Journalism, Media, and Technology Trends and Predictions 2019
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Copyright by Patrick Warren Eubanks 2019
Copyright by Patrick Warren Eubanks 2019 The Report Committee for Patrick Warren Eubanks Certifies that this is the approved version of the following Report: “There’s No Guidebook for This”: Black Freelancers and Digital Technologies APPROVED BY SUPERVISING COMMITTEE: S. Craig Watkins, Supervisor Kathleen McElroy “There’s no Guidebook for This”: Black Freelancers and Digital Technologies by Patrick Warren Eubanks Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2019 Abstract “There’s no Guidebook for This”: Black Freelancers and Digital Technologies Patrick Warren Eubanks, MA The University of Texas at Austin, 2019 Supervisor: S. Craig Watkins Freelancing has become increasingly common in a variety of industries due to the continued economic restructuring of post-industrial capitalism. While writing has traditionally been a precarious profession characterized by low pay and intermittent work, once secure forms of employment, such as newspaper work, have experienced a precipitous decline within the past few decades. As the number of writers engaged in standard employment contracts has sharply decreased, an increasing number of individuals must engage in freelance work to earn a living as writers. While all freelance writers face precarity at the hands of digital media outlets due to exploitative and unstable labor and business practices, black freelancers experience distinct forms of precarity, such as a lack of access to professional networks and mentors. This report aims to identify the ways in which digital technologies allow black freelancers to insulate themselves from the risks inherent to the digital media ecosystem, ending with recommendations for education systems, digital media organizations and freelancers seeking to promote equity in digital publishing. -
Facebook's Newsfeed Changes
LSE Business Review: Facebook’s newsfeed changes: a disaster or an opportunity for news publishers? Page 1 of 6 Facebook’s newsfeed changes: a disaster or an opportunity for news publishers? Social media and digital executives in newsrooms already have a tough job connecting their content to consumers via social media, but Facebook’s proposed changes in the algorithms of its ‘newsfeed’ are going to make it a lot harder. Social networks offer immense opportunities for reaching vast new audiences and increasing the engagement of users with journalism. The most important platform in the world is about to make that more difficult. Clearly, this is a blow for news publishers who have spent the last decade or so fighting a battle for survival in a world where people’s attention and advertising have shifted to other forms of content and away from news media brand’s own sites. They are clearly very concerned. Yet, could this be a wake-up call that will mean the better, most adaptive news brands benefit? The Atlantic’s Franklin Foer even argues that this is a good thing that could be the move that ends news media’s dependency on advertising and platforms like Facebook: “Facebook has just done media the biggest favor of them all. It has forced media to face the fact that digital advertising and ever-growing web traffic will never sustain the industry, especially if that traffic comes from monopolies like Facebook hoping to claim the entirety of digital advertising dollars for themselves.” I’m not going to argue that this is great news for news publishers, but blind panic or cynical abuse of Facebook is not a sufficient response. -
The Global Expansion of Digital-Born News Media
DIGITAL NEWS PROJECT 2017 The Global Expansion of Digital-Born News Media Tom Nicholls, Nabeelah Shabbir, and Rasmus Kleis Nielsen Contents About the Authors 5 Acknowledgements 6 Executive Summary 7 1. Introduction 9 2. Business Models and the Pursuit of International Scale 14 3. Distribution Strategies and the Embrace of Platforms 16 4. Global Expansion and Brand Licensing 18 5. Editorial Strategy and Brand Identity across Countries 21 6. The Challenges of Working Globally 24 6. Conclusions 27 List of Interviewees 29 References 30 THE GLOBAL EXPANSION OF DIGITAL-BORN NEWS MEDIA About the Authors Tom Nicholls is a Research Fellow at the Reuters Institute for the Study of Journalism at the University of Oxford. Main research interests include the dynamics of digital news and developing new methodological approaches to studying online activities using digital trace data. Most recently he has been using large-scale quantitative methods to analyse the structure, scope, and interconnectedness of government activity online, the effectiveness of electronic public service delivery, and the Internet’s implications for public management. He has published in various journals including Social Science Computer Review and the Journal of Information Policy. Nabeelah Shabbir is a freelance journalist, formerly of the Guardian, who specialises in pan- European journalism, global environmental coverage, and digital storytelling. Rasmus Kleis Nielsen is Director of Research at the Reuters Institute for the Study of Journalism, Professor of Political Communication at the University of Oxford, and serves as editor-in-chief of the International Journal of Press/Politics. His work focuses on changes in the news media, on political communication, and the role of digital technologies in both. -
