Women Non Consent Eat to Orgasm
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Gourmet Pigs Pacific Standard Time at Playa. Food and Drink As Art
Share Report Abuse Next Blog» Home Summer Cold Noodle List Best L.A. Cocktail Bars Recipes Shaved Ice Roundup Wine & Corkage Deals Search This Blog Search Sunday, February 12, 2012 Pacific Standard Time at Playa. Food and Drink as Black Bean Brownies Art. by: Scarletta Bakes View all 9 » Cooking is an art, but now food, cocktails, and art are really coming together with the "secret" Pacific Standard Time menu at Playa and Rivera. This special menu is part of the huge collaboration throughout Southern California that is Pacific Standard Time, celebrating the birth of the LA art scene and the art movement in LA Popular Posts from 1945 to 1980. Chef John Sedlar from Playa and Rivera told them that they needed to include cuisine as part of this effort, and Nyotaimori, or "Naked Sushi." so the PST menu was born. From now until the end of March, just You've Been ask the staff for the PST menu - a three course prix fixe menu Warned. served on prints of iconic PST artwork. Pacific Standard Time at I was invited to check out the special menu last week at Playa in Playa. Food and Drink as Art. West Hollywood. Review by City The first course is the Crudo assortment served on "Fish Platter" by MochiCream (Torrance, CA) Southern California: Beatrice Wood. The dish consisted of "Fresh and smoked seafood Choose Region with kumquats, fresno chiles, lime, red seaweed." Tweets US- Other: @estarLA see, you CAN have oysters Choose Region every day in LA. about 12 hours ago International: I'm in love w this Irish Stout caramel Choose Region chocolate bar from @ococoachocolate http://t.co/ck73ER6g about 19 hours ago Upcoming Events The Bruery Dinner at Mezze February 22, 2012 7:00 PM Just like the art scene, Sedlar explores the diversity of seafood from Winter ColLAb a lightly flavored hamachi with kumquats to scallops with Vadouvan February 26, 2012 (curry powder) and seared tuna with crispy seaweed. -
Workbook Please Visit the Last Page
SUPER SEX S.U.P.E.R Sex is an acronym created by Shan Boodram over ten years ago to discuss the various elements that are crucial to a healthy and happy intimate life. Set your terms Use protection Pleasure Emotionally wise Responsible By combining traditional sex education, psychology and everyone’s right to individualism S.U.P.E.R Sex works as a base for anyone seeking to understand their own sexuality plus intimate needs and how those things can interact with others in a healthy, optimal way. For more information about Shan and the primary resources used to create this workbook please visit the last page Set Your Terms Let’s discuss boundaries, expectations, needs, wants, setting/ framing and intent Love Languages (circle two) Gifts Acts of Service Physical Touch Words of affirmation Quality Time Sex Language (circle two) Mental - a mental connection is necessary to create a satisfactory physical connection Direct - straight to the point is how you like it Cat - you have to be the one to approach someone, you prefer to initiate intimacy on your time and terms Sensual - the stage has to be set: laundry folded, place smelling clean, music playing, candles burning! You like all of the senses to be engaged before sexual intimacy occurs Negotiator - sex itself isn’t very motivating for you BUT if you know it can be used as a bargaining chip to achieve something you do want, they you are incentivized Kinsey Scale (circle one to represent your action and star one to represent your fantasy) X - asexual 0 - strictly heterosexual 1 - Mostly heterosexual and incidentally homosexual 2 - Heterosexual and more than incidentally homosexual 3 - Bisexual 4 - Homosexual and more than incidentally heterosexual 5 - Homosexual and incidentally heterosexual 6 - strictly homosexual Boundaries 1. -
Session 3: Subverting Kitsch Closing Speech
