Premios Imanol Uribe
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
La Muerte De Mikel De Imanol Uribe (1984): País Vasco E Izquierda Abertzale En Los Años De La Transición
LA MUERTE DE MIKEL DE IMANOL URIBE (1984): PAÍS VASCO E IZQUIERDA ABERTZALE EN LOS AÑOS DE LA TRANSICIÓN Igor Barrenetxea Marañón Universidad del País Vasco El proceso de transición tiene en Euskadi algunos rasgos diferenciales. Ante todo, por el gran protagonismo alcanzado en los últimos años del franquismo por el nacionalismo violento, gracias a la presión creciente del terrorismo de ETA1 Introducción Todavía hemos de enfrentarnos cada día a la ingrata tarea de leer en la prensa los últimos sucesos sobre las acciones de ETA y las manifestaciones de la izquierda abertzale. Han transcurrido cincuenta años desde que naciera ETA y seguimos con el problema enquistado de sus acciones terroristas. Por eso, se necesita un esfuerzo para seguir comprendiendo mejor el presente y el pasado de una organización que, sin duda, ha marcado la historia de Euskadi en estas últimas décadas y de su grupo social de apoyo, la izquierda abertzale, que le ha permitido su continuidad en el tiempo. Aunque, habría que matizar, que una parte de la izquierda abertzale, se ha acabado por desmarcar de la violencia, naciendo así Aralar (2000). El cine es, sin duda, un revelador de esta historia, que tiende a ser minusvalorado en su contraanálisis de la sociedad2, y que supone acercarnos a otra fuente de estudio como es la imagen. En este sentido, este artículo pretende analizar a través de La muerte de Mikel los aspectos que nos facilitan una mejor comprensión de esta historia, desde la visión del nacionalismo radical, en sus mitos y rituales, que arranca en los primeros años de la Transición hasta el momento de la escritura de este artículo, ya que para la izquierda “la transición [vasca] no se ha dado”3. -
Uzun-Mirkova-Jul-Avgust-2021.Pdf
програм Југословенска кинотека ЈУЛ 2021 Узун Миркова 1, Сала МАКАВЕЈЕВ ЧЕТВРТАК 1. пројекција у 18.00 пројекција у 20.30 ЈУЛ БУЛЕВАР СУМРАКА АВАНТУРА (САД, 1950) (ИТА/ФРА, 1960) Sunset Boulevard L’avventura .................................................................................... .................................................................................... Улоге: Вилијем Холден Улоге: Габријеле Ферцети (William Holden), Глорија Свансон (Gabriele Ferzetti), (Gloria Swanson) Моника Вити (Monica Vitti) Режија: Били Вајлдер Режија: Микеланђело Антониони (Billy Wilder) (Michelangelo Antonioni) ПЕТАК 2. пројекција у 18.00 пројекција у 20.30 ЈУЛ КОНФОРМИСТА СЕДМИ ПЕЧАТ (ИТА/ФРА/НЕМ 1970) (ШВЕ, 1957) Il conformista Det sjunde inseglet .................................................................................... .................................................................................... Улоге: Жан Луј Трентињан Улоге: Макс фон Сидов (Jean Louis Trintignant), Стефанија (Max von Sidow), Гунар Сандрели (Stefania Sandrelli) Бјернстранд (Gunnar Björnstrand) Режија: Бернардо Бертолучи Режија: Ингмар Бергман (Bernardo Bertolucci) (Ingmar Bergman) СУБОТА 3. пројекција у 18.00 пројекција у 20.30 ЈУЛ САЊАРИ ГОЛИ У СЕДЛУ (ВБ/ФРА/ИТА, 2003) (САД, 1969) The Dreamers Easy Rider .................................................................................... .................................................................................... Улоге: Мајкл Пит (Michael Pitt), Улоге: Питер Фонда Луј Гарел (Louis Garrel) (Peter -
Spanish Videos Use the Find Function to Search This List
