUGENIA ZUKERMAN Flute / • ANDRE-MICHEL SCHUB Piano Sonata in B Minor, BWV 1030 Johann Sebastian Bach Andante (1685-1750) largo e dolce Presto Syrinx, for unaccompanied flute Claude Debussy (1862-1918) Serenade for Flute and Piano, Op. 41 Ludwig van Beethoven Entrata (1770-1827) Tempo ordinario d'un menuetto Allegro mo/to Andante con variazione Allegro scherzando e vivace Adagio Allegro vivace e disinvolto INTERMISSION Scherzo No. 3 in C-Sharp Minor Frederic Chopin (1810-1849) Ballade No. 1 in G Minor Sonata for Flute and Piano Gaetano Donizetti largo (1797-1848) Allegro Sonatine Henri Dutilleux (1916- ) * * * * * WALTER FORD HALL AUDITORIUM Tuesday, October 27, 1987 8:15 p.m. * * * * * ICM ARTISTS, LTD. presents Ms. Zukerman and Mr. Schub. Ms. Zukerman records for CBS Masterworks and Pro Arte Records. PROGRAM NOTES Johann Sebastian Bach. Sonata No. -
And Tao Lin (Piano)
LYNN UNIVERSITY CONSERVATORY OF MUSIC PROGRAM Sergiu Schwartz, violin Dr. Jon Robertson, Dean Tao Lin, piano Welcome to the 2005-2006 season. This being my Sunday, February 5, 2006 at 4:00 p.m. first year as dean of the conservatory, I greet the season with unabated enthusiasm and excitement. Amarnick-Goldstein Concert Hall The talented musicians and extraordinary performing Lynn University, Boca Raton faculty at Lynn represent the future of the performing arts, and you, the patrons, pave the road to their artistic success through your presence and generosity. This community engagement is in keeping with the Conservatory of Music's mission: to provide high Sonata in G Ma.ior, K 301. ......................... W. A. Mozart quality professional performance education for gifted Allegro con spirito young musicians and set a superior standard for Allegro music performance worldwide. THE ANNUAL FUND A gift to the Annual Fund can be designated for Sonata No. 5 in F Major, Op. 24 "Spring" ......... Beethoven scholarships, various studios, special concerts or to Allegro the General Conservatory Fund . Adagio molto espressivo ADOPT-A-STUDENT Scherzo - Allegro molto You may select from the conservatory's promising Rondo - Allegro rna non troppo young musicians and provide for his or her future through the Conservatory Scholarship Fund. You will enjoy the concert even more when your student performs. A gift of $25,000 adopts a student for one year. A gift of $100,000 pays for an education. INTERMISSION ESTATE GIFT An estate gift will provide for the conservatory in perpetuity. Your estate gift may be made as a gift of appreciated stock, real estate or cash. -
2006-2007 Mostly Mozart
LYNN UNIVERSITY CONSERVATORY OF MUSIC PROGRAM MOSTLY MOZART Thursday, March 1, 7:30pm Friday, March 2, 7:30pm Dr. Jon Robertson, Dean Amamick-Goldstein Hall Lynn University, Boca Raton, FL Welcome to the 2006-2007 season . The talented musicians and extraordinary performing faculty at Lynn represent the future of the performing arts, and Quintet in E-flat major, K. 452 for piano, oboe, clarinet, hom & bassoon you, the patrons, pave the road to their artistic suc cess through your presence and generosity. This com munity engagement is in keeping with the Largo - Allegro moderato Conservatory of Music's mission: to provide high Larghetto quality professional performance education for gifted Allegretto young musicians and set a superior standard for music performance worldwide. Roberta Rust, piano THE ANNUAL FUND Paul Green, clarinet A gift to the Annual Fund can be designated for Gregg Miller, hom scholarships, various studios, special concerts or to Michael Ellert, bassoon the General Conservatory Fund. Terence Kirchgessner, oboe ADOPT- A-STUDENT You may select from the conservatory's promising young musicians and provide for his or her future through the Conservatory Scholarship Fund . You Sonata for 2 Pianos in D major, K. 448 (375a) will enjoy the concert even more when your student performs. A gift of $25,000 adopts a student for Allegro con spirito one year. A gift of $100,000 pays for an education. Andante A llP(!fO molto ESTATE GIFT An estate gift will provide for the conservatory in perpetuity. Your estate gift may be made as a gift Lisa Leonard and Tao Lin, pianos of appreciated stock, real estate or cash . -