Session 3: Subverting Kitsch Closing Speech “Arab Express: The Latest Art from the Arab World” Dates: June 16 - October 28, 2012 Venue: Mori Art Museum(53F Roppongi Hills Mori Tower) Organizers: Mori Art Museum, The Yomiuri Shimbun Curated by: Nanjo Fumio (Director, Mori Art Museum), Kondo Kenichi (Curator, Mori Art Museum) Curatorial Advisors: Wassan Al-Khudairi (Former Director, Mathaf: Arab Museum of Modern Art), Hoor Al-Qasimi (President, Sharjah Art Foundation), Ehab Ellaban (Commissaire, the 12th Cairo Biennale), Salwa Mikdadi (Former Head of Arts & Culture Programme, Emirates Foundation), Muhammad Talaat (Former Director, Palace of Arts, Cairo) Index Pop-up Mathaf @ Mori Art Museum Symposium Co-organized with Mathaf: Arab Museum of Modern Art “Same-Same But Different: The Role of the Artist in the Arab World and Japan” Mori Art Museum collaborates with Mathaf to present a weekend of events. Arab artists participating in “Arab Express: ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ About the Event 01 The Latest Art from the Arab World” at Mori Art Museum, join Japanese artists active worldwide in giving presentations on their art practices, talks, and a panel discussion comparing contemporary art in the Arab world with that in Japan. This exciting program designed to create a new dialogue and cultural exchange between the two regions is a part of “Qatar-Japan 2012,” a series of events celebrating 40 years of diplomatic relations between Qatar and Japan. Program ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ -
Wignall, Liam (2018) Kinky Sexual Subcultures and Virtual Leisure Spaces. Doctoral Thesis, University of Sunderland
Wignall, Liam (2018) Kinky Sexual Subcultures and Virtual Leisure Spaces. Doctoral thesis, University of Sunderland. Downloaded from: http://sure.sunderland.ac.uk/id/eprint/8825/ Usage guidelines Please refer to the usage guidelines at http://sure.sunderland.ac.uk/policies.html or alternatively contact [email protected]. Kinky Sexual Subcultures and Virtual Leisure Spaces Liam Wignall A thesis submitted in partial fulfilment of the requirements of the University of Sunderland for the degree of Doctor of Philosophy February 2018 i | P a g e Abstract This study seeks to understand what kink is, exploring this question using narratives and experiences of gay and bisexual men who engage in kink in the UK. In doing so, contemporary understandings of the gay kinky subcultures in the UK are provided. It discusses the role of the internet for these subcultures, highlighting the use of socio-sexual networking sites. It also recognises the existence of kink dabblers who engage in kink activities, but do not immerse themselves in kink communities. A qualitative analysis is used consisting of semi-structured in-depth interviews with 15 individuals who identify as part of a kink subculture and 15 individuals who do not. Participants were recruited through a mixture of kinky and non-kinky socio-sexual networking sites across the UK. Complimenting this, the author attended kink events throughout the UK and conducted participant observations. The study draws on subcultural theory, the leisure perspective and social constructionism to conceptualise how kink is practiced and understood by the participants. It is one of the first to address the gap in the knowledge of individuals who practice kink activities but who do so as a form of casual leisure, akin to other hobbies, as well as giving due attention to the increasing presence and importance of socio-sexual networking sites and the Internet more broadly for kink subcultures. -
Sexual Arousal, Orgasm and Pleasure, As Much As Possible Using a Prospective, Laboratory Paradigm
AN INVESTIGATION OF SELECTED TRADITIONAL ASSUMPTIONS ABOUT SEXUAL AROUSAL, ORGASM AND PLEASURE LAUREL Q. P. PATERSON B.A. Department of Psychology McGill University Montréal, Québec, Canada April 2013 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy Laurel Q. P. Paterson (2013) ACKNOWLEDGEMENTS I would like to express my gratitude to the many people who have helped me complete this thesis. First and foremost, I would like to thank my supervisor, Dr. Irv Binik, for his invaluable guidance and support throughout my PhD, and for his enthusiasm about bringing the study of orgasm back into the laboratory. I have been fortunate to share my laboratory with a wonderful group of researchers and friends: my fellow graduate students, Seth