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Subtitling and Dubbing Songs in Musical Films
SUBTITLING AND DUBBING SONGS IN MUSICAL FILMS FECHA DE RECEPCIÓN: 4 de marzo FECHA DE APROBACIÓN: 17 de abril Por: Pp. 107-125. Martha García Gato Abstract Audiovisual translation (AVT) is a type of translation subjected to numerous constraints. Until now, many studies have been carried out about subtitling and dubbing in films. In musical films, which have been less studied, language transfer is mainly made through songs and, due to their characteristics, their translation is additionally constrained. This article provides some insights into some elements that make translation of songs for dubbing and subtitling a complex task using songs from the musical film My Fair Lady. Keywords Subtitling, Dubbing, Musicals, Translation, My Fair Lady. Comunicación, Cultura y Política Revista de Ciencias Sociales Subtitling and Dubbing Songs in Musical Films Resumen La traducción audiovisual (AVT) es un campo de la traducción sujeto a numerosos condicionantes. Hasta la fecha se han desarrollado múltiples estudios sobre la subtitulación y el doblaje de películas. En los musicales, menos estudiados, la transferencia lingüística recae en gran medida en las canciones y, por sus características, su traducción está sujeta a limitaciones adicionales. El presente artículo proporciona un análisis sobre algunos elementos que hacen de la traducción de las canciones para subtitular y doblar musicales una labor compleja, usando como ejemplo el musical My Fair Lady. Palabras clave Subtitulación, doblaje, musicales, traducción. 108 109 Martha García Vol.4-No.1:Enero-Junio de 2013 Introduction use of DVDs as one of the technologi- cal devises has benefited subtitling and The term ‘subtitling’ is used to refer dubbing; it is possible to watch films in to an activity which consists of adding the original version, with subtitles or printed words on a foreign film to trans- dubbed in different languages. -
Parodic Dubbing in Spain: Digital Manifestations of Cultural Appropriation, Repurposing and Subversion 1. Introduction Having Be
The Journal of Specialised Translation Issue 32 – July 2019 Parodic dubbing in Spain: digital manifestations of cultural appropriation, repurposing and subversion Rocío Baños, University College London ABSTRACT This paper sets out to explore the phenomenon of parodic dubbing by examining its origins and situating it in its current context. Parodic dubbing symbolises the union of two loathed but highly influential forms of artistic and cultural appropriation, used innovatively in the current digital era. The aim is also to investigate how parodic dubbing reflects the politics of audiovisual translation in general, and of dubbing in particular, revealing similarities and divergences with official dubbing practices. This is done drawing on examples from two different Spanish parodic dubbings from an iconic scene from Pulp Fiction (Tarantino 1994). Throughout this work, theoretical perspectives and notions through which parodic dubbing can be examined (among others, rewriting, ideological manipulation, cultural and textual poaching, participatory culture or fandubbing) are presented, framing this phenomenon in the current discussion of fan practices and participatory culture, and drawing on theoretical perspectives and notions developed within Translation Studies and Media Studies. The investigation of the relationship between parodic dubbing, translation and subversion has illustrated that this and other forms of cultural appropriation and repurposing challenge our traditional understanding of notions such as originality, authorship and fidelity. In addition, it has revealed how such practices can be used as a site of experimentation and innovation, as well as an ideological tool. KEYWORDS Parodic dubbing, fundubbing, fandubbing, subversion, cultural appropriation. 1. Introduction Having been both praised and demonised by some scholars, intellectuals, viewers and film directors (see for instance the discussion in Yampolsky 1993 or in Nornes 2007), dubbing rarely escapes controversy. -
