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The Fan Affair and the Conquest of Algeria1
The Fan Affair and the conquest of Algeria1 Michael Dudzik2 ABSTRACT The study analyses the domestic political background of the conflict that resulted in the French conquest of Algeria. The author begins at the turn of the 18th and 19th centuries when the Paris gov- ernment bought grain from Algerian merchants. Subsequent economic cooperation, including the provision and collection of loans, negatively affected mutual relations. Deteriorating relations were negatively affected by the appointment of Hussein Pasha as governor of Algeria in 1818, and they further worsened after a diplomatic insult against the French ambassador in April 1827. The article analyses developments in both countries, the gradual escalation of conflicts and their response in the European powers and presents the reasons that prompted the French government to intervene. KEYWORDS France, the conquest of Algeria, Charles X, Jules Prince de Polignac, 1830 INTRODUCTION The tense political and social climate in France at the end of the second decade of the 19th century reflected the citizens’ dissatisfaction with the regime of the re- turned Bourbons. King Charles X (1757–1836) promoted absolutism and restrictions on the press and relied primarily on the Catholic Church and the pre-revolution- ary nobility. Together with the Prime Minister, Prince Jules Auguste Marie de Poli- gnac (1780–1847), he tried to divert public attention from the negative response of extremely conservative domestic policy measures to foreign policy, and use the age- old dispute with Algeria, a vassal of the Ottoman Empire, to achieve easy victory and thus raise the prestige of the army and the regime. The study analyses Franco-Algerian economic and political relations after 1818 when Hussein Pasha became Algerian governor. -
Fonds Gabriel Deville (Xviie-Xxe Siècles)
Fonds Gabriel Deville (XVIIe-XXe siècles) Répertoire numérique détaillé de la sous-série 51 AP (51AP/1-51AP/9) (auteur inconnu), révisé par Ariane Ducrot et par Stéphane Le Flohic en 1997 - 2008 Archives nationales (France) Pierrefitte-sur-Seine 1955 - 2008 1 https://www.siv.archives-nationales.culture.gouv.fr/siv/IR/FRAN_IR_001830 Cet instrument de recherche a été encodé en 2012 par l'entreprise Numen dans le cadre du chantier de dématérialisation des instruments de recherche des Archives Nationales sur la base d'une DTD conforme à la DTD EAD (encoded archival description) et créée par le service de dématérialisation des instruments de recherche des Archives Nationales 2 Archives nationales (France) INTRODUCTION Référence 51AP/1-51AP/9 Niveau de description fonds Intitulé Fonds Gabriel Deville Date(s) extrême(s) XVIIe-XXe siècles Nom du producteur • Deville, Gabriel (1854-1940) • Doumergue, Gaston (1863-1937) Importance matérielle et support 9 cartons (51 AP 1-9) ; 1,20 mètre linéaire. Localisation physique Pierrefitte Conditions d'accès Consultation libre, sous réserve du règlement de la salle de lecture des Archives nationales. DESCRIPTION Type de classement 51AP/1-6. Collection d'autographes classée suivant la qualité du signataire : chefs d'État, gouvernants français depuis la Restauration, hommes politiques français et étrangers, écrivains, diplomates, officiers, savants, médecins, artistes, femmes. XVIIIe-XXe siècles. 51AP/7-8. Documents divers sur Puydarieux et le département des Haute-Pyrénées. XVIIe-XXe siècles. 51AP/8 (suite). Documentation sur la Première Guerre mondiale. 1914-1919. 51AP/9. Papiers privés ; notes de travail ; rapports sur les archives de la Marine et les bibliothèques publiques ; écrits et documentation sur les départements français de la Révolution (Mont-Tonnerre, Rhin-et-Moselle, Roer et Sarre) ; manuscrit d'une « Chronologie générale avant notre ère ». -
The Ideological Origins of the French Mediterranean Empire, 1789-1870
