Abstract Booklet
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Webb Management Services
building creativity Webb Management Services ✲ Webb Management Services, Inc. is North America’s leading provider of arts and cultural project planning services ✲ We work for governments, schools, developers, and arts organizations on facility feasibility, business planning, strategic planning, and cultural planning ✲ Our practice was founded in 1997, and we just started our 348th assignment ✲ Previous work in the region includes projects in Chandler and Mesa, as well as a Cultural Facilities Master Plan for the Scottsdale Cultural Council Webb Management Services Inc. Page 1 building creativity Additional team members Elizabeth Healy, Healy Entertainment Elizabeth recently re-launched Healy Entertainment, a development and production company. One of her first clients is The Recording Academy (GRAMMY Awards Organization), which follows on the heels of her eight- year term as senior executive director of The Recording Academy New York Chapter. Her work there included developing and producing over 400 special programs and events for the company. Elizabeth's past experience also includes working at significant performing arts organizations such as Lincoln Center for the Performing Arts, New York City Ballet, Saratoga Performing Arts Center, and Finger Lakes Performing Arts Center, in addition to several major record companies, and with world renowned artists. Christine Ewing, Ewing Consulting Christine has a proven track record of more than 25 years producing successful financial development programs for a broad range of vital nonprofit -
Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
Casual and Hardcore Players in HBO's Westworld (2016): the Immoral and Violent Player
Casual and Hardcore Players in HBO’s Westworld (2016): The Immoral and Violent Player MA Thesis Ellen Menger – 5689295 [email protected] Supervisor: Dr. René Glas Second reader: Dr. Jasper van Vught Utrecht University MA New Media & Digital Culture MCMV10009 - THE-Masterthesis/ MA NMDC May 8, 2017 Abstract This thesis approaches the HBO series Westworld (2016) through the lens of game studies and interprets the series as a commentary on the stereotype of casual and hardcore players and immoral violence in video games. By performing a textual analysis, this thesis explores how Westworld as a series makes use of the casual and hardcore player stereotype, looking at the way the series explores the construction of player categories and how it ties these to the dialogue about violence and immoral behaviour in video games. Keywords: Westworld, games, player types, Western, casual gamer, hardcore gamer, violence, ethics, morals SPOILER WARNING This thesis reveals certain plot twists that may spoil part of the storyline of the first season of HBO’s Westworld. If you have not watched the series, read at your own risk. Table of Contents 1. Introduction ........................................................................................................................ 1 2. Theoretical framework ....................................................................................................... 7 2.1. (Im)moral Behaviour in Game Worlds ....................................................................... 7 2.2. The Player as a Moral -
2018 – Volume 6, Number
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 2 & 3 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor KEVIN CALCAMP Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Bump in the Night” by Brent Jones © 2018 Courtesy of Pixabay/Kellepics EDITORIAL ADVISORY BOARD ANTHONY ADAH PAUL BOOTH Minnesota State University, Moorhead DePaul University GARY BURNS ANNE M. CANAVAN Northern Illinois University Salt Lake Community College BRIAN COGAN ASHLEY M. DONNELLY Molloy College Ball State University LEIGH H. EDWARDS KATIE FREDICKS Florida State University Rutgers University ART HERBIG ANDREW F. HERRMANN Indiana University - Purdue University, Fort Wayne East Tennessee State University JESSE KAVADLO KATHLEEN A. KENNEDY Maryville University of St. Louis Missouri State University SARAH MCFARLAND TAYLOR KIT MEDJESKY Northwestern University University of Findlay CARLOS D. MORRISON SALVADOR MURGUIA Alabama State University Akita International -
Gogo Vision What's Playing
GOGO VISION WHAT’S PLAYING CATALOG 183 MOVIES (100) TITLE TITLE NEW CONTENT Harriet A Star is Born Harry Potter and the Chamber of Secrets Sherlock Holmes Harry Potter and the Deathly Hallows: Part 1 Sherlock Holmes: A Game of Shadows Harry Potter and the Deathly Hallows: Part 2 The Big Lebowski Harry Potter and the Goblet of Fire The Breakfast Club Harry Potter and the Half-Blood Prince The Croods Harry Potter and the Order of the Phoenix Those Who Wish Me Dead Harry Potter and the Prisoner of Azkaban Addams Family, The (2019) Harry Potter and the Sorcerer's Stone An American Pickle Horrible Bosses Batman Begins Horrible Bosses 2 Batman V Superman: Dawn of Justice Impractical Jokers: The Movie Bill and Ted Face the Music Invisible Man, The Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) It's Complicated Blinded By The Light Joker Boogie Judas and the Black Messiah Coco Just Mercy Crazy Rich Asians Kajillionaire Crazy, Stupid, Love Let Them All Talk Die Hard Lilo and Stitch Disneys Upside-Down Magic Limbo Doctor Sleep Locked Down E.T. The Extra-Terrestrial Lucy in the Sky Elf Marvel Studios' Black Panther Emma Marvel Studios’ Avengers: Infinity War Finding Dory Marvel’s the Avengers: Age of Ultron Finding Nemo Minions Frozen 2 Mortal Kombat Godzilla v. Kong Mulan Guardians of the Galaxy Vol. 2 My Spy Movies 1 TITLE News of the World The Dark Knight Nobody The Dark Knight Rises Nomadland The Kitchen Office Space The Lego Batman Movie Onward The Lego Movie Photograph, The The Lego Movie 2: The Second Part Queen & Slim -
An Interviewwithroger Zelazny
No. 43 December 1972 An Interview With Roger Zelazny (You have asked me to step outside myself, then turn around and interview me. Okay. I’m outside now. I’ll stop right there and start questioning him.) “Tell me about yourself, Z.” “I was born on May 13, 1937 and received my B.A. from Western Reserve University in 1959. I attended Columbia for graduate work and received my M.A. there in 1962, in English and Comparative Literature. For a little over seven years, from early 1962 to early 1969, I worked for the Social Security Administration as a claims representative in Ohio and, in the final four, as a claims policy specialist in the SSA Centred Office here in Baltimore. I have a wife (Judy) and a son (Devin).” “Wait a minute, Z. We just passed a whole generation of psychoanalytic critics and biographers awhile back. What about childhood trauma and all that crap?” “I believe a piece of writing should be considered of, in, by, and for itself, a thing independent of the person who wrote it.” “But you are talking to me. I know where you got that. You wrote nothing but poetry for years—after you got out of high school and started college—and you got hung up on the New Criticism: close textual analysis, and the hell with the guy who wrote it. A touch of end-of-the-century decadence, too. The Symbolists, Firbank... But you were a Psychology major until your final year. You know that writing is a form of bahavior, and as such it invariably bears the mark of its executor.” “Of course.” “So tell us about your childhood hangups.” “No.” “Why not?” “Because I’m a bug on privacy.” “Shyness?” “Some, I suppose. -
Subverting Or Reasserting? Westworld (2016-) As an Ambiguous Critical Allegory of Gender Struggles
#24 SUBVERTING OR REASSERTING? WESTWORLD (2016-) AS AN AMBIGUOUS CRITICAL ALLEGORY OF GENDER STRUGGLES Miguel Sebastián-Martín Universidad de Salamanca Ilustración || Isela Leduc Artículo || Recibido: 19/07/2020 | Apto Comité Científico: 04/11/2020 | Publicado: 01/2021 DOI: 10.1344/452f.2021.24.9 [email protected] Licencia || Reconocimiento-No comercial-Sin obras derivadas 3.0 License 129 Resumen || Este artículo analiza las tres primeras temporadas de la serie de HBO Westworld (2016-2020), considerándolas una alegoría crítica de las relaciones de género. Se presta especial atención a la construcción autorreflexiva de sus mundos de ciencia ficción y a dos de los arcos narrativos de los personajes principales, las androides femeninas (o ginoides) Dolores y Maeve. Más específicamente, el ensayo consiste en un examen dialéctico de las ambigüedades narrativas de la serie, por lo que su argumento es doble. Por un lado, se argumenta que Westworld está clara y conscientemente construida como una alegoría crítica y que, como tal, sus mundos de ciencia ficción escenifican luchas sociales reales (principalmente, aquellas entre géneros) para narrar posteriormente su (intento) de derrocamiento. Por otro lado, en contra de esta interpretación crítico-alegórica, pero completándola, también se argumenta que Westworld no es una narrativa inequívocamente crítica y que, si vamos a examinar sus potenciales alegóricos, debemos considerar también cómo su realización puede ser obstaculizada y/o contradicha por ciertas ambigüedades narrativas. Palabras clave || Westworld | Ciencia ficción | Metaficción | Alegoría crítica | Género Abstract || This article analyses the first three seasons of HBO’s Westworld (2016-2020) by considering them a critical allegory of gender relations. In so doing, the text pays special attention to the self-reflexive construction of its SF worlds, and to two of the main characters’ arcs, the female androids (or gynoids) Dolores and Maeve. -
Gogo Vision What's Playing
GOGO VISION WHAT’S PLAYING CATALOG 179 MOVIES (92) TITLE TITLE NEW CONTENT Finding Nemo Harry Potter and the Sorcerer’s Stone Frozen 2 Harry Potter and the Chamber of Secrets Good Liar, The Harry Potter and the Prisoner of Azkaban Guardians of the Galaxy Vol. 2 Harry Potter and the Goblet of Fire Harriet Harry Potter and the Order of the Phoenix Impractical Jokers: The Movie Harry Potter and the Half-Blood Prince Invisible Man, The Harry Potter and the Deathly Hallows: Part 1 Irresistible Harry Potter and the Deathly Hallows: Part 2 It Chapter Two Locked Down It's Complicated Superintelligence Joker The Little Things Just Mercy Ad Astra Kajillionaire Addams Family, The (2019) Let Him Go An American Pickle Let Them All Talk Bill and Ted Face the Music Lilo and Stitch Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) Lucy in the Sky Blinded By The Light Marvel Studios' Black Panther Call of the Wild, The Marvel Studios’ Avengers: Infinity War Charm City Kings Marvel’s the Avengers: Age of Ultron Coco Minions Crazy, Stupid, Love Motherless Brooklyn Die Hard Mulan (Live Action) Disneys Upside-Down Magic My Spy Doctor Sleep Never Rarely Sometimes Always Downhill News of the World E.T. The Extra-Terrestrial Office Space Elf Onward Emma Photograph, The Finding Dory Queen & Slim Movies 1 TITLE Ralph Breaks The Internet: Wreck-It Ralph 2 The Kitchen Ratatouille The Lego Batman Movie Ready or Not The Lego Movie Richard Jewell The Lego Movie 2: The Second Part Rogue One: A Star Wars Story The New Mutants Scoob! The Personal History -
The Emancipatory Politics of Westworld (2016-)
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE QUESTIONING THE NATURE OF REALITY: THE EMANCIPATORY POLITICS OF WESTWORLD (2016-) A THESIS SUBMITTED TO THE GRADUATE FACULTY In partial fulfillment of the requirements for the Degree of MASTER OF ARTS By MORGAN JONES Norman, Oklahoma 2021 QUESTIONING THE NATURE OF REALITY: THE EMANCIPATORY POLITICS OF WESTWORLD (2016-) A THESIS APPROVED FOR THE DEPARTMENT OF GEOGRAPHY AND ENVIRONMENTAL SUSTAINABILITY BY THE COMMITTEE CONSISTING OF Dr. Laurel Smith, Chair Dr. Alison Fields Dr. Darren Purcell © Copyright by MORGAN JONES 2021 All Rights Reserved iv Acknowledgements I’d like to extend thanks to my thesis advisor, Dr. Laurel Smith, for letting me take this short final paper from Gender & Environment and turn it into a fully-fledged Master’s thesis. She has always taken this project seriously, even when I doubted its value (as I often did). Her extensive notes have been invaluable in crafting this document into what it is today. I would also like to thank Dr. Darren Purcell and Dr. Alison Fields who both serve on my advisory committee. The classes I have taken with them helped my conceptualization of what this thesis could be. I hope that their influence is visible in this paper. Another extension of gratitude goes to Dr. Harriet Hawkins for introducing me to geographical aesthetics, and for getting coffee with me in London when her work was the grounding force in my undergraduate capstone. I think it is absolutely necessary to thank my roommate, Holden Dempsey, and my dog, Olive, for being a stellar support system when I was at my most fragile. -
Nanotech Ideas in Science-Fiction-Literature