MELHOR FILME 127 HOURS Christian Colson, Danny Boyle
MELHOR FILME 127 HOURS Christian Colson, Danny Boyle, John Smithson BLACK SWAN Mike Medavoy, Arnold Messer, Brian Oliver, Scott Franklin GREENBERG Scott Rudin, Jennifer Jason Leigh THE KIDS ARE ALL RIGHT Gary Gilbert, Jeffrey Levy-Hinte, Celine Rattray, Jordan Horowitz, Daniela Taplin Lundberg, Philippe Hellmann WINTER´S BONE Alix Madigan-Yorkin, Anne Rosellini MELHOR DIRETOR DARREN ARONOFSKY Black Swan DANNY BOYLE 127 Hours LISA CHODOLENKO The Kids are all right DEBRA GRANIK Winter´s Bone JOHN CAMERON MITCHELL Rabbit Hole MELHOR PRIMEIRO FILME EVERYTHING STRANGE AND NEW Frazer Bradshaw, Laura Techera Francia, A.D Liano GET LOW Aaron Schneider, Dean Zanuck, David Gundlach THE LAST EXORCISM Daniel Stamm, Eric Newman, Eli Roth, Marc Abraham, Thomas A. Bliss NIGHT CATCHES US Tanya Hamilton, Ronald Simons, Sean Costello, Jason Orans TINY FURNITURE Lena Dunham, Kyle Martin, Alicia Van Couvering PREMIO JOHN CASSAVETES DADDY LONGLEGS Josh Safdie, Benny Safdie, Casey Neistat, Tom Scott THE EXPLODING GIRL Bradley Rust Gray, So Yong Kim, Karin Chien, Ben Howe LBS Matthew Bonifacio, Carmine Famiglietti LOVERS OF HATE Bryan Poyser, Megan Gilbride OBSELIDIA Diane Bell, Chris Byrne, Matthew Medlin MELHOR ROTEIRO LISA CHOLODENKO, STUART BLUMBERG The Kids are all right DEBRA GRANIK, ANNE ROSELLINI Winter´s Bone NICOLE HOLOFCENER Please Give DAVID LINDSAY-ABAIRE Rabbit Hole TODD SOLONDZ Life during wartime MELHOR PRIMEIRO ROTEIRO DIANE BELL Obselidia LENA DUNHAM Tiny Furniture NIK FACKLER Lovely, Still ROBERT GLAUDINI Jack goes boating DANA ADAM SHAPIRO, EVAN M. WIENER Monogamy MELHOR ATRIZ ANNETTE BENING The Kids are all right GRETA GERWIG Greenberg NICOLE KIDMAN Rabbit Hole JENNIFER LAWERENCE Winter´s Bone NATALIE PORTMAN Black Swan MICHELLE WILLIAMS Blue Valentine MELHOR ATOR RONALD BRONSTEIN Daddy Longlegs AARON ECKHART Rabbit Hole JAMES FRANCO 127 Hours JOHN C. -
Theaters 3 & 4 the Grand Lodge on Peak 7
The Grand Lodge on Peak 7 Theaters 3 & 4 NOTE: 3D option is only available in theater 3 Note: Theater reservations are for 2 hours 45 minutes. Movie durations highlighted in Orange are 2 hours 20 minutes or more. Note: Movies with durations highlighted in red are only viewable during the 9PM start time, due to their excess length Title: Genre: Rating: Lead Actor: Director: Year: Type: Duration: (Mins.) The Avengers: Age of Ultron 3D Action PG-13 Robert Downey Jr. Joss Whedon 2015 3D 141 Born to be Wild 3D Family G Morgan Freeman David Lickley 2011 3D 40 Captain America : The Winter Soldier 3D Action PG-13 Chris Evans Anthony Russo/ Jay Russo 2014 3D 136 The Chronicles of Narnia: The Voyage of the Dawn Treader 3D Adventure PG Georgie Henley Michael Apted 2010 3D 113 Cirque Du Soleil: Worlds Away 3D Fantasy PG Erica Linz Andrew Adamson 2012 3D 91 Cloudy with a Chance of Meatballs 2 3D Animation PG Ana Faris Cody Cameron 2013 3D 95 Despicable Me 3D Animation PG Steve Carell Pierre Coffin 2010 3D 95 Despicable Me 2 3D Animation PG Steve Carell Pierre Coffin 2013 3D 98 Finding Nemo 3D Animation G Ellen DeGeneres Andrew Stanton 2003 3D 100 Gravity 3D Drama PG-13 Sandra Bullock Alfonso Cuaron 2013 3D 91 Hercules 3D Action PG-13 Dwayne Johnson Brett Ratner 2014 3D 97 Hotel Transylvania Animation PG Adam Sandler Genndy Tartakovsky 2012 3D 91 Ice Age: Continetal Drift 3D Animation PG Ray Romano Steve Martino 2012 3D 88 I, Frankenstein 3D Action PG-13 Aaron Eckhart Stuart Beattie 2014 3D 92 Imax Under the Sea 3D Documentary G Jim Carrey Howard Hall -
