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An Interviewwithroger Zelazny
No. 43 December 1972 An Interview With Roger Zelazny (You have asked me to step outside myself, then turn around and interview me. Okay. I’m outside now. I’ll stop right there and start questioning him.) “Tell me about yourself, Z.” “I was born on May 13, 1937 and received my B.A. from Western Reserve University in 1959. I attended Columbia for graduate work and received my M.A. there in 1962, in English and Comparative Literature. For a little over seven years, from early 1962 to early 1969, I worked for the Social Security Administration as a claims representative in Ohio and, in the final four, as a claims policy specialist in the SSA Centred Office here in Baltimore. I have a wife (Judy) and a son (Devin).” “Wait a minute, Z. We just passed a whole generation of psychoanalytic critics and biographers awhile back. What about childhood trauma and all that crap?” “I believe a piece of writing should be considered of, in, by, and for itself, a thing independent of the person who wrote it.” “But you are talking to me. I know where you got that. You wrote nothing but poetry for years—after you got out of high school and started college—and you got hung up on the New Criticism: close textual analysis, and the hell with the guy who wrote it. A touch of end-of-the-century decadence, too. The Symbolists, Firbank... But you were a Psychology major until your final year. You know that writing is a form of bahavior, and as such it invariably bears the mark of its executor.” “Of course.” “So tell us about your childhood hangups.” “No.” “Why not?” “Because I’m a bug on privacy.” “Shyness?” “Some, I suppose. -
Read Book Wagner on Conducting
WAGNER ON CONDUCTING PDF, EPUB, EBOOK Richard Wagner,Edward Dannreuther | 118 pages | 01 Mar 1989 | Dover Publications Inc. | 9780486259321 | English | New York, United States Richard Wagner | Biography, Compositions, Operas, & Facts | Britannica Impulsive and self-willed, he was a negligent scholar at the Kreuzschule, Dresden , and the Nicholaischule, Leipzig. He frequented concerts, however, taught himself the piano and composition , and read the plays of Shakespeare, Goethe, and Schiller. Wagner, attracted by the glamour of student life, enrolled at Leipzig University , but as an adjunct with inferior privileges, since he had not completed his preparatory schooling. Although he lived wildly, he applied himself earnestly to composition. Because of his impatience with all academic techniques, he spent a mere six months acquiring a groundwork with Theodor Weinlig, cantor of the Thomasschule; but his real schooling was a close personal study of the scores of the masters, notably the quartets and symphonies of Beethoven. He failed to get the opera produced at Leipzig and became conductor to a provincial theatrical troupe from Magdeburg , having fallen in love with one of the actresses of the troupe, Wilhelmine Minna Planer, whom he married in In , fleeing from his creditors, he decided to put into operation his long-cherished plan to win renown in Paris, but his three years in Paris were calamitous. Living with a colony of poor German artists, he staved off starvation by means of musical journalism and hackwork. In , aged 29, he gladly returned to Dresden, where Rienzi was triumphantly performed on October The next year The Flying Dutchman produced at Dresden, January 2, was less successful, since the audience expected a work in the French-Italian tradition similar to Rienzi and was puzzled by the innovative way the new opera integrated the music with the dramatic content. -
Klaus Schulze