Colorado Gives Gift Receipts
Colorado Gives Gift Receipts Stopping and uranographical Yard sonnetize her moneywort gips overtime or chump anomalously, is Charles piquant? Sometimes buzzing Reggy declare her anime illogically, but giant Hernando capitulated pliantly or sigh all-over. Motored Phillipe upheaving, his equivocations quarreled recrystallize latently. The boys like to look at who they are serving and how they are helping them. In certain circumstances, late admission will not be permitted. He received his BM at the University of Michigan studying under Adam Unsworth, and his MM at the Yale School of Music under William Purvis. This field is for validation purposes and should be left unchanged. You are responsible for all transactions initiated and fees incurred by use of your Card. Someone took the time to teach me. The harvest is still plentiful! Agreement, or any amounts owed under this Agreement, to any other person or entity. He lives in New York City. By making a financial gift, you are helping to expand the programs and initiatives that are part of the solution. The amount remaining on the Card will be available until the amount reaches zero. Ability Connection Colorado and other Colorado charities. You just never know when someone is being coerced or being made to work without pay. An acknowledgement receipt will be sent to you. Check out our FAQs below. Look to charities whose missions align with your core values surrounding, say, the environment, civil rights, or education. Check out our benefits here. We have a fantastic day lined up for our participants! If you do not find your employer here, please contact your employee benefits department for more information about their matching gift program. -
The 2018 Guide Festivals
April 2018 The 2018 Guide Festivals FEATURE ARTICLE 10 Questions, Two (Very Different) Festivals Editor’s Note Our fifth annual Guide to Summer Festivals is our biggest yet, with some 85 annotated entries, plus our usual free access to the 1400 listings in the Musical America database. The details for the 85—dates, locations, artistic directors, programming, guest artists, etc.—have been provided by the festivals themselves, in response to a questionnaire sent to our list of Editor’s Picks. Those are determined by a number of factors: it’s hardly a surprise to see the big-budget events, such as Salzburg, Tanglewood, and Aspen, included. But budget is by no means the sole criterion. The 2018 Guide Programming, performers, range and type of events offered—all of these factor into the equation. For our feature article, we chose two highly regarded events and asked them one set of questions, just for the purposes of compare and contrast. Since George Loomis traveled to Ravenna last summer and knows Ojai well, we decided he was the perfect candidate to get the answers. Our hunch that the two couldn’t be more different turned out to be quite accurate: one takes place over a weekend, the over a two-month period; one is in the U.S., the other in Europe; one is rural, the other urban; one’s in a valley, the other by the sea; one focuses on contemporary fare, the other on traditional; one houses its artists in homes, the other in hotels; one is overseen by a man, the other by Festivals a woman; Ojai’s venues are primarily outdoor and strictly 20th century, Ravenna’s are mostly indoor and date as far back as the sixth century. -
The Complete Recitalist June 3-28, 2012
