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Grad Zagreb (01)
ADRESARI GRAD ZAGREB (01) NAZIV INSTITUCIJE ADRESA TELEFON FAX E-MAIL WWW Trg S. Radića 1 POGLAVARSTVO 10 000 Zagreb 01 611 1111 www.zagreb.hr 01 610 1111 GRADSKI URED ZA STRATEGIJSKO PLANIRANJE I RAZVOJ GRADA Zagreb, Trg Stjepana Radića 1/II 01 610 1575 610-1292 [email protected] www.zagreb.hr [email protected] 01 658 5555 01 658 5609 GRADSKI URED ZA POLJOPRIVREDU I ŠUMARSTVO Zagreb, Avenija Dubrovnik 12/IV 01 658 5600 [email protected] www.zagreb.hr 01 610 1111 01 610 1169 GRADSKI URED ZA PROSTORNO UREĐENJE, ZAŠTITU OKOLIŠA, Zagreb, Trg Stjepana Radića 1/I 01 610 1168 IZGRADNJU GRADA, GRADITELJSTVO, KOMUNALNE POSLOVE I PROMET 01 610 1560 01 610 1173 [email protected] www.zagreb.hr 1.ODJEL KOMUNALNOG REDARSTVA Zagreb, Trg Stjepana Radića 1/I 01 61 06 111 2.DEŽURNI KOMUNALNI REDAR (svaki dan i vikendom od 08,00-20,00 sati) Zagreb, Trg Stjepana Radića 1/I 01 61 01 566 3. ODJEL ZA UREĐENJE GRADA Zagreb, Trg Stjepana Radića 1/I 01 61 01 184 4. ODJEL ZA PROMET Zagreb, Trg Stjepana Radića 1/I 01 61 01 111 Zagreb, Ulica Republike Austrije 01 610 1850 GRADSKI ZAVOD ZA PROSTORNO UREĐENJE 18/prizemlje 01 610 1840 01 610 1881 [email protected] www.zagreb.hr 01 485 1444 GRADSKI ZAVOD ZA ZAŠTITU SPOMENIKA KULTURE I PRIRODE Zagreb, Kuševićeva 2/II 01 610 1970 01 610 1896 [email protected] www.zagreb.hr GRADSKI ZAVOD ZA JAVNO ZDRAVSTVO Zagreb, Mirogojska 16 01 469 6111 INSPEKCIJSKE SLUŽBE-PODRUČNE JEDINICE ZAGREB: 1)GRAĐEVINSKA INSPEKCIJA 2)URBANISTIČKA INSPEKCIJA 3)VODOPRAVNA INSPEKCIJA 4)INSPEKCIJA ZAŠTITE OKOLIŠA Zagreb, Trg Stjepana Radića 1/I 01 610 1111 SANITARNA INSPEKCIJA Zagreb, Šubićeva 38 01 658 5333 ŠUMARSKA INSPEKCIJA Zagreb, Zapoljska 1 01 610 0235 RUDARSKA INSPEKCIJA Zagreb, Ul Grada Vukovara 78 01 610 0223 VETERINARSKO HIGIJENSKI SERVIS Zagreb, Heinzelova 6 01 244 1363 HRVATSKE ŠUME UPRAVA ŠUMA ZAGREB Zagreb, Kosirnikova 37b 01 376 8548 01 6503 111 01 6503 154 01 6503 152 01 6503 153 01 ZAGREBAČKI HOLDING d.o.o. -
Historical Development, Sound Aesthetics and Production Techniques of Metal’S Distorted Electric Guitar
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Huddersfield Repository Historical development, sound aesthetics and production techniques of metal’s distorted electric guitar Jan-Peter Herbst Abstract The sound of the distorted electric guitar is particularly important for many metal genres. It contributes to the music’s perception of heaviness, serves as a distinguishing marker, and is crucial for the power of productions. This article aims to extend the research on the distorted metal guitar and on metal music production by combining both fields of interest. By the means of isolated guitar tracks of original metal recordings, 10 tracks in each of the last five decades served as sample for a historical analysis of metal guitar aesthetics including the aspects tuning, loudness, layering and spectral composition. Building upon this insight, an experimental analysis of 287 guitar recordings explored the effectiveness and effect of metal guitar production techniques. The article attempts to provide an empirical ground of the acous- tics of metal guitar production in order to extend the still rare practice-based research and metal-ori- ented production manuals. Keywords: guitar, distortion, heaviness, production, history, aesthetics Introduction With the exception of genres like black metal that explicitly value low-fidelity aesthetics (Ha- gen 2011; Reyes 2013), the powerful effect of many metal genres is based on a high production quality. For achieving the desired heaviness, the sound of the distorted electric guitar is partic- ularly relevant (Mynett 2013). Although the guitar’s relevance as a sonic icon and its function as a distinguishing marker of metal’s genres have not changed in metal history (Walser 1993; Weinstein 2000; Berger and Fales 2005), the specific sound aesthetics of the guitar have varied substantially. -
Framing Croatia's Politics of Memory and Identity