The Civilizing Sea: The Ideological Origins of the French Mediterranean Empire, 1789-1870 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Dzanic, Dzavid. 2016. The Civilizing Sea: The Ideological Origins of the French Mediterranean Empire, 1789-1870. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33840734 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA The Civilizing Sea: The Ideological Origins of the French Mediterranean Empire, 1789-1870 A dissertation presented by Dzavid Dzanic to The Department of History in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of History Harvard University Cambridge, Massachusetts August 2016 © 2016 - Dzavid Dzanic All rights reserved. Advisor: David Armitage Author: Dzavid Dzanic The Civilizing Sea: The Ideological Origins of the French Mediterranean Empire, 1789-1870 Abstract This dissertation examines the religious, diplomatic, legal, and intellectual history of French imperialism in Italy, Egypt, and Algeria between the 1789 French Revolution and the beginning of the French Third Republic in 1870. In examining the wider logic of French imperial expansion around the Mediterranean, this dissertation bridges the Revolutionary, Napoleonic, Restoration (1815-30), July Monarchy (1830-48), Second Republic (1848-52), and Second Empire (1852-70) periods. Moreover, this study represents the first comprehensive study of interactions between imperial officers and local actors around the Mediterranean. -
Camillo Cavour Diari
PUBBLICAZIONI DEGLI ARCHIVI DI STATO COMMISSIONE NAZIONALE PER LA PUBBLICAZIONE DEI CARTEGGI DEL CONTE DI CAVOUR CAMILLO CAVOUR D I A R I (1833-1856) II a cura di ALFONSO BOGGE MINISTERO PER I BENI CULTURALI AMBIENTALI UFFICIO CENTRALE PER I BENI ARCHIVISTICI 199 1 UFFICIO CENTRALE PER I BENI ARCHIVISTICI DIVISIONE STUDI E PUBBLICAZIONI Comitato per le pubblicazioni: Renato Grispo, presidente, Paola Carucci, Arnaldo D'Acida rio, Antonio Dentoni Litta, Romualdo Giuffrida, Lucio Lume, Giuseppe Pansini, Clau dio Pavone, Luigi Prosdocimi, Leopoldo Puncuh, Isabella Zanni Rosiello, Lucia Moro, segretaria. DIARIO 1840 © 1991 Ministero per i beni culturali e ambientali Ufficio centrale per i beni archivistici ISBN 88-7125-029-X Vendita: Istituto Poligrafico e Zecca dello Stato - Libreria dello Stato Piazza Verdi - Roma. lO 00198 183 1991 Stampa: Arti Grafiche F.lli Palombi - Roma - Via dei Gracchi - Settembre Agenda rilegata in tela marrone, di fonna abbastanza inusitata, alta e stretta (dimensioni cm x recante sulla copertina e sul frontespizio il titolo «Ricordo giornaliero per l'anno13 40), Edita a Tonno da Stefano Cavalieri, negoziante in carta, per colmare la «mancanza1840». di un libro ave in ordine e con economia di tempo si potes sero registrare le giornaliere memorie di un particolare interesse», l'agenda consta in tutto di pagine numerate a stampa, di cui le prime due sono di frontespizio, quelle numerate118 dal al di diario e quelle numerate dal di notizie a stampa su magistrature,3 uffici94 pubblici, funzionari e attività commerciali95 01118 varie del Regno sar do. Le pagine destinate al diario sono divise in quattro scomparti bianchi so vrapposti, di cm x separati (3-94)da una linea nera a stampa, interrotta al centro dal la data, sempre a13 stampa. -
Joseph Ducreux ( –1715) Was a Painter Surtout
Neil Jeffares, Dictionary of pastellists before 1800 Online edition pourrés faire dans votre essence et hâtés vous un peu diminuée”, and promptly engaged the DUCREUX, Joseph lentement, tachés d’établir, si il est possible, vos Nancy 26.VI.1735 – Saint-Denis, près Paris artist to depict his brother and sister-in-law in ombres et de les dégrader surtout pour les grandes Vienna). Ducreux arrived in Vienna on 24.VII.1802 masses et alors ne posé votre ton quaprès lavoir II Ducreux (he sometimes signed du Creux) came comparés du fort au foible, vous serés toujours surs 14. .1769, and four days later commenced a from a family of artists based in Nancy. They de faire tourner. portrait of Marie-Antoinette. The French court’s reaction to the early portraits received from were presumably related to homonyms in Paris: Faites des études avant que de peindre en dessinant a Michel-Joseph Ducreux ( –1715) was a painter surtout. Vienna was that the heads were “d’une parfaite ressemblance et d’une exécution bien finie”, and carver of carnival masks on the Pont Notre- Ducreux was reçu by the Académie de Saint- Dame, while several “sculpteurs du roi”, painters while the bodies and accessories were not Luc in 1764, rue des Saint-Pères. Two years later without faults, attributed to the haste with which or wax modellers called Ducreux (Jean-Louis, he was living at rue Guénegaud (42, rue Saint- Jean-Baptiste, Michel-Louis) were recorded there Ducreux had had to work. (Such features André-des-Arts), according to the baptismal however may be detected in other early work by until c.1748, probably sons. -