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 [email protected] KLAUS SCHULZE Klaus Schulze wurde 1947 in Berlin geboren, tauchte während der 1960er-Jahre in die dortige Underground-Szene ein und spielte Bass, Gitarre und Schlagzeug in verschiedenen Bands. 1970 und 1971 veröffentlichte er Alben mit Tangerine Dream und Ash Ra Tempel, stieg bei beiden Gruppen jedoch bald wieder aus. In den folgenden Jahren sollten diese eine neue deutsche Musik definieren, die international als Krautrock oder Kosmische Musik verehrt wurde. Schulze tat dasselbe, auf seine eigene Art – seine musikalische Vision war derart mächtig und ambitioniert, dass er sie nur im Alleingang umsetzen konnte. Inspiriert von Pink Floyd und Richard Wagner formte er fremdartige Sounds zu ausufernden Kunstwerken. Schon bevor er gewöhnliche Synthesizer in seiner Musik einsetzte, entwarf er auf „Irrlicht“ (1972) episch orchestrale Klanglandschaften, die auf seinen vielen weiteren Alben der 1970er-Jahre wie dem Meisterwerk „Timewind“ (1975) immer elektronischer und hypnotischer ausfielen. Diese Alben gelten längst als Meilensteine und machten Schulze zu einem der wichtigsten Vertreter der „Berliner Schule“. Es gibt kaum ein Ambient- oder Electronica-Album der letzten 25 Jahre, auf dem der Einfluss von Klaus Schulze nicht zu hören ist: seine abstrakten Atmosphären, die übernatürlichen Flächen, der mystische Futurismus, den er mit seinem Synthesizer- und Keyboard-Arsenal heraufbeschwor. Damals passte Schulzes Musik perfekt in das goldene Zeitalter der Science Fiction, heute klingt sie schlichtweg nach zeitloser Ewigkeit. Schulze machte Musik, die es so noch nicht gegeben hatte. Manche nannten es Kosmische Musik, andere priesen Schulze als den Wegbereiter von New Age. Irgendwo zwischen Ambient, experimenteller Musik und klassischer Komposition schuf er sphärische Sound-Meditationen, die immer wieder neue, phantastische Welten erkundeten. -
Nanotech Ideas in Science-Fiction-Literature
Nanotech Ideas in Science-Fiction-Literature Nanotech Ideas in Science-Fiction-Literature Text: Thomas Le Blanc Research: Svenja Partheil and Verena Knorpp Translation: Klaudia Seibel Phantastische Bibliothek Wetzlar Special thanks to the authors Karl-Ulrich Burgdorf and Friedhelm Schneidewind for the kind permission to publish and translate their two short stories Imprint Nanotech Ideas in Science-Fiction-Literature German original: Vol. 24 of the Hessen-Nanotech series by the Ministry of Economics, Energy, Transport and Regional Development, State of Hessen Compiled and written by Thomas Le Blanc Svenja Partheil, Verena Knorpp (research) Phantastische Bibliothek Wetzlar Turmstrasse 20 35578 Wetzlar, Germany Edited by Sebastian Hummel, Ulrike Niedner-Kalthoff (Ministry of Economics, Energy, Transport and Regional Development, State of Hessen) Dr. David Eckensberger, Nicole Holderbaum (Hessen Trade & Invest GmbH, Hessen-Nanotech) Editor For NANORA, the Nano Regions Alliance: Ministry of Economics, Energy, Transport and Regional Development, State of Hessen Kaiser-Friedrich-Ring 75 65185 Wiesbaden, Germany Phone: +49 (0) 611 815 2471 Fax: +49 (0) 611 815 49 2471 www.wirtschaft.hessen.de The editor is not responsible for the truthfulness, accuracy and completeness of this information nor for observing the individual rights of third parties. The views and opinions rendered herein do not necessarily reflect the opinion of the editor. © Ministry of Economics, Energy, Transport and Regional Development, State of Hessen Kaiser-Friedrich-Ring 75 65185 Wiesbaden, Germany wirtschaft.hessen.de All rights reserved. No part of this brochure may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without prior permission in writing from the publisher. -
Krautrock and the West German Counterculture