Workshop: War and Identity in the Balkans and the Middle East WORKING PAPER WORKSHOP: War and Identity in the Balkans and the Middle East WORKING PAPER Author: Taylor A. McConnell, School of Social and Political Science, University of Edinburgh Title: “KRVatska”, “Branitelji”, “Žrtve”: (Re-)framing Croatia’s politics of memory and identity Date: 3 April 2018 Workshop: War and Identity in the Balkans and the Middle East WORKING PAPER “KRVatska”, “Branitelji”, “Žrtve”: (Re-)framing Croatia’s politics of memory and identity Taylor McConnell, School of Social and Political Science, University of Edinburgh Web: taylormcconnell.com | Twitter: @TMcConnell_SSPS | E-mail: [email protected] Abstract This paper explores the development of Croatian memory politics and the construction of a new Croatian identity in the aftermath of the 1990s war for independence. Using the public “face” of memory – monuments, museums and commemorations – I contend that Croatia’s narrative of self and self- sacrifice (hence “KRVatska” – a portmanteau of “blood/krv” and “Croatia/Hrvatska”) is divided between praising “defenders”/“branitelji”, selectively remembering its victims/“žrtve”, and silencing the Serb minority. While this divide is partially dependent on geography and the various ways the Croatian War for Independence came to an end in Dalmatia and Slavonia, the “defender” narrative remains preeminent. As well, I discuss the division of Croatian civil society, particularly between veterans’ associations and regional minority bodies, which continues to disrupt amicable relations among the Yugoslav successor states and places Croatia in a generally undesired but unshakable space between “Europe” and the Balkans. 1 Workshop: War and Identity in the Balkans and the Middle East WORKING PAPER Table of Contents Abstract ................................................................................................................................................................... -
Hellozagreb5.Pdf
v ro e H s B o Šilobodov a u r a b a v h Put o h a r r t n e e o i k ć k v T T c e c a i a i c k Kozarčeve k Dvor. v v W W a a a Srebrnjak e l Stube l St. ć č Krležin Gvozd č i i s ć Gajdekova e k Vinogradska Ilirski e Vinkovićeva a v Č M j trg M l a a a Zamen. v č o e Kozarčeva ć k G stube o Zelengaj NovaVes m Vončinina v Zajčeva Weberova a Dubravkin Put r ić M e V v Mikloušić. Degen. Iv i B a Hercegovačka e k Istarska Zv k u ab on ov st. l on ar . ić iće Višnjica . e va v Šalata a Kuhačeva Franje Dursta Vladimira Nazora Kožarska Opatička Petrova ulica Novakova Demetrova Voćarska Višnjičke Ribnjak Voćarsko Domjanićeva stube naselje Voćarska Kaptol M. Slavenske Lobmay. Ivana Kukuljevića Zamenhoova Mletač. Radićeva T The closest and most charming Radnički Dol Posil. stube k v Kosirnikova a escape from Zagreb’s cityŠrapčeva noise e Jadranska stube Tuškanac l ć Tuškanac Opatovina č i i is Samobor - most joyful during v ć e e Bučarova Jurkovićeva J. Galjufa j j Markov v the famous Samobor Carnival i i BUS r r trg a Ivana Gorana Kovačića Visoka d d andJ. Gotovca widely known for the cream Bosanska Kamenita n n Buntićeva Matoševa A A Park cake called kremšnita. Maybe Jezuitski P Pantovčak Ribnjak Kamaufova you will have to wait in line to a trg v Streljačka Petrova ulica get it - many people arrive on l Vončinina i Jorgov. -
Karamelo Santo ZMF Pressetext
Mittwoch 10.7.2013 Zirkuszelt Karamelo Santo KARAMELO SANTO, die wohl bekannteste argentinische Formation ihres Genres, wird uns ihren Sound aus LatinSka, Reggae, Cumbia, Rock und Punk um die Ohren hauen, dass es eine wahre Freude ist. Nach dem Release ihrer Live-CD/DVD „El Baile Oficial“ , einer Zeitreise durch die fast 20-jährige Bandgeschichte, die eindrücklich dokumentiert, was für ein Feuerwerk die Jungs aus Mendoza und Buenos Aires auf der Bühne entfachen, melden sie sich 2013 mit einem neuen, selbstbetitelten Album zurück. „Perfectos Idiotas“ nannten sie sich bei Bandgründung im Jahre 1993 – da waren sie noch in Mendoza ansässig, Liebhabern überseeischen Rebensaftes als Anbaugebiet guter Tropfen bestens bekannt. 