Adalberto Santiago Feliz Me Siento Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Adalberto Santiago Feliz Me Siento Mp3, Flac, Wma Adalberto Santiago Feliz Me Siento mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Latin Album: Feliz Me Siento Country: Costa Rica Released: 1980 Style: Salsa MP3 version RAR size: 1616 mb FLAC version RAR size: 1516 mb WMA version RAR size: 1255 mb Rating: 4.8 Votes: 884 Other Formats: TTA VQF XM MP2 DXD DMF MOD Tracklist Hide Credits La Amistad A1 6:11 Written-By – Adalberto Santiago A2 Quisiera Amarte Menos 4:50 A3 Al Fin Llegaste 2:51 A4 Se Me Olvido Tu Nombre 4:35 B1 A Trabajar B2 No Lo Digas Feliz Me Siento B3 Written-By – Adalberto Santiago B4 Si Supieras Ansias De Ti Companies, etc. Phonographic Copyright (p) – Musica Latina International, Inc. Copyright (c) – Musica Latina International, Inc. Mastered At – Sterling Sound Credits Arranged By – Joe Mannozzi (tracks: A1, A2, A4, B2), Louie Ramirez (tracks: A3, B1), Luis Cruz* (tracks: B3, B4) Bass [Bajo] – Salvador Cuevas* Congas – Eddie Montalvo Coro – Joselin Quesada, Milly Quezada, Ray De La Paz Coro, Bongos – Luis Gonzales Coro, Vocals, Guiro, Maracas – Adalberto Santiago Directed By [Musical Director] – Luis Cruz* Piano – Oscar Hernandez Producer – Ray Barretto Timbales – Rafy Irizarry* Trombone – Leopoldo Pineda, Papo Vazquez* Trumpet – Hector Zarzuela, Jose Jerez Other versions Category Artist Title (Format) Label Category Country Year JM562, JM Adalberto Feliz Me Siento Fania Records, JM562, JM US 1980 562 Santiago (LP, Album) Fania Records 562 Adalberto Feliz Me Siento JM 562 Fania Records JM 562 France 1980 Santiago (LP, Album) Adalberto Feliz Me Siento LPS 99295 Fania Records LPS 99295 Venezuela 1980 Santiago (LP, Album) Related Music albums to Feliz Me Siento by Adalberto Santiago Tito Puente - Homenaje A Beny William Millan Y SAOCO - Papa Montero Celia Cruz & Tito Puente - Homenaje A Beny More Vol. III David González (2 With Larry Harlow And The Latin Legends Band Featuring Yomo Toro & Adalberto Santiago - Sofrito! Pupy Santiago - Estando Contigo Eddie Palmieri - Palo Pá Rumba Orquesta Nater - Orquesta Nater Luis Enrique Y Eddie Santiago - Los Principes De La Salsa Las Siete Potencias - Smokin' Tipica 73 - ...'74...'75...'76.
Recommended publications
  • View Centro's Film List
    About the Centro Film Collection The Centro Library and Archives houses one of the most extensive collections of films documenting the Puerto Rican experience. The collection includes documentaries, public service news programs; Hollywood produced feature films, as well as cinema films produced by the film industry in Puerto Rico. Presently we house over 500 titles, both in DVD and VHS format. Films from the collection may be borrowed, and are available for teaching, study, as well as for entertainment purposes with due consideration for copyright and intellectual property laws. Film Lending Policy Our policy requires that films be picked-up at our facility, we do not mail out. Films maybe borrowed by college professors, as well as public school teachers for classroom presentations during the school year. We also lend to student clubs and community-based organizations. For individuals conducting personal research, or for students who need to view films for class assignments, we ask that they call and make an appointment for viewing the film(s) at our facilities. Overview of collections: 366 documentary/special programs 67 feature films 11 Banco Popular programs on Puerto Rican Music 2 films (rough-cut copies) Roz Payne Archives 95 copies of WNBC Visiones programs 20 titles of WNET Realidades programs Total # of titles=559 (As of 9/2019) 1 Procedures for Borrowing Films 1. Reserve films one week in advance. 2. A maximum of 2 FILMS may be borrowed at a time. 3. Pick-up film(s) at the Centro Library and Archives with proper ID, and sign contract which specifies obligations and responsibilities while the film(s) is in your possession.
    [Show full text]
  • Mario Ortiz Jr
    Hom e | Features | Columns | Hit Parades | Reviews | Calendar | News | Contacts | Shopping | E-Back Issues NOVEMBER 2009 ISSUE FROM THE EDITOR Welcome to the home of Latin Beat Magazine Digital! After publishing Latin Beat Magazine for 19 years in both print and online, Yvette and I have decided to continue pursuing our passion for Latin music with a digital version only. Latin Beat Magazine will continue its coverage of Latin music through monthly in-depth articles, informative Streaming Music columns, concert and CD reviews, and extensive news and information for everyone. Access to Somos Son www.lbmo.com or www.latinbeatmagazine.com (Latin Beat Magazine Online) is free for a limited Bilongo time only. Windows Media Quicktime Your events and new music submissions are welcome and encouraged by emailing to: [email protected]. The Estrada Brothers Latin beat is number one in the world of authentic Latin music. For advertising opportunities in Mr. Ray lbmo.com, call (310) 516-6767 or request advertising information at Windows Media [email protected]. Quicktime Back issues are still in print! Please order thru the Shopping section! Manny Silvera Bassed in America This issue of Latin Beat Magazine Volume 19, Number 9, November 2009, is our annual "Special Windows Media Percussion/Drum Issue", which celebrates "National Drum Month" throughout North America. Our Quicktime featured artist this month is Puerto Rican percussionist/bandleader Richie Flores. In addition, also featured are Poncho Sanchez (who's enjoying the release of his latest production Psychedelic Blues), and trumpeter/bandleader Mario Ortiz Jr. (who has one of the hottest salsa Bobby Matos productions of the year).
    [Show full text]
  • Artarr Press Release Edit 3
    ***For Immediate Release*** Media Contact: Jesse P. Cutler JP Cutler Media 510.338.0881 [email protected] GRAMMY® Award-Winning Doug Beavers Releases New Album Art of the Arrangement Featuring Pedrito Martinez, Ray Santos, Oscar Hernández, Jose Madera, Angel Fernandez, Marty Sheller, Gonzalo Grau, Herman Olivera, Luques Curtis and More! New York, NY -- Tuesday, July 18, 2017 -- On his previous release, 2015’s Titanes del Trombón, the GRAMMY® Award-win- ning Doug Beavers -- as the album’s title suggested -- focused on honoring his fellow trombonists and pioneers such as J.J. John- son, Barry Rogers and Slide Hampton. The recording received universal praise with Jazzwax magazine calling it “absolutely hypnotic” and Latin Jazz Network deeming the release a “precious and significant work.” Publications as prestigious as Downbeat, JAZZIZ and Latino Magazine also joined in the chorus, each providing feature space to this magnificent project that paid tribute to some of the unsung masters of an often underappreciated instrument. At the time of the release of Titanes del Trombón, Beavers took note of the fact that many of the great trombonists of the past were also first-rate arrangers, and that steered him toward the music that now comprises his latest release, Art of the Arrangement (ArtistShare, August 25, 2017). The new collection is an homage to the greatest Latin jazz and salsa arrangers of our time, includ- ing Gil Evans, Ray Santos, Jose Madera, Oscar Hernández, Angel Fernandez, Marty Sheller, and Gonzalo Grau. Through- out the history of Latin jazz, and jazz in general, it’s the arrangers who have shaped the music, and quite often their contributions have been overlooked, or ignored altogether.
