Jan Howard - Patsy Cline - Rose Maddox of Maddox Bros

Total Page：16

File Type：pdf, Size：1020Kb

Patsy Cline Jan Howard - Patsy Cline - Rose Maddox Of Maddox Bros. & Rose mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Jan Howard - Patsy Cline - Rose Maddox Of Maddox Bros. & Rose Country: US MP3 version RAR size: 1328 mb FLAC version RAR size: 1117 mb WMA version RAR size: 1263 mb Rating: 4.7 Votes: 459 Other Formats: VOX VOX FLAC WAV AIFF TTA AHX Tracklist A1 –Patsy Cline In Care Of The Blues A2 –Patsy Cline Hungry For Love A3 –Patsy Cline I Don't Wanna A4 –Jan Howard I Wish I Could Fall In Love Again A5 –Jan Howard Many Dreams Ago B1 –Jan Howard Weeping Willow B2 –Jan Howard I've Got My Pride B3 –Rose Maddox Philadelphia Lawyer B4 –Rose Maddox No One Is Sweeter Than You B5 –Rose Maddox I Wish I Was A Single Girl Again Notes Reissue of 1964 Country & Western Sweethearts Of Song Other versions Category Artist Title (Format) Label Category Country Year Patsy Cline - Patsy Cline - Rose Maddox Rose Maddox Of Maddox Bros. & Rose* - International AKS-241 Of Maddox Jan Howard - Country & AKS-241 US 1964 Award Series Bros. & Rose* Western Sweethearts Of - Jan Howard Song (LP, Comp) Patsy Cline - Patsy Cline - Rose Maddox Rose Maddox Of Maddox Bros. & Rose* - International AKS-241 Of Maddox Jan Howard - Country & AKS-241 Canada 1964 Award Series Bros. & Rose* Western Sweethearts Of - Jan Howard Song (LP, Comp) Patsy Cline - Rose Maddox Patsy Cline - Of Maddox Bros. & Rose* - Rose Maddox Jan Howard - Jan Howard - DLP-193 Of Maddox Design Records DLP-193 US Unknown Patsy Cline - Rose Maddox Bros. & Rose* Of Maddox Bros. & Rose - Jan Howard (LP, Comp, Mono, RE) Related Music albums to Jan Howard - Patsy Cline - Rose Maddox Of Maddox Bros. & Rose by Patsy Cline Patsy Cline - Patsy Cline's Greatest Hits Patsy Cline - Always Patsy Cline Patsy Cline, Loretta Lynn - On Tour #2 Patsy Cline - Patsy Cline Sings Songs Of Love Maddox Brothers And Rose - A Collection Of Standard Sacred Songs Patsy Cline - Greatest Hits Patsy Cline - Patsy Cline Collection Patsy Cline - Here's Patsy Cline The Maddox Brothers And Rose - I Could Never Stop Lovin' You / Fountain Of Youth Patsy Cline - Patsy Cline.

Copy Link

Recommended publications

A Politics of Empathy: Johnny Cash, the Vietnam War, and the ‘Walking Contradiction’ Myth Dismantled
Popular Music and Society ISSN: 0300-7766 (Print) 1740-1712 (Online) Journal homepage: http://www.tandfonline.com/loi/rpms20 A Politics of Empathy: Johnny Cash, the Vietnam War, and the ‘Walking Contradiction’ Myth Dismantled Michael Stewart Foley To cite this article: Michael Stewart Foley (2014) A Politics of Empathy: Johnny Cash, the Vietnam War, and the ‘Walking Contradiction’ Myth Dismantled, Popular Music and Society, 37:3, 338-359, DOI: 10.1080/03007766.2013.798928 To link to this article: http://dx.doi.org/10.1080/03007766.2013.798928 Published online: 26 Jun 2013. Submit your article to this journal Article views: 253 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rpms20 Download by: [University of Groningen] Date: 23 March 2016, At: 04:33 Popular Music and Society, 2014 Vol. 37, No. 3, 338–359, http://dx.doi.org/10.1080/03007766.2013.798928 A Politics of Empathy: Johnny Cash, the Vietnam War, and the ‘Walking Contradiction’ Myth Dismantled Michael Stewart Foley In the years since Johnny Cash’s death in 2003, popular and scholarly writing has persisted in framing Cash’s politics as contradictory—thus seeming to support Kris Kristofferson’s line, often assumed to be about Cash: a “walking contradiction, partly truth and partly ﬁction.” This essay argues that, although Cash may have seemed conﬂicted in the late 1960s and early 1970s, his political views on Native Americans, prison reform, and the Vietnam War, especially, were remarkably consistent in that they were based not on ideological views as much as on emotion, instinct, and an ability to relate to familial suffering.
[Show full text]
POWS BOOKLET 2009 Cd.Pub
Founded in 1983 NORTHWEST WESTERN SWING MUSIC SOCIETY 19TH ANNUAL WESTERN SