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POWS BOOKLET 2009 Cd.Pub
Founded in 1983 NORTHWEST WESTERN SWING MUSIC SOCIETY 19TH ANNUAL WESTERN SWING HALL OF FAME FESTIVAL 2009 INDUCTEES Celebrating Our 26th Year Booklet by Beryl Shawley — With harassment by Ray WELCOME Northwest Western Swing Music Society Officers President: Beryl Shawley, 12433 Admiralty Wy S-201, Everett, WA 98204 Phone: 425-374-2452 Email: [email protected] Vice-Pres: Jim Neel, 9227-48th Dr. N.E., Marysville, WA 98270 Dear Friends and Western Swing Fans: Email: [email protected] Secretary: Alice Striegel, 2708 Mission Beach Hts, Tulalip, WA 98271 Welcom e to the 19th annual Northwest Western Phone: 360-659-9713 Email: [email protected] Swing Music Society (form erly known as the Seattle Treasurer: Dave Wheeler, 18650-59th Dr., Arlington, WA 98223 Western Swing Music Society) Hall of Fam e induction Phone: 425-238-7696 Email: [email protected] cerem onies. This annual cerem ony is our way of Board Members: Butch Gibson, Lloyd Hooper, LeRoy King, recognizing those m usicians whom we feel have Ray Shawley, Sharon Skurlock m ade an outstanding contribution to Western Swing Music and to other worthy individuals who have helped prom ote and preserve Western Swing m usic. We thank you for com ing and appreciate your support in our efforts to preserve and perpetuate this very special m usic form . It is our privilege to A NON-PROFIT ORGANIZATION FORMED IN NOVEMBER 1983 BY carry on this legacy handed down to us through the A GROUP OF MUSICIANS AND ENTHUSIASTS FOR THE PURPOSE OF years by giants in the m usic business which are too PRESERVING, PROMOTING & PERFORMING WESTERN SWING MUSIC num erous to list here. -
Artist with Title Writer Label Cat Year Genre
Artist With Title Writer Label Cat Year Genre Notes Album Synopsis_c Anonymous Uncle Tom’s Cabin No Label 0 Comedy Anonymous - Uncle Tom’s Cabin, No Label , 78, ???? Anonymous The Secretary No Label 0 Comedy Anonymous - The Secretary, No Label , 78, ???? Anonymous Mr. Speaker No Label 0 Comedy Anonymous - Mr. Speaker, No Label , 78, ???? Anonymous The Deacon No Label 0 Comedy Anonymous - The Deacon, No Label , 78, ???? Anonymous First Swimming Lesson Good-Humor 10 0 Comedy Anonymous - First Swimming Lesson, Good-Humor 10, 78, ???? Anonymous Auto Ride Good-Humor 4 0 Comedy Anonymous - Auto Ride, Good-Humor 4, 78, ???? Anonymous Pioneer XXX, Part 1 No Label 0 Comedy Anonymous - Pioneer XXX, Part 1, No Label , 78, ???? Anonymous Pioneer XXX, Part 2 No Label 0 Comedy Anonymous - Pioneer XXX, Part 2, No Label , 78, ???? Anonymous Instrumental w/ lots of reverb No Label 0 R&B Anonymous - Instrumental w/ lots of reverb, No Label , 78, ???? Coy and Helen Tolbert There’s A Light Guiding Me Chapel Tone 775 0 Gospel with Guitar Coy and Helen Tolbert - There’s A Light Guiding Me, Chapel Tone 775, 78, ???? Coy and Helen Tolbert Old Camp Meeting Days R. E. Winsett Chapel Tone 775 0 Gospel with Guitar Coy and Helen Tolbert - Old Camp Meeting Days (R. E. Winsett), Chapel Tone 775, 78, ???? Donna Lane and Jack Milton Henry Brandon And His Orchestra Love On A Greyhound Bus Blane - Thompson - Stoll Imperial 1001 0 Vocal Donna Lane and Jack Milton - Love On A Greyhound Bus (Blane - Thompson - Stoll), Imperial 1001, 78, ???? G. M. Farley The Works Of The Lord Rural Rhythm 45-EP-551 0 Country G. -
8 Can a Fujiyama Mama Be the Female Elvis?
8 CAN A FUJIYAMA MAMA BE THE FEMALE ELVIS? The wild, wild women of rockabilly David Sanjek I don't want a headstone for my grave. I want a fucking monument! (Jerry Lee Lewis) 1 You see, I was always a well-endowed girl, and the guys used to tell me that they didn't know how to fit a 42 into a 331!3. (Sun Records artist Barbara Pittman ) 2 Female artists just don't really sell. (Capital Records producer Ken Nelson) 3 In the opening scene of the 199 3 film True Romance (directed by Tony Scott from a script by Quentin Tarantino), Clarence Worly (Christian Slater) perches on a stool in an anonymous, rundown bar. Addressing his com ments to no one in particular, he soliloquises about 'the King'. Simply put, he asserts, in Jailhouse Rock (19 5 7), Elvis embodied everything that rocka billy is about. 'I mean', he states, 'he is rockabilly. Mean, surly, nasty, rude. In that movie he couldn't give a fuck about nothin' except rockin' and rollin' and livin' fast and dyin' young and leavin' a good lookin' corpse, you know.' As he continues, Clarence's admiration for Elvis transcends mere identification with the performer's public image. He adds, 'Man, Elvis looked good. Yeah, I ain't no fag, but Elvis, he was prettier than most women, most women.' He now acknowledges the presence on the barstool next to him of a blank-faced, blonde young woman. Unconcerned that his overheard thoughts might have disturbed her, he continues, 'I always said if I had to fuck a guy - had to if my life depended on it - I'd 137 DAVID SANJEK THE WILD,~ WOMEN OF ROCK~BILLY fuck Elvis.' The woman concurs with his desire to copulate with 'the and Roll; rockabilly, he writes, 'suggested a young white man celebrating King', but adds, 'Well, when he was alive, not now.' freedom, ready to do anything, go anywhere, pausing long enough for In the heyday of rockabilly, one imagines more than a few young men apologies and recriminations, but then hustling on towards the new'. -
Jan Howard - Patsy Cline - Rose Maddox of Maddox Bros
Patsy Cline Jan Howard - Patsy Cline - Rose Maddox Of Maddox Bros. & Rose mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Jan Howard - Patsy Cline - Rose Maddox Of Maddox Bros. & Rose Country: US MP3 version RAR size: 1328 mb FLAC version RAR size: 1117 mb WMA version RAR size: 1263 mb Rating: 4.7 Votes: 459 Other Formats: VOX VOX FLAC WAV AIFF TTA AHX Tracklist A1 –Patsy Cline In Care Of The Blues A2 –Patsy Cline Hungry For Love A3 –Patsy Cline I Don't Wanna A4 –Jan Howard I Wish I Could Fall In Love Again A5 –Jan Howard Many Dreams Ago B1 –Jan Howard Weeping Willow B2 –Jan Howard I've Got My Pride B3 –Rose Maddox Philadelphia Lawyer B4 –Rose Maddox No One Is Sweeter Than You B5 –Rose Maddox I Wish I Was A Single Girl Again Notes Reissue of 1964 Country & Western Sweethearts Of Song Other versions Category Artist Title (Format) Label Category Country Year Patsy Cline - Patsy Cline - Rose Maddox Rose Maddox Of Maddox Bros. & Rose* - International AKS-241 Of Maddox Jan Howard - Country & AKS-241 US 1964 Award Series Bros. & Rose* Western Sweethearts Of - Jan Howard Song (LP, Comp) Patsy Cline - Patsy Cline - Rose Maddox Rose Maddox Of Maddox Bros. & Rose* - International AKS-241 Of Maddox Jan Howard - Country & AKS-241 Canada 1964 Award Series Bros. & Rose* Western Sweethearts Of - Jan Howard Song (LP, Comp) Patsy Cline - Rose Maddox Patsy Cline - Of Maddox Bros. & Rose* - Rose Maddox Jan Howard - Jan Howard - DLP-193 Of Maddox Design Records DLP-193 US Unknown Patsy Cline - Rose Maddox Bros. -
Wanda Jackson by HOLLY GEORGE-WARREN