'2009 MTV Movie Awards' Honors Ben Stiller with 'MTV Generation Award'
'2009 MTV Movie Awards' Honors Ben Stiller With 'MTV Generation Award' Premiering LIVE Sunday, May 31, 2009 at 9pm ET/8pm CT From The Gibson Amphitheatre in Universal City, CA SANTA MONICA, Calif., May 22 -- The 2009 MTV Movie Awards pays tribute to Ben Stiller with the coveted "MTV Generation Award" for his amazing contribution to Hollywood and for entertaining the MTV audience for years. From generation to generation, Ben Stiller has kept fans rolling with laughter since bursting onto the scene in Reality Bites and his early film roles and cult classics such as There's Something About Mary, Meet the Parents, Dodgeball: A True Underdog Story, Tropic Thunder and now this summer's eagerly anticipated Night at the Museum: Battle at the Smithsonian in theaters May 22, 2009. The "MTV Generation Award" is the MTV Movie Awards' highest honor, acknowledging an actor who has captured the attention of the MTV audience throughout his or her career. Past recipients include Adam Sandler, Mike Myers, Tom Cruise and Jim Carrey. Hosted by Andy Samberg, the 2009 MTV Movie Awards will be broadcast LIVE from the Gibson Amphitheatre in Universal City, CA on Sunday, May 31st at 9p.m. ET/8p.m. CT. "From The Royal Tenenbaums to Zoolander, Ben is a comedic chameleon, able to make the leap between drama and full-out comedy while maintaining his own unique brand of subversive humor," said Van Toffler, President of MTV Networks Music/Logo/Film Group. "That versatility and talent has earned him legions of devoted fans over the years which makes him a perfect recipient for the 'MTV Generation Award.' Whether it's fighting a monkey in a museum or licking a decapitated head, nothing is ever off-limits for him and that's the type of warped creative vision and commitment MTV loves to reward." "I am honored to be getting the 'Generation Award,'" said Ben Stiller. -
275. – Part One
275. – PART ONE 275. Clifford (1994) Okay, here’s the deal: I don’t know you, you don’t know me, but if you are anywhere near a television right now I need you to stop whatever it is that you’re doing and go watch “Clifford” on HBO Max. This is another film that has a 10% score on Rotten Tomatoes which just leads me to believe that all of the critics who were popular in the nineties didn’t have a single shred of humor in any of their non-existent funny bones. I loved this movie when I was seven, and I love it even more when I’m thirty-three. It’s genius. Martin Short (who at the time was forty-four) plays a ten-year-old hyperactive nightmare child from hell. I mean it, this kid might actually be the devil. He is straight up evil, conniving, manipulative and all-told probably causes no less than ten million dollars-worth of property damage. And, again, the plot is so simple – he just wants to go to Dinosaur World. There are so many comedy films with such complicated plots and motivations for their characters, but the simplistic genius of “Clifford” is just this – all this kid wants on the entire planet is to go to Dinosaur World. That’s it. The movie starts with him and his parents on an plane to Hawaii for a business trip, and Clifford knows that Dinosaur Land is in Los Angeles, therefore he causes so much of a ruckus that the plane has to make an emergency landing. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Can Spoilers in Online Reviews Impact Viewer Enjoyment?
