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Upper Richmond Road, Barnes, SW15 £335 Per Week
Fulham 843 Fulham Road London SW6 5HJ Tel: 020 7731 7788 [email protected] Upper Richmond Road, Barnes, SW15 £335 per week (£1,456 pcm) 2 bedrooms, 1 Bathroom Preliminary Details A lovely two double bedroom flat situated on the first floor of a stunning Victorian conversion in Putney. The property has a spacious reception room, a separate modern kitchen, plenty of storage and also benefits from having off street parking which is on a first come first served basis. Its location is conveniently situated moments away from Putney High Street providing easy access to both East Putney Station and Putney Overground making it ideal of professional sharers a couple looking for extra space. Key Features • Two double bedrooms • First floor • Stunning Victorian conversion • Spacious reception room • Modern kitchen • Fantastic location Fulham | 843 Fulham Road, London, SW6 5HJ | Tel: 020 7731 7788 | [email protected] 1 Area Overview Barnes is home to Olympic Studios on Church Road which proudly boasts a history of recording artists such as The Beatles, The Rolling Stones, David Bowie and Eric Clapton to name but a few. It is also home to the Wetland Centre managed by the Wildfowl and Wetlands Trust and is a natural habitat for many different breeds of the ornithological variety. © Collins Bartholomew Ltd., 2013 Nearest Stations Putney (0.5M) Barnes (0.7M) East Putney (0.8M) Fulham | 843 Fulham Road, London, SW6 5HJ | Tel: 020 7731 7788 | [email protected] 2 Energy Efficiency Rating & Environmental Impact (CO2) Rating Council Tax Bands Council Band A Band B Band C Band D Band E Band F Band G Band H Wandsworth £ 497 £ 580 £ 663 £ 746 £ 912 £ 1,077 £ 1,243 £ 1,492 Average £ 934 £ 1,060 £ 1,246 £ 1,401 £ 1,713 £ 2,024 £ 2,335 £ 2,803 Disclaimer Every care has been taken with the preparation of these Particulars but complete accuracy cannot be guaranteed. -
New Training and Employment Opportunities
HOMENews about your Home Issue 29 | Jan 2017 NEW TRAINING AND EMPLOYMENT OPPORTUNITIES INSIDE > Get funding for a project in your neighbourhood on page 13 > Competition on page 15 WELCOME IN THE SPOTLIGHT Welcome to the winter edition of Home Helping you become confident The New Year always provides a good www.facebook.com/ and connected online Season’s opportunity to get back into healthy lewishamhomes living after the festive period. We’re Greetings! working with the Albany and Lewisham @lewishamhomes Looking Council to offer our residents free courses to keep you fit, stay healthy or www.youtube.com/ forward to even take up a new hobby. lewishamhomes CHECK OUT OUR EVENTS 2017. lhomes.org.uk/lhlin CALENDAR ON PAGE 14 2 3 The Lewisham Homes’ Board is made up of residents, Councillors and independent BOARD MEMBERS members of the community with relevant skills and experience. They make strategic OUT AND ABOUT decisions and monitor our performance. Nigel with Alys, our get online expert We’ve been helping our residents get online with free training in our Digital Hub every Thursday, 10am- Nigel says: Going digital opens up 12pm. Over the past year, there has a new electronic world. I would been 220 visits to our Digital Hub recommend it to anyone. and residents have learned how to save I have lots of friends and family abroad, money and download the latest apps. Ainsley Forbes (Chair) with Kevin Stearns (Chair of Lewisham Tenants Fund) at our residents Garden Party. Terry James (Chair of Audit & Risk Committee) and ‘ and it’s an easy way to keep in touch, The Albany, 22 Aug. -
Trine Dyrholm Est
FESTIVAL DE VENISE FESTIVAL DE CINÉMA ORIZZONTI EUROPÉEN DES ARCS PRIX DU MEILLEUR FILM PRIX DU JURY TRINE DYRHOLM EST UN FILM DE SUSANNA NICCHIARELLI KINOVISTA ET NEW STORY PRÉSENTENT UNE PRODUCTION VIVO FILM AVEC RAI CINEMA ET TARANTULA EN COPRODUCTION AVEC VOO ET BE TV ÉCRIT & RÉALISÉ PAR SUSANNA NICCHIARELLI AVEC TRINE DYRHOLM, JOHN GORDON SINCLAIR, ANAMARIA MARINCA, SANDOR FUNTEK FESTIVAL DE VENISE FESTIVAL DE CINÉMA ORIZZONTI EUROPÉEN DES ARCS PRIX DU MEILLEUR FILM PRIX DU JURY 2017 · ITALIE / BELGIQUE · 93 MINUTES · COULEUR · VOST ANGLAIS SORTIE LE 18 AVRIL 2018 DISTRIBUTION RELATIONS PRESSE KINOVISTA NEW STORY BOSSA-NOVA | Michel Burstein 34, rue Saint Dominique 7-9, rue des Petites Écuries 32, bd St Germain 75007 Paris 75010 Paris 75005 Paris 01 44 59 60 15 01 82 83 58 90 01 43 26 26 26 [email protected] [email protected] [email protected] www.kinovista.com www.new-story.eu www.bossa-nova.info SYNOPSIS Entre Paris, Prague, Nuremberg, Manchester, la campagne polonaise et le littoral romain, Nico, 1988 est un road movie dédié aux dernières années de Christa Päffgen, plus connue sous le nom de « Nico ». À PROPOS DE NICO PAR SUSANNA NICCHIARELLI La musique de Nico était âpre, mais c’était de loin l’une des productions avons relevé le défi qu’elle puisse toucher le public. Avec Trine comme musicales les plus intéressantes et exigeantes de son époque : elle a créé avec les autres comédiens, notamment John Gordon Sinclair, j’ai utilisé un style unique alliant recherches personnelles, expérimentations et ironie, le regard des partenaires de Nico, du manager aux membres du groupe, refusant obstinément de se soucier du succès commercial. -
London Dock Culture and PLACEMAKING STRATEGY Placemaking Strategy (May 2014)
CULTURAL London Dock Culture and PLACEMAKING STRATEGY Placemaking Strategy (May 2014) FUTURECITY 01 This Document is submitted in support of the application for planning permission for the redevelopment of the London Dock site, in the London Borough of Tower Hamlets (‘LBTH’). A hybrid planning application (part outline/part detailed) for redevelopment of the site was submitted to LBTH on 29 May 2013 (ref: PA/13/01276). Following submission, a number of amendments to the application were submitted in September and November 2013. The planning application put before LBTH Strategic Development Committee on 9 January 2014 comprised: “An Outline submission for demolition of all buildings and structures on the site with the exception of the Pennington Street Warehouse and Times House and comprehensive mixed use development comprising a maximum of 221,924 sq m (GEA) (excluding basement) of floorspace for the following uses: – residential (C3); – business uses including office and flexible workspace (B1); – retail, financial and professional services, food and drink uses (A1, A2, A3, A4 & A5); – community and cultural uses (D1); – a secondary school (D1); – assembly and leisure uses (D2); – energy centre, storage, car and cycle parking; and – formation of new pedestrian and vehicular access and means of access and circulation within the site together with new private and public open space. Full details submitted for 82,596 sq m GEA of floorspace (excluding basement) in five buildings - the Pennington Street Warehouse, Times House and Building Plots A, B and C comprising residential (C3), office and flexible workspaces (B1), community and leisure uses (D1/D2), retail and food and drink uses (A1, A2, A3, A4, A5) together with car and cycle parking, associated landscaping and new public realm”. -
Hopcroft Plan
Your Future Neighbourhood The Neighbourhood Plan For Crofton Park and Honor Oak Park (HopCroft Plan) July 2017 Pre -Submission Consultation Acknowledgements The Crofton Park and Honor Oak Park Pre-submission Neighbourhood Plan has been prepared by Changing Cities and Urban Silence on behalf of the HopCroft Neighbourhood Forum. This draft plan has also been made possible by the dedication of the Neighbourhood Forum Steering Group who have devoted many hours of volunteer time in making it happen. Neighbourhood Forum Contact Crofton Park and Honor Oak Park Neighbourhood Forum (HopCroft Forum) Web: http://croftonhonoroakpark.neighbourhood.space/ Consultation Portal: https://HopCroftforum.stickyworld.com/home FB: https://www.facebook.com/Crofton-Park-Honor-Oak-Park-Neighbourhood-Plan- 283970511803028/ Twitter: @HopCroftForum Email: [email protected] Page 2 of 89 Foreword – Cllr Pauline Morrison – Forum Chair I lived in Crofton Park between 1976 – 1982, when I ran a local pub – the General Napier. In 2010 I was elected as local councillor for the Crofton Park ward. I’ve seen it change in many ways through the years but the essence of the place remains. It is a vibrant, family-friendly local community with residents and businesses that care about their streets, facilities and green spaces. People are drawn to the area because of the variety of homes, the attractive Victorian and Edwardian streets, the parades of independent shops and eating places, the good transport connections, the local creative and cultural activities and the beautiful parks. We know the area will continue to change and many of the challenges that other areas of London face have not escaped us – congested roads, increasing housing costs and stretched local services. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
30 Barnes High Street London, Sw13 9Lw 5
5 EXCLUSIVE 2 BEDROOM APARTMENTS WITH TERRACES IN THE HEART OF BARNES VILLAGE 30 BARNES HIGH STREET LONDON, SW13 9LW LOCATION Barnes village is located about 40 minutes from Central London by road and rail. It has the calm and peaceful atmosphere of a country village, and is renowned for its strong sense of community, large areas of green common land, the riverside setting and the beautiful duck pond. Excellent transport links and world The Green is adjacent to the 120 class schools render the locality acres of open terrain at Barnes popular for buyers and renters alike Common, and additional open who wish to bring up families in space is provided by the Wetland a safe, attractive setting but still and Wildfowl Centre. The village benefit from fast and efficient location within a great loop of access to Central London. the Thames means that there is no shortage of riverside walks Barnes Village retains a distinctly and activities. Every year Barnes rural ambience, especially around becomes the focus of attention the Green – complete with willow- during the world-famous Boat Race; fringed pond and actually is a much situated halfway along the Race’s more substantial park than the route, it offers the best vantage name suggests. point for spectators. 30 BARNES HIGH STREET LONDON, SW13 9LW Camden Primrose Hill Islington Kings Cross Shoreditch Maida Vale Clerkenwell Barbican Holborn Marylebone City of Bayswater Soho London Ealing Common White City Mayfair Ealing Acton Shepherd’s Bush Hyde Park Waterloo Southwark Bedford Holland Westminster Park Park Kensington Belgravia Gunnersbury Park Hammersmith Earls Court Chiswick Pimlico Bremtford Chelsea West 30 Kensington Ri BARNES HIGH STREET ver Thames LONDON, SW13 9LW Nine Elms Battersea Park Kew Grove Park Syon Gardens Barnes Fulham Parsons Park Green Dukes Meadows Barn Elms Golf Club Putney Battersea Common Chelsea Mortlake Harbour North Sheen Richmond East Sheen Putney Brixton Wandsworth Town Clapham Roehampton Common Richmond Park 1k RICHMOND UPON THAMES Barnes is in the London Borough of Richmond upon Thames. -
Edinburgh International Festival Society Papers
