Multiword Expressions and the Lexicon

Total Page:16

File Type:pdf, Size:1020Kb

Multiword Expressions and the Lexicon Multiword expressions and the lexicon Jamie Y. Findlay Linacre College University of Oxford A thesis submitted for the degree of Doctor of Philosophy Hilary Term 2019 For my father. Acknowledgements It is a cliché to say that a project like this, in spite of only bearing a single name on the cover, was a collaborative effort, but that doesn’t stop it being true all the same. I have been very fortunate to have been supported at every stage of my academic career not only intellectually, but also emotionally and financially, and I only hope that this thesis goes some way to vindicating the generosity that has been so graciously bestowed on me. First and foremost, I must thank my supervisors, Ash Asudeh and Mary Dalrymple. Their intellectual influence can be felt throughout this thesis. They have made me a better linguist, a better writer, and a better thinker. Perhaps at least as importantly, though, I would like to thank them for all their other contributions to my well-being: for their encouragement, emotional support, career advice, and all the other things they have done for me that have made this work possible and have improved my life in inumerable ways. I really cannot imagine better supervisors, and I intend to spend the rest of my career striving to live up to the excellent example that they have set. Hearty thanks should also go to my two examiners, Tom Wasow and Stephen Pulman, for a lively and stimulating viva voce exam, and for their detailed and helpful comments, which have resulted in a much improved thesis. There are many others who have had an important hand in the intellectual development of this thesis: Doug Arnold, Sascha Bargmann, Alex Biswas, Kersti Börjars, Miriam Butt, Dag Haug, Stephen Jones, Ron Kaplan, Timm Lichte, Joey Lovestrand, John Lowe, Agnieszka Patejuk, Adam Przepiórkowski, Stephen Pulman, Manfred Sailer, Andy Spencer, Gert Webelhuth, and others here unnamed, to whom I can only apologise for the omission. Conversations, correspondences, and collaborations with these people have greatly improved the contents of this thesis, not to mention given me tremendous pleasure over the years. My love for linguistics was kindled as an undergraduate at Oxford, and my teachers there, especially Mary Dalrymple, deserve all the credit for starting me on this path. A special mention should also go to Chiara Capppellaro: she was my first tutor and I was her first student. It seems like a very long time indeed since that first essay on Saussure! Before I returned to Oxford to complete my MPhil, I spent a term at McGill, and there I had my eyes opened to a whole other world of linguistics. I would like to especially thank Alan Bale for giving me the best historical overview of 20th century syntactic theory I can imagine, and to Bernhard Schwarz for introducing me to the wonders of formal semantics. For much of my (fairly long) stint as a graduate student, I have been lucky enough to be funded by both the Arts and Humanities Research Council, and later also by Linacre College. Without this support it would have been impossible for me to pursue further study, and so I cannot express my gratitude sufficiently to these organisations for enabling me to do what I love every day. At Oxford, I have been fortunate enough to work with colleagues who I admire greatly, and who have been kind enough to share their guidance and expertise with me. Thanks go in particular to Kerstin Hoge, Matt Husband, Martin Maiden, and Louise Mycock. I have also had the privilege of making many fine friends along the way, and they have been invaluable in keeping me sane and making this whole endeavour more fun than it has any right to be: Alex Biswas, Stephen Jones, Yoolim Kim, Marjolein Poortvliet, Ana Werkmann Horvat, you have all been amazing. Of course, I also made the finest of friends, my partner, Alicia Cleary-Venables, whose blood, sweat, and tears are in this thesis almost as much as mine. All of this faffing around with books and words started before I got to university, of course, and my family deserve the heartiest thanks of all, for everything that they have done and continue to do for me. My grannie, Joy, and my aunt, Tracey, have always been my staunchest supporters, and I know they will be breathing a sigh of relief now that this thesis is done. My mum always pushed me to do my best, and always showed me the love and belief I needed to succeed. Any intellectual worth I may have picked up over the years owes its origins to her. Finally, I want to thank my dad, who, although he may not have always understood what I was