Spanish Videos Use the Find function to search this list Velázquez: The Nobleman of Painting 60 minutes, English. A compelling study of the Spanish artist and his relationship with King Philip IV, a patron of the arts who served as Velazquez’ sponsor. LLC Library – Call Number: SP 070 CALL NO. SP 070 Aguirre, The Wrath of God Director: Werner Herzog with Klaus Kinski. 1972, 94 minutes, German with English subtitles. A band of Spanish conquistadors travels into the Amazon jungle searching for the legendary city of El Dorado, but their leader’s obsessions soon turn to madness. LLC Library CALL NO. Look in German All About My Mother Director: Pedro Almodovar with Cecilia Roth, Penélope Cruz, Marisa Perdes, Candela Peña, Antonia San Juan. 1999, 102 minutes, Spanish with English subtitles. Pedro Almodovar delivers his finest film yet, a poignant masterpiece of unconditional love, survival and redemption. Manuela is the perfect mother. A hard-working nurse, she’s built a comfortable life for herself and her teenage son, an aspiring writer. But when tragedy strikes and her beloved only child is killed in a car accident, her world crumbles. The heartbroken woman learns her son’s final wish was to know of his father – the man she abandoned when she was pregnant 18 years earlier. Returning to Barcelona in search on him, Manuela overcomes her grief and becomes caregiver to a colorful extended family; a pregnant nun, a transvestite prostitute and two troubled actresses. With riveting performances, unforgettable characters and creative plot twists, this touching screwball melodrama is ‘an absolute stunner. -
Last Tango in Paris (1972) Dramas Bernardo Bertolucci
S.No. Film Name Genre Director 1 Last Tango in Paris (1972) Dramas Bernardo Bertolucci . 2 The Dreamers (2003) Bernardo Bertolucci . 3 Stealing Beauty (1996) H1.M Bernardo Bertolucci . 4 The Sheltering Sky (1990) I1.M Bernardo Bertolucci . 5 Nine 1/2 Weeks (1986) Adrian Lyne . 6 Lolita (1997) Stanley Kubrick . 7 Eyes Wide Shut – 1999 H1.M Stanley Kubrick . 8 A Clockwork Orange [1971] Stanley Kubrick . 9 Poison Ivy (1992) Katt Shea Ruben, Andy Ruben . 1 Irréversible (2002) Gaspar Noe 0 . 1 Emmanuelle (1974) Just Jaeckin 1 . 1 Latitude Zero (2000) Toni Venturi 2 . 1 Killing Me Softly (2002) Chen Kaige 3 . 1 The Hurt Locker (2008) Kathryn Bigelow 4 . 1 Double Jeopardy (1999) H1.M Bruce Beresford 5 . 1 Blame It on Rio (1984) H1.M Stanley Donen 6 . 1 It's Complicated (2009) Nancy Meyers 7 . 1 Anna Karenina (1997) Bernard Rose Page 1 of 303 1 Fanny Hill: Memoirs of a Woman of Pleasure (1964) Russ Meyer 9 . 2 Vixen! By Russ Meyer (1975) By Russ Meyer 0 . 2 Deep Throat (1972) Fenton Bailey, Randy Barbato 1 . 2 A STREETCAR NAMED DESIRE (1951) Elia Kazan 2 . 2 Pandora Peaks (2001) Russ Meyer 3 . 2 The Lover (L'amant) 1992 Jean-Jacques Annaud 4 . 2 Damage (1992) Louis Malle 5 . 2 Close My Eyes (1991) Stephen Poliakoff 6 . 2 Casablanca 1942 H1.M Michael Curtiz 7 . 2 Duel in the Sun (film) (1946) I1.M King Vidor 8 . 2 The Bridge on the River Kwai (1957) H1.M David Lean 9 . 3 Caligula (1979) Tinto Brass 0 . -
Spain, Spanish Architecture Has Received Many Different Influences and Has Had Many Different Expressions
RCHI ATECTURE IN C EMA O C MIC A D NCE ITER LATURE U M SIC AI PNTING HOT POGRAPHY CU S LPTURE PERMANENT UNIVERSITY UNIVERSITY OF ALICANTE RCHI ATECTURE IN Due to the temporal and geographic amplitude of the history of C EMA Spain, Spanish architecture has received many different influences and has had many different expressions. O C MIC The real development came with the Romans who left behind in A Hispania some of their most amazing monuments. The Muslim D NCE invasion in 711 meant a radical change during the eight ITER centuries that followed and produced great step forwards in the LATURE culture and the architecture. Córdoba, the capital of the U Umayyad dynasty and Granada, capital of the Nasrid dynasty, M SIC became cultural centers of great importance. AI Many Spanish