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A Brief and Selected History of Translations of Utopia Into German

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A Brief and Selected History of Translations of Utopia Into German “The World Begins in Man”: A Brief and Selected History of Translations of Utopia into German Author: Nicole Pohl This article traces the translation history of Thomas More’s Utopia into German from the first seventeenth-century translations to the translations and reception of Utopia in the GDR and re-united Germany. In 1516, Thomas More, adviser to King Henry VIII, Catholic, martyr, and saint, published his most controversial book, De optimo reipublicae statu deque noval insula Libellus vere aureus, nec minus salutaris quam festivus (Of the best state law and of the new island Utopia, truly a golden booklet, as beneficial as it is cheerful). During 2016, special issues of Utopian Studies (27, no. 2, and 27, no. 3), edited by Fátima Vieira, have been tracing the translation history of this book that still grips our attention five hundred years later. As in the translation (and reception) histories in all countries, Utopia’s translation in Germany reflects contemporaneous social and political debates and anxieties. Thus, the book was read and translated as a communist document avant la lettre, a contradictory Catholic satire, a fantastical and thus ineffectual blueprint, and a socialist prophecy. In the seventeenth century, Utopia was translated not only into German but into the vernacular (albeit abbreviated). Other translations (by Gregor Wintermonath, for instance) published Utopia with Joseph Hall’s antipodean satire, Mundus alter et idem sive Terra Australis antehac semper incognita; Longis itineribus peregrini Academici 1 nuperrime illustrata (The discovery of a new world, or, A description of the South Indies, hitherto unknown/by an English Mercury) (1605). These latter editions are particularly important for the reception of Utopia as the foundation of a literary genre. Indeed, Hölscher reminds us that the first mention of “utopia” in German occurred before 1526 and directly linked the text to the literary tradition of “Schlaraffenland,” the medieval poem of the Land of Cockaygne: “Utopien ist ein erdichtetes Land, das der Engländer Thomas Morus, als wirklich vorhanden, beschrieben hat, und welches ungefähr die Stelle des Schlaraffenlandes vertritt” [Utopia is an imaginary country, which the Englishman Thomas More described as if it were real, and it has roughly the same status as the term Schlaraffenland].1 The Land of Cockaygne was not an isolated poem but a tradition of poems across Europe, dealing with an imaginary paradise where leisure prevailed and food was freely obtainable.2 The word utopia appeared again in German encyclopedias, first in 1741, equating Utopia anew to the chimeric “Tale of the Land of Milk and honey” or “Nowhere-land.”3 At first sight, the affinity between Utopia and “Schlaraffenland,” or the “Land of Cockaygne,” lies in the element of wish fulfillment and cornucopia, and Hölscher’s etymological research seems to confirm this. Thus, Ruth Levitas included the Land of Cockaygne in her category of “compensatory utopias,” which seek to counterweigh historical experiences of scarcity and deprivation.4 In the same vein, Lewis Mumford includes it in his idea of “utopias of escape.”5 Recently, following Christopher Kendrick’s cue, Karma Lochrie has argued for a closer judicious reading of The Land of Cockaygne as a complex and critical influence on Thomas More:6 “Utopian wish- fulfillment is bound up with a desire that is both unsatisfied and acutely aware of its own dissatisfaction. I would argue that the Land of Cokaygne is guilty of this kind of wish- 2 fulfillment, in which a reality principle asserts itself, not so much in order to accumulate obstacles that might realistically be overcome, as to pose the contradictory nature of the utopian project itself. Cokaygne is the representation of a desire that is at the same time fully cognizant of the impediments to its fulfillment.”7 Perhaps the translation history of More’s Utopia documents this ambivalence. The first German translation from Latin into vernacular German was published anonymously by Claudius Cantiuncula (Claude Chansonnette, ca. 1490–1549) in 1524, the year when he left his post as syndic of the Council of Basel. Cantiuncula was a dedicated humanist. He translated and corresponded with his friend Erasmus and exchanged letters with More, Joan Luis Vives, C. Agrippa of Nettesheim, and Brassicanus. He was also a judiciary and political reformer and writer.8 Cantiuncula’s translation, Von der wunderbarlichen Innsel, Utopia genannt, das ander Buch . Thomam Morũ . erstlich zů Latin gar kürtzlich beschriben und ußgelegt (About the wondrous Island called Utopia, the other book . Thomas Morrus . recently first published and explored in Latin) was published in Basel by Johannes Bebel, a printer specializing in Latin and Greek authors and medical works. He translated only book II of Utopia and dedicated it to the mayor and Council of Basel.9 Committed to humanist reforms of the judiciary, Cantiuncula rejected book 1 of More’s Utopia as irrelevant to his purposes. Indeed, he saw Utopia as a handbook or “mirror for princes” (Fürstenspiegel), another early form of political utopia, and gave it as a quasi-farewell gift to the municipal government of Basel, which he perceived as dangerously radicalized by the Reformation movement.10 Kiesel also suggested that the either short summary or 3 complete omission of book 1 in German translations indicated a focus on the “utopian” content rather than a sociopolitical critique of European courts and their politics.11 Gregor Wintermonath’s translation of Utopia appeared in 1612, with additional editions in 1704 and 1730, and at times was complemented by Joseph Hall’s Mundus alter et idem.12 Similarly to Cantiuncula’s, the translation had a political undertone. As a translator, historian, and devout Calvinist, Wintermonath seemed skeptical of More’s utopian idealism. When his translation of Hall’s Mundus alter et idem appeared as Utopiae pars II in 1613, he seemed to underscore “men’s failings instead of their dreams.”13 The curious imprint Marteau, which published political authors such as Pufendorf and Paul Jacob Marperger, printed Utopia, Oder Entwurff Einer Paradigmatischen Policey: Wodurch Die Hohe Obrigkeit Recht Mächtig/Die Spaltungen/Gerichts- Zänckereyen/Böse Artzeneyen/Ungleicher Vortheil Im Handel . Gestillet/Gold Und Silber Fast Unnöthig Gemacht/Der Staat Starck/Reich Vergnü gt . Und . Fast Ein Güldenes Seculum Wiedergebracht Wird (Utopia, or the Blueprint of a paradigmatic Policy: By which high Authority, Law, Power, Divisionism, juridical discord, injurious medicines, unequal advantage in trade will be pacified and a strong rich and happy State and almost a Golden Age will be restored) in possibly 1700.14 Its title, interestingly, indicated a pragmatic approach to issues such as discord, inequality, and the abuse of state power—a typically praxis-oriented slant on political science but promising, at the same time, a return to the golden age (Güldenes Seculum).15 Though Hölscher still records for the eighteenth century an understanding of Utopia as illusory and abstract, it 4 seems that political science in the late seventeenth and eighteenth centuries embraced the ability of utopian discourse to focus the imagination toward the pragmatic. A freely translated edition followed in 1753, by J.B.K., Das Englischen Canzlers Thomas Morus Utopien. In einer neuen und freyen Übersetzung (The English Chancellor Thomas More’s “Utopia.” In a new and free Translation), one that Karl Kautsky deplored as “very free and very naive” but at least publishing both books of the original text.16 Hermann Kothe’s 1846 translation found equal condemnation with Kautsky, who insisted that Kothe not only translated the work from French (this is not verified) but misunderstood and mistranslated many phrases and paragraphs so that the text was riddled with inaccuracies.17 Kothe’s free translation somewhat fed into the understanding of Utopia in the decade before 1848 when polemical names were used for “the false convictions of any political opponent,” endorsed by the lexical definition of Utopist of 1847 as fantastical:18 “Politicians and social reformers who leave the realm of reality and busy themselves with fantastical plans to improve the world have recently been described as utopian thinkers.”19 From the late nineteenth century, More’s Utopia was received in the intellectual and political context of the utopian socialists, and further publications and translations were initiated by German socialists, often under the auspices of Karl Johann Kautsky (1854–1938), the Marxist theoretician, philosopher, and journalist who read Thomas More as a precursor to utopian socialism in his book Thomas More und seine Utopie (Thomas More and his “Utopia”) (1888). The next translation was published by Victor Michels and Theobald Ziegler, providing the basis for a later edition by Gerhard Ritter.20 This critical edition of the Utopia was one in a collection of reprints of the important 5 Latin compositions of the fifteenth and sixteenth centuries, Lateinische Literaturdenkmäler des fünfzehnten und sechszehnten Jahrhunderts, edited by Max Hermann, and was extolled by Kautsky as “magnificent.” Ignaz Emanuel Wessely, translator and lexicographer, translated and annotated More’s Utopia in 1896 and issued it with a publisher specializing in the social sciences.21 Therefore, More’s Utopia was swiftly integrated into the socialist canon. This was underscored by the fact that Eduard Fuchs, the Marxist cultural historian, activist, pacifist,
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