doing, was nonetheless unwavering in his support and in his pride. Crushingly, he passed away during the final stages of this project, and so he never got to see it completed. This thesis is dedicated to him. Abstract The term ‘multiword expression’ (MWE) refers to a diverse group of linguistic phenomena connected by the fact that they do not fit neatly into the word-phrase dichotomy: like phrases, they appear to be made up of multiple words; but, like words, they have idiosyncrasies (of meaning, form, or both) which must be learned. Examples include idioms, like spill the beans, ‘reveal the secrets’; prepositional verbs, like rely on; or light verb constructions, like have a break. Such expressions are of interest to linguistic theory because they straddle the boundary between the productive and idiosyncratic components of language, i.e. between what is (or can be) computed and what must be memorised. The thesis begins by investigating a number of properties of MWEs which any theory must give an account of: for example, they can be idiomatic in a variety of ways, such as by having unpredictable meanings, containing words which do not appear outside of the expression (run amok), or having a syntactic structure not attested elsewhere (by and large); they are also variably flexible, sometimes allowing modification (they spilled the financial beans), passivisation (the beans were spilled), or extraction (the beans that they spilled); and they have a specific psycholinguistic profile: idioms are processed faster than compositional phrases. A theory of MWEs has to give an account of how the more idiomatic properties square with the more productive ones. This thesis aims to do just that. It is argued that there are essentially four families of theory one might entertain: one which treats MWEs as big words, one which treats them as phrases which are composed of special versions of the words they contain, one which obtains a literal parse of the phrase first and then translates the literal meaning into the idiomatic one, and one which treats them as stored phrases which possess internal structure. The first approach treats MWEs as wholly word-like (i.e. as atomic units), and the next two treat them as wholly phrase-like (i.e. as composed of smaller independent units). It is only the fourth which takes the tension inherent in MWEs seriously, recognising that they are units in their own right, but also have internal structure. I argue, therefore, that this is the kind of theory we should prefer. The proposal I develop hinges formally on the use of a Tree-Adjoining Grammar (TAG), a tree-rewriting formalism which allows us to store (internally structured) phrases as elementary objects. This is integrated into the architecture of Lexical Functional Grammar (LFG), replacing the usual context-free grammar used there. By treating TAG elementary trees as descriptions, we are able to reduce LFG lexical entries to nothing but a set of constraints (on all levels of linguistic structure). The resulting framework has a number of attractive properties: it inherits from LFG the ability to separate configurational from functional information in the syntax, and gains from TAG a natural capacity to represent MWEs, and the ability to ‘lexicalise’ the grammar (associate every elementary structure with a lexical item), which I argue is a desirable property for a lexicalist theory like LFG. Because of this last result, I call the theory Lexicalised LFG. Contents List of Figures xiii List of Tables xvii 1 Introduction 1 1.1 What is a word? . 2 1.2 Mismatches between the different conceptions of ‘word’ . 4 1.3 Multiword expressions . 5 1.4 Outline of the thesis . 9 2 Multiword expressions 11 2.1 MWEs or constructions? . 12 2.1.1 Formal and substantive constructions . 13 2.1.2 Lexical integrity . 16 2.1.3 Summary . 20 2.2 Properties of MWEs . 21 2.2.1 Semantic idiomaticity . 21 2.2.2 Syntactic idiomaticity . 22 2.2.3 Lexical idiomaticity . 23 2.2.4 The real words problem . 24 2.2.5 Morphosyntactic flexibility . 25 2.2.6 Syntactic flexibility . 26 2.2.7 Decomposability . 35 2.2.8 Psycholinguistic properties . 41 2.2.9 Extended uses of idioms . 43 2.3 Chapter summary . 47 3 Approaches to MWEs 49 3.1 The monolexemic approach . 50 3.2 The space of possibilities . 55 3.3 Lexical ambiguity . 58 3.3.1 Strengths of the lexical ambiguity approach . 59 3.3.2 The collocational challenge . 60 ix x Contents 3.3.3 Non-decomposable MWEs . 67 3.3.4 Other weaknesses . 74 3.3.5 Summary . 76 3.4 One-to-many lexical entries . 77 3.5 Semantic mapping . 78 3.5.1 Strengths of the semantic mapping approach . 82 3.5.2 Weaknesses of the semantic mapping approach . 88 3.5.3 Extended uses of idioms .