A History of the French in London Liberty, Equality, Opportunity
A history of the French in London liberty, equality, opportunity Edited by Debra Kelly and Martyn Cornick A history of the French in London liberty, equality, opportunity A history of the French in London liberty, equality, opportunity Edited by Debra Kelly and Martyn Cornick LONDON INSTITUTE OF HISTORICAL RESEARCH Published by UNIVERSITY OF LONDON SCHOOL OF ADVANCED STUDY INSTITUTE OF HISTORICAL RESEARCH Senate House, Malet Street, London WC1E 7HU First published in print in 2013. This book is published under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International (CC BY- NCND 4.0) license. More information regarding CC licenses is available at https://creativecommons.org/licenses/ Available to download free at http://www.humanities-digital-library.org ISBN 978 1 909646 48 3 (PDF edition) ISBN 978 1 905165 86 5 (hardback edition) Contents List of contributors vii List of figures xv List of tables xxi List of maps xxiii Acknowledgements xxv Introduction The French in London: a study in time and space 1 Martyn Cornick 1. A special case? London’s French Protestants 13 Elizabeth Randall 2. Montagu House, Bloomsbury: a French household in London, 1673–1733 43 Paul Boucher and Tessa Murdoch 3. The novelty of the French émigrés in London in the 1790s 69 Kirsty Carpenter Note on French Catholics in London after 1789 91 4. Courts in exile: Bourbons, Bonapartes and Orléans in London, from George III to Edward VII 99 Philip Mansel 5. The French in London during the 1830s: multidimensional occupancy 129 Máire Cross 6. Introductory exposition: French republicans and communists in exile to 1848 155 Fabrice Bensimon 7. -
University of Florida Thesis Or Dissertation Formatting
PATHS TO SUCCESS, PATHS TO FAILURE: HISTORICAL TRAJECTORIES TO DEMOCRATIC STABILITY By ADAM BILINSKI A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2015 1 © 2015 Adam Bilinski 2 ACKNOWLEDGMENTS Throughout the work on this project, I received enormous help from a number of people. The indispensable assistance was provided by my advisor Michael Bernhard, who encouraged me to work on the project since I arrived at the University of Florida. He gave me valuable and timely feedback, and his wide knowledge of the European political history and research methods proved irreplaceable in this regard. He is otherwise a warm, humble and an understanding person, a scholar who does not mind and even appreciates when a graduate student is critical toward his own ideas, which is a feature whose value cannot be overestimated. I received also valuable assistance from members of my dissertation committee: Benjamin Smith, Leonardo A. Villalon, Beth Rosenson and Chris Gibson. In particular, Ben Smith taught me in an accessible way about the foundational works in Political Science, which served as an inspiration to write this dissertation, while Chris Gibson offered very useful feedback on quantitative research methods. In addition, I received enormous help from two scholars at the University of Chicago, where this research project passed through an adolescent stage. Dan Slater, my advisor, and Alberto Simpser helped me transform my incoherent hypotheses developed in Poland into a readable master’s thesis, which I completed in 2007. -
Duchesse De Polignac in Fiction and Biopic
