Visual Art Resources at Digital Collection of the Croatian Academy
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The Book Art in Croatia Exhibition Catalogue
Book Art in Croatia BOOK ART IN CROATIA National and University Library in Zagreb, Zagreb, 2018 Contents Foreword / 4 Centuries of Book Art in Croatia / 5 Catalogue / 21 Foreword The National and University Library in Croatia, with the aim to present and promote the Croatian cultural heritage has prepared the exhibition Book Art in Croatia. The exhibition gives a historical view of book preparation and design in Croatia from the Middle Ages to the present day. It includes manuscript and printed books on different topics and themes, from mediaeval evangelistaries and missals to contemporary illustrated editions, print portfolios and artists’ books. Featured are the items that represent the best samples of artistic book design in Croatia with regard to their graphic design and harmonious relationship between the visual and graphic layout and content. The author of the exhibition is art historian Milan Pelc, who selected 60 items for presentation on panels. In addition to the introductory essay, the publication contains the catalogue of items with short descriptions. 4 Milan Pelc CENTURIES OF BOOK ART IN CROATIA Introduction Book art, a constituent part of written culture and Croatian cultural heritage as a whole, is ex- ceptionally rich and diverse. This essay does not pretend to describe it in its entirety. Its goal is to shed light on some (key) moments in its complex historical development and point to its most important specificities. The essay does not pertain to entire Croatian literary heritage, but only to the part created on the historical Croatian territory and created by the Croats. Namely, with regard to its origins, the Croatian literary heritage can be divided into three big groups. -
The Ban's Mana
Cultural Studies ISSN: (Print) (Online) Journal homepage: https://www.tandfonline.com/loi/rcus20 The Ban’s mana: post-imperial affect and public memory in Zagreb Jeremy F. Walton To cite this article: Jeremy F. Walton (2020): The Ban’s mana: post-imperial affect and public memory in Zagreb, Cultural Studies, DOI: 10.1080/09502386.2020.1780285 To link to this article: https://doi.org/10.1080/09502386.2020.1780285 © 2020 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 16 Jun 2020. Submit your article to this journal Article views: 134 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcus20 CULTURAL STUDIES https://doi.org/10.1080/09502386.2020.1780285 The Ban’s mana: post-imperial affect and public memory in Zagreb Jeremy F. Walton Max Planck Institute for the Study of Religious and Ethnic Diversity, Göttingen, Germany ABSTRACT How might scholars of public memory approach the protean relationship among imperial legacies, nationalized collective memories and urban space from an ‘off-center’ perspective? In this essay, I pursue this question in relation to a monument whose political biography traverses, and troubles, the distinction between imperial and national times, sentiments, and polities. The statue in question is that of Ban Josip Jelačić, a nineteenth Century figure who was both a loyal servant of the Habsburg Empire and a personification of nascent Croatian and South Slavic national aspirations. Jelačić’s monument was erected in Zagreb’s central square in 1866, only seven years following his death; in the heady political context of the Dual Monarchy, his apotheosis as a figure of regional rebellion caused consternation on the part of the Hungarian authorities. -
ZAGREB Written Series of Guidebooks.” the New York Times
Hotels Restaurants Cafés Nightlife Sightseeing Events Maps “In Your Pocket: A cheeky, well- ZAGREB written series of guidebooks.” The New York Times October - November 2009 It’s our birthday! Gifts and specials to celebrate! It’s Autumn Perfect to sip on wine, nibble on cheese, fresh air... N°50 - complimentary copy zagreb.inyourpocket.com Culture Almanac Take a breakfast and cultural tour around the city with us! CONTENTS 3 ESSENTIAL CITY GUIDES Contents Arriving in Zagreb 6 Your first view of the capital city The Basics 7 More than just climate stats (not much) History 8 Kings, queens, rooks and pawns Culture & Events 9 Interesting and boring