Inventory Acc.11779 Edinburgh International Festival Society Papers National Library of Scotland Manuscripts Division George IV Bridge Edinburgh EH1 1EW Tel: 0131-466 2812 Fax: 0131-466 2811 E-mail: [email protected] © Trustees of the National Library of Scotland BOX 1 1984 1. Venue letting contracts. 2. Australian Youth Orchestra. 3. BBC Orchestra. 4. Beckett Clurman. 5. Black Theatre 6. Boston Symphony 7. Brussels Opera 8. Childrens Music Theatre 9. Coleridges Ancient Mariner 10. Hoffung Festival BOX 2 1984 11. Komische Opera 12. Cleo Laine 13. LSO 14. Malone Dies 15. Negro Ensemble 16. Philharmonia 17. Scottish National 18. Scottish Opera 19. Royal Philharmonic 20. Royal Thai Ballet 21. Teatro Di San Carlo 22. Theatre de L’oeuvre 23. Twice Around the World 24. Washington Opera 25. Welsh National Opera 26. Broadcasting 27. Radio Forth/Capital 28. STV BOX 2 1985 AFAA 29. Applications 30. Amsterdam Baroque Orchestra/Netherlands Chamber Orchestra 31. Balloon Festival. 32. BBC TV/Radio. 33. Le Misanthrope – Belgian National Theatre 34. John Carroll 35. Michael Clark. BOX 3 36. Cleveland Quartet 37. Jean Phillippe Collard 38. Compass 39. Connecticut Grand Opera 40. Curley 41. El Tricicle 42. EuroBaroque Orchestra 43. Fitzwilliam 44. Rikki Fulton 45. Goehr Commission 46. The Great Tuna 47. Haken Hagegard and Geoffery Parons 48. Japanese Macbeth 49. .Miss Julie 50. Karamazous 51. Kodo 52. Ernst Kovacic 53. Professor Krigbaum 54. Les Arts Florissants. 55. Louis de France BOX 4 56. London Philharmonic 57. Lo Jai 58. Love Amongst the Butterflies 59. Lyon Opera 60. L’Opera de Nice 61. Montreal Symphony Orchestra 62. -
Now We Are 126! Highlights of Our 3 125Th Anniversary
Issue 5 School logo Sept 2006 Inside this issue: Recent Visits 2 Now We Are 126! Highlights of our 3 125th Anniversary Alumni profiles 4 School News 6 Recent News of 8 Former Students Messages from 9 Alumni Noticeboard 10 Fundraising 11 A lot can happen in 12 just one year In Memoriam 14 Forthcoming 16 Performances Kim Begley, Deborah Hawksley, Robert Hayward, Gweneth-Ann Jeffers, Ian Kennedy, Celeste Lazarenko, Louise Mott, Anne-Marie Owens, Rudolf Piernay, Sarah Redgwick, Tim Robinson, Victoria Simmons, Mark Stone, David Stout, Adrian Thompson and Julie Unwin (in alphabetical order) performing Serenade to Music by Ralph Vaughan Williams at the Guildhall on Founders’ Day, 27 September 2005 Since its founding in 1880, the Guildhall School has stood as a vibrant showcase for the City of London's commitment to education and the arts. To celebrate the School's 125th anniversary, an ambitious programme spanning 18 months of activity began in January 2005. British premières, international tours, special exhibits, key conferences, unique events and new publications have all played a part in the celebrations. The anniversary year has also seen a range of new and exciting partnerships, lectures and masterclasses, and several gala events have been hosted, featuring some of the Guildhall School's illustrious alumni. For details of the other highlights of the year, turn to page 3 Priority booking for members of the Guildhall Circle Members of the Guildhall Circle are able to book tickets, by post, prior to their going on sale to the public. Below are the priority booking dates for the Autumn productions (see back cover for further show information). -
Demarcating Dramaturgy
Demarcating Dramaturgy Mapping Theory onto Practice Jacqueline Louise Bolton Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds Workshop Theatre, School of English August 2011 The candidate confirms that the work submitted is his/her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 11 Acknowledgements This PhD research into Dramaturgy and Literary Management has been conducted under the aegis of an Arts and Humanities Research Council Collaborative Doctoral Award; a collaboration between the University of Leeds and West Yorkshire Playhouse which commenced in September 2005. I am extremely grateful to Alex Chisholm, Associate Director (Literary) at West Yorkshire Playhouse, and Professor Stephen Bottoms and Dr. Kara McKechnie at the University of Leeds for their intellectual and emotional support. Special thanks to Professor Bottoms for