The University of Maine DigitalCommons@UMaine Honors College Spring 5-2020 Can Spoilers in Online Reviews Impact Viewer Enjoyment? Marshall Abbott Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Film and Media Studies Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. CAN SPOILERS IN ONLINE REVIEWS IMPACT VIEWER ENJOYMENT? by Marshall Abbott A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Media Studies) The Honors College University of Maine May 2020 Advisory Committee: Michael Grillo, Associate Professor of History of Art, Advisor Robert W. Glover, Associate Professor of Political Science and Honors Judith E. Rosenbaum, Assistant Professor of Media Studies Clinton Spaulding, Ph.D. Student and Instructor of Communication and Journalism Jennie Woodard, Lecturer in Honors ©2020 ABSTRACT Spoilers research has produced contradictory findings when it comes to the impact they have on enjoyment (Eden, Johnson, Udvardi, & Rosenbaum, 2019). The relationship varies based on viewers’ personality traits, the medium, as well as the genre. To answer these research questions, this study uses a naturalistic study featuring a horror film from 2003 called Gothika. The study used a convenience sampling of college-aged students, a population that commonly watches horror movies (Eden, Johnson, Udvardi, & Rosenbaum, 2019). I designed the study to consider different groups watching Gothika. The individuals were divided into two categories: those who read neutral spoiled reviews and those who read neutral unspoiled reviews. -
Get Ready to Laugh . .. Sacha Baron Cohen, Jason Bateman, Steve Carell, Tina Fey and Ben Stiller to Present on Oscar® Show
MEDIA CONTACT Toni Thompson [email protected] FEBRUARY 26,2010 FOR IMMEDIATE RELEASE GET READY TO LAUGH . .. SACHA BARON COHEN, JASON BATEMAN, STEVE CARELL, TINA FEY AND BEN STILLER TO PRESENT ON OSCAR® SHOW BEVERLY HILLS, CA - Comedic talents Sacha Baron Cohen, Jason Bateman, Steve Carell, Tina Fey and Ben Stiller will help bring laughs to the 82nd Academy Awards®, telecast producers Bill Mechanic and Adam Shankman announced. This will be the debut appearances for Baron Cohen and Bateman. Stiller has appeared on five previous Oscar telecasts, Carell has presented on three and Fey made her debut last year. Baron Cohen, who is known for creating outlandish characters, came to national attention in 2003 on the HBO series "Da Ali G Show," in which he played the title character. His film credits include "Talladega Nights: The Ballad of Ricky Bobby," "Borat Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan," "Sweeney Todd The Barber of Fleet Street" and "Bruno." Bateman is in the Oscar-nominated film "Up in the Air" and is attached to several upcoming projects. His other film credits include "Juno," "Forgetting Sarah Marshall," "Hancock" and "State of Play." He previously starred in the comedy cult hit "Arrested Development." Carell will be seen next in "Date Night" and recently completed work on "Despicable Me" and "Dinner for Schmucks." His other film credits include "The 40 Year-Old Virgin," "Evan Almighty," "Dan in Real Life" and "Get Smart." Fey came to prominence as a regular on "Saturday Night Live" and currently stars in, produces and writes for "30 Rock." She will be seen next opposite Carell in "Date Night." Her other film credits include "Mean Girls" and "Baby Mama." . -
Found in Translation: an Analysis of Popular American Film in Spain
Bowling Green State University ScholarWorks@BGSU Honors Projects Honors College Spring 5-6-2016 Found in Translation: An Analysis of Popular American Film in Spain Emily Dushek [email protected] Follow this and additional works at: https://scholarworks.bgsu.edu/honorsprojects Part of the American Popular Culture Commons, European Languages and Societies Commons, Other Film and Media Studies Commons, and the Other Spanish and Portuguese Language and Literature Commons Repository Citation Dushek, Emily, "Found in Translation: An Analysis of Popular American Film in Spain" (2016). Honors Projects. 