Pivot to What? the Metajournalistic Discourse Surrounding Facebook‟S “Push to Video” Trevor Hook December 2020 Dr. Ryan Th
PIVOT TO WHAT? THE METAJOURNALISTIC DISCOURSE SURROUNDING FACEBOOK‟S “PUSH TO VIDEO” TREVOR HOOK DECEMBER 2020 DR. RYAN THOMAS PIVOT TO WHAT? THE METAJOURNALISTIC DISCOURSE SURROUNDING FACEBOOK‟S “PUSH TO VIDEO” Dr. Ryan Thomas Prof. Ryan Famuliner Acknowledgements I would like to thank my chair Dr. Ryan Thomas and committee member Ryan Famuliner for their invaluable assistance in the completion of this master‟s project. Their help was vital in completing a project which has been undertaken in, as said many times elsewhere, an unprecendented time. TABLE OF CONTENTS Introduction ................................................................................................................... 1 Literature Review .......................................................................................................... 4 Facebook, Algorithms, and Journalism ......................................................................... 4 Facebook as an Irregular Gatekeeper ............................................................................ 6 The Philosophical Fault Lines between Facebook and Journalism ................................ 7 Facebook‟s Impact in the Practice of Journalism ........................................................ 11 Metajournalistic Discourse ......................................................................................... 13 Research Question...................................................................................................... 14 Method ........................................................................................................................ -
Media Relationships to Identify Topics of Interest and Create a Plan to Infiltrate
The art & science of earned-first storytelling 300 hours of video Average of 6,000 uploaded to YouTube tweets per second every minute 95 million Instagram 4 million Facebook photos and videos likes per second posted each day 3 Filter bubbles result from personalized searches when a website algorithm selectively guesses what information a user would like to see based on information about the user (such as location, past click behavior and search history). The implication is that brands need to generate targeted, quality coverage that can pierce the filter bubbles around their audience. Forget the 24/7 news cycle. Welcome to the “garbage-fire news cycle” – where one tweet lights the world on fire. The result is a real-time stream of flashpoints that are: • Instant • Heated • Flooded with content • Fueled by Google-able context • Often ill-informed or steered by opinion . 9 . More people get news from their phones than ever — 72% of American adults in 2016 versus 54% three years ago. More than half (51%) of consumers say they use social media as a source of news each week. ROUGHLY Remembered the Less than path/platform half recalled where they found name of the the news story news outlet Q10b/cii_2016. Thinking about when you have used social media/aggregators for news, typically how often do you notice the news brand that has supplied the content? Notice = those who always or mostly notice the brand “Facebook is essentially running a payola scam where you have to pay them if you want your own fans to see your content. -
THE FUTURE of NEWS Human Intelligence
SUMMER 2009 INTELLIGENT DIALOGUE: THE FUTURE OF NEWS Human Intelligence. Real Influence. INTRODUCTION THANKS TO THE INTERNET, and wide. Anyone can read a piece of Then there’s Twitter, where anybody everyone’s a journalist. Or are they? news, dash off a diatribe about the can post whatever news they want We all certainly have the tools to get issue and share it with the world. But straight onto the update stream as long our message out, whatever that may does that make them journalists? as it’s no longer than 140 characters. be. But does such access make us a What of reporting standards, writing Yet despite its extreme popularity, it has new type of journalist? What does the skills, source-vetting, libel laws, no revenue model in place. future hold for a profession if anyone professional ethics, fact-checking can take it up whenever they choose? guidelines, copy editing styles—the How does all this affect traditional traditional building blocks of news organizations? Until recently, Your next-door neighbor may be a journalism? Will some of those tenets their core offerings were pretty big fan of “Law & Order.” But would be set aside in the future? From a standard and familiar; journalists you ask him to draw up legal reporting perspective, what’s the working with established processes documents for you? Or say your difference between an experienced delivering news to the public in nephew is a whiz with a crayon and photojournalist on the streets of printed or broadcast form. So what can build one hell of a LEGO Tehran and a protester with a camera purpose do those organizations serve mansion. -
Media Moments 2019
MEDIA MOMENTS 2019 Sponsored by Written by MEDIA MOMENTS 2019 I CONTENTS III Introduction from What’s New in Publishing IV Sovrn: Helping publishers thrive V Foreword from the writers Media Moments 2019 1 M&A Mergers and acquisitions are shaping the media landscape of the future 5 READER REVENUE Publishers are joining the race for reader revenues, but there’s no silver bullet 9 DATA & ADVERTISING First-party data empowers publishers to experiment with personalisation and better ads 13 TRUST Publishers begin the hard climb to earn back widespread public trust 17 PRINT Print publishing remains relevant but continues its search for a long-term rationale 21 MULTIMEDIA Welcoming the calm after the storm in multimedia investment from publishers 25 PLATFORM Platforms offer olive branches with subscription initiatives and news payments to tempt publishers back 29 OPPORTUNITIES FOR 2020 Beyond news: new opportunities for publishers to connect with audiences 33 APPENDIX MEDIA MOMENTS 2019 II INTRODUCTION as 2019 the year publishers finally got their mojo back? Jeremy Walters It would seem so – M&As are on a tear, digital subs @wnip Wshow no signs of hitting ‘paywall fatigue’, and new reve- nue channels are emerging with potent force. As if to illustrate the point, BuzzFeed’s CEO Jonah Peretti re- marked at SXSW that the company generated over $100 million in revenue last year “from business lines that didn’t even exist in 2017.” Peretti added that he expects to see a similar revenue pattern in 2019. But perhaps the biggest change is that publishers are looking after their own interests first. -
As It Happens: How Live News Blogs Work and Their Future
Karin O’Mahony As it happens: how live news blogs work and their future Paper Original citation: O'Mahony, Karin (2014) As it happens: how live news blogs work and their future. POLIS, London, UK. Originally available from LSE POLIS This version available at: http://eprints.lse.ac.uk/56792/ Available in LSE Research Online: May 2014 © 2014 The Author LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. POLIS As it Happens How live news blogs work and their future Karin O’Mahony Polis Journalistfonden Newsroom Fellow The London School of Economics and Political Science http://blogs.lse.ac.uk/polis/ Email: [email protected] Twitter: @charliebeckett www.journalistfonden.se Contents 1 Executive summary 6 Challenges: Sources, narrative and resources 6.1 The reader as a source 2 Introduction: What is a live blog? 6.2 Social media – a reliable source? 2.1 Different kinds of live blogs 6.3 Verifying information in real time 2.2 The history of the live blog 6.4 Narrative – losing the thread 2.3 The popularity of the -
Nobody Knows If Consumer Revenue, Branded Content, Commerce, Or Events Will Make up for Losses in the Display Ad Market
Event Briefing Digiday Publishing Summit Key Biscayne, Fla September 24–26, 2018 Nobody knows if consumer revenue, branded content, commerce, or events will make up for losses in the display ad market. But that isn’t stopping publishers from trying. At Moguls and the Digiday Publishing Summit in Key Biscayne, Fla., strong interest in alternative forms of revenue stood out: News publishers leaned into commerce working groups; lifestyle publishers talked about launching their own lines of wellness products; and legacy media giants discussed turning their super-fans into consumers. WHAT WE LEARNED Publishers are still struggling to turn a profit on video Even though some publishers are years into a pivot to video, few • Scale and quality are hard to find anywhere online, and that are satisfied with the money they’re making. Though many remain is especially true for video content. That makes it especially hopeful on the medium, particularly OTT, nearly all attendees difficult for publishers creating video content aimed at niche admitted to having a scale problem, both on their own sites and or B2B audiences. on the growing galaxy of distribution platforms. • A few publishers have gotten enough scale on short-form THE BOTTOM LINE video to turn a small profit, but many continue to struggle. Publishers remain committed to video as a medium, but they’re One publisher admitted to producing a slick-looking series being forced to monetize it in non-traditional ways. for Facebook Watch not for the ad revenue but to attract more branded content dollars. Another was exploring technology that would make its videos shoppable. -
13 Business Models to Enable Your Media Company to Thrive Ne Ti Sa Tion
