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To Sunday 31St August 2003
The World Science Fiction Society Minutes of the Business Meeting at Torcon 3 th Friday 29 to Sunday 31st August 2003 Introduction………………………………………………………………….… 3 Preliminary Business Meeting, Friday……………………………………… 4 Main Business Meeting, Saturday…………………………………………… 11 Main Business Meeting, Sunday……………………………………………… 16 Preliminary Business Meeting Agenda, Friday………………………………. 21 Report of the WSFS Nitpicking and Flyspecking Committee 27 FOLLE Report 33 LA con III Financial Report 48 LoneStarCon II Financial Report 50 BucConeer Financial Report 51 Chicon 2000 Financial Report 52 The Millennium Philcon Financial Report 53 ConJosé Financial Report 54 Torcon 3 Financial Report 59 Noreascon 4 Financial Report 62 Interaction Financial Report 63 WSFS Business Meeting Procedures 65 Main Business Meeting Agenda, Saturday…………………………………...... 69 Report of the Mark Protection Committee 73 ConAdian Financial Report 77 Aussiecon Three Financial Report 78 Main Business Meeting Agenda, Sunday………………………….................... 79 Time Travel Worldcon Report………………………………………………… 81 Response to the Time Travel Worldcon Report, from the 1939 World Science Fiction Convention…………………………… 82 WSFS Constitution, with amendments ratified at Torcon 3……...……………. 83 Standing Rules ……………………………………………………………….. 96 Proposed Agenda for Noreascon 4, including Business Passed On from Torcon 3…….……………………………………… 100 Site Selection Report………………………………………………………… 106 Attendance List ………………………………………………………………. 109 Resolutions and Rulings of Continuing Effect………………………………… 111 Mark Protection Committee Members………………………………………… 121 Introduction All three meetings were held in the Ontario Room of the Fairmont Royal York Hotel. The head table officers were: Chair: Kevin Standlee Deputy Chair / P.O: Donald Eastlake III Secretary: Pat McMurray Timekeeper: Clint Budd Tech Support: William J Keaton, Glenn Glazer [Secretary: The debates in these minutes are not word for word accurate, but every attempt has been made to represent the sense of the arguments made. -
Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
Spatial Design Principles in Digital Animation
Copyright by Laura Beth Albright 2009 ABSTRACT The visual design phase in computer-animated film production includes all decisions that affect the visual look and emotional tone of the film. Within this domain is a set of choices that must be made by the designer which influence the viewer's perception of the film’s space, defined in this paper as “spatial design.” The concept of spatial design is particularly relevant in digital animation (also known as 3D or CG animation), as its production process relies on a virtual 3D environment during the generative phase but renders 2D images as a final product. Reference for spatial design decisions is found in principles of various visual arts disciplines, and this thesis seeks to organize and apply these principles specifically to digital animation production. This paper establishes a context for this study by first analyzing several short animated films that draw attention to spatial design principles by presenting the film space non-traditionally. A literature search of graphic design and cinematography principles yields a proposed toolbox of spatial design principles. Two short animated films are produced in which the story and style objectives of each film are examined, and a custom subset of tools is selected and applied based on those objectives. Finally, the use of these principles is evaluated within the context of the films produced. The two films produced have opposite stylistic objectives, and thus show two different viewpoints of applying the toolbox. Taken ii together, the two films demonstrate application and analysis of the toolbox principles, approached from opposing sides of the same system. -