Davis, Melissa Farmer, Alina Kao, Tuuli Kukkonen, Marie-Andrée Lahaie, and Sabina Sarin; our dedicated research coordinators, Natalie Cartright, Marie Faaborg-Andersen, Jackie Huberman, Caroline Maykut, and Louise Overington; and my research assistants Ayelet Germanski, Ellie Shuo Jin, Natalie Stratton, and Lindsay Sycz. These bright women and man have stimulated research ideas, pushed me to overcome logistical obstacles, and made the laboratory a fun place to work. I will forever be grateful for the friendship and support of my classmates, Crystal Holly, Ilana Kronick, and Julie Mercier. Finally, I would like to thank my family and Peter for their unwavering support and encouragement. Throughout my graduate studies, I have been supported by generous research scholarships from the Canadian Institutes of Health Research (CIHR), McGill University Faculty of Graduate Studies, McGill University Health Centre Research Institute, Fonds de recherche du Québec – Santé (FRSQ), and the Natural Sciences and Engineering Research Council (NSERC). -
Eprint9305.Pdf
UNIVERSITÉ DU QUÉBEC À TROIS-RIVIÈRES UNE DRAMATURGIE DE L'INDIVIDU HYPERMODERNE SUIVI DE BRUTUS MÉMOIRE PRÉSENTÉ COMME EXIGENCE PARTIELLE DE LA MAÎTRISE EN LETTRES PAR JULIE MARQUETTE DÉCEMBRE 2019 Université du Québec à Trois-Rivières Service de la bibliothèque Avertissement L’auteur de ce mémoire ou de cette thèse a autorisé l’Université du Québec à Trois-Rivières à diffuser, à des fins non lucratives, une copie de son mémoire ou de sa thèse. Cette diffusion n’entraîne pas une renonciation de la part de l’auteur à ses droits de propriété intellectuelle, incluant le droit d’auteur, sur ce mémoire ou cette thèse. Notamment, la reproduction ou la publication de la totalité ou d’une partie importante de ce mémoire ou de cette thèse requiert son autorisation. ii REMERCIEMENTS Ce mémoire en création, un rêve pour moi depuis presque dix ans, n'aurait pas pu devenir réalité sans le soutien de mon directeur Hervé Guay. Je le remercie pour son implication dans cette démarche. Je me suis sentie accompagnée et cela a contribué à ce que je puisse mener à terme ce mémoire. J'aimerais exprimer ma gratitude immense à Marie-Josée Lacharité, Julie Lamothe et Monia Pouzet pour leur soutien, leur curiosité et la pertinence de leurs questionnements sur l'objectif autant que sur le processus intellectuel et créatif qui a mené à la rédaction de ce mémoire. Elles auront aussi généreusement donné des conseils et de leur temps, ce qui a facilité grandement la révision. Merci aussi à Julie Audy, Daniel Marquette, Steve Boisvert, Manuel Sévigny, Kosta Marquette-G., Théo M.-Goufas, Françoise Goulet et Vickie Chaput-Taillefer d'avoir cru en moi et de m'avoir encouragée tout au long de cette démarche. -
Catering Business Development and Classification 2
Catering Business Development and Classification 2 After studying this chapter, you will be able to: • Explain types of ownership in food and beverage business. • Explain sectors of catering industry. • Explain the features of transport catering industry. • Explain various food and beverage outlets with their characteristics. Catering Business Development and Classifi cation 25 expects to share the profit and loss of the business. The most important feature of a partnership, as far as law is concerned, is that each and every partner is an agent for the business and his or her action will be legally binding upon the other partners and all the parties are liable for the debts of the business. 2.2.2.1 Features • Sharing profits • Two heads are better than one • Liability issues • Management and control 2.2.3 Leasing The concept of leasing came into existence in the 1950’s and 1960’s and gradually became popular in the Indian catering industry. Most restaurants use the ground lease system which means that a tenant pays for long-term use of a specified property for a period of time, usually 2–5 years. Most of the restaurants on the main street pay money to the owners of the business premises. 2.2.3.1 Features • Leasing is less capital-intensive • Capital assets may fluctuate in value • Leasing may provide more flexibility to a business • If successful, a leaser may demand higher rental payments 2.2.4 Management Contract Management contract is used by an individual who wants to own a restaurant, but does not want to hassle with the property. -
La Fronde Des Juges Luxembourgeois
Devenezmobilereporter surL’essentiel Online La fronde des juges LUNDI 25 JUIN 2012 N°1099 luxembourgeois Actu 2 En mai, la Chambre des députés a réaffecté à un autre poste. Pour le Un collégien tué dans adopté un nouveau projet de loi por- Groupement des magistrats luxem- la cour de son collège tant sur la réorganisation du système bourgeois, «la loi ne garantit plus l'in- judiciaire. Et depuis, un juge n'a plus dépendance des juges» et ne respecte la possibilité de mettre son veto s'il est pas la Constitution. PAGE 4 ....................................................................................................................................................... Avec Motörhead, mais sans Justice People 21 Michael Jackson vu par le Dr Conrad Murray Sports 31 Les Italiens rejoignent les Allemands en demies Chapeau sudiste, croix celtique, Lemmy Kilmister (Motörhead) a toujours eu un faible pour la provocation. CÉDRIC LETSCH Météo 34 Justice devait être, hier soir, le installer sa scène. Qu'importe, Ils ont trouvé l'ambiance MATIN APRÈS-MIDI clou du Rock-A-Field 2012. Mais les festivaliers se sont régalés chouette, vivante et décontrac- le groupe français n'a pas joué. pendant ces deux jours de musi- tée, surtout ceux qui ont campé 9° 19° Arrivé en retard, il n'a pas pu que malgré la forte pluie d'hier. durant la nuit. PAGES 22-23 La déjantée Beth Dittoest de retour au Luxembourg (voirp.14) 2 Actu LUNDI 25 JUIN 2012 / WWW.LESSENTIEL.LU Sept morts dans Le collégien de 13 ans est le bus accidenté ZAGREB - Sept personnes ont été tuées et 44 blessées dans mort d'un étranglement l'accident d'un autocar imma- triculé en République tchèque RENNES - Un collégien survenu samedi matin sur une de 16 ans en a tué un autoroute en Croatie. -
Therapy for Convicted Sex Offenders: Pursuing Rehabilitation Without Incrimination Jonathan Kaden
Journal of Criminal Law and Criminology Volume 89 Article 7 Issue 1 Fall Fall 1998 Therapy for Convicted Sex Offenders: Pursuing Rehabilitation without Incrimination Jonathan Kaden Follow this and additional works at: https://scholarlycommons.law.northwestern.edu/jclc Part of the Criminal Law Commons, Criminology Commons, and the Criminology and Criminal Justice Commons Recommended Citation Jonathan Kaden, Therapy for Convicted Sex Offenders: Pursuing Rehabilitation without Incrimination, 89 J. Crim. L. & Criminology 347 (1998-1999) This Comment is brought to you for free and open access by Northwestern University School of Law Scholarly Commons. It has been accepted for inclusion in Journal of Criminal Law and Criminology by an authorized editor of Northwestern University School of Law Scholarly Commons. 0091-4169/98/8901-0347 THE JOURNAL OF CRIMINAL LAW & CRIMINOLOGY VoL 89, No. I Copyright C 1999 by Northwestern University, School of Law Prntd i U.S.A. COMMENT THERAPY FOR CONVICTED SEX OFFENDERS: PURSUING REHABILITATION WITHOUT INCRIMINATION JONAAN KADEN "Mea culpa belongs to a man and his God. It is a plea that cannot be exactedfrom free men by human authority."1 I. INTRODUCTION The Fifth Amendment right against self-incrimination is a fundamental protection against government abuse of an indi- vidual's autonomy, privacy, and dignity.2 Courts, however, have unevenly applied the right to convicted sex offenders who, as a condition of court-ordered therapy, must admit responsibility for their crime.3 In some cases, if an offender does not admit 'Abe Fortas, The Fiflh Amendment: Nemo TeneturProdereSeipsum, 25 CLEv. B. ASS'NJ. 91, 100 (1954). "Mea culpa" is a Latin expression meaning "a formal acknowledg- ment of personal fault." WEBSTER's THIRD NEW INTERNATIONAL DIcTIoNARY 1397 (1966). -
Look at Me: Japanese Women Writers at the Millennial Turn David Holloway Washington University in St