architectural structures, even big parts of the NTING P cities, have been given the status of World Heritage Site given HOT their artistic relevance. Spain is the second country with more POGRAPHY places with the status of World Heritage Site granted by the CU UNESCO, the first one is Italy. S LPTURE PERMANENT UNIVERSITY UNIVERSITY OF ALICANTE RCHI MEGALITHIC ARCHITECTURE IBERIAN AND CELTIC ARCHITECTURE TECTURE During the Stone Age the Castro de Baroña The Castro culture, A Galicia most widespread megalith that arose in the north and in the IN Cueva de Menga in the Iberian Peninsula was C EMA Antequera the dolmen. The plans of center of the these funerary chambers used to be pseudocircles or Peninsula and that O trapezoids, formed by huge stones stuck on the ground was directly or indirectly related to C MIC and with others above them as a roof. -
Ambler Theater a NONPROFIT
A NONPROFIT Ambler Theater ART HOUSE Previews105A SEPTEMBER – DECEMBER 2018 Bengt Ekerot and Max von Sydow in THE SEVENTH SEAL in Sydow and Max von Bengt Ekerot INCLUDES OUR MAIN ATTRACTIONS AND SPECIAL PROGRAMS A MBLERT HEATER.ORG 215 345 7855 Welcome to the nonprofit Ambler Theater The Ambler Theater is a nonprofit, tax-exempt 501(c)(3) organization. Policies ADMISSION Children under 6 – Children under age 6 will not be admitted to our films or programs unless specifically indicated. General ............................................................$11.25 Late Arrivals – The theater reserves the right to stop selling Members ...........................................................$6.75 tickets (and/or seating patrons) 10 minutes after a film has Seniors (62+) & Students ..................................$9.00 started. Matinees Outside Food and Drink – Patrons are not permitted to bring Mon, Tues, Thurs & Fri before 4:30 outside food and drink into the theater. Sat & Sun before 2:30 .....................................$9.00 Wed Early Matinee before 2:30 ........................$8.00 Accessibility & Hearing Assistance – The Ambler Theater has wheelchair-accessible auditoriums and restrooms, and is Affiliated Theater Members* .............................$6.75 equipped with hearing enhancement headsets and closed You must present your membership card to obtain membership discounts. caption devices. (Please inquire at the concession stand.) The above ticket prices are subject to change. Parking – Check our website for parking information. THANK YOU MEMBERS! Your membership is the foundation of the theater’s success. Without your membership support, we would not How can you support AMBLER THEATER exist. Thank you for being a member. Contact us with your feedback the Ambler Theater? MEMBER or questions at 215 348 1878 x115 or email us at Be a member. -
New Culture Book
New Culture Book TABLE OF CONTENTS Introduction........................................... 3 Common Stereotypes........................... Names.................................................... 5 People’s Names Language............................................... Communication..................................... Flags....................................................... 9 Geography............................................. 17 Climate Physical Geography Maps of Landforms Animals.................................................. Community............................................ 1 Education.............................................. Family.................................................... Clothing................................................. Food....................................................... 42 Meal Times and Typical Food Mealtime Etiquette and Table Settings Recipes Health..................................................... 