Nanotech Ideas in Science-Fiction-Literature Nanotech Ideas in Science-Fiction-Literature Text: Thomas Le Blanc Research: Svenja Partheil and Verena Knorpp Translation: Klaudia Seibel Phantastische Bibliothek Wetzlar Special thanks to the authors Karl-Ulrich Burgdorf and Friedhelm Schneidewind for the kind permission to publish and translate their two short stories Imprint Nanotech Ideas in Science-Fiction-Literature German original: Vol. 24 of the Hessen-Nanotech series by the Ministry of Economics, Energy, Transport and Regional Development, State of Hessen Compiled and written by Thomas Le Blanc Svenja Partheil, Verena Knorpp (research) Phantastische Bibliothek Wetzlar Turmstrasse 20 35578 Wetzlar, Germany Edited by Sebastian Hummel, Ulrike Niedner-Kalthoff (Ministry of Economics, Energy, Transport and Regional Development, State of Hessen) Dr. David Eckensberger, Nicole Holderbaum (Hessen Trade & Invest GmbH, Hessen-Nanotech) Editor For NANORA, the Nano Regions Alliance: Ministry of Economics, Energy, Transport and Regional Development, State of Hessen Kaiser-Friedrich-Ring 75 65185 Wiesbaden, Germany Phone: +49 (0) 611 815 2471 Fax: +49 (0) 611 815 49 2471 www.wirtschaft.hessen.de The editor is not responsible for the truthfulness, accuracy and completeness of this information nor for observing the individual rights of third parties. The views and opinions rendered herein do not necessarily reflect the opinion of the editor. © Ministry of Economics, Energy, Transport and Regional Development, State of Hessen Kaiser-Friedrich-Ring 75 65185 Wiesbaden, Germany wirtschaft.hessen.de All rights reserved. No part of this brochure may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without prior permission in writing from the publisher. -
Graduate Showcase
Graduate entertainment | media | arts | technology GAMES Continuing the original's ground-breaking approach Music Production – contributed to the game in roles to artistic direction, innovative gameplay, and such as Visual Eff ects Artist, Motion Capture Studio engrossing storytelling, The Last of Us Part II was Technician, Sound Designer, Dialogue Designer, built by large, collaborative teams at Naughty and more. Dog Studios and Sony Interactive Entertainment, "Our team was huge, we had almost 80 people just including more than 20 Full Sail grads. animating,” says Computer Animation grad and Alumni from multiple degree programs – including Cinematic Animator Drew Kedra. Game Art, Game Design, Game Development, Computer Animation, Film, Recording Arts, and Laura Sardinha Kidde TOP 25 Schools to study Lead User Interface Designer GAME DESIGN Blizzard Entertainment "I always played games my whole life. I always loved by Princeton Review 2014–2016, 2018-2020 games. And very early on in my life, I knew [I wanted to work at] Blizzard because of the Diablo games," says Game Design master’s grad Laura Sardinha Kidde. "It was my fi rst online RPG, and I was amazed by it." Today, Laura works as a Lead User Interface Designer with Blizzard, contributing her skills in art, design, and delegation to the video game developer's massively popular MMORPG, World of Warcraft. In her current role, she oversees UI features for all World of Warcraft expansions and patches, while working with her team to implement user feedback and maintain the artistic integrity of the beloved fantasy franchise. Nive Rajasekaran Mark Diaz Client Gaming Membership Gameplay Programmer Specialist id Software (DOOM franchise) Xbox at Microsoft Mark Diaz graduated from the Game Development program in 2014. -
Sol Rising Issue
December 2007 FREE Sol Rising is a free publi- cation of the Friends of OL ISING the Merril Collection sup- S R ported by your donations. Want to donate? Check out the back page for The Newsletter of The Friends of the Merril Collection of Science Fiction, Speculation and Fantasy more information. Another Electrifying Year SOL RISING Friends of the Merril Collection of Events at the Merril Number 37, December 2007 Inside Articles 1 Another Electrifying Year of Events at the Merril 2 Seven Reasons Why the World Fantasy Convention is Totally Cool! 3 The Might Merril Flea Market is no Tiny Event 4 Reanimating the Holidays 6 Special Feature: Robert J. Sawyer’s Convocation Address 10 Perry Rhodan: Space Opera Done Up German Style Info Bits 3 Donations Author Tim Powers delights his fans at the Merril. Photo by Andrew Specht 11 Merril Events and Volunteering eter Watts was the Guest Speaker at the Academic Conference on 12 Membership and Renewal PCanadian Science Fiction and Fantasy in June. Reach Us The Friends of the Merril Collection held a Flea Market in the Toronto Reference Library’s Beeton Auditorium. Over 500 people came. Friends of the Merril Collection, c/o Lillian H.Smith Branch, TPL, 239 College St. 3rd Floor, Toronto, On Saturday, Oct 6, Tim Powers, winner of the 1992 World Fantasy Award Ontario, M5T 1R5 for Last Call spoke at the Merril Collection. Mr. Powers spoke for an hour, www.tpl.toronto.on.ca/merril/home.htm explaining why he thinks people read fantasy, telling entertaining stories about www.friendsofmerril.org/ his life as a writer, and answering questions from the audience.