THE COLBURN SCHOOL PRESENTS ROSEMARY HYLER RITTER Founder/Artistic Director LINDA McALISTER Executive Director “Bright is the ring of words when the right man rings them.” – Robert Lewis Stevenson THE COMPLETE RECITALIST JUNE 3-28, 2012 !e Stern Program for Singers and Pianists has generously been funded by !e Marc and Eva Stern Foundation. We gratefully acknowledge and thank the Stern family! Welcome to SongFest 2012 “Whatever you can do, or dream you can do, you can. Boldness has a genius, magic and power to it.” – Goethe SongFest is supported, in part, by the Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission, !e Marc and Eva Stern Foundation, !e Colburn School, !e Sorel Organization, !e Bertha and John Garabedian Charitable Foundation, !e Ann and Gordon Getty Foundation, the Aaron Copland Fund for Music, ArtsWave, and the generosity of many individual contributors. SongFest is a 501(c)3 non profit corporation. All donations 1are 100% tax-deductible to the full extent permitted by law. SongFest 2012 | The Colburn School | Distinguished SongFest Alumni Tomasz Lis Piano One of the most talented In 2006 Mr. Lis has devised a recital series for St. Giles collaborative pianists of Cripplegate Church (Cripplegate Song Festival 2006) situated the young generation in the heart of the City of London to showcase the most Tomasz Lis is very talented young singers from the Guildhall School of Music much in demand as an and Drama. He has studied French song with Malcolm accompanist, soloist and Martineau on the Britten-Pears Young Artist Programme and chamber musician. -
Alling 212.362.6000
boston symphony orchestra andris nelsons music director summer 2019 EXPERIENCE THE For the Discriminating NEW MET SEASON Shopper PHOTO: PAOLA KUDACKI / MET OPERAPHOTO:/ PAOLA KUDACKI The Met’s 2019 – 20 season features five new productions, including Philip Glass’s Akhnaten, starring Anthony Roth Costanzo (pictured) as the Egyptian pharaoh opposite J’Nai Bridges as Nefertiti. Tickets go on sale June 23 — or curate your own series of performances and save up to 15%. Peter Gelb GENERAL MANAGER Learn more at metopera.org/tickets or by Yannick Nézet-Séguin world class calling 212.362.6000. JEANETTE LERMAN-NEUBAUER MUSIC DIRECTOR C+I 2019 studs.indd 2 8/29/19 12:15 PM Tanglewood_Jun_SingleTickets.indd 2 5/29/19 9:18 AM For the Discriminating Shopper world class BRANDS ManchesterDesignerOutlets.com C+I 2019 studs.indd 3 8/29/19 12:15 PM Tanglewood_Jun_SingleTickets.indd 2 5/29/19 9:18 AM C+I 2019 studs.indd 4 8/29/19 12:16 PM Andris Nelsons, Ray and Maria Stata Music Director Bernard Haitink, LaCroix Family Fund Conductor Emeritus Seiji Ozawa, Music Director Laureate Thomas Adès, Deborah and Philip Edmundson Artistic Partner Thomas Wilkins, Germeshausen Youth and Family Concerts Conductor 138th season, 2018–2019 Trustees of the Boston Symphony Orchestra, Inc. Susan W. Paine, Chair • Joshua A. Lutzker, Treasurer William F. Achtmeyer • Noubar Afeyan • David Altshuler • Gregory E. Bulger • Ronald G. Casty • Susan Bredhoff Cohen • Richard F. Connolly, Jr. • Cynthia Curme • William Curry, M.D. • Alan J. Dworsky • Philip J. Edmundson • Thomas E. Faust, Jr. • Todd R. Golub • Michael Gordon • Nathan Hayward, III • Ricki Tigert Helfer • Brent L. -
Boston Symphony Orchestra Concert Programs, Summer, 1996, Tanglewood
— — — — — — TangJewqpd SEIJI OZAWA HALL Wednesday, August 7, at 8:30 Florence Gould Auditorium, Seiji Ozawa Hall BO SKOVHUS, baritone WARREN JONES, piano Texts and Translations The audience is politely requested to withhold applause until the end of each group of songs. Please do not applaud after the individual songs within each group. ROBERT SCHUMANN "Liederkreis," Op. 24 (To poems by Heinrich Heine) 1. Morgens steh' ich auf und frage: Mornings I arise and ask: Kommt feins Liebchen heut? Will my love come today? Abends sink' ich hin und klage: Evenings I sink back and lament: Ausblieb sie auch heut. Today, too, she stayed away. In der Nacht mit meinem Kummer At night, with my grief, Lieg' ich schlaflos, wach; I lie sleepless, awake; Traumend, wie im halben Schlummer, dreaming, as if half in slumber, Wandle ich bei Tag. I go about by day. Es treibt mich hin, es treibt mich her! I am driven here and there! Noch wenige Stunden, dann soil ich sie Just a few hours more, then I shall see schauen, her! Sie selber, die schonste der schonen she herself, the loveliest of the fair Jungfrauen ; maidens; Du armes Herz, was pochst du schwer! True heart, why do you pound so strongly! Die Stunden sind aber ein faules Volk! Oh, the hours are a lazy lot! Schleppen sich behaglich trage, They saunter along at a comfortable pace, Schleichen gahnend ihre Wege; sneak along their path yawning; Tummle dich, du faules Volk! Hurry up, you lazy ones! Tobende Eile mich treibend erfasst! A driving hurry grips me! Aber wohl niemals liebten die Horen; But the Hours were probably never in love; Heimlich im grausamen Bunde secretly, sworn to a fearful plot, verschworen, Spotten sie tiickisch der Liebenden Hast. -