stuff included Autumn in Zagreb 24 Golden leaves, ruby wine, feelin‘ fine! Where to stay 28 The sounds of trumpets will add to the spice of life at the Vip Jazzg A place to rest your weary head Festival! See page 20. Dining & Nightlife 35 Lions, wolves and bear cubs welcome Sightseeing What to see 46 Cafés 40 All those things you mustn’t miss Easily the best scene in the world! Mail & Phones Nightlife 42 Smoke signals and carrier pigeons 50 When you just gotta boogie Getting around 51 Save on shoe leather Transport map 53 Directory Shopping 54 Helping you get rid of that extra cash Lifestyle Directory 56 The most essential support Business Directory 59 Become a millionaire in no time Maps & Index Street index 61 City centre map 62 City map 64 Autumn is here and there is not better time to savour a drop of fresh Country map 65 young wine as it gets blessed in and around the different counties of Zagreb on Martinje - a traditional day dedicated to St. -
Culture & Events
CULTURE & EVENTS 1 May 31 – July 5 Strossmartre Saunter up towards the outlet to display their talents and Ida Jakšić’s designs will Stross - Zagreb’s Strossmayer promenade and the old be featured in June. Museum of Arts and Crafts (B-3) Trg romantic Upper Town as spring kicks off yet another season of maršala Tita 10, tel. 488 21 11 this well known spectacle. Visitors can enjoy a feast of cultural June 1 – 31 Miniature Furniture from the Museum of events, entertainment, film, theatre and other programmes. Arts and Crafts Collection Throughout the 17th and 18th Strossmayer promenade (B-2) century, the production of furniture and the ornaments to June – July The Laganiši Cave - A place of life and death go with it was a growing trade. Objects that we classify as Step back in time as a display of results from the excavations being placed on large furniture are called ‘sopramobiles. They made at the Laganiši cave near the town of Oprtalj, which were are miniature in shape and require precision on the artist’s conducted from 2004 until 2007, will be presented. Traces of behalf. Every intricate detail is noted, some are decorated life from the early periods were found inside the cave, dating in bronze as to appear as precious jewels. Craftsmanship from the Stone Age (Neolithic), through to the Bronze Age and was of essence and they had to be perfectionists as can be Antique period. Archeological Museum in Zagreb (C-2) Trg seen here on display. Museum of Arts and Crafts (B-3), N. -
GECAN 1929 Vilko GECAN (Kuželj 1894 - Zagreb 1973)
Vilko GECAN 1929 Vilko GECAN (Kuželj 1894 - Zagreb 1973) Galerija Adris Obala Vladimira Nazora 1 Rovinj • Rovigno 30 kolovoza / agosto / august 28 listopada / ottobre / october 2012 1 2 VILKO GECAN: ZAMRŠENI PUTI SVIJETOM I NUTRINOM Igor Zidić U trenutku kad se osipa najslavniji naraštaj naših münchenskih studenata – Račić umire 1908, Kraljević 1913, Becić napušta bavarsku metropolu 1909. i prelazi u Pariz, a Herman od 1911. zaranja u hebrejsku mitologiju i njemačku romantiku – u Zagrebu se i Pragu spontano formira generacija nasljednika: to su mladići desetak godina mlađi od velike četvorice neposrednih prethodnika; ne spominjemo ovdje Bukovca ni Medovića, Crnčića ni Vidovića – svi su oni znatno stariji pa je problematika njihovih opusa ostala s onu stranu interesa Kraljevićevih potomaka. To je trebalo reći da ne ostane ništa sporno: oni ne slijede Račića ni Becića, još manje Hermana; oni su fascinirani Kraljevićem i, da budemo precizni, onim dijelom Kraljevićeva opusa – naročito crtačkog i grafičkog – iz kojega se otvara put prema ekspresionizmu. Neke determinirane i mnogo slučajnih okolnosti pospješuju homogenizaciju te falange mladih i borbenih ljudi: svi su rođeni u razmaku od tri godine – Vilko Gecan 1894, Vladimir Varlaj 1895, Milivoj Uzelac i Marijan Trepše 1897. Varlaj polazi 1911/1913. privatnu slikarsku školu Tomislava Krizmana, a Gecan i Uzelac mu se pridružuju ujesen 1912. Godine 1913. Varlaj i Uzelac zajedno prelaze na Privremenu školu za umjetnost i umjetni obrt (buduća Akademija), a Gecan položi prijamni ispit na Akademie der Bildender Kunste u Münchenu. Već sljedeće 1914, zbog objave rata i mobilizacije, on mora prekinuti školovanje, a Varlaja i Uzelca – opet zajedno! – izbacuju iz Privremene. -
Serbian Music: Yugoslav Contexts
Serbian Music: Yugoslav Contexts SERBIAN MUSIC: YUGOSLAV CONTEXTS Edited by Melita Milin and Jim Samson Published by Institute of Musicology SASA Technical editor Goran Janjić Cover design Aleksandra Dolović Number of copies 300 Printed by Colorgrafx ISBN 978-86-80639-19-2 SERBIAN MUSIC: YUGOSLAV CONTEXTS EDITED BY MELITA MILIN JIM SAMSON INSTITUTE OF MUSICOLOGY OF THE SERBIAN ACADEMY OF SCIENCES AND ARTS BELGRADE 2014 This book has been published thanks to the financial support of the Ministry of edu- cation, science and technological development of the Republic of Serbia. Cover illustration: Vera Božičković Popović, Abstract Landscape, 1966. Courtesy of Zepter Museum, Belgrade. CONTENTS PREFACE............................................................................................................7 Melita Milin INTRODUCTION.............................................................................................9 Jim Samson 1. SERBIAN MUSIC IN WESTERN HISTORIOGRAPHY......................17 Katy Romanou 2. WRITING NATIONAL HISTORIES IN A MULTINATIONAL STATE..........................................................................................................29 Melita Milin 3. DISCIPLINING THE NATION: MUSIC IN SERBIA UNTIL 1914 ................................................................................................47 Biljana Milanović 4. IMAGINING THE HOMELAND: THE SHIFTING BORDERS OF PETAR KONJOVIĆ’S YUGOSLAVISMS........................................73 Katarina Tomašević 5. THE INTER-WAR CORRESPONDENCE BETWEEN MILOJE -
Unesco Monuments in the Croatian Academy of Sciences and Arts Glyptotheque
The exhibition is under the auspices of the Croatian Commission for UNESCO UNESCO MONUMENTS IN THE CROATIAN ACADEMY OF SCIENCES AND ARTS GLYPTOTHEQUE VIRTUAL EXHIBITION AND PERMANENT DISPLAY Split Chatedral CASA Glyptotheque: idea and realisation Magdalena Getaldić, Filip Turković Krnjak, Tihana Boban UNIVERSITY OF ZAGREB,UNIVERSITY DEPARTMENT OF CROATIAN STUDIES: Mentor: prof. dr.sc. Jasna Jeličić Radonić, mr.sc. Snježana Vasilj Students: Marijana Beževan, Anja Bubalo, Tomislav Cifrek, Ana Čupić, Petar Čosić, Mateja Keleković, Valentina Kiseljak, Ivana Kuraja, Jakov Merkl, Filip Mesarić, Katarina Petreković, Darija Pilski, Mateja Ribičić, Ana Klara Sopta, Josip Strilić, Martina Škegro, Andrea Višnjić, Antonia Vukšan, Dragan Leko THE FACULTY OF GRAPHIC ARTS OF THE UNIVERSITY OF ZAGREB: Mentor: Trpimir Jeronim Ježić, Marko Maričević, Teo Žeželj Students: Marina Lučan, Iva Trogrančić, Valentina Vidaković, Petra Vižintin Photographs: Croatian Academy of Sciences and Arts Glyptotheque Archives and Documentation, and students photography Croatian Academy of Sciences and Arts - Glyptotheque, Medvedgradska 2, Zagreb, Croatia, 2019. http://gliptoteka.hazu.hr/hr/ ++3851/468-6050, 468-6060 Financial support: Ministry of Culture of the Republic of Croatia, City Office for Culture of the City of Zagreb CROATIAN ACADEMY OF SCIENCES AND ARTS GLYPTOTHEQUE ABOUT EXHIBITION STECHAKS – MEDIEVAL TOMBSTONE GRAVEYARDS (2016.) Virtual exhibition brings together those UNESCO monuments from the World Cultural Heritage List, the plaster casts of which are exhibited in the permanent display of the Croatian Academy of Sciences and Arts Glyptotheque. On show are exhibits, monuments or parts of them, from historical units and sites of the UNESCO-listed cultural heritage, pieces from the plaster cast collections of the Glyptotheque (the Collection of Plaster Casts of Fragments of the Croatian Cultural Heritage from the 9th to the 15th century, the Collection of Plaster Casts of Stechaks and the George the Dalmatian Collection). -
Between Memory and History: Kogoj's Collection of Photographic Portraits