272. https://scholarworks.bgsu.edu/honorsprojects/272 This work is brought to you for free and open access by the Honors College at ScholarWorks@BGSU. It has been accepted for inclusion in Honors Projects by an authorized administrator of ScholarWorks@BGSU. Found in Translation: An Analysis of Popular American Film in Spain Emily Dushek Double Major: Popular Culture and Spanish Bowling Green State University Spring 2016 Senior Capstone/Honors Project Instructor of Record: Dr. Rebecca Kinney Faculty Consultants: Dr. Heath Diehl and Dr. Nathan Richardson Dushek 1 Introduction: While studying abroad in Spain during the 2014-2015 school year, I ate comida1 with my host family nearly every single day. On days when my older host brother César was home, while we ate we would watch Los Simpson - the wildly popular Spanish-dubbed version of the classic American adult cartoon show. I noticed that the verbal jokes based on following the dialogue throughout the episode and/or including humorous and clever phrasing would appeal to César, but I favored the humor that was rooted in cultural context (such as mentioning a reference to American pop culture, a particular place in the states, or a piece of US history) which was often lost on my host brother. -
We Know These Are Difficult Times So We Thought We Would Create Something to Keep You Occupied
Activity Pack We know these are difficult times so we thought we would create something to keep you occupied. We hope it helps. Page 2 Quiz Page 3 Jokes Page 4 Word search and drawing challenge Page 5 Maths quiz and Poetry Page 6 Maze and word wheel Page 7 and 8 Read: Digging by Seamus Heaney and Caption competition Page 9 Create a picture Page 10 Colour Page 11 and 12 Name the character and actor quiz Page 13 Quiz answers Page 14 Maths quiz answers and maze solution Page 15 and 16 Name the character and actor quiz answers 1 Quiz Finish the saying It’s the eye of the __________ It went down like a lead ____________ The left hand doesn’t know what the right hand is__________ A legend in one’s own _________ Questions In terms of entertainment what does the acronym BAFTA mean? For which profession is Sir Charles Barry known? ‘Barnacle Bill the Sailor’ is the theme tune to which long running TV programme? As of 2021 which snooker player has scored the most century breaks in official tournament play? How many can you get? Name the Chinese Zodiac animals Name the 5 main family characters in the Simpsons Name the winning combinations in Bingo 2 Jokes Why do librarians hate tennis? Too much racket. You should always fear a pirate duck. He has the power to unleash the quackin. My dad told me his password is: MickeyMinnieGoofyDonaldPlutoHueyLouieDeweyDublin. Because he was told his password had to contain 8 characters and at least one Capital. -
A Translation Autopsy of Cormac Mccarthy's The
A TRANSLATION AUTOPSY OF CORMAC MCCARTHY’S THE SUNSET LIMITED IN SPANISH: LITERARY AND FILM CODA Michael Scott Doyle [T]he translation is not the work, but a path toward the work. —José Ortega y Gasset, “The Misery and Splendor of Translation,” 109 We now have the personal word of the author’s to be transformed into a personal word of the trans- lator’s. As always with translation, this calls for a choice among synonyms. —Gregory Rabassa, If This Be Treason: Translation and Its Dyscontents, 12–13 Glossary of the Codes Used S1 = the first Spanish TLT version to be analyzed = Y1,theliterary translation-in-progress S2 = the second Spanish TLT version to be analyzed = Y2, the final, published literary translation S3 = the third Spanish TLT version to be analyzed = the movie subtitles S4 = the fourth Spanish TLT version to be analyzed = the movie dubbing SLT-E = Source Language Text English (Translation from English) SLT-X = Source Language Text in X Language (Translation from Language X) TLT = Target Language Text TLT-S = Target Language Text Spanish (translation into Spanish) Y1 = Biopsy Stage of a Translation = the Translation-in-Progress (in the Process of Being Translated) Y2 = Autopsy Stage of a Translation = the Final Published Translation (Post-process of the Act of Translating, an Outcome of Y1) Introduction: From Biopsy to Autopsy The literary translation criticism undertaken in the Sendebar article “A Translation Biopsy of Cormac McCarthy’s The Sunset Limited in Spanish: Shadowing the Re-creative Process” antici- pates a postmortem