56 Home Remedies and Care Calendar................................................ 58 Celebrations & Holidays...................... 60 January February March April May June July August September October November December Other Celebrations Music..................................................... 99 Arts & Crafts......................................... 100 Hispanic Art Leisure Activities................................. Soccer................................................... Hispanic Literature............................... Famous Hispanic People..................... Websites............................................... -
Cine Espaňol
VY_32_INOVACE_11_SNAS19.notebook June 19, 2014 Cine espaňol Temacká oblast : Život ve Španělsku Datum vytvoření : 16.7.2013 Ročník : 4.ročník Stručný obsah : Zaměřeno na procvičení znalos a doplnění nových Způsob využi : Akvní práce studentů ‐ spojování, popis, přiřazování Autor : Mgr. Milan Nášel Kód :VY_32_INOVACE_11_SNAS19 Gymnázium a Jazyková škola s právem státní jazykové zkoušky Zlín 1 VY_32_INOVACE_11_SNAS19.notebook June 19, 2014 Directores espaňoles Pedro Almodóvar Alejandro Amenábar Imanol Uribe Luis Buñuel Julio Médem Carlos Saura Fernando Trueba Fernando León de Aranoa Vicente Aranda Princesas, Invisibles La ardilla roja, Lucía y el sexo La piel que habito, Los abrazos rotos, Volver Amantes, Juana la Loca El reya pasmado, Días contados Los otros, Mar adentro, Ágora Belle Époque, La niňa de tus ojos Un perro andaluz, Viridiana, El discreto encanto de la burguesía Ana y los lobos, Bodas de sangre, Carmen, El Dorado 2 VY_32_INOVACE_11_SNAS19.notebook June 19, 2014 Solución Pedro Almodóvar nacido 1949 La piel que habito, Los abrazos rotos, Volver Alejandro Amenábar 1972 Los otros, Mar adentro, Ágora Imanol Uribe 1950 El rey pasmado, Días contados Luis Buñuel 1900 Un perro andaluz, Viridiana, El discreto encanto de la burguesía Julio Médem 1958 La ardilla roja, Lucía y el sexo Carlos Saura 1932 Ana y los lobos, Bodas de sangre, Carmen, El Dorado Fernando Trueba 1955 Belle Époque, La niňa de tus ojos Fernando León de Aranoa 1968 Princesas, Invisibles Vicente Aranda 1926 Amantes, Juana la Loca 3 VY_32_INOVACE_11_SNAS19.notebook June 19, 2014 Famosos directores de nombre hispano Samuel Mendes Alejandr González Iňárritu Robert Rodriguez Martin Scorsese Federico Fellini Francis Ford Coppola Sergio Leone Robert de Niro Amorres perros,Babel Letec, Gangy New Yorku, Skrytá identita Tenkrát na Západě, Pro pár dolarů navíc Kmotr, Vyvolávač deště Americká krása,Nouzový východ Kauza CIA, Příběh z Bronxu México Italia EE.UU. -
Pdf Fernando Fernán-Gómez, Autor / Cristina Ros Berenguer Leer Obra
Universidad de Alicante Fernando Fernán-Gómez, autor Cristina Ros Berenguer Tesis de Doctorado Facultad: Filosofía y Letras Director: Dr. Juan Antonio Ríos Carratalá 1996 Cristina Ros Berenguer FERNANDO FERNÁN-GÓMEZ, AUTOR Tesis de Doctorado presentada en el Departamento de Filología Española (Facultad de Filosofía y Letras) de la Universidad de Alicante bajo la dirección del Dr. D. Juan Antonio Ríos Carratalá. Vº Bº del director de la tesis. Alicante, marzo de 1996. ÍNDICE PRÓLOGO I I. TRAYECTORIA BIO-BIBLIOGRÁFICA DE FERNANDO FERNÁN-GÓMEZ I. Introducción 3 1. 1. La Guerra Civil 20 1. 2. La primera posguerra. Los años cuarenta 33 1. 3. Los años cincuenta 77 1. 4. Los años sesenta y setenta 129 1. 5. Los años ochenta 197 1. 6. Los años noventa 239 II. FERNANDO FERNÁN-GÓMEZ, ESCRITOR II. 1. El proceso creativo. Un autor difícilmente clasificable: el autobiografismo 258 II. 1. 1. El eterno aficionado a la literatura 258 II. 1. 2. Fernando Fernán-Gómez: actor 268 II. 1. 3. El autobiografismo 270 II.1.3.1. El pacto autobiográfico 277 II.1.3.2. Identificación autor-narrador-personaje 281 II.1.3.3. La filosofía del autor 282 II.1.3.4. La experiencia vital 283 II.1.3.5. La memoria La memoria: el autor 293 La memoria: el lector, el personaje y el texto 296 II. 2. Hacia una poética paralela. Un estilo difícilmente clasificable: el concepto de realismo 298 II. 2. 1. Una obra comunicada 299 II.2.1.1. La concepción poética: la relación indisociable actor-realizador-escritor 299 II.2.1.2. -