his continued commitment over the last eighteen months, for the time and care he has dedicated to reading and responding to my work. I would like to take this opportunity to thank everybody who agreed to be interviewed as part of this research. Thanks in particular to Dr. Peter Boenisch, Gudula Kienemund, Birgit Rasch and Anke Roeder for their insights into German theatre and for making me so welcome in Germany. Special thanks also to Dr. Gilli Bush-Bailey (a.k.a the delightful Miss. Fanny Kelly), Jack Bradley, Sarah Dickenson and Professor Dan Rebellato, for their faith and continued encouragement. -
Worldwide Ticket Sales TOP 200 THEATRE VENUES 1-10 0
2015 YEAR END Worldwide Ticket Sales TOP 200 THEATRE VENUES 1-10 0 1 1,586,452 Auditorio Nacional Mexico City, MEXICO 51 134,139 Warfield Theatre San Francisco, CA 2 1,517,617 Radio City Music Hall New York, NY 52 132,271 Northern Alberta Jubilee Auditorium Edmonton, CANADA 3 991,296 Royal Albert Hall London, UNITED KINGDOM 53 127,900 Orpheum Theater Omaha, NE 4 463,077 The Colosseum At Caesars Palace Las Vegas, NV 54 127,459 Count Basie Theatre Red Bank, NJ 5 451,714 Fox Theatre Atlanta, GA 55 127,209 Cobb Great Hall East Lansing, MI 6 438,029 Durham Performing Arts Center Durham, NC 56 124,520 Teatro Diana Guadalajara, MEXICO 7 435,480 Eventim Apollo London, UNITED KINGDOM 57 123,521 The State Theatre Minneapolis, MN 8 335,853 Citibank Hall Sao Paulo, BRAZIL 58 121,686 Wang Theatre - Citi Performing Arts Ctr. Boston, MA 9 308,150 Auditorio Telmex Guadalajara, MEXICO 59 120,802 WinStar Global Event Center Thackerville, OK 10 297,235 Beacon Theatre New York, NY 60 120,095 Barbara B. Mann Perf. Arts Hall Fort Myers, FL 11 296,265 Auditorio Banamex Monterrey, MEXICO 61 119,682 McCallum Theatre Palm Desert, CA 12 288,494 Ryman Auditorium Nashville, TN 62 117,344 Stadsschouwburg Antwerp, BELGIUM 13 284,997 Microsoft Theater Los Angeles, CA 63 116,647 Whitney Hall Louisville, KY 14 278,342 Dreyfoos Hall West Palm Beach, FL 64 115,416 Clyde Auditorium Glasgow, UNITED KINGDOM 15 277,001 Theater At Madison Square Garden New York, NY 65 108,387 Rosemont Theatre Rosemont, IL 16 253,036 The Axis At Planet Hollywood Las Vegas, NV 66 103,084 Hanover Theatre For Perf. -
After the Interval National Audience Research
After the Interval National Audience Research Audience views on returning to live cultural events, booking tickets now and in the future, and missing out on events during lockdown. Wave 2 | 7-27 May 2020 Katy Raines Co-founder and Partner www.indigo-ltd.com After the Interval Wave 2 Report June 2020 © Indigo-Ltd 1 Contents Context ........................................................................................... 4 Section 1: Methodology and Sample ............................................. 5 Sample breakdown .................................................................................................................... 6 Section 2: Overall findings ............................................................. 7 2.1 Missing events during lockdown ....................................................................................... 7 2.2 Booking NOW for Events in the future .............................................................................. 8 2.3 When will audiences return? .............................................................................................. 9 2.4 Safety and Comfort ............................................................................................................ 10 2.5 Reassurances around refunds and exchanges ............................................................... 11 2.6 Supporting Cultural Charities ........................................................................................... 12 Appendix 1: About Indigo-Ltd ..................................................