Counterclock Attempts to Accomodate the Short Variations There Are to Experience in a Small Attention Span of the Next Generation
COUNTERCLCK # 33 Artwork: Wolf von Witting. ”Play for Pegasus” Background: Alien world 1981, acrylic painting, Violinist aquarelle, mar1993, acrylic Pegasus on wooden tile 2015, photoshop-assembly Aug2018. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - TABLE F CONTENT INTRODUCTIN.............................page 02 Hero, War Hero, Super Hero, Heroine by Wolf von Witting.....................page 03 Comments on SweCon............page 06 by Thomas Recktenwald & Wolf von Witting EuroCon 2018 Amiens report.........page 10 Hello there! I'm back! by Jörg Ritter & Martin Stricker I never saw myself as a rolling stone even though I changed location 6-7 times before I turned 15. SCI FI SHORT PIECES.............page 27 So, it happened that I lived in Stockholm for 32 David Weingart for TAFF!!! years after that. It wasn't all the same. Life at Film reviews school was different from life at college. And life at FuturiCon, EuroCon 2020, in Rijeka...31 college, again, was different from military service. Even 25 years at the railroad were not the same Honey, Where's My Pants? for long. A few years as freshling and train The smoking fresh chapter of a TAFF-report conductor, a few years as train traffic controller by John Purcell...............................page 32 (dispatcher), administrator, instructor and later also railroad bridge warden. Many different tasks LoCol..........................................page 39 and many different experiences. All in the same THE FINAL WRD....................page 42 place. Until it grew weary. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - After 11 years in Italy, I feel I have exhausted all CounterClock attempts to accomodate the short variations there are to experience in a small attention span of the next generation. Pretend to village. -
Die Invasion Der Barbaren Gedanken Zur Re-Mythisierung Hollywoods in Den 1980Er-Jahren
Die Invasion der Barbaren Gedanken zur Re-Mythisierung Hollywoods in den 1980er-Jahren Marcus Stiglegger, Berlin 1. Wenn ich zurückdenke an das Jahr 1982 – ich war gerade 11 Jahre alt –, muss ich sagen, dass Conan für kurze Zeit zu meinem Mentor wurde. Ich durfte den Film mit Arnold Schwar- zenegger damals noch nicht sehen und sammelte daher verzweifelt alle Artikel über John Milius’ CONAN THE BARBARIAN (1982), die ich finden konnte. So kaufte ich mein erstes Cinema-Heft und meine erste Bravo-Ausgabe, denn beide berichteten ausführlich über den archaischen Barbaren. Und welche Freude war es, als der Heyne Verlag mit seiner Veröf- fentlichung der Conan-Stories und -Romane begann, die jeweils mit einem Filmfoto auf dem Cover erschienen. Diese blassgelben Buchrücken schmücken noch heute mein Lesezimmer. Conan kam damals zur richtigen Zeit: mit der wachsenden Popularität von J. R. R. Tolkiens Herr der Ringe-Romantrilogie und dem gleichnamigen Animationsfilm von Ralph Bakshi aus dem Jahr 1979, mit John Boormans 1981 gestarteter Neuinterpretation des Arthus-Mythos’ in EXCALIBUR und Terry Gilliams TIME BANDITS (1981). Es folgten THE DRAGON SLAYER (1982) von Matthew Robbins, FIRE AND ICE (1983) von Ralph Bakshi, THE DARK CRYSTAL (1982) von Jim Hanson und Frank Oz, LEGEND (1983) von Ridley Scott und aus Deutsch- land DIE UNENDLICHE GESCHICHTE (1984) von Wolfgang Petersen. Und nicht nur das Kino feierte die Phantasie, auch das Table-Top-Rollenspiel Dungeons & Dragons hatte damals eine Hochphase. Tolkiens Mittelerde hatte sich bereits in der Hippie-Ära der frühen 1970er-Jahre großer Beliebtheit erfreut, Studierendenkreise ebenso inspiriert wie esoterische Beschäfti- gung angestoßen. Pen-and-Paper-Rollenspiele etablierten sich als Gruppenerlebnis, und schon in den 1970er-Jahren musste man von einem Revival jener Fantasy-Literatur sprechen, die eigentlich einer anderen Ära entstammte: den krisengeplagten 1930er-Jahren mit ihren ‚Weird Tales‘ und weiteren frühen Fantasy-Magazinen. -