Recommended publications
  • CRITICAL THEORY and AUTHORITARIAN POPULISM Critical Theory and Authoritarian Populism
    CDSMS EDITED BY JEREMIAH MORELOCK CRITICAL THEORY AND AUTHORITARIAN POPULISM Critical Theory and Authoritarian Populism edited by Jeremiah Morelock Critical, Digital and Social Media Studies Series Editor: Christian Fuchs The peer-reviewed book series edited by Christian Fuchs publishes books that critically study the role of the internet and digital and social media in society. Titles analyse how power structures, digital capitalism, ideology and social struggles shape and are shaped by digital and social media. They use and develop critical theory discussing the political relevance and implications of studied topics. The series is a theoretical forum for in- ternet and social media research for books using methods and theories that challenge digital positivism; it also seeks to explore digital media ethics grounded in critical social theories and philosophy. Editorial Board Thomas Allmer, Mark Andrejevic, Miriyam Aouragh, Charles Brown, Eran Fisher, Peter Goodwin, Jonathan Hardy, Kylie Jarrett, Anastasia Kavada, Maria Michalis, Stefania Milan, Vincent Mosco, Jack Qiu, Jernej Amon Prodnik, Marisol Sandoval, Se- bastian Sevignani, Pieter Verdegem Published Critical Theory of Communication: New Readings of Lukács, Adorno, Marcuse, Honneth and Habermas in the Age of the Internet Christian Fuchs https://doi.org/10.16997/book1 Knowledge in the Age of Digital Capitalism: An Introduction to Cognitive Materialism Mariano Zukerfeld https://doi.org/10.16997/book3 Politicizing Digital Space: Theory, the Internet, and Renewing Democracy Trevor Garrison Smith https://doi.org/10.16997/book5 Capital, State, Empire: The New American Way of Digital Warfare Scott Timcke https://doi.org/10.16997/book6 The Spectacle 2.0: Reading Debord in the Context of Digital Capitalism Edited by Marco Briziarelli and Emiliana Armano https://doi.org/10.16997/book11 The Big Data Agenda: Data Ethics and Critical Data Studies Annika Richterich https://doi.org/10.16997/book14 Social Capital Online: Alienation and Accumulation Kane X.
    [Show full text]
  • Sadomasochist Role-Playing As Live- Action Role-Playing: a Trait-Descriptive Analysis
    International Journal of Role-Playing - Issue 2 Sadomasochist Role-Playing as Live- Action Role-Playing: A Trait-Descriptive Analysis Popular Abstract - This article describes sadomasochist role-playing which is physically performed by its participants. All sadomasochist activities have a role-playing component to them. It is a form of role-playing where people consensually take on dominant and submissive roles, for the purpose of inflicting things such as pain and humiliation, in order to create pleasure for all participants. In some cases, participants agree to emphasize those roles, or make them fetishistically attractive, by adding complexity and definitions to them, and then act them out in semi-scripted fantasy scenes. This paper examines that activity, commonly called “sadomasochistic role-play”, as opposed to the more generic “sadomasochism” of which it is only one facet. Furthermore, the article compares this form of play with live-action role-playing (larp). Its main emphasis is on the question of how closely related the two activities are. To determine this, the article examines sadomasochist role-playing as being potentially a game, the question of its goal-orientation and the issue of whether or not it contains a character in the sense of a live-action role-playing character. Based on this process, it comes to the conclusion that sadomasochist role-playing is not a separate type of role-playing, but rather one kind of live-action role-playing. As its theoretical framework, this text utilizes studies done on both live-action role-playing games and on sadomasochist role-playing. Reliable material on the latter being quite limited, descriptions have been gathered from both academic works and practical manuals.