MO 13 BUSINESS MODELS TO ENABLE YOUR MEDIA COMPANY TO THRIVE NE TI SA TION INNOVATION Monetisation IN MEDIA 36 WORLD REPORT BUSINESS MODEL CLIENT INCOME INCOME TRANSACTION PROFIT REQUIREMENTS RISKS FOCUS COLLECTION POTENTIAL COSTS POTENTIAL B2C Unique, relevant, must-have content; systems Customers not willing to pay. PAIDSUBSCRIPTIONS CONTENT Direct & B2B for raising awareness of that content High churn rate A strong funding culture and strong Unless you already get foundation funding, NON-PROFITNON-PROFIT B2C Direct connections to the investor community the chances of breaking into that world in and wealthy individuals a substantial way are low Deep understanding of audiences. E-COMMERCE B2C Direct Excellent platform. Unique and exclusive Lousy logistics and customer service E-COMMERCE & B2B product portfolio Expertise to offer irresistible “content Strong existing competition in your niche. B2C Direct on stage”; internal event expertise Poor event organising capability. Unappealing EVENTSEVENTS & B2B or connections with event organisers content or presenters Good partnerships with commercial and Creating a membership programme CLUB B2C Direct other outlets for product/service portfolio. that is just a thinly veiled subscription that CLUB & B2B Geographical reach aligned with media coverage offers little of value An IT team that has already created (or is Substantial investments to hire expensive ITIT PROVIDERPROVIDER B2B Direct capable of creating) unique media software IT talent, and creating and maintaining and working comfortably with clients the software Sales staff adept at consultative sales, Increased competition from big platforms ADVERTISING B2C Intermediated deep data to prove qualified audiences and from growing native/branded AD DEPENDENT & B2B and results, native/branded expertise advertising agencies Creative teams within the organisation. -
Do You Measure Up? the Growing Pressures of Analytics Contents
MAGAZINE OF THE NATIONAL UNION OF JOURNALISTS WWW.NUJ.ORG.UK | AUGUST-SEPTEMBER 2018 Do you measure up? The growing pressures of analytics Contents Main feature 14 Precision tools or click crazy? The challenges of using metrics News hat makes a good story in 03 Northern journalists face job cuts these digital times? It used to be straightforward – a proper Wide range of titles affected old-fashioned scoop that other 04 Cuts at BBC politics programmes newspapers or broadcasters were Union raises concern over quality Wforced to follow. Now it’s not so easy, the scoops aren’t kept secret til the last minute, they’re 05 Deficit looms for union shared online as soon as possible. So we have to look at other NUJ under budget pressure metrics to gauge the impact of a story. In our cover feature, Neil 06 Concern over RTE contracts Merrick guides us through ways that might make us digitally Workers trapped with fewer rights savvy or click crazy. Family and social affairs reporting can be difficulty, requiring “writers to get close to their subjects but not to cross a fine and Features often unclear line where they might become too close. Louise 10 Looking back to: Tickle, an experienced family affairs correspondent, looks at 1621 in the media how to try to tread a very difficult path. We also have a new series with Jonathan Sale reporting on 13 A ghost in the machine famous media anniversaries, starting with how producing the The problem of suddenly being ignored first newspaper got an early pioneer arrested. -
Hook-Analysis.Pdf (402.2Kb)
Findings Several themes emerged from the textual analysis and interviews with technology reporters. Two of the most universal themes were that the pivot to video itself did not work and that Facebook influenced publisher decision-making. While there were publications that were able to succeed through pivoting to video such as various Conde Nast properties (e.g. Bon Appétit and Wired) and Vox, the trend was universally acknowledged as short-sighted and unsuccessful. Several texts referred to Facebook as an actor that set up several incentives encouraging video production, ranging from algorithm tweaks which benefited video on the platform to direct subsidization of video content. Several journalists chastised Facebook‟s conduct, writing that the platform acted in a myriad of dishonest or non-transparent ways. One author also called for Facebook to be treated more akin to that of a publisher than simply as a platform. Authors noted that despite the failure of the trend, video had and has a place in the modern media ecosystem. Publishers were urged to approach video production as but one part of a holistic, varied strategy that spans media. Publishers Made Important Decisions Directly Because of Facebook There is one theme prevalent in every analyzed article directly pertaining to the industry‟s pivot to video: publishers made decisions based on the decisions of Facebook or under the immense influence of Facebook as a platform. Madrigal and Meyer (2018) argued that Facebook “set up new and fast-changing incentives for video that altered the online ad market as a whole” in addition to allegedly and “egregiously” overstating the watch time on videos on its platform.