Wanda Jackson BY HOLLY GEORGE-WARREN “Som e people like to rock/Som e people like to roll/ B ut m ovin’ and a-groovin’s gonna satisfy m y soul/Let’s have a party!” n 1958, when a gutsy, guitar-playing gal from wore all those colorful, sparkly clothes. I said, ‘I gotta Oklahoma belted out this mandate for new be like her!’ ” music, she was the rare woman among the rock- The Jacksons’ next stop was Bakersfield, where abilly cats mixing up rhythm 6? blues and coun- Tom took up barbering. He bought Wanda a guitar and try fe? western, creating primal rock roll in the showed her some chords. Nellie missed the folks back Iprocess. Wanda Jackson wasn’t afraid to step outside home, though, so in 1949 the Jacksons settled in Okla the prim confines of a woman’s place in pop - sonically, homa City, with Tom spending his days selling cars and lyrically, and aesthetically. She snarled, using a “nasty” driving a cab and evenings giving Wanda music lessons, voice to sing sassy lyrics, when “girl singers” were which had expanded to piano. supposed to sound pretty and look pretty. Instead of By the time she was thirteen, she sounded like a going the cowgirl, country lass, or prom queen route, the professional - her strong, distinctive voice belying her gorgeous brunette dressed in befringed cocktail dresses youth. After winning several talent shows, she audi that shimmied and shook as she cut the rug onstage. With tioned for a radio program on Oklahoma City’s KLPR. -
Country Shows at the Flame Jimmy Wells
Country Shows at the Flame Jimmy Wells; Ardis Wells; Princess Jo Ann February 23 1956 Tex Ritter; TBS; Jimmy Wells May 16 1956 Tabby West; TBS; Jimmy Wells May 23 1956 Betty Foley; The Westerners - World's only Square Dance Roller Skaters; TBS; Jimmy Wells Dakota Roundup May 30 - June 2 1956 Marvin Rainwater; TBS; Jimmy Wells Dakota Roundup June 6 - 9 1956 Bobby Lord and Wanda Jackson; TBS; Jimmy Wells Dakota Roundup June 13 - 16 1956 Billy Walker; The Westerners; TBS; Jimmy Wells June 20 - 23 1956 Mac Weisman; TBS; Jimmy Wells June 27 - 30 1956 Justin Tubb; TBS; Jimmy Wells Dakota Roundup July 4 - 7 1956 Arlie Duff; TBS; Jimmy Wells Dakota Roundup July 11 - 14 1956 Jerry Reed; TBS; Jimmy Wells Dakota Roundup July 18 - 21 1956 Joe Carson (Wells on vacation) July 25 - 28 1956 Marvin Rainwater; TBS; Jimmy Wells Dakota Roundup August 1 - 4 1956 Lee Emerson, Everly Brothers; TBS; Jimmy Wells Dakota Roundup August 8 - 9 1956 Marvin Rainwater; TBS; Jimmy Wells Dakota Roundup August 10 - 11 1956 Bobby Lord; TBS; Jimmy Wells August 15 - 18 1956 Del Woods; Bonnie Sloan August 23 1956 Autrey Inman; TBS; Jimmy Wells August 22 - 25 1956 Mitchell Torok; TBS; Jimmy Wells Dakota Roundup August 29 - September 1 1956 Mrs. Hank Williams (Miss Audrey); TBS; Jimmy Wells September 5 - 8 1956 Jimmy Roberts; TBS; Jimmy Wells September 12 - 15 1956 Leon Payne; TBS; Jimmy Wells September 19 - 22 1956 Cowboy Copas; TBS; Jimmy Wells September 26 - 29 1956 Marvin Rainwater and Mimi Roman September 27 1956 Justin Tubb; TBS; Jimmy Wells October 10 - 13 1956 Mimi Roman; -
14 Carrot Records Air Play Records Amber Records
14 Carrot Records 3421 Thomas Drive, Palo Alto, CA 94303 [on labels] *Box 1049, 2000 Center Street, Berkeley, California 94704 [on PS] 101 PS √ Susie Rothfield & Eric Thompson A Some Kind of Love 101A (Stewart) B Grand Prairie Waltz 101B (W. Read) 102 PS* Alan Senauke A The Honky Tonk Song 102A (W. Pierce) Kate Brislin with Alan Senauke B What Was I Supposed To Do 102B (P. Williams) Air Play Records Div. of Air Play, Inc., 200-243 Ford Rd., San Jose, Ca. *A Subsidiary of Air Play, Inc.,1350 Howard Ave., Burlingame, CA PB-1216 √ Paul Bowman [1963] A The Jailhouse Kid (Billy Jo Tucker/Charles Schults) Bolson/Air Play, Inc., BMI B You Too (Paul Bowman) Bolson/Air Play, Inc., BMI AD-1313 Terry Ryan A If Only For Today (Terry Ryan) Lens/Air Play, Inc., BMI B Party Girl (Terry Ryan) Lens/Air Play, Inc., BMI Produced by Vip Barry 1913QB* Joe Reed [1974] A I’m Willing To Change A-1913QB (Alan L. Dote/George O’Bryan) Air Play, Inc., BMI B Hey You Still Do That To Me B -1913QB (Alan L. Dote/Beverly J. Olcese) Air Play, Inc., BMI Amber Records [Hayward, CA] AR-7709 Bill Whittley [1960] The Preacher Man L8OW-7709 (Bill Whittley) Whittley Pub., BMI I’m A Lonely Guy L8OW-7710 (Bill Whittley) Whittley Pub., BMI Accompanied by Dane Miller and Les Adams AR-3275 Bill Whittley and His Westernaires [1961] No Love Left In My Eyes M8OW-3275 (Bill Whittley) Whittley Pub., BMI Ghost Walk M8OW-3276 () AR-8394/5 √ Bill Whittley [1961] In Your Arms And In Your Heart M8OW-8394 (Bill Whittley) Whittley Pub., BMI Accompanied by Curly Cook, Dane Miller, Les Adams, B. -
Women in Rockabilly Music: Lavern Baker and Janis Martin Stephanie P