    [Show full text]
  • The Mythology and Psychology of Shame in the Early Novels of George Eliot
    'Spells That Have Lost Their Virtue': The Mythology and Psychology of Shame in the Early Novels of George Eliot Item Type text; Electronic Dissertation Authors Bell, Mary E. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 26/09/2021 12:34:33 Link to Item http://hdl.handle.net/10150/321007 ! ! ! !"#$%%"&'()*(&(+,$&%-".&.($)/&,)/.0$!1&& .($&23.(-%-43&+56&#"3*(-%-43&-7&"(+2$&)5&.($&$+/%3&5-,$%"&-7&4$-/4$&$%)-.! "#! ! $%&#!'(!)*++! ,,,,,,,,,,,,,,,,,,,,,,,,,,! Copyright © Mary E. Bell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
    [Show full text]
  • Vector 141 Barrett 1987-12.Pdf
    ,~e cri1ical journal ol l~e Bri1is~ Science fic1ion Associaiion ' , CHl.11S11 KURDBRS UVRSTIGI.TS'D ~Robartf&11Go.ll11<'aJ""4•DN n"~ttus DECEMBfR/ JANUARY 1987/ 88 V[CTOR 1· 4 · 1 omMB[R/ JANUARY 1987/ 88 0 N T [ N T s J 14 ll>ltollAL flCTJa m'QQI o.. 1d, . larrettr• pltN C.Cll h,...wrttH 5 15 ..,,... JCIP 1Cai1'8 SSYD 8 1ml Vau • coh- of rac:1or di to :,,:.,.-..lf? Ill•• • · ,....._r•• caata - -rat at-• fourcM-tota lltabout_u...,..11tlca, Oar, b-• • 11,d f • W• l ...17 ,... II hw bm>U by Ada•, U oUN, S.llud, IN5la, CIIIISI mDDB llnln"IG&TD ILIIIUMa, h7, Laa, Vat- nd ot.Mra SlMidH of 8P ..- a dublou• ddl•tUoa? ldltff.byPHl lhcald L. J. lllr.t ... tMJ!ldp O..•tartH nn , .... Va beg!• a •rlH a,rplodng Lti..ur7 Critic,!•• aad tM Art of b•Uriag applled to .c:taoce H ctlaa u,d hataay. M BRRY C HRJ: STMAS I A ti.pPr wlutm- r ..uval ta you all UViliYSBDITOR PRODUCTIOJEDITOR PRODUCtlOJlSSISTAJTS r.ul u -Jd s t - J lcllole<M Dll1'1d Cl.ed,m Sndy Ila- Shan:m llall PJ:JJTID BY, PDC Copyprht, 11 JlffriM Pauq:1, Gullcltard, Surr• y GIil UP David , Barr• tt,23 0.kflaldload,Croydo11,Surra7 Cl 02\ID Tel1 Ot•eateou TD BS,., TH lrlUab Sela..,_ '1cU011 AMOCJUIOD la H COITIIBUTORS: Good artlclN a re alv17a "Hied. ill JISS uateur orgaD!UUOII, foraed Ill l~I, 11btcll aiaa tg prgagta a uo5t be typad doublr•~ 1111 IIH aldll gf t.1111 pllpar, nd •11C<1Ur11g11 tH ,...dlq, writing a11,d p.ibllabtng 11t .clue.