Monday, 01-July-2019 18Th IEEE International
Page: 1 of 20 18th IEEE International Conference on Smart Tehnologies, EUROCON - 2019 Venue: University of Novi Sad - Central Building, Novi Sad, Serbia www.eurocon2019.org Preliminarni Program / Preliminary Program Updated: June 20, 2019 Time Paper Id Session Paper title / Authors:family Authors: name Affiliation State Monday, 01‐July‐2019 07:30 ‐ 08:45h Registration Entrance hall 09:00h PLENARY Session Opening ceremony and introduction to IEEE EUROCON 2019 in NoviSad, Serbia Amphitheater Chair: prof. dr Boris Dumnić, University of Novi Sad, Faculty of Technical Sciences, Novi Sad, Serbia ‐ Opening ‐ Greetings 09:45h PLENARY Session ‐ KN1 KEY‐NOTE PAPERS Amphitheater Chair: prof. dr Boris Dumnić, University of Novi Sad, Faculty of Technical Sciences, Novi Sad, Serbia 09:45h KN1‐1Integration of Large Scale and Distributed Variable Energy Resources Shirmohammadi Dariush Executive Vice President of GridBright, Inc. and United States Technical director at the California Wind Energy Association (CalWEA) 10:45 ‐ 11:15h Coffee break 11:15h SESSION ‐T1.1 Information, Communication and Technology Multimedia Hall – 1st floor Chair: prof. dr Carl Jame Debono, University of Malta, Faculty of Information & Communication Technology, Msida, Malta 11:15h 00828 T1.1‐1Beam‐Steering in Metamaterials Enhancing Gain of Patch Array Antenna Using Phase Shifters for 5G Application Mingle Solomon University of Birmingham, School of Electronic and Electrical Engineering United Kingdom Hassoun Ihab City University, Faculty of Engineering Lebanon Kamali Walid City -
Imagining Outer Space Also by Alexander C
Imagining Outer Space Also by Alexander C. T. Geppert FLEETING CITIES Imperial Expositions in Fin-de-Siècle Europe Co-Edited EUROPEAN EGO-HISTORIES Historiography and the Self, 1970–2000 ORTE DES OKKULTEN ESPOSIZIONI IN EUROPA TRA OTTO E NOVECENTO Spazi, organizzazione, rappresentazioni ORTSGESPRÄCHE Raum und Kommunikation im 19. und 20. Jahrhundert NEW DANGEROUS LIAISONS Discourses on Europe and Love in the Twentieth Century WUNDER Poetik und Politik des Staunens im 20. Jahrhundert Imagining Outer Space European Astroculture in the Twentieth Century Edited by Alexander C. T. Geppert Emmy Noether Research Group Director Freie Universität Berlin Editorial matter, selection and introduction © Alexander C. T. Geppert 2012 Chapter 6 (by Michael J. Neufeld) © the Smithsonian Institution 2012 All remaining chapters © their respective authors 2012 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2012 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. -
EUROCON 71 Lausanne, Switzerland 18-22 October, 1971
THE INSTITUTE OF ELECTRICAL AND ELECTRONICS ENGINEERS • INCOR~ORAT!D Editor: W. H. Devenish, The Electrical Research Association, Cleeve Road, Leatherhead, Surrey, England. (Telephone Leatherhead 4151 : Telex 264045) Regional Director: Professor P. G. A. Jespers, Louvain University, Electronics Labs .. 94 Kar . Mercierlaan, 3030 Heverlee, Belgium. No. 15 June 1971 EUROCON 71 Lausanne, Switzerland 18-22 October, 1971 UK and USA. The scope of papers on general education in cludes the use of long-distance communication in European education, new requirements for telecommunication education, and the role of education in bridging the gaps in Western society. The programme includes several panel discussions and work shops; the subjects include the role of professional engineering societies in national and international standardisation, and new techniques in cardio-vascular diagnosis and monitoring. As a further feature of the programme, the first, second and third competitors in the 1971 Region 8 Student Paper Contest have been invited to present their papers. Social events include a ladies' programme; visits to places of interest to tourists; and evening visits for dinner at a typical Lausanne restaurant. There are also technical visits to Swiss companies and other organisa tions. New Institute Award at Eurocon 71 If there is sufficient demand, Swissair, official carriers for The new Award. generously donated by N.V. Philips Gloeilamp EUROCON 71 , will arrange reduced fares on specified flights enfabrieken, of Eindhoven, Holland, will be presented for the from centres in Region 8 to Geneva, the nearest international first time in Lausanne next October at Eurocon 71 . airport to Lausanne, in connection with the Convention. -
Intuition PR 1
INTUITION Progress Report I November 1996 INTUITION PROGRESS REPORT ONE November 1996 INTUITION CONTENTS British National Science Fiction Convention (“Eastercon”) 1998 From the Depths of the Sofa - Fran Dowd 10-13 April 1998 Hotel Jarvis Piccadilly Connie Willis: a One-Sided Dialogue — Manchester Paul Kincaid Intuition Committee Is that a “Science” in your Acronym or Sofa are You just Pleased to See Me? Science Programming at Intuition — Fran Dowd AmandaBaker Treasurer David Cooper Discovering Ian McDonald — Paul Kincaid Secretary Jenny Glover Crossword — Jan Taylor Membership Secretary Drama and SF — Kathy Taylor 10 Kathy Taylor Operations News from the Committee 12 Fiona Anderson Programme, Publications and Fran’s Breakfast Mushrooms — Fran Dowd i Publicity Claire Brialey Overseas Agents 13 Maureen Kincaid Speller HelenSteele Membership List 14 Amanda Baker(Science) COVER: by Sue Mason PRI Edited by: Helen Steele Intuition Progress Report One was produced on Microsoft Internal Art by: Word and Quark Xpress on the PC and the Mac(twice — an idiot Sue Mason burglar hasthe first paste-up...) Proofreading by: If you are interested in advertising in subsequent progress reports or in the programmebookpleasesee page 12 for details. the committee INTUITION PROGRESS REPORT1 From the Depthsof the Sofa Fran Dowd Welcometo Intuition. I’m a left-handed woman, aware of sexual and social undercurrents, break- so I’m supposedto havea lot ofit. ups, fights, pick-ups and loveat first sight, and men tend not to be. Groups of women in more Intuition is mystical, irrational, stubborn.It has formal situations use consensus management, no place in modern scientific thought. Intuition whereas mixed groups or groups of men are is being convinced that your plane will crash, more involved with power and dominance that your numbers will come upin the National games. -
Conferences, Technical Societies and Development – a History of Synergy Dr
Conferences, Technical Societies and Development – A History of Synergy Dr. Jacob Baal-Schem, IEEE SLM Tel-Aviv University, Israel Abstract — This paper is about IEEE Region 8 Conferences, Radio Engineers. Marriott became the first IRE president. To their raison d’être and their impact on the development of Electro- a large extent, they modeled their Institute on the AIEE, with technology in Europe, the Middle East and Africa (EMEA), which membership grades, a journal, local sections, standards activ- constitute the geographical area of the Region. The claim is that technology conferences, held by ‘learned ities, and technical meetings, but there were other influences societies’ in different parts of Region 8, were necessary for the as well. They established their journal, the Proceedings of the technological development of the Region, in order to highlight IRE, along the lines of scientific journals, with papers directly and discuss the problems with which technology world is coping. submitted and peer review, which allowed for faster publication In order to set up these conferences, technology experts needed than AIEE’s policy that papers be presented at meetings first. technical societies, such as IEEE, to enable – among other activities – this facility. On the other hand, the holding of these They deliberately did not include ‘American’ in their name, to Conferences contributed to the technological development of the signify the transnational nature of radio. Therefore, as years Region and to the contact between scientists and engineers, for passed, new IRE sections were set up, first in the American the benefit of Humanity. continent and later in the Eastern Hemisphere, beginning with Thereby, IEEE Region 8 and the series of EUROCON, the Israel IRE Section, set up in 1954. -