The Turkish Online Journal of Design, Art and Communication - TOJDAC November 2016 Special Edition THE DRAMATIC INTERPRETATION OF AN IMAGE OF A HISTORICAL CHARACTER: DUCHESSE DE POLIGNAC IN FICTION AND BIOPIC Maria Kozyreva Kazan Federal University, Russia [email protected] Kamilya Ayupova Kazan Federal University, Russia [email protected] ABSTRACT This research studies the transformation of a historical personality into an art image in biopic and historical novel, and the peculiarities and interrelation of these genres. The possibilities of creating plausible images of historical figures in biographical films (biopics) are contemplated. The object of study is 18th century French aristocrat Duchess Gabrielle de Polignac. Historically, her depictions in various arts were either obscure or stereotypic. Comparing and analysing the latest works of written and visual art featuring this historical figure (the 2002 novel Farewell, My Queen by Chantal Thomas and the 2012 film based on it) we discover that owing to (rather than in spite of) the authors’ use of imagination we get a better understanding of the character. A historical figure invariably goes through the author’s perception before turning into a fictional character bearing a new image of the person it stands for. There are no ultimately “true” images neither in fiction, nor in cinema. Nevertheless, creating believable characters can be achieved. The special devices used in the novel and the film are juxtaposed and analysed. Keywords: Polignac, Marie Antoinette, biopic, historical novel INTRODUCTION Nowadays, intermedial studies are becoming ever more popular. Many research works are dedicated to the relations between visual arts and fiction (Giddings & Sheen 2000, Conway 2001, Fay 2010, Golikova & Pomortseva 2014). -
Chateaubriand Y La Restauración: Una Interpretación a Través De Le Conservateur
129-157:Foro Interno 10 23/11/2012 12:58 Página 129 Foro Interno ISSN: 1578-4576 2012, 12, 129-157 http://dx.doi.org/10.5209/rev_FOIN.2012.v12.40005 Chateaubriand y la Restauración: una interpretación a través de Le Conservateur Armando ZEROLO DURÁN Recibido: 27 de febrero de 2012. Aceptado: 26 de mayo de 2012. RESUMEN François-René de Chateaubriand es una figura de primer orden dentro del romanticis- mo. El papel que representa en la literatura de ese periodo es indiscutible, pero la opi- nión sobre su pensamiento político no resulta unánime. Se discute la consistencia de sus ideas y a menudo se entiende que es tan cambiante como los intereses particulares de cada momento. El interés del presente estudio se encuentra en que muestra al hom- bre puramente político que también fue Chateaubriand. A través de sus artículos publi- cados en el periódico francés Le Conservateur (1818-1820) se puede apreciar un pen- samiento sólido y coherente. El contexto en el que aparecieron fue de extrema complejidad, pues fueron los primeros años de la Restauración francesa, en los que los partidos enfrentados eran muchos y las ideas en cuestión pasaban de los unos a los otros con gran facilidad. Chateaubriand tuvo el mérito de intentar conciliar distintas posturas y hacerlas llegar al punto común del moderno constitucionalismo, lo que hoy se conoce como monarquía constitucional. Sin abandonar la religión, la monarquía y la tradición, enriqueció al partido realista con las nuevas doctrinas del constituciona- lismo moderno. Predicó las bondades de la libertad de prensa, la ampliación del sufra- gio, la libertad de opinión, las libertades locales y la división de poderes. -
Histoires D'archéologie. De L'objet À L'étude
Histoires d'archéologie. De l'objet à l'étude Irène Aghion, Mathilde Avisseau-Broustet et Alain Schnapp (dir.) DOI : 10.4000/books.inha.2743 Éditeur : Publications de l’Institut national d’histoire de l’art Lieu d'édition : Paris Année d'édition : 2009 Date de mise en ligne : 5 décembre 2017 Collection : Catalogues d’exposition ISBN électronique : 9782917902721 http://books.openedition.org Édition imprimée Date de publication : 1 janvier 2009 ISBN : 9782917902011 Nombre de pages : 104 Référence électronique AGHION, Irène (dir.) ; AVISSEAU-BROUSTET, Mathilde (dir.) ; et SCHNAPP, Alain (dir.). Histoires d'archéologie. De l'objet à l'étude. Nouvelle édition [en ligne]. Paris : Publications de l’Institut national d’histoire de l’art, 2009 (généré le 18 décembre 2020). Disponible sur Internet : <http:// books.openedition.org/inha/2743>. ISBN : 9782917902721. DOI : https://doi.org/10.4000/books.inha. 2743. Ce document a été généré automatiquement le 18 décembre 2020. © Publications de l’Institut national d’histoire de l’art, 2009 Conditions d’utilisation : http://www.openedition.org/6540 1 Le projet Archives de l’Archéologie Européenne (AREA) s’est attaché depuis sa fondation en 1999, à retracer les étapes de la constitution de l’archéologie en Europe et à inventorier les fonds d’archives qui s’y rapportent. L’exposition Histoires d’archéologie. De l’objet à l’étude, en parallèle au bilan du dernier des projets AREA (2006-2008), s’est attachée à montrer quelques exemples des chemins qui ont mené les antiquaires à jeter les bases de l’archéologie au sens moderne du terme. L’exposition se déroula du 15 janvier au 12 avril 2009. -