    [Show full text]
  • A Comparative Study of BDSM Community Formation in Budapest and London
    Reframing Exclusionary Identities Through Affective Affinities: A comparative study of BDSM community formation in Budapest and London By Heath Pennington Submitted to: Central European University Department of Gender Studies In partial fulfillment of the requirements for the degree of Master of Arts in Gender Studies Supervisors: Eszter Timár and Nadia Jones-Gailani CEU eTD Collection Budapest, Hungary 2018 Abstract In this comparative thesis, I investigate how BDSM communities in Budapest and London form around affective affinities that do not rely on the exclusionary mechanisms of identity politics. I strive for an open, ambiguous definition of kink to support my framing of BDSM as an affective praxis that need not rely on normative identities. My analysis is based on 20 semi-structured interviews and a literature review drawing from sexological, psychoanalytic, gender studies, and ethnographic fields, which chronicles the historical and contemporary social construction of BDSM. Situating myself and my research locations, I discuss what it means to utilize a feminist, embodied, interdisciplinary praxis in my fieldwork. I describe my participant observation and interview methodologies, and detail the pros and cons of mobilizing the term “community” in my research. Illustrating the problem with using identity as a tool for community formation, I explore how identity creates normativities and develop the idea of kinknormativity, unique from other normativities in linking the legitimacy of informed consent to social privilege. Moving away from identity, I argue that affect provides the necessary opening for BDSM communities to form, analyzing two main affective modes: feelings of belonging and discussions of gender. I show that affective belonging is built in both locations through solidarity and educational events, which are more frequent in London than in Budapest.
    [Show full text]
  • 25 Sexuality and the Erotic in Role-Play
    "This is an Accepted Manuscript of a book chapter published by Routledge in Role-Playing Game Studies: Transmedia Foundations on April 4, 2018, available online: https://www.routledge.com/Role-Playing-Game-Studies-Transmedia- Foundations/Deterding-Zagal/p/book/9781138638907 Please cite as: Brown, AML and Stenros, J. (2018). Sexuality and the Erotic in Role-Play. In Zagal, José P. and Deterding, S. (eds.), Role-Playing Game Studies: Transmedia Foundations. New York: Routledge, pp 425-439. 25 Sexuality and the Erotic in Role-Play Ashley ML Brown; Jaakko Stenros Role-play and role-playing games engage the imagination. Through whatever media role-playing occurs, the opportunity to create or take part in developing narratives allows for the imagining of what could be, even if it never was. This chapter considers how role-play and the erotic intersect, and specifically answers one question: what are the relationships between sexuality, the erotic, and role- play? This chapter focuses on three key areas of interest: sexual and erotic themes and imagery in role-playing games; erotic role-play and player interactions; and sexual and erotic role play outside of game contexts. The first section largely focuses on how sex, sexuality, and the erotic have been represented in role- playing games. This section covers both rules in games which allow for the playing out of sexual acts as well as the representation of character sexuality. The second section looks at erotic role play and player interactions, examining studies of how role-players incorporate sex into their games. The final section looks at sexual and erotic role-play behaviors in non-game contexts.
    [Show full text]
  • Transfictionality, Thetic Space, and Doctrinal Transtexts: the Procedural Expansion of Gor in Second Li
    Duret, Christophe. "Transfictionality, Thetic Space, and Doctrinal Transtexts: The Procedural Expansion of Gor in Second Life’s Gorean Role-playing Games." Intermedia Games—Games Inter Media: Video Games and Intermediality. Ed. Michael Fuchs and Jeff Thoss. New York: Bloomsbury Academic, 2019. 249–270. Bloomsbury Collections. Web. 2 Oct. 2021. <http:// dx.doi.org/10.5040/9781501330520.ch-012>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 2 October 2021, 18:51 UTC. Copyright © Michael Fuchs, Jeff Thoss and Contributors 2019. You may share this work for non- commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 12 Transfictionality, Thetic Space, and Doctrinal Transtexts: The Procedural Expansion of Gor in Second Life ’s Gorean Role- playing Games Christophe Duret maginary worlds created through a multitude of works in different media I have become a mainstay in contemporary popular culture. 1 Those works are linked together by a relation called “transfi ctionality,” a phenomenon “by which two or more texts, whether from the same author or not, jointly relate to the same fi ction, either by repetition of characters, extension of a prior plot or sharing of a fi ctional universe.” 2 The Assassin’s Creed franchise, for example, represents a transfi ction based on several media, which, in their combination, make up a transmedia story (a transfi ctional story told through many texts belonging to many media). In this franchise, twenty-two games contribute to a shared universe, along with twenty- eight comics, three animated short fi lms, a movie, eight novels, and an encyclopedia.