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Washington University St. Louis: Open Scholarship Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) Spring 4-22-2014 Look at Me: Japanese Women Writers at the Millennial Turn David Holloway Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation Holloway, David, "Look at Me: Japanese Women Writers at the Millennial Turn" (2014). All Theses and Dissertations (ETDs). 1236. https://openscholarship.wustl.edu/etd/1236 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN SAINT LOUIS Department of East Asian Languages and Cultures Dissertation Examination Committee: Rebecca Copeland, Chair Nancy Berg Marvin Marcus Laura Miller Jamie Newhard Look at Me: Japanese Women Writers at the Millennial Turn by David Holloway A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2014 Saint Louis, MO TABLE OF CONTENTS ACKNOWLEDGEMENTS. iii INTRODUCTION: Ways of Looking. 1 CHAPTER ONE: Apocalypse and Anxiety in Contemporary Japan. 12 CHAPTER TWO: Repurposing Panic. 49 CHAPTER THREE: Writing Size Zero. 125 CHAPTER FOUR: The Dark Trauma. 184 CONCLUSION: Discourses of Disappointment, Heuristics of Happiness. 236 WORKS CITED. 246 ii ACKNOWLEDGEMENTS If any credit is deserved for the completion of this dissertation, it is not I who deserve it. -
Loving BDSM Checklist
Loving BDSM Checklist We wish we could list every single kinky act and fetish out there, but since almost anything can be made a little kink, it’s impossible to list everything. This, however, should be a good starting point if you’re new. How to use the checklist: ● Print as many copies as you need ● Read each activity ● Choose how you do or might want to interact with the activity: give (G), receive (R), or both (B) ● Write Y or N whether you’ve tried it or not ● Check whether like it, feel “meh” about it (neutral), or dislike it ● For things you haven’t done, write Y or N on whether you’d be willing to try it ● If you know you’re a hard no on an activity, check the hard limit box at the end. ● Use the notes section at the back to write down ideas. items not on the list, things to research, and any topics you want to discuss with your partner. Once you and your partner(s) are done, it’s time to compare notes. Talk about what you love and hate. Research anything you’re unsure about. For anything that’s new to you and you want to try together, consider this your first kinky bucket list. You don’t have to like everything your partner does in order to have kinky fun. You don’t have to be really experienced, either. BDSM and D/s are about growing as individuals and together. This is simply a tool to help you on your path. -
Free Issue 68.Pdf
Welcome to your FREE evaluation copy of Magicseen Magicseen is published every 2 months and is available via a 1 or 2 year subscription, either in printed copy format delivered by mail, or as a download. You can also opt to take out an open ended printed copy Pay As You Go subscription, in which you provide payment card details and we charge you for a single issue each time a new one appears. If you sign up for one of our subscription options above here are the EXTRA benefits that you will enjoy. 1 or 2 year printed copy or PAYG subscribers receive 20% off all Magicseen books and E-Books plus they can opt to receive a free download copy of each issue in advance of the printed copy arriving. Download subscribers receive 20% off all Magicseen books and E-Books plus every time a new issue is released, they can select to receive any two further download back issues for FREE For more info and to subscribe go to www.magicseen.co.uk Magicseen, Anne's Park, Cowley, Exeter EX5 5EN, England Tel: +44 (0)1392 490565 Magicseen is sponsored by Card Shark (www.card-shark.de) PHONEBOX > MASTERCLASS > LETTERS > PRODUCT REVIEWS MAGAZINE IssueMAGICseen No. 68 RRP £5.50 Vol 12. No.2 May 2016 Paul Daniels A look AT his brilliant career Xavier Tapias Rubbish & Robots! Vox Magique Plus: It Takes TwO... > CLOWNING > DEALERS’ BOOTH > HOW TO BOOK MORE SHOWS > RAFAEL RULES THE WORLD JOSHUA JUST JAY MAGIC MAGICSEEN > YOU’LL LIKE IT... BUT NOT A LOT! NEVER TOUCH OR SEE THE CARD...YET KNOW EXACTLY WHAT WAS DRAWN! NO CARBON COPIES • NO PEEKING • EXAMINABLE • SELF CONTAINED AVAILABLE AT: EDITOR’S LETTER ummer is hopefully on the way and we have a bright and Ssunny issue to get you in the mood (was that cheesy enough for you?).