“Macht das Ohr auf” Krautrock and the West German Counterculture Ryan Iseppi A thesis submitted in partial fulfillment of the requirements for the degree of BACHELOR OF ARTS WITH HONORS DEPARTMENT OF GERMANIC LANGUAGES & LITERATURES UNIVERSITY OF MICHIGAN April 17, 2012 Advised by Professor Vanessa Agnew 2 Contents I. Introduction 5 Electric Junk: Krautrock’s Identity Crisis II. Chapter 1 23 Future Days: Krautrock Roots and Synthesis III. Chapter 2 33 The Collaborative Ethos and the Spirit of ‘68 IV: Chapter 3 47 Macht kaputt, was euch kaputt macht: Krautrock in Opposition V: Chapter 4 61 Ethnological Forgeries and Agit-Rock VI: Chapter 5 73 The Man-Machines: Krautrock and Electronic Music VII: Conclusion 85 Ultima Thule: Krautrock and the Modern World VIII: Bibliography 95 IX: Discography 103 3 4 I. Introduction Electric Junk: Krautrock’s Identity Crisis If there is any musical subculture to which this modern age of online music consumption has been particularly kind, it is certainly the obscure, groundbreaking, and oft misunderstood German pop music phenomenon known as “krautrock”. That krautrock’s appeal to new generations of musicians and fans both in Germany and abroad continues to grow with each passing year is a testament to the implicitly iconoclastic nature of the style; krautrock still sounds odd, eccentric, and even confrontational approximately twenty-five years after the movement is generally considered to have ended.1 In fact, it is difficult nowadays to even page through a recent issue of major periodicals like Rolling Stone or Spin without chancing upon some kind of passing reference to the genre. -
Rage in Eden Records, Po Box 17, 78-210 Bialogard 2, Poland [email protected]
RAGE IN EDEN RECORDS, PO BOX 17, 78-210 BIALOGARD 2, POLAND [email protected], WWW.RAGEINEDEN.ORG Artist Title Label HAUSCHKA ROOM TO EXPAND 130701/FAT CAT CD RICHTER, MAX BLUE NOTEBOOKS, THE 130701/FAT CAT CD RICHTER, MAX SONGS FROM BEFORE 130701/FAT CAT CD ASCENSION OF THE WAT NUMINOSUM 13TH PLANET RECORDS CD MINISTRY COVER UP 13TH PLANET RECORDS CD MINISTRY LAST SUCKER, THE 13TH PLANET RECORDS CD MINISTRY LAST SUCKER, THE 13TH PLANET RECORDS LTD MINISTRY RIO GRANDE BLOOD 13TH PLANET RECORDS CD MINISTRY RIO GRANDE DUB YA 13TH PLANET RECORDS CD PRONG POWER OF THE DAMAGER 13TH PLANET RECORDS CD REVOLTING COCKS COCKED AND LOADED 13TH PLANET RECORDS CD REVOLTING COCKS COCKTAIL MIXXX 13TH PLANET RECORDS CD BERNOCCHI, ERALDO/FE MANUAL 21ST RECORDS CD BOTTO & BRUNO/THE FA BOTTO & BRUNO/THE FAMILY 21ST RECORDS CD FLOWERS OF NOW INTUITIVE MUSIC LIVE IN COLOGNE 21ST RECORDS CD LOST SIGNAL EVISCERATE 23DB RECORDS CD SEVENDUST ALPHA 7 BROS RECORDS CD SEVENDUST CHAPTER VII: HOPE & SORROW 7 BROS RECORDS CD A BLUE OCEAN DREAM COLD A DIFFERENT DRUM MCD A BLUE OCEAN DREAM ON THE ROAD TO WISDOM A DIFFERENT DRUM CD B!MACHINE ALTERNATES AND REMIXES A DIFFERENT DRUM CD B!MACHINE EVENING BELL, THE A DIFFERENT DRUM CD B!MACHINE FALLING STAR, THE A DIFFERENT DRUM CD B!MACHINE MACHINE BOX A DIFFERENT DRUM BOX BLUE OCTOBER ONE DAY SILVER, ONE DAY GOLD A DIFFERENT DRUM CD BLUE OCTOBER UK INCOMING 10th A DIFFERENT DRUM 2CD CAPSIZE A PERFECT WRECK A DIFFERENT DRUM CD COSMIC ALLY TWIN SUN A DIFFERENT DRUM CD COSMICITY ESCAPE POD FOR TWO A DIFFERENT DRUM CD DIGNITY -
Interview De Bertrand Loreau
Interview de Bertrand Loreau Faite en Janvier 2015 par Michel Galvin. Mélomane, grand amateur de rock progressif et de musiques électroniques depuis 1969, il a découvert l’œuvre de Bertrand Loreau il y a un an, par hasard, sur le site « Guts of darkness »... Michel a eu la chance de rencontrer Bertrand lors du synthfest 2014 et, au fur et à mesure que sa collection d'albums du compositeur grandissait, il a voulu en savoir plus... Bertrand, pour commencer, j'aimerais que tu remontes aux sources, au temps où tu n'étais pas encore compositeur. Avant le synthé, quelles ont été tes premières émotions musicales ? Je viens d'une famille où la musique classique était très présente avec un père et des frères et sœurs qui avaient une pratique musicale et, évidemment, la première musique qui m'a vraiment émue était une musique classique, du baroque plus précisément. Il s'agit du Canon de Pachelbel, dans une