1997 beziehen sie dann Quartier in La Boca, wo sie in der unmittelbaren Nachbarschaft des Boca Junior-Stadions fortan ein wuselndes Laboratorium für andere Bands betreiben und mit einem wilden panamerikanischen Worldrock-Mix auch das Konzept für ihre eigene Formation weiter entwickeln. Die verpasst sich bald süßsakrale Weihen und nennt sich KARAMELO SANTO, das “Heilige Bonbon” – eine Leckerei, die von Chile bis Mexiko viele Anhänger gewinnt. Nach zwei Alben schließlich der Quantensprung: 2000 eröffnen sie für Manu Chaos argentinische Konzerte und buchen Mr. Mestizo gleich für ihre nächste Scheibe. Der Rest ist Geschichte: Jahr für Jahr produzieren die umtriebigen Argentinier ein neues Album und widerlegen das Klischee, dass alles, was in der Kapitale nahe am Wasser baut, mit Tango getränkt sein muss. Mit ihrer Mischung aus politischen Texten, extrem tanzbarem Sound und einer so sympathischen wie mitreißenden Liveshow erobern sie sich stückchenweise auch in Europa eine treue Fangemeinde. Nach den grandiosen Festivalauftritten der letzten Jahre in ganz Europa (u.a. -
Guide for Expatriates Zagreb
Guide for expatriates Zagreb Update: 25/05/2013 © EasyExpat.com Zagreb, Croatia Table of Contents About us 4 Finding Accommodation, 49 Flatsharing, Hostels Map 5 Rent house or flat 50 Region 5 Buy house or flat 53 City View 6 Hotels and Bed and Breakfast 57 Neighbourhood 7 At Work 58 Street View 8 Social Security 59 Overview 9 Work Usage 60 Geography 10 Pension plans 62 History 13 Benefits package 64 Politics 16 Tax system 65 Economy 18 Unemployment Benefits 66 Find a Job 20 Moving in 68 How to look for work 21 Mail, Post office 69 Volunteer abroad, Gap year 26 Gas, Electricity, Water 69 Summer, seasonal and short 28 term jobs Landline phone 71 Internship abroad 31 TV & Internet 73 Au Pair 32 Education 77 Departure 35 School system 78 Preparing for your move 36 International Schools 81 Customs and import 37 Courses for Adults and 83 Evening Class Passport, Visa & Permits 40 Language courses 84 International Removal 44 Companies Erasmus 85 Accommodation 48 Healthcare 89 2 - Guide for expats in Zagreb Zagreb, Croatia How to find a General 90 Practitioner, doctor, physician Medicines, Hospitals 91 International healthcare, 92 medical insurance Practical Life 94 Bank services 95 Shopping 96 Mobile Phone 99 Transport 100 Childcare, Babysitting 104 Entertainment 107 Pubs, Cafes and Restaurants 108 Cinema, Nightclubs 112 Theatre, Opera, Museum 114 Sport and Activities 116 Tourism and Sightseeing 118 Public Services 123 List of consulates 124 Emergency services 127 Return 129 Before going back 130 Credit & References 131 Guide for expats in Zagreb - 3 Zagreb, Croatia About us Easyexpat.com is edited by dotExpat Ltd, a Private Company. -
Vladimir-Peter-Goss-The-Beginnings
Vladimir Peter Goss THE BEGINNINGS OF CROATIAN ART Published by Ibis grafika d.o.o. IV. Ravnice 25 Zagreb, Croatia Editor Krešimir Krnic This electronic edition is published in October 2020. This is PDF rendering of epub edition of the same book. ISBN 978-953-7997-97-7 VLADIMIR PETER GOSS THE BEGINNINGS OF CROATIAN ART Zagreb 2020 Contents Author’s Preface ........................................................................................V What is “Croatia”? Space, spirit, nature, culture ....................................1 Rome in Illyricum – the first historical “Pre-Croatian” landscape ...11 Creativity in Croatian Space ..................................................................35 Branimir’s Croatia ...................................................................................75 Zvonimir’s Croatia .................................................................................137 Interlude of the 12th c. and the Croatia of Herceg Koloman ............165 Et in Arcadia Ego ...................................................................................231 The catastrophe of Turkish conquest ..................................................263 Croatia Rediviva ....................................................................................269 Forest City ..............................................................................................277 Literature ................................................................................................303 List of Illustrations ................................................................................324 -
Zagreb Winter 2016/2017
Maps Events Restaurants Cafés Nightlife Sightseeing Shopping Hotels Zagreb Winter 2016/2017 Trešnjevka Where wild cherries once grew Go Gourmet A Croatian feast Shopping Cheat Sheet Find your unique item N°86 - complimentary copy zagreb.inyourpocket.com Festive December Contents in Ljubljana ESSENTIAL CITY G UIDES Foreword 4 Sightseeing 46 A word of welcome Snap, camera, action Arrival & Getting Around 6 Zagreb Pulse 53 We unravel the A to Z of travel City people, city trends Zagreb Basics 12 Shopping 55 All the things you need to know about Zagreb Ready for a shopping spree Trešnjevka 13 Hotels 61 A city district with buzz The true meaning of “Do not disturb” Culture & Events 16 List of Small Features Let’s fill up that social calendar of yours Advent in Zagreb 24 Foodie’s Guide 34 Go Gourmet 26 Festive Lights Switch-on Event City Centre Shopping 59 Ćevap or tofu!? Both! 25. Nov. at 17:15 / Prešernov trg Winter’s Hot Shopping List 60 Restaurants 35 Maps & Index Festive Fair Breakfast, lunch or dinner? You pick... from 25. Nov. / Breg, Cankarjevo nabrežje, Prešernov in Kongresni trg Street Register 63 Coffee & Cakes 41 Transport Map 63 What a pleasure City Centre Map 64-65 St. Nicholas Procession City Map 66 5. Dec. at 17:00 / Krekov trg, Mestni trg, Prešernov trg Nightlife 43 Bop ‘till you drop Street Theatre 16. - 20. Dec. at 19:00 / Park Zvezda Traditional Christmas Concert 24. Dec. at 17:00 / in front of the Town Hall Grandpa Frost Proccesions 26. - 30. Dec. at 17:00 / Old Town New Year’s Eve Celebrations for Children 31. -
Report on Zagreb Museums
REPORT ZAGREB MUSEUMS SUFFER HEAVY DAMAGES IN THE RECENT EARTHQUAKE THAT HIT THE CITY DURING THE COVID-19 PANDEMIC RESTRICTIONS When disasters strike, we are always reminded how emergency preparedness is a crucial procedure that every institution has to take care about. We are also reminded how vulnerable we are and how fragile our heritage is. Only a month ago the international conference on risk management held in Dubrovnik and organised by the Ministry of Culture within the Croatian EU presidency showed numerous threats, including those for museums, that have to be addressed by authorities and experts showed what should be done to reduce existing risks. However, when a real thing occurs, we can testify how poorly we are prepared. All the weaknesses became obvious and we can clearly see what the biggest challenges are and what a long-lasting neglect to invest in prevention can do. A strong 5.5 magnitude earthquake hit Zagreb at 6.24 on Sunday, March 22nd 2020. Luckily the streets of Croatia’s capital were empty and all institutions closed thus human casualties were avoided except a 15-year old girl who died from severe injuries caused by falling objects. Only a few seconds transformed the historic centre of Zagreb. Fallen facades and chimneys, damaged roofs, crashed vehicles that were parked on the streets were piling on a demolished property-lists. The town centre, which is home to many Croatian museums, was hit in the worst way. Buildings with poor construction could not resist the earthquake in spite that the magnitude was not the highest. -
CRAFT BREWERY Cheers! = Zheev-Yell-Ee! Imagine
FOOD&DRINK THINGS2DO THINGS2SEE HOTELS&HOSTELS 1 Kaptol 12 1 1 Zagrebački neboder 1 RESTAURANT CONTE KARTING ARENA +385 1 778 75 34 Zagreb 360° HOTEL GALLUS 01/4899254, 099 3039111 Ilica 1a Brestovečka cesta 2, Sesvete, -10% www.karting-arena.com Zagreb Eye viewpoint th -10% www.restaurant-conte.hr 16 floor 01/2027 147 Zagrebački Velesajam, Entrance east 3 [email protected] WITH COUPON The viewpoint and the bar are located at the Jelačić WITH COUPON Rooms at hotel Gallus are newly renovated with Did you know that Zagreb has the largest indoor square, Ilica 1a, on the 16th floor - on top of Zagreb's Next to the Cathedral, in the city center, restaurant elegant furnishing and functional desk, an integrated karting track in this part of Europe? Karting Arena skyscraper. The viewpoint provides a unique view on the Conte offers high-quality fish specialties and up-to- flat–screen TV and free parking, safebox, elegant Zagreb is the biggest professional go-kart track in the main square, Cathedral, Upper and Lower Town and other date preparation and service. You can also eat some bathrooms with cosmetic accessories. All rooms have region. Feel like a profesional F1 driver !!! most important cultural and historical architectures of of our exquisite meat dishes. The restaurant has a smoke detectors and emergency system. A bar and “Best rated attraction in Zagreb - Lifetime experience” Zagreb, its squares, streets and parks. It is open 365 days parking area, and it is also suitable for groups. restaurant is at guests disposal at Gallus Hotel and all /// only 1 km from city center /// per year from 10am to 12pm. -
Zagrebact HOLDING D.O.O., Zagreb
ZAGREBaCT HOLDING d.o.o., Zagreb Unconsolidated fi nancial statements For the year ended 31 December 2012 Together with Independent Auditor's Reporl 一一 〕 Contents 〕 P 一 〕 a9 e for the unconsolidated financial statements 1´ lndependent Auditor's Report 2‐ 4 〕 Unconsolidated Statement of Comprehensive lncome 5 一 一 Unconsolidated statement of financial position 6-7 Unconsolidated statement of changes in shareholders' equity 8 Unconsolidated statement of cash flows 9-10 一 〕 Notes to the unconsolidated financial statements 11-114 】 . 〕一 ) ・】 ヽ 一 ^ 一 、 一 二 一 一 十 一 ( 一 Responsibility for the unconsolidated financial statements Pursuant to the applicable Accounting Act of the Republic of Croatia, the Management Board is responsible for ensuring that financial statements are prepared for each financial year in accordance with lnternational Financial Reporting Standards ("the lFRSs") as published by the lnternational Accounting Standards Board ("|ASB"), which give a true and fair view of the financial position and results of operations of the Company for that period. After making enquiries, the Management Board has a reasonable expectation that the Company has adequate resources to continue in operational existence for the foreseeable future. For this reason, the Management Board continues to adopt the going concern basis in preparing the unconsolidated financial statements. ln preparing those unconsolidated financial statements, the responsibilities of the Management Board of Company include ensuring that: . suitable accounting policies are selected and then applied consistently; . judgments and estimates are reasonable and prudent; . applicable accounting standards are followed, subject to any material departures disclosed and explained in the consolidated financial statements; and . the financial statements are prepared on the going concern basis unless it is inappropriate to presume that the Company will continue in business. -
The Ban's Mana
Cultural Studies ISSN: (Print) (Online) Journal homepage: https://www.tandfonline.com/loi/rcus20 The Ban’s mana: post-imperial affect and public memory in Zagreb Jeremy F. Walton To cite this article: Jeremy F. Walton (2020): The Ban’s mana: post-imperial affect and public memory in Zagreb, Cultural Studies, DOI: 10.1080/09502386.2020.1780285 To link to this article: https://doi.org/10.1080/09502386.2020.1780285 © 2020 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 16 Jun 2020. Submit your article to this journal Article views: 134 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcus20 CULTURAL STUDIES https://doi.org/10.1080/09502386.2020.1780285 The Ban’s mana: post-imperial affect and public memory in Zagreb Jeremy F. Walton Max Planck Institute for the Study of Religious and Ethnic Diversity, Göttingen, Germany ABSTRACT How might scholars of public memory approach the protean relationship among imperial legacies, nationalized collective memories and urban space from an ‘off-center’ perspective? In this essay, I pursue this question in relation to a monument whose political biography traverses, and troubles, the distinction between imperial and national times, sentiments, and polities. The statue in question is that of Ban Josip Jelačić, a nineteenth Century figure who was both a loyal servant of the Habsburg Empire and a personification of nascent Croatian and South Slavic national aspirations. Jelačić’s monument was erected in Zagreb’s central square in 1866, only seven years following his death; in the heady political context of the Dual Monarchy, his apotheosis as a figure of regional rebellion caused consternation on the part of the Hungarian authorities.