    [Show full text]
  • CALIFORNIA STATE UNIVERSITY, NORTHRIDGE When Deaf, Queer
    CALIFORNIA STATE UNIVERSITY, NORTHRIDGE Title Page When Deaf, Queer, and Leather Spaces Intersect. A graduate project submitted in partial fulfillment of the requirements For the degree of Master of Social Work By Erik James Escareño May 2017 Signature Page The graduate project of Erik James Escareño is approved: _______________________________________ __________ Dr. Allen Lipscomb Date _______________________________________ ___________ Dr. Jodi Brown, Date _______________________________________ ___________ Dr. Eli Bartle, Chair Date California State University, Northridge ii Dedication This research project is dedicated to the Leather Community. Through adversary LGBTQ and Deaf LGBTQ people have risen and persevered to create much needed spaces for themselves. We exist. Our created families normalizes that we can be comfortable in our own skin and evidence that it gets better. “Blood is thicker than water, but leather is thicker than blood.” –Anonymous Leather person. iii Table of Contents TITLE PAGE ....................................................................................................................... I SIGNATURE PAGE .......................................................................................................... II DEDICATION .................................................................................................................. III ABSTRACT ....................................................................................................................... V INTRODUCTION .............................................................................................................
    [Show full text]
  • 1490517039866.Pdf
    Tales of Gor GOREAN ROLEPLAYI NG Fantastical Adventures on th e Counter-Earth Authorised and based on the Gorean books of John Norman Written by: James ‘Grim’ Desborough Art by: Michael Manning, (C) Postmortem Studios 2017 John Norman’s works by permission of the author and the author’s agents Richard Curtis Associates, Inc. John Norman’s works are published by Open Road Media http://www.openroadmedia.com/contributor/john-norman/ Do not ask the stones or the trees how to live; they cannot tell you; they do not have tongues. Do not ask the wise man how to live, for, if he knows, he will know he cannot tell you. If you would learn how to live, do not ask the question. Its answer is not in the question but in the answer, which is not in words. Do not ask how to live, but, instead, proceed to do so. To receive over twenty books, Preview completely new to me, out of the blue was an enormous gift and I threw myself into reading Booklet them, one after another until they I nt ro d uct i on were all done. Here was a series Tales of Gor is the imminently of books with much of the same released Gorean role-playing game. fantastical imagination as Edgar A science-fantasy/sword and Rice Burroughs’ Barsoom series planet game of – somewhat – adult or the Hyborian fantasies of fantasy, set in the 30+ book series Robert E. Howard, but drawing of Gor novels by John Norman. on the same imagery of Greek and Roman heroism I’d learned at This booklet is something of a school and had seen in the films of preview for the game, showing Ray Harryhausen.
    [Show full text]
  • Print This Article
    Volume 2, Number 4 Virtual Economies, Virtual Goods and Service Delivery in Virtual Worlds February 2010 Editor-in-Chief Jeremiah Spence Guest Editors Mandy Salomon Serge Soudoplatoff Reviewers Robert Bloomfield Ian Burnett Ted Castronova Michelle Jean-Baptiste Aaron Lowen Christof Safferling Yesha Sivan Melissa De Zwart Technical Staff Andrea Munoz The Journal of Virtual Worlds Research is owned and published by the Virtual Worlds Institute, Inc. Austin, Texas, USA. The JVWR is an academic journal. As such, it is dedicated to the open exchange of information. For this reason, JVWR is freely available to individuals and institutions. Copies of this journal or articles in this journal may be distributed for research or educational purposes only free of charge and without permission. However, the JVWR does not grant permission for use of any content in advertisements or advertising supplements or in any manner that would imply an endorsement of any product or service. All uses beyond research or educational purposes require the written permission of the JVWR. Authors who publish in the Journal of Virtual Worlds Research will release their articles under the CCreative Commons Attribution No Derivative Works 3.0 United States (cc-by-nd) license. The Journal of Virtual Worlds Research is funded by its sponsors and contributions from readers. If this material is useful to you, please consider making a contribution. To make a contribution online, visit: http://jvwresearch.org/donate.html Journal of Virtual Worlds Research – Topping from the Viewfinder Volume 2, Number 4 Virtual Economies, Virtual Goods and Service Delivery in Virtual Worlds February 2010 Topping from the Viewfinder: The Visual Language of Virtual BDSM Photographs in Second Life By Shaowen Bardzell School of Informatics and Computing, Indiana University, USA Abstract The paper explores the mutually constituted relations between avatars, space, and artifacts depicted in virtual photographs from Second Life’s BDSM (bondage, discipline, and sadomasochism) communities.