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations August 2012 Sweet Nothings: Women in Rockabilly Music: LaVern Baker and Janis Martin Stephanie P. Lewin-Lane University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the African American Studies Commons, Music Commons, and the Women's Studies Commons Recommended Citation Lewin-Lane, Stephanie P., "Sweet Nothings: Women in Rockabilly Music: LaVern Baker and Janis Martin" (2012). Theses and Dissertations. 11. https://dc.uwm.edu/etd/11 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. SWEET NOTHINGS: WOMEN IN ROCKABILLY MUSIC LAVERN BAKER AND JANIS MARTIN by Stephanie Lewin-Lane A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music at The University of Wisconsin—Milwaukee August 2012 ABSTRACT SWEET NOTHINGS: WOMEN IN ROCKABILLY MUSIC LAVERN BAKER AND JANIS MARTIN by Stephanie Lewin-Lane The University of Wisconsin-Milwaukee, 2012 Under the Supervision of Dr. Gillian Rodger Rockabilly music is an exciting and vibrant style of early Rock and Roll that originated in the 1950s. With its aggressive beat and anti-establishment connotations, rockabilly is considered a widely male-dominated genre, a point supported by the majority of scholarship and literature on the subject. However, a review of available contemporary recordings, television shows, advertisements and interviews show that women were an integral part of the history of rockabilly music. -
National Historic Landmark Nomination Form (Washington, DC: U.S
NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-934 (Rev. 12-2015) OMB Control No. 1024-0276 (Exp. 01/31/2019) PATSY CLINE HOUSE Page 1 United States Department of the Interior, National Park Service National Historic Landmarks Nomination Form 1. NAME AND LOCATION OF PROPERTY Historic Name: Patsy Cline House Other Name/Site Number: Patsy Cline Historic House Street and Number (if applicable): 608 South Kent Street City/Town: Winchester County: N/A State: Virginia 2. SIGNIFICANCE DATA NHL Criteria: 1 and 2 NHL Criteria Exceptions: n/a NHL Theme(s): III. Expressing Cultural Values 2. Visual and Performing Arts Period(s) of Significance: 1948–1957 Significant Person(s) (only Criterion 2): Patsy Cline (Virginia Patterson Hensley) Cultural Affiliation (only Criterion 6): n/a Designer/Creator/Architect/Builder: unknown Historic Contexts: Women’s History Initiative XXII. Music D. Popular K. Performers (Soloists and Ensembles) O. Recording Designated a National Historic Landmark by the Secretary of the Interior January 13, 2021 Paperwork Reduction Act Statement. We are collecting this information under the authority of the Historic Sites Act of 1935 (16 U.S.C. 461-467) and 36 CFR part 65. Your response is required to obtain or retain a benefit. We will use the information you provide to evaluate properties nominated as National Historic Landmarks. We may not conduct or sponsor and you are not required to respond to a collection of information unless it displays a currently valid OMB control number. OMB has approved this collection of information and assigned Control No. 1024-0276. Estimated Burden Statement. Public reporting burden is 2 hours for an initial inquiry letter and 344 hours for NPS Form 10-934 (per response), including the time it takes to read, gather and maintain data, review instructions and complete the letter/form. -
Hayride Final 51-100.Pdf
COMMERCIAL DISCS CUT IN KWKH RADIO STUDIOS The next eighteen songs are examples of the commercial discs recorded by record companies in the KWKH radio studios during the early years of the Hayride. Several of them were major country music used for radio broadcasts, some thirty by hits, competing with music made in profes - fifteen feet in size with a twelve foot high sional studios in Nashville, Dallas, and the ceiling, and an announcer's viewing area, big cities of the north, east and west. In into a recording studio with only a one- part, this is as much testimony to the abil - track control board but with five top quality ities of KWKH recording engineer Bob microphones. In the main, the studio 'Sully' Sullivan as it is to the artists them - catered to the local artists who wanted to selves. Sullivan was born in Shreveport be able to record locally for the local PACE - and lived locally, working a full day shift on MAKER record label set up by singer