Hliebing Dissertation Revised 05092012 3
Copyright by Hans-Martin Liebing 2012 The Dissertation Committee for Hans-Martin Liebing certifies that this is the approved version of the following dissertation: Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood Committee: Thomas Schatz, Supervisor Hans-Bernhard Moeller Charles Ramírez Berg Joseph D. Straubhaar Howard Suber Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood by Hans-Martin Liebing, M.A.; M.F.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication In loving memory of Christa Liebing-Cornely and Martha and Robert Cornely Acknowledgements I would like to thank my committee members Tom Schatz, Charles Ramírez Berg, Joe Straubhaar, Bernd Moeller and Howard Suber for their generous support and inspiring insights during the dissertation writing process. Tom encouraged me to pursue this project and has supported it every step of the way. I can not thank him enough for making this journey exciting and memorable. Howard’s classes on Film Structure and Strategic Thinking at The University of California, Los Angeles, have shaped my perception of the entertainment industry, and having him on my committee has been a great privilege. Charles’ extensive knowledge about narrative strategies and Joe’s unparalleled global media expertise were invaluable for the writing of this dissertation. Bernd served as my guiding light in the complex European cinema arena and helped me keep perspective. I consider myself very fortunate for having such an accomplished and supportive group of individuals on my doctoral committee. -
Zaragoza Ciudad De Cine
Zaragoza tiene el honor de ser la cuna del cine español: en el año 1899 Eduardo Jimeno rueda la primera película que se conserva del cine español, Salida de misa de doce del Pilar de Zaragoza. Desde entonces nuestra ciudad, cuya riqueza arquitectónica y cultural es incuestionable, ha ofrecido a la gran pantalla los rincones más hermosos y espectaculares, que han elegido como lugar de filmación grandes maestros del cine como Fernando Trueba, Terry Gilliam, Carlos Saura, Vicente Aranda, Milos Forman, Florián Rey, Luis García Berlanga, José Luis Borau, King Vidor, Orson Welles, Stephen Frears, José María Forqué, Guillermo del Toro, Bigas Luna, Julio Medem o José Luis Cuerda. Y por donde han desfilado actores y actrices de la talla de Charlton Heston, Imperio Argentina, Fernando Rey, Jean Rochefort, Antonio Banderas, Johnny Depp, Natalie Portman, Javier Bardem, Pepe Isbert, Rafaela Aparicio, Gina Lollobrigida, Penélope Cruz, George Sanders, Antonio Resines, Yul Brynner, Jordi Mollà, Anna Galiena, Maribel Verdú, Paco Martínez Soria, Victoria Abril, Jorge Sanz, Uma Thurman, Sergi López, Jonathan Pryce, Federico Luppi, Juan Diego, Alfredo Landa, Robin Williams, José Sacristán, Agustín González, Manuel Alexandre, Carmelo Gómez, Emma Suárez, Adolfo Marsillach, Tyrone Power, Paco Rabal o Carmen Maura. La lista de creadores autóctonos que han continuado esta estela ha ido creciendo con el paso del tiempo. Miguel Ángel Lamata fue uno de los pioneros en dar el salto de Zaragoza a Madrid y labrarse una carrera como guionista y director de cine y televisión. Y cineastas como Nacho G. Velilla, Nata Moreno, Paula Ortiz, Pilar Palomero o Gaizka Urresti han obtenido un especial reconocimiento en los Premios Goya o en festivales de prestigio.