Confiction U.S
Third Class ConFiction U.S. Postage PAID c/o Massachusetts Convention Fandom, Inc. Permit # 228 P. O. Box 46, MIT Branch P. O. Framingham, Mass. Cambridge, MA 02139 United States of America AT 1008 - PR2 George Flynn Po Box 1069, Kendall Sq Stn CAMBRIDGE, MA 02142 VERENIGDE STATEN VAN AMERIKA ADDRESS CORRECTION REQUESTED FORWARDING AND RETURN POSTAGE GUARANTEED Nominated for a Hugo! Nominated for a Hugo Award after its first full year of The Best of Hugo Award Nominee publication, Aboriginal Science Fiction is the successful new, full-color, full-slick magazine that’s changing the way SF is done. ABO's first twelve issues are already collectors’s o Aboriginal r* items, selling for a premium. ABO-featured authors and ar tists include Harlan Ellison, Orson Scott Card, Frederik Science Fiction Pohl, Connie Willis, Brian W. Aldiss, Ben Bova, Charles L. Tales of the Human Kind J 1988 Annual Anthology/$4.50 Grant, Ian Watson, Carl Lundgren, Bob Eggleton and many talented newcomers. Because we have nearly run out of back issues, we have Stories by: published a special full-color anthology. The 80-page anthol ogy includes 12 stories and 19 pages of full-color art from our Orson Scott Card first seven issues and regularly retails for $4.50. But if you subscribe for 12 or 18 issues we’ll give you a FREE copy of the anthology along with your subscription. How good is Aboriginal SF? Here is what people are say ing about it: “Aboriginal is unique even in the science fiction field, a labor of love with a very special, individual character, and always a treat to read." — Poul Anderson “ — the most daring, innovative sf magazine the U.S. -
Apatoons.Pdf
San Diego Sampler #3 Summer 2003 APATOONS logo Mark Evanier Cover Michel Gagné 1 Zyzzybalubah! Contents page Fearless Leader 1 Welcome to APATOONS! Bob Miller 1 The Legacy of APATOONS Jim Korkis 4 Who’s Who in APATOONS APATOONers 16 Suspended Animation Special Edition Jim Korkis 8 Duffell's Got a Brand New Bag: San Diego Comicon Version Greg Duffell 3 “C/FO's 26th Anniversary” Fred Patten 1 “The Gummi Bears Sound Off” Bob Miller 4 Assorted Animated Assessments (The Comic-Con Edition) Andrew Leal 10 A Rabbit! Up Here? Mark Mayerson 11 For All the Little People David Brain 1 The View from the Mousehole Special David Gerstein 2 “Sometimes You Don’t Always Progress in the Right Direction” Dewey McGuire 4 Now Here’s a Special Edition We Hope You’ll REALLY Like! Harry McCracken 21 Postcards from Wackyland: Special San Diego Edition Emru Townsend 2 Ehhh .... Confidentially, Doc - I AM A WABBIT!!!!!!! Keith Scott 5 “Slices of History” Eric O. Costello 3 “Disney Does Something Right for Once” Amid Amidi 1 “A Thought on the Powerpuff Girls Movie” Amid Amidi 1 Kelsey Mann Kelsey Mann 6 “Be Careful What You Wish For” Jim Hill 8 “’We All Make Mistakes’” Jim Hill 2 “Getting Just the Right Voices for Hunchback's Gargoyles …” Jim Hill 7 “Animation vs. Industry Politics” Milton Gray 3 “Our Disappearing Cartoon Heritage” Milton Gray 3 “Bob Clampett Remembered” Milton Gray 7 “Coal Black and De Sebben Dwarfs: An Appreciation” Milton Gray 4 “Women in Animation” Milton Gray 3 “Men in Animation” Milton Gray 2 “A New Book About Carl Barks” Milton Gray 1 “Finding KO-KO” Ray Pointer 7 “Ten Tips for Surviving in the Animation Biz” Rob Davies 5 Rob Davies’ Credits List Rob Davies 2 “Pitching and Networking at the Big Shows” Rob Davies 9 Originally published in Animation World Magazine, AWN.com, January 2003, pp.