Webb the station as well as taking charge of out - Pierce, but it also suited artists contracted side broadcasts such as the Hayride. He to other labels including Slim Whitman was also persuaded to stay on occasionally who had a day job as a mail man and Mac during the down-time of the early morning Wiseman who was resident in Shreveport hours. While the station was off air, he briefly and was unable to get back to would turn the insulated internal room Nashville on demand. TEX GRIMSLEY & THE TEXAS PLAYBOYS 1-13 Walking The Dog (Grimsley) PACEMAKER 1001 Fiddle player Marcel 'Tex' Grimsley They relocated around Shreveport after was a mainstay of the KWKH radio sched - that, playing local shows as the Red River ules in the late '40s and he was the first to Ramblers and holding down their own record on PACEMAKER with his band, the radio show as well as being early regulars Texas Playboys. -
Miscellaneous Series
Miscellaneous Series 3450 Series SP 3451 – Romantic Sound – Fred Waring [1967] SP 3452 – Try a Little Tenderness – Frank Sinatra [1967] My Blue Heaven/Stars Fell on Alabama/Moonlight in Vermont/I Can’t Get Started/Paper Doll/September Song/It Never Entered My Mind/Ebb Tide/I Can Read Between the Lines 3453 PC 3454 – Some Enchanted Evening - Fred Waring [1968] Song of the Vagabonds/Deep Purple/This Nearly was Mine/Green Up Time/Fanny/Zip-a-dee-doo-dahRuby/Rose of Tralee/Dream of Olwen/Some Enchanted Evening 19000 Series ST 19000 - Voz Del Amor – Robertha [1968] ST 19002 - Carlos Lico, Volume 2 - Carlos Lico [1968] N-1/SN-1 “What’s New?” Releases * SN 1 - What’s New? On Capitol Stereo Volume 1 - Various Artists [1959] Cha Cha Cacciatore - Guy Lombardo/Coffee House Rag - Ray Bauduc & Nappy Lamare/Conquest - Alfred Newman/Gal That Got Away - The Four Freshmen/I Dig Chicks! - Jonah Jones Quartet/My Heart’s Treasure - Nat “King” Cole/One Minute To One - Mavis Rivers/River Kwai March - Jack Marshall/September In The Rain - The George Shearing Quintet/Tenderly - Paul Weston/That’s All There Is, There Isn’t Any More - Judy Garland/Voodoo Dreams - Les Baxter SN 2 - What’s New? On Capitol Stereo Volume 2 - Various Artists [195?] SN 3 - What’s New? On Capitol Stereo Volume 3 - Various Artists [195?] * NPB 5 - The World Of Country Music - Various Artists [1965] Two record set. All Of The Monkeys Ain’t In The Zoo - Tommy Collins/Blackboard Of My Heart - Hank Thompson/Half Of This, Half Of That - Wynn Stewart/He Believes Me - Mary Taylor/Hello Walls -
Maddox Brothers and Rose by Dennis Powers
The Maddox Brothers and Rose By Dennis Powers Riding the rails during the Depression days of 1933, the Maddox children (Cal, Henry, Fred, Don, Cliff, and Rose) with their parents left Boaz, Alabama, to find work as “fruit tramps” and settled in Modesto, California. Working from dawn to dusk, eating and sleeping in the fields, the family worked picking fruits and vegetables in the San Joaquin Valley and from Washington to Arizona. To earn extra money, the musical family began playing for local dances with 12-year-old Rose in 1937 providing the vocals, even in honky-tonks. Two years later at the Centennial Sacramento State Fair, they entered a hillbilly band competition with a risqué, rocking and rhythmic, “Sally Let Your Bangs Hang Down.” They then officially were voted as and became California’s best hillbilly band. By 1941 they were popular due to being featured on far-reaching KFBK-Sacramento radio; however, they disbanded when the brothers were drafted or worked in the war effort. After World War II, the group returned in 1946 as the Maddox Brothers & Rose, and their showy stage dress gave them the title “the most colorful hillbilly band in America.” When Cliff died in 1949, Henry replaced him to join the other Maddox brothers (Fred, Cal, and Don) in the band. In the early 1950s, they performed on the Las Vegas strip and Grand Ole Opry along with regular appearances on the Louisiana Hayride, having recorded for Four Star Records before moving to Columbia Records. Among their successes were Rose’s recordings of the Woody Guthrie song “The Philadelphia Lawyer,” “The Tramp on the Street,” and “Whoa, Sailor.” In the early days, songs weren’t called country or Western, but instead hillbilly music.