    [Show full text]
  • Redalyc.Salsa Music As Expressive Liberation
    Centro Journal ISSN: 1538-6279 [email protected] The City University of New York Estados Unidos Berrios-Miranda, Marisol Salsa Music as Expressive Liberation Centro Journal, vol. XVI, núm. 2, fall, 2004, pp. 158-173 The City University of New York New York, Estados Unidos Available in: http://www.redalyc.org/articulo.oa?id=37716211 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Berrios(v7).qxd 3/1/05 7:33 AM Page 158 CENTRO Journal Volume7 xv1 Number 2 fall 2004 Salsa) Salsa Music as Expressive Liberation1 MARISOL BERRIOS-MIRANDA ABSTRACT In the span of a singe decade, the 1970s, young people in urban centers all over Latin America came to embrace salsa music as their preferred musical style and expression. Salsa’s unprecedented international popularity resulted from the confluence of several distinct social conditions and historical events: the Puerto Rican dilemma of colonial status, the civil rights and black pride movements in the U.S., the Cuban revolution’s promise of upliftment for the lower classes, urban migration, and the need for a Latino alter- native to the hegemony of Anglo rock. In this paper I will argue that salsa’s popularity needs to be understood in terms of a musical sound and a social style that responded effectively to these circumstances, captured beautifully in the film Our Latin Thing. I propose, furthermore, that the colonial dilemma of Puerto Ricans in the island and in New York motivated their creative contributions to salsa, which they experienced as a form expressive liberation and decolonization.
    [Show full text]
  • Live at Yankee Stadium”--The Fania All-Stars (1975) Added to the National Registry: 2003 Essay by Thomas Muriel (Guest Post)*
    “Live at Yankee Stadium”--The Fania All-Stars (1975) Added to the National Registry: 2003 Essay by Thomas Muriel (guest post)* Original album The date Friday, August 23, 1973, is an historic one for Latin music. That night, Jerry Masucci, the ultimate gambler, was the last man laughing as his most bizarre gambit to date became a total success--his Fania All-Stars poured 40,000 screaming fans into Yankee Stadium for an unforgettable night of superb music. If Fania Records’ super-band was already famous at the time (thanks to the famed Cheetah club concert and the 1972 movie “Our Latin Thing”), this is the concert that made them a legend (the famous Cheetah club actually folded in 1974). That night, the All-Stars were scheduled to play two sets. The first set was a traditional one, with the All-Stars aided by guests Mongo Santamaría, Jan Hammer, Jorge Santana, and Billy Cobham, who quickly proved to the crowd that they could play soul as well as rock. The second set, another daring Masucci gambit, was never completed, as a bloody conga duel battle between Ray Barretto and Santamaría prompted the frenzied audience to bypass the security barriers to make their way into the playing field and onto the stage, triggering the concert’s abrupt ending. The orchestra had already gone through serious changes in personnel—now all the singers were either solo acts or bandleaders (or they were on the way to becoming both as part of the label’s expansion plans). But a bitter internal controversy involving three of their main stars provoked one of the most important changes to the band’s roster—this was the result of the harsh breakup of Barretto’s band, with five of his musicians leaving to form Típica ’73.
    [Show full text]
  • 10 15 14 Larry Harlow Celebrates 50 Years
    Press contacts: Aurora Flores -- [email protected] / 212-876-1936 Soldanela Rivera –[email protected] / 718-518-6872 John MacElwee – [email protected] / 718-518-6539 MUSIC ICON LARRY HARLOW CELEBRATES 50 YEARS OF ORCHESTRA HARLOW WITH THE LATIN LEGENDS AT HOSTOS (Bronx, NY) – Celebrating his 75th birthday and the 50th anniversary of his salsa band, Orchestra Harlow, the acclaimed producer, composer, and pianist will lead his 15-piece ensemble, the Latin Legends, in a concert of salsa classics on Saturday, October 25, 7:30 PM at the Hostos Center for the Arts and Culture. The driving force behind more than 250 influential Latin jazz and salsa albums, from his tribute album “Arsenio” and the coming of age tune “Abran Paso,” to his opera Hommy, Harlow’s ensemble includes Fania All-Star alums: timbales player, Nicky Marrero and trombonist / violinist Lewis Kahn as well as such top Latin artists as drummers Bobby Sanabria and Wilson “Chembo” Corniel in addition to vocalists Luisito Rosario, Emo Luciano, and Renzo Padia. Tickets range from $15 to $35 and can be purchased by calling (718) 518-4455 or through www.hostoscenter.org About Larry Harlow Larry Harlow was born March 20, 1939 in Brooklyn. The son of entertainers, his mother sang and enjoyed operas while his father was the leader of the house band at the Latin Quarter, which featured the popular Latin rhythms of the times. A graduate of the prestigious N.Y. High School of Music and Art, Harlow excelled on the oboe, flute, violin, bass and the instrument that he is most noted for, the piano.
    [Show full text]
  • Cocinando Suave: Ensayos De Salsa En Puerto Rico
    AM_Cocinando suave - Ensayos de salsa en Puerto Rico_Cesar Colon Montijo.indd 1 26/02/15 16:45 AM_Cocinando suave - Ensayos de salsa en Puerto Rico_Cesar Colon Montijo.indd 2 26/02/15 16:45 Cocinando suave: ensayos de salsa en Puerto Rico Compilador: César Colón Montijo Serie Pensamiento Social Caracas, Venezuela 2015 AM_Cocinando suave - Ensayos de salsa en Puerto Rico_Cesar Colon Montijo.indd 3 26/02/15 16:45 © Compilador: César Colón Montijo © Fundación Editorial El perro y la rana, 2015 Centro Simón Bolívar Torre Norte, piso 21, El Silencio, Caracas - Venezuela / 1010 Teléfonos: 0212-7688300 / 7688399 Correos electrónicos: [email protected] [email protected] Páginas web: www.elperroylarana.gob.ve www.mincultura.gob.ve/mppc/ Diseño de la colección Dileny Jiménez Hernán Rivera Corrección Érika Palomino Diagramación y diseño de portada Hernán Rivera Edición Lenin Brea Foto de portada José Rodríguez Hecho el Depósito de Ley Depósito legal lf4022015641226 ISBN 978-980-14-2950-0 Impreso en la República Bolivariana de Venezuela AM_Cocinando suave - Ensayos de salsa en Puerto Rico_Cesar Colon Montijo.indd 4 26/02/15 16:45 La Colección Alfredo Maneiro, Política y sociedad, publica obras puntuales, urgentes, necesarias, capaces de desentrañar el significado de los procesos sociales que dictaminan el curso del mundo actual. Venezuela integra ese mundo en formación, de allí la importancia del pensamiento, la investigación, la crítica, la reflexión, y por ende, de las soluciones surgidas del análisis y la comprensión de nuestra realidad. Firmes propósitos animan a esta colección: por una parte, rendir homenaje a la figura de Alfredo Maneiro, uno de los principales protagonistas de los movimientos sociales y políticos que tuvieron lugar en Venezuela durante los duros y conflictivos años sesenta, y por la otra, difundir ediciones de libros en los cuales se abordan temas medulares de nuestro tiempo.
    [Show full text]
  • Read the Introduction (Pdf)
    Introduction Salsa in New York ugust 1992. Hector Lavoe is putting together a new band, making a comeback after a self-imposed hiatus during which he fought for his life, tried to beat addiction, and, as we would find out later, battled A1 AIDS. A rehearsal is scheduled for 7 p.m. in the basement of the Boys and Girls Harbor School (“Boys Harbor”), located in El Barrio (Spanish Harlem) on the corner of East 104th Street and 5th Avenue, a favorite spot for salsa bands to work out new arrangements. Why? Cheap rates, an out-of-the-way place that fans don’t know about, and a location in the most historically sig- nificant neighborhood for Latin music in New York City. In fact, just blocks from Boys Harbor is where it all began back in the 1930s: Machito, Tito Puente, Eddie and Charlie Palmieri, everyone lived there. Most salsa musi- cians do not live in the neighborhood anymore, although many teach Latin music to kids and novices at the Harbor’s after-school program, one of the few places where 15 bucks will get you a lesson with Tito Puente’s bongocero. Rehearsal begins just shy of 8 p.m. It was delayed while several musicians copped in the neighborhood. Copped what? Blow, perico, cocaine. Other mu- sicians just straggled in late with no explanation, but no real need: No one complains about the late start. It’s par for the course. Regardless of their tardi- ness, everyone who enters the room makes his rounds greeting everyone else.
    [Show full text]
  • MUSICIAN ROSTER to 2017
    PLEASE NOTE THAT THIS LIST IS VERY PARTIAL, and UPDATED INTERMITTENTLY --- LATIN, BRAZILIAN, BALLET AND THEATRE ARE ON SEPARATE LISTS. PLEASE INQUIRE FOR INDIVIDUAL ARTISTS OR GROUPS NOT LISTED. * denotes color and black and white ** album cover art *** promotional materials, magazine, or otherwise published previously X Autographed - Exclusive Edition V Video available Bill O’Connor Abbey Lincoln ** X (also with Betty Bill Ohashi Carter) Bill Saxton Abdullah Ibrahim (A/K/A Dollar Billy Higgins X (also with Art Blakey) Brand) Billy Mitchell Adalberto Santiago * (Dr.) Billy Taylor Adam Rudolph Bob Berg ** Adele Sebastian Bob Cranshaw Airto Moreira X Bob Cunningham Al Cohn Bob Magnusson Al McDowell Bobby Bradford X Al McKibbon Bobby Crúz (also with Richie Ray) Al Santiago Bobby Hutcherson Al Torrente Bobby McFerrin Alcione Bobby Porcelli * Aldo Mazza Bobby Quaranta Alegre All Stars ** Bobby Rodríguez (flute, alto sax, vocals) Alex Acuña Bobby Rodríguez (bass) Alfredo ‘Chocolate’ Armenteros Bobby Sanabria Alfredo Coicuria Bobby Scott Alfredo De La Fé Bobby Short Alice Coltrane (Turiya) Bobby Watson Aline Morena * (also with Hermeto Pascoal) Branford Marsalis (also with Wynton Andrew Simpkins Marsalis) André Luba Brian Jackson (also with Gil Scott-Heron) Andy Bey Bruno Carr Andy González ** (and Jerry Buddy Collette González **) Buster Williams X Angel Canales Byard Lancaster Anthony Braxton Cachao (Israel 'Cachao' López) X Antonio Carlos Jobim (Angel) Cachete Maldonado Archie Shepp * (Edson) Café da Silva ** Armando Peraza Cal Tjader Armen
    [Show full text]
  • Orchestra Biography-Updated-08-04-2018-For
    Biography of Orchestra Fuego Orchestra Fuego is a Salsa band from Tampa, Florida The group’s sound has maintained the integrity of what is referred to as “Old School Salsa or NYC Salsa”, but with a fresh twist. The blend of Afro-Cuban rhythms mixed with Nuyorican flavor sets the dance floor on fire. They perform original songs and some familiar songs with invigorating new arrangements. While the group’s main passion is for Salsa, they also perform a wide variety of other Latin music including Merengue, Bolero, Bachata and Cha-cha. Since their debut in 2014, Orchestra Fuego has ignited all types of dance floors throughout Florida with their upbeat; high energy performances. Their albums have been downloaded from Miami to Denmark and even Singapore.” Orchestra Fuego is one of the most newly sought out Salsa groups in the Tampa Bay, Ocala and Gainesville area in Florida. Event Planner, Nic Kalojiannis, comments, “We are a Country Club that hosts hundreds of special events per year that work with many different types of entertainment. Orchestra Fuego is by far the most entertaining, professional, and crowd pleasing that I have ever witnessed. The excitement from all the guests and the pure enjoyment of everyone is easily seen. I highly recommend Orchestra Fuego to all my clients and have included them on our preferred vendor list.” Nic continues, “Thank you Orchestra Fuego, not only do all the guests always enjoy your music, but myself and staff always look forward to your events.” Twelve-piece Salsa Band 02 Biography of Orchestra Fuego Orchestra Fuego started when Marcus Hernandez, piano player, and lead singer, Luis “Torpedo” Aponte, reunited in Florida several years after moving down from New York.