    [Show full text]
  • Table of Contents
    Table of Contents 01 “What would Jesus Play?” - Actor-Centered Perspectives on Gaming and Gamers (In Lieu of an Introduction) Simone Heidbrink, Tobias Knoll & Jan Wysocki 17 Nephilim: Children of Lilith - The Place of Man in the Ontological and Cosmological Dualism of the Diablo, Darksiders and Devil May Cry Game Series Frank G. Bosman & Marcel Poorthuis 41 Living the Phantasm of Demediation - The Priest Kings and the Technology Prohibition in the Gorean Role-Playing Games Christophe Duret 61 “Venturing into the Unknown”(?) - Method(olog)ical Reflections on Religion and Digital Games, Gamers and Gaming Simone Heidbrink, Tobias Knoll & Jan Wysocki 85 Simulating the Apocalypse - Theology and Structure of the Left Behind Games Stephen Jacobs 107 The Politics of Pokemon – Socialized Gaming, Religious Themes and the Construction of Communal Narratives Marley-Vincent Lindsey 139 A Digital Devil’s Saga – Representation(s) of the Demon in Recent Videogames Jonathon O’Donnell 161 Prophecy, Pre-destination, and Free-form Gameplay - The Nerevarine Prophecy in Bethesda’s Morrowind Angus Slater Online – Heidelberg Journal for Religions on the Internet Volume 7 (2015) Religion in Digital Games Reloaded http://online.uni-hd.de Conference Papers: “Playing God” - On God & Game 185 Introduction: “Playing God” - On God & Game Frank G. Bosman 190 Beyond Belief - Playing with Pagan Spirituality in World of Warcraft Stef Aupers & Julian Schaap 207 “Are Those the Only Two Solutions?” - Dealing with Choice, Agency and Religion in Digital Games Tobias Knoll 227
    [Show full text]
  • Literature and Architecture in Early Modern England Myers, Anne M
    Literature and Architecture in Early Modern England Myers, Anne M. Published by Johns Hopkins University Press Myers, Anne M. Literature and Architecture in Early Modern England. Johns Hopkins University Press, 2012. Project MUSE. doi:10.1353/book.20565. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/20565 [ Access provided at 26 Sep 2021 14:14 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. Literature and Architecture in Early Modern England This page intentionally left blank Literature and Architecture in Early Modern England anne m. myers The Johns Hopkins University Press Baltimore © 2013 The Johns Hopkins University Press All rights reserved. Published 2013 Printed in the United States of America on acid-free paper 2 4 6 8 9 7 5 3 1 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Maryland 21218-4363 www.press.jhu.edu Library of Congress Cataloging-in-Publication Data Myers, Anne M. Literature and architecture in early modern England / Anne M. Myers. p. cm. Includes bibliographical references and index. ISBN 978-1-4214-0722-7 (hdbk. : acid-free paper) — ISBN 978-1-4214-0800-2 (electronic) — ISBN 1-4214-0722-1 (hdbk. : acid-free paper) — ISBN 1-4214-0800-7 (electronic) 1. English literature—Early modern, 1500–1700—History and criticism. 2. Architecture and literature—History—16th century. 3. Architecture and literature—History—17th century. I. Title. PR408.A66M94 2013 820.9'357—dc23 2012012207 A catalog record for this book is available from the British Library.
    [Show full text]