Autographes Et Livres Jeudi 6 Juillet À 14H 30
AUTOGRAPHES ET LIVRES JEUDI 6 JUILLET À 14H 30 Livres anciens et modernes JEUDI 6 JUILLET À 14H30 AUTOGRAPHES : collection d’environ 2500 autographes à l’unité et en lots : Berlioz, Gazotte, Claudel, Lamartine (poème enluminé des Méditations poétiques), Stravinski, Tzara, Wagner, etc. Académie Française, Aventuriers, écrivains, historiens, musique, peintres et sculpteurs, sciences, etc. MANUSCRITS ET DOCUMENTS HISTORIQUES : Amérique du Nord (correspon- dance d’un pionnier en Alabama), numismatique, siège de Paris (belles lettres par ballon monté), tauromachie, ensemble de journaux de voyage en Égypte avec carnets de dessins, etc. LIVRES MODERNES dont éditions originales ou livres illustrés par Fouqueray, Lemarié, Marty, Schmied, Picasso, La Mésangère illustré par Foujita, La Divine Comédie illustrée par Dali, etc – Belles reliures signées par Canape, Creuzevault, Gruel, Magnin, Lanoé, Legrain, Chambolle-Duru, etc LIVRES DU XIXe & DIVERS : un ensemble d’ouvrages concernant la numismatique. Traité de vinification – Grand Dictionnaire de cuisine par Alexandre Dumas (E. O.) – Atlas cartes et vues concernant Alger en 1830 – Album de photographies sur l’Algérie – Régio- nalisme : Lyonnais, Dauphiné, Savoie – Voyages – etc. LIVRES ANCIENS : voyages dont : Anson (1750) – Bernardin de Saint Pierre (1773) – Charles de Brosses (1756) – Chardin (1723) – Œxmelin (1775) – Robertson (1778) – Le Bruyn (1725) – etc. RÉGIONALISME : Histoire du Languedoc (1734) – Mémoires sur le Beaujolais (1770) – Histoire de la ville de Beaune (1772) – Éloge de la ville de Lyon (1740) – Histoire de Tournus (1733) – Histoire de Lyon (1573) – Chronique de Savoie (1561) – Menestrier (1696) – Rubys (1604) – Saconay (1569) – Chorier (1669), etc. DIVERS : Petrone (1694) – Virgile (1517) – Collection Coustellier (1723) – Atlas d’insectes avec 300 planches en couleurs (XVIIIe siècle) – Commentaires sur Nostradamus (1596) – Pufendorf l’histoire du roi de Suède Charles Gustave (1697) – Bulles sur parchemin du XVIe siècle, etc. -
Fonds Guizot (1560-1878)
Fonds Guizot (1560-1878) Répertoire numérique détaillé de la sous-série 42 AP (42AP/1-42AP/392) par G. Bourgin (42AP/1-25), G. Gille (42AP/26-99bis), S. Czarnecki (42AP/100 -119), Y. Bergeronaux (42AP/120-286), S. Lacombe (42AP/208), anonyme (42AP/287-300), Catherine Lacoste (42AP/301-386), Constance de Vergnette de Lamotte (42AP/387-392), revu et augmenté pour l'édition électronique par Isabelle Aristide-Hastir Archives nationales (France) Pierrefitte-sur-Seine 1936-2019 1 https://www.siv.archives-nationales.culture.gouv.fr/siv/IR/FRAN_IR_003444 Cet instrument de recherche a été encodé en 2012 par l'entreprise diadeis dans le cadre du chantier de dématérialisation des instruments de recherche des Archives Nationales sur la base d'une DTD conforme à la DTD EAD (encoded archival description) et créée par le service de dématérialisation des instruments de recherche des Archives Nationales 2 Archives nationales (France) INTRODUCTION Référence 42AP/1-42AP/392 Niveau de description fonds Intitulé Fonds Guizot Date(s) extrême(s) 1560-1878 Nom du producteur • Guizot, François (1787-1874) • Witt, Henriette de (1829-1908) • Guizot, Pauline (1773-1827) • Guizot, Élisa (1804-1833) • Lieven, Dorothée Christophorowna (1785-1857 ; princesse de) Localisation physique Pierrefitte DESCRIPTION Type de classement Les archives Guizot avaient fait l'objet, lorsqu'elles se trouvaient au château du Val Richer, d'un premier classement. Charles H. Pouthas en a donné en 1923 une brève et partielle description dans son ouvrageEssai critique sur les sources et la bibliographie de Guizot pendant la Restauration. Paris, Plon, 1923, 121 p. in 8°, pp. 29-41.