    [Show full text]
  • Lbmo.Com) –Rudy & Yvette Mangual
    Hom e | Features | Columns | Hit Parades | Reviews | Calendar | News | Contacts | Shopping | E-Back Issues APRIL 2010 ISSUE FROM THE EDITOR In this Volume 20, Number 3, April 2010 issue of Latin Beat Magazine Online we traveled to Madrid in search of "Salsa Made in Spain." What we found was José Luis Morán (one of the main salsa exponents in the country) and Orquesta del Solar (the main salsa band in the Iberian Peninsula) as they temporarily joined forces to form a salsa powerhouse ensemble ready to take on the upcoming concert and festival seasons in Spain and throughout most of the European continent. As always, we keep you informed with Latin music news and information, CD reviews, national and international salsa hit parades, calendar of events and our unique regional music columns. Check out our video corner and streaming music tracks.Bienvenidos to the world of Latin Beat Magazine Online (lbmo.com) –Rudy & Yvette Mangual Latin Beat Magazine is number one in the world of authentic Latin music. For advertising opportunities in lbmo.com, call (310) 516-6767 or request advertising information at José Luis Morán [email protected]. La Rumba del Barrio Windows Media Back issues are still in print and available! Please order through the shopping section or by telephone at (310) 516-6767. Quicktime 3D Ritmo de Vida Que Siga La Rumba Windows Media Quicktime JOSÉ LUIS MORÁN "EL GATO SALSERO" & LA ORQUESTA DEL SOLAR: SALSA, MADE IN SPAIN Somos Son By Rudy Mangual Bilongo Photos courtesy of Felipe Ortiz Windows Media Quicktime While the salsa music industry is at a standstill throughout most of North The Estrada Brothers America these days, it still Mr.
    [Show full text]
  • Fania All Stars Live at Cheetah Volume 2 Mp3, Flac, Wma
    Fania All Stars Live At Cheetah Volume 2 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Latin Album: Live At Cheetah Volume 2 Country: Japan Released: 1975 Style: Salsa, Son MP3 version RAR size: 1591 mb FLAC version RAR size: 1587 mb WMA version RAR size: 1390 mb Rating: 4.4 Votes: 362 Other Formats: XM MP4 VOC WMA VOX MP2 APE Tracklist Hide Credits Ahora Vengo Yo A1 Arranged By, Written-By – Bobby Cruz, Ricardo RayPiano – Ricardo RayVocals – Bobby 9:44 Cruz Estrellas De Fania Arranged By, Flute – Johnny PachecoPiano – Larry HarlowTrombone – Renaldo A2 7:25 Jorge*Vocals – Adalberto Santiago, Hector Lavoe, Ismael Miranda, Pete "El Conde" Rodriguez*, Santos ColónWritten-By – Catalino Curet Alonso, Johnny Pacheco Que Barbaridad A3 Arranged By – Javier VasquezTrombone – Barry RogersTrumpet – Larry SpencerVocals – 6:09 Hector Lavoe, Ismael MirandaWritten-By – Ismael Miranda Ponte Duro Arranged By – Bobby Valentin, Johnny PachecoBongos – Roberto RoenaCongas – Ray B1 9:04 BarrettoTimbales – Orestes VilatoTrombone – Willie ColónTrumpet – Hector Zarzuela, Roberto Rodriguez Written-By – Johnny Pacheco Macho Cimarron B2 Arranged By – Marty Shelter*Piano – Larry HarlowTrombone – Willie ColónVocals – Pete 12:13 "El Conde" Rodriguez*Written-By, Flute – Johnny Pacheco Closing Theme B3 1:55 Arranged By, Performer, Written-By – Johnny Pacheco Companies, etc. Manufactured By – Victor Musical Industries, Inc. Credits Performer – Bobby Valentin, Jose Feliciano*, Johnny Pacheco, Larry Harlow, Ray Barretto, Ricardo Ray, Roberto Roena, Willie Colón Other versions Category Artist Title (Format) Label Category Country Year Fania All Live At The Cheetah Vol. Fania SLP 416 SLP 416 US 1972 Stars 2 (LP, Album, Gat) Records Fania All Live At The Cheetah (Vol.
    [Show full text]