version enregistrée par Jean-François Paillard. Je devais avoir huit ou neuf ans lorsque j'ai découvert cet enregistrement. Le disque appartenait à mon père mais dès que j'ai pris mon indépendance, je l'ai acheté et bien plus tard je me suis procuré une réédition sur CD. Je ne me suis jamais lassé de cette œuvre et je l'écoute encore de temps en temps avec une réelle émotion. Lorsque j'ai découvert la musique de Schulze et compris ma sensibilité à l'art des séquences, je me suis souvent dit que dans le Canon de Pachelbel, j'avais dû être touché par l'art des arpèges, l'art de la boucle qui s'amplifie jusqu'à atteindre un moment d'extase. -
Abstract Booklet
December 6–8, 2018 University of Graz, Austria www.worlding-sf.com WORLDING BUILDING, INHABITING, AND UNDERSTANDING SF UNIVERSES SF IMPRINT Publisher: University of Graz | American Studies Graz Editorial Staff: Michael Fuchs Responsible for the Content: Respective Authors Artwork & Layout: Timna Simonson © 2018 WORLDING SF less) coherent and cohesive world. lonial subtexts of canonical texts Spivak unco- Everything is (in) a world. In the aforementioned essay “The Origin of vered and the feminist sf of Ursula K. Le Guin, the Work of Art,” Heidegger stresses that “[w] Joanna Russ, and Octavia Butler to afrofuturism “To be a work [of art] means: to set up a world,” orld is not a mere collection of the things […] that and visions of the future in which Earth liberates Martin Heidegger remarked in his 1950 essay are present at hand. Neither is world a merely itself from human dominance. “The Origin of the Work of Art.” Some four de- imaginary framework.” “Worlds world,” he con- In about 100 presentations by scholars from cades later, Carl Malmgren suggested that “the cludes, meaning that we are subject to worlding more than 25 countries, the conference “Worl- generic distinctiveness of sf lies not in its story “as long as the paths of birth and death […] keep ding SF: Building, Inhabiting, and Understanding but in its world.” Both Malmgren and Heidegger us transported into being” (italics in original). Ga- Science Fiction Universes” seeks to explore have a point—fiction, and more specifically sci- yatri Spivak has “vulgariz[ed …]” Heidegger’s no- world-building, processes and practices of being ence fiction, is more interested in creating plau- tion of “worlding,” suggesting that the “worlding” in fictional worlds (both from the characters’ and sible worlds than telling convincing stories. -
Sol Rising Issue
December 2007 FREE Sol Rising is a free publi- cation of the Friends of OL ISING the Merril Collection sup- S R ported by your donations. Want to donate? Check out the back page for The Newsletter of The Friends of the Merril Collection of Science Fiction, Speculation and Fantasy more information. Another Electrifying Year SOL RISING Friends of the Merril Collection of Events at the Merril Number 37, December 2007 Inside Articles 1 Another Electrifying Year of Events at the Merril 2 Seven Reasons Why the World Fantasy Convention is Totally Cool! 3 The Might Merril Flea Market is no Tiny Event 4 Reanimating the Holidays 6 Special Feature: Robert J. Sawyer’s Convocation Address 10 Perry Rhodan: Space Opera Done Up German Style Info Bits 3 Donations Author Tim Powers delights his fans at the Merril. Photo by Andrew Specht 11 Merril Events and Volunteering eter Watts was the Guest Speaker at the Academic Conference on 12 Membership and Renewal PCanadian Science Fiction and Fantasy in June. Reach Us The Friends of the Merril Collection held a Flea Market in the Toronto Reference Library’s Beeton Auditorium. Over 500 people came. Friends of the Merril Collection, c/o Lillian H.Smith Branch, TPL, 239 College St. 3rd Floor, Toronto, On Saturday, Oct 6, Tim Powers, winner of the 1992 World Fantasy Award Ontario, M5T 1R5 for Last Call spoke at the Merril Collection. Mr. Powers spoke for an hour, www.tpl.toronto.on.ca/merril/home.htm explaining why he thinks people read fantasy, telling entertaining stories about www.friendsofmerril.org/ his life as a writer, and answering questions from the audience. -