2005-2006 Bravissimo! from the Violin Studio of Sergiu
LYNN UNIVERSITY CONSERVATORY OF MUSIC PROGRAM Sunday,March 26, at 3:00p.m. Amarnick-Goldstein Concert Hall Lynn University, Boca Raton Dr. Jon Robertson, Dean Welcome to the 2005-2006 season. This being my first year as dean of the conservatory, I greet the Bravissimo! season with unabated enthusiasm and excitement. The talented musicians and extraordinary performing From the Violin Studio of Sergiu faculty at Lynn represent the future of the performing arts, and you, the patrons, pave the road to their Schwartz artistic success through your presence and generosity. with Tao Lin, piano This community engagement is in keeping with the Conservatory of Music's mission: to provide high quality professional performance education for gifted young musicians and set a superior standard for EDGAR MONTES LEITE music performance worldwide. Professional Performance Certificate- Brazil Scherzo from F AE Sonata ........................................... Johannes Brahms THE ANNUAL FUND (1833-1897) A gift to the Annual Fund can be designated for scholarships, various studios, special concerts or to KAITLIN RICHARDSON the General Conservatory Fund. Freshman - US ADOPT-A-STUDENT Romanza ..............................................................Henryk Wieniawski You may select from the conservatory's promising (1835-1880) young musicians and provide for his or her future through the Conservatory Scholarship Fund. You GARETH JOHNSON will enjoy the concert even more when your student Junior- US performs. A gift of $25,000 adopts a student for Sonata No.3 in D Minor, Op. 27 for Solo Violin, Ballade ......... Eugene Ysaye one year. A gift of $1 00,000 pays for an education. (1858-1931) ESTATE GIFT An estate gift will provide for the conservatory in MARCOANTONIO REAL-D' ARBELLES perpetuity. -
Season 2000-2001 the Philadelphia Orchestra
Season 2000-2001 The Philadelphia Orchestra Thursday, November 16, at 8:00 Wolfgang Sawallisch Conductor Eugenia Zukerman Host André Watts Piano Sarah Chang Violin Thomas Hampson Baritone 100th Birthday Gala Concert Bach/orch. Stokowski Toccata and Fugue in D minor, BWV 565 Dukas The Sorcerer’s Apprentice Rachmaninoff Piano Concerto No. 2 in C minor, Op. 18 I. Moderato II. Adagio sostenuto III. Allegro scherzando Sarasate Fantasy on Bizet’s Carmen, Op. 25, for violin and orchestra Copland from Old American Songs: 1. Simple Gifts 2. The Little Horses 3. The Golden Willow Tree 4. The Boatmen’s Dance Stravinsky Suite from The Firebird (1919 version) I. Introduction—The Firebird and its Dance II. The Princesses’ Round Dance III. Infernal Dance of King Kastcheï— IV. Berceuse— V. Finale The Philadelphia Orchestra Founded in 1900, The Philadelphia Orchestra has distinguished itself as one of the leading orchestras in the world through a century of brilliant performances, historic international tours, and best-selling recordings. It has stood at the forefront of classical music in America throughout its first 100 years, introducing an unprecedented number of important and popular 20th-century works as world or American premieres, including Barber’s Violin Concerto, Rachmaninoff’s Symphonic Dances, Schoenberg’s Gurrelieder, and Stravinsky’s The Rite of Spring . Philadelphia boasts an extraordinary record of media firsts. It was the first symphonic orchestra to make electrical recordings (in 1925), the first to perform its own commercially sponsored radio broadcast (in 1929, on NBC), the first to perform on the soundtrack of a feature film (Paramount’s The Big Broadcast of 1937 ), the first to appear on a national television broadcast (in 1948, on CBS), the first American orchestra to record the complete Beethoven symphonies on compact disc (in 1988), and the first major orchestra to give a live cybercast of a concert on the Internet (in 1997).