News & Education Between Memory and History: Kogoj’s Collection of Photographic Portraits and Honorary Charters, Glyptotheque of the Croatian Academy of Sciences and Arts, 16 March – 18 April 2021 Author: Martin Kuhar On March 16, 2021, exhibition Between Memory and History: photographic portraits of eminent international dermatologists Kogoj’s Collection of Photographic Portraits and Honorary Char- that Kogoj kept in his office, and a collection of diplomas and ters was opened in Glyptotheque of the Croatian Academy of Sci- charters that testifies Kogoj’s international reputation. In front of ences and Arts (CASA). The exhibition is the brainchild of Mrs. us, therefore, is a less-known world of Kogoj’s international con- Silvija Brkić Midžić, Director of the Croatian Museum of Medi- nections and social networks, a facebook of global dermatology. cine and Pharmacy CASA, and Prof. Stella Fatović-Ferenčić, Di- Although the portraits are dated from 1931 to 1976, they provide rector of the Institute for the History and Philosophy of Science a penetrating insight into the history of dermatovenerology from CASA and Deputy Head of the Museum, made in collaboration the end of the 19th well into the second half of the 20th century. with the Department of Dermatovenerology, University Hospital Center Zagreb and School of Medicine, University of Zagreb. Kogoj’s contribution to dermatovenerology was the topic of a number of publications, while his work inspired a plethora of The exhibition was opened in front of twenty guests in the court- Croatian dermatovenerologists. Still, Kogoj’s material heritage yard of the Gyptotheque under strict epidemiological measures. had insofar not been in the focus of researchers exploring the his- The moderator of the ceremonial part of the opening was Mrs. -
Nina Kurtela CV Born 1981, Zagreb, Croatia [email protected] +385989827563
Nina Kurtela CV Born 1981, Zagreb, Croatia www.ninakurtela.com [email protected] +385989827563 Nina Kurtela is a visual artist and a dance maker who works with choreographic and site-specific practices. While questioning notions of immaterial labor, identity, belonging and home, trough her performance and time-based art practice, she is interested in duration, dedication, daily practice, presence and matter of chance. She creates works across wide range of forms; namely video, installation, performance, choreography and dance. Her work is presented internationally in a variety of contexts – in museums and galleries, theater and dance festivals, and in public space. She is a founder of Zagreb based art organization Jagoda – practice and research based platform for opening up new fields of communication and exchange through innovative art practices. Education 2007 - 2010 Contemporary Dance, Context, Choreography – Pilot project at UdK and HZT Berlin, DE 2001 - 2007 Diploma (equivalent to MFA) in Visual Arts of Academy of Fine Arts Zagreb, HR Residencies 2020 Amant Sienna Residency, Chiusure, Sienna, IT 2018 Q21 Artist-in-Residency, MuseumsQuartier, Vienna, AT 2018 Cite internationale des arts, Paris, FR 2016 THAV, Artist in Residence Program, Taipei, TW 2013 HIAP, Artist in Residence Program, Helsinki, FI 2013 GeoAIR, Artist in Residence Program, Tbilisi, GE 2012 CEC ArtsLink, Artist in Residence Program, Portland, Oregon, US 2011 KulturKontakt Austria, Artist in Residence Program, Vienna, AT 2010 ARL Lazareti, Artist in Residence Program, -
'Vila Bana Zvala Priko Vrana'
MJESEČNA REVIJA HRVATSKE MATICE ISELJENIKA BROJ / NO. 3 MONTHLY MAGAZINE OF THE CROATIAN HERITAGE FOUNDATION OŽUJAK / MARCH 2011. ‘Vila bana zvala priko Vrana’ HMI: Predstavljena monografija o tradicijskoj odjeći, pjesmama i plesovima Hrvata u BiH ISSN 1330-2140 ISSN PromocijaPrP omocija HrHrvatskogvatskog Hajduk spektakularno Mirko Vidačković istaknuti iseljeničkog zbornika proslavio 100. rođendan Hrvat iz Waiblingena Matica 03_2011.indd 1 08.03.2011. 12:33 Mjesečna revija HRVATSKE MATICE ISELJENIKA / Monthly magazine of the Posjetite stranice web portala Croatian Heritage Foundation Hrvatske matice iseljenika! Godište / Volume LXI Broj / No. 3/2011 Nakladnik / Publisher Web stranice Hrvatska matica iseljenika / Croatian Heritage Foundation HMI čitaju se Za nakladnika / For Publisher Katarina Fuček diljem Glavni urednik / Chief Editor svijeta, Hrvoje Salopek dostupne su na Uredništvo / Editorial Staff Željka Lešić, Vesna Kukavica tri jezika Tajnica / Secretary (hrvatski, Snježana Radoš engleski, Dizajn i priprema / Layout & Design Krunoslav Vilček španjolski) Tisak / Print: i bilježe Vjesnik, Zagreb stalan porast posjećenosti. HRVATSKA MATICA ISELJENIKA Trg Stjepana Radića 3, pp 241 10002 Zagreb, Hrvatska / Croatia Telefon: +385 (0)1 6115-116 Telefax: +385 (0)1 6110-933 www.matis.hr MJESEČNA REVIJA HRVATSKE MATICE ISELJENIKA BROJ / NO. 3 MONTHLY MAGAZINE OF THE CROATIAN HERITAGE FOUNDATION OŽUJAK / MARCH 2011. Budite korak ispred ostalih i predstavite se hrvatskim iseljeničkim zajednicama, uglednim poslovnim Hrvatima u svijetu i njihovim partnerima. ‘Vila bana zvala priko Vrana’ HMI: Predstavljena monografija o tradicijskoj odjeći, pjesmama i plesovima Hrvata u BiH Oglašavajte na web portalu ISSN 1330-2140 ISSN Hrvatske matice iseljenika! PromocijaPromociPijja Hrvatskog Hrvatskog Hajduk spektakularno Mirko Vidačković istaknuti Internet marketing HMI osmislio je nekoliko načina oglašavanja: iseljeničkog zbornika proslavio 100. -
Croatian Painting and Art Criticism in the Period of Socialist Realism: Theory Vs
1 INTERNATIONAL CONFERENCE ART AND POLITICS IN EUROPE IN THE MODERN PERIOD Faculty of Humanities and Social Sciences University of Zagreb Ivana Lučića 3, 10000 Zagreb, Croatia 29 June 2016 − 2 July 2016 ORGANIZER Faculty of Humanities and Social Sciences University of Zagreb SCIENTIFIC COMMITTEE Igor Borozan, University of Belgrade Rajka Bračun Sova, Ljubljana Nadežda Čačinovič, University of Zagreb Simona Čupić, University of Belgrade Frano Dulibić, University of Zagreb Iskra Iveljić, University of Zagreb Franci Lazarini, University of Maribor − France Sterle Institute of Art History, Ljubljana Zvonko Maković, Croatian Society of Art Historians, Zagreb ORGANIZING COMMITTEE Dragan Damjanović, University of Zagreb Lovorka Magaš Bilandžić, University of Zagreb Željka Miklošević, University of Zagreb ORGANIZING COMMITTEE ASSISTANTS Marija Perkec Patricia Počanić STUDENT VOLUNTEERS Ana Aljinović Buga Klara Blanuša Ivana Čvek Karla Hamžik Ileana Kurtović Petra Rukelj Rafaela Tassoti This conference has been partially supported by Croatian Science Foundation under the project 4153 Croatia and Central Europe: Art and Politics in the Late Modern Period (1780-1945). Art and Politics in Europe in the Modern Period 29 June – 2 July 2016, Zagreb, Croatia Faculty of Humanities and Social Sciences, University of Zagreb Programme and book of abstracts Art and Politics in Europe in the Modern Period he position and status of art and artist changed considerably in Europe in the modern period, primarily with the formulation of the concept of artistic genius and Tthe new division of labour that separated artists from artisans. Those dealing with art were looked upon as individuals possessing an extraordinary talent that transcended mere skill. Regardless of this new individuality, artistic genius cannot be equated with complete autonomy. -
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ZAGREB UNIVERSITY ACADEMY OF FINE ARTS ZAGREB, Ilica 85 CURRICULUM OF THE POSTGRADUATE COURSE LEADING TO A DOCTORATE OF ART (SCULPTURE) AT THE ACADEMY OF FINE ARTS (Curriculum designed by Professor Stjepan Gračan) Zagreb, 2005. CURRICULUM OF THE POSTGRADUATE COURSE LEADING TO A DOCTORATE OF ART (SCULPTURE) AT THE ACADEMY OF FINE ARTS 1. INTRODUCTION The Academy of Fine Arts in Zagreb was able from its foundation in 1907 to keep up with the imperatives of the time and is doing the same thing at the present time in the organisation of its departments of postgraduate doctoral courses. For several decades (1922-1968), the Sculpture Department had a two year postgraduate study course supervised by the leading Croatian sculptors and teachers of sculpting – Ivan Meštrović, Antun Augustinčić and Fran Kršinić. These opportunities for further studies in the past certainly contributed to the high achievements made by Croatian sculpture. In these facts lies the underpinning for the re-opening of the postgraduate art course in sculpture. At the Sculpture Department, the postgraduate course leading to a doctorate of art provides the highest level of qualification in the whole of contemporary sculptural education, enabling for the most gifted students both the mastery of new knowledge and skills and the further development of their creativity, perceptiveness and artistic individuality in the context of contemporary fine arts creativity. The course is conceived in terms of criteria of excellence, as a creative fusion of visual arts practice and theory, and is comparable with the curricula of the postgraduate schools in the fine arts academies in Poland, Slovakia and Slovenia, which implies then a kinship with most of the other fine arts academies in the other countries of the EU.