Counterclock # 23
COUNTERCLCK # 23 INTRODUCTIN If, or perhaps when the sea level rises, Venice and the Netherlands will be the first to join the legendary Atlantis. Who would notice? I would. We don't live many meters above the current sea level ourselves. I was thinking... let's take a look at sf & sf-fandom in the Netherlands before it is completely gone. For any reason. But the Arizona State University has announced a Climate Fiction Short Story contest and even though I am quite sure that global warming occurs, the ulti- mate consequence of it, is that an ice age will follow. And imagining Stockholm under a kilometer thick ice sheet, made me aware that Venice might be rising from the sea, instead of sinking into it. If the sea level would rise 6-8 meters if all the ice on Greenland melted away, then imagine how much sea water would be tied up in ice if all of that which once was under ice, would be under ice again. The Venetians would need to go by car, to get to the beach. And the Dutch (if not under the ice) could walk on dry land to NOVACON. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - https://climateimagination.asu.edu/clificontest/ - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - The initial indications of participation for this issue were promising. Would a dying fandom show more activity than a thriving one like the Swedish? So it seemed. But more than half into October my hopes went back down. All the fans who once were active are still there and surely, had I used the slightest hint of a whip, then some more contributions would have been made and I could have gloated over the fact CVER ART by: TAIS TENG that a dying Dutch fandom still show more life signs Tais Teng is a pseudonymous Dutch fantasy fiction than a pretty much thriving Swedish fandom. -
Warp 51 Is the Spring 2001 Issue in Our New Quarterly Format
Price: Spring 2001, Volume 15, Number 1 51 The Official Newsletter of the Montreal Science Fiction & Fantasy Association (MonSFFA) In This Issue: Arthur C. Clarke: Grand Master of Science Fiction, Interview with a Dragon, Chicon VI Worldcon Review, Perry Rhodan modelbuilding, and more… MONSFFA’S EXECUTIVE COMMITTEE: 2000 MonSFFA EVENTS SCHEDULE JANUARY Berny Reischl President ALL MonSFFA MEETINGS HELD SUNDAY 21 Sebastien Mineau AFTERNOONS, 1:00PM TO 5:00PM (SOME FEBRUARY Vice-President MEETINGS INCLUDE MORNING ACTIVITIES, Sylvain St-Pierre WHICH BEGIN AT 10:30 AM), IN THE 18 Treasurer ST-FRANCOIS ROOM OF THE DAYS INN, 1005 GUY STREET (CORNER RENÉ LÉVESQUE), MARCH MONSFFA’S DOWNTOWN MONTREAL APPOINTED OFFICERS AND ADVISORS: 25 Keith Braithwaite 2001 EVENT PROGRAMMING* APRIL PR, Membership Sylvain St-Pierre June 10 - Get Ready for Convention Season 22 Membership 10:30am: Con*Cept 2001 concom meeting. MAY Dominique Durocher 1:00pm: Tribute to the late author Douglas Adams. 2:00pm: Berny Reischl Convention Primer: what to expect at a convention. 3:00pm: Creating your Costume. Web Site Administrators 6 Wayne Glover July - Summer Break - No Meeting JUNE Audio/Video August 19 - Making Movies Josée Bellemare 1:00pm: Game: Now Showing: Movie posters in a minute. 10 Michele Berry 3:00pm: Homemade Movies; Shoestring SPFX. Marquise Boies September 16 - Collisions in Space AUGUST Marc Durocher 1:00pm: Real Meteorites: tentative guest speaker Gaetan Cormier. Cindy Hodge 3:00pm: Hollywood Meteorites: how collisions are portrayed in David James 19 the movies. Les Lupien SEPTEMBER Ernst-Udo Peters October 20- Con•Cept 2001 Advisors Without Portfolio The annual SF/F convention returns as a one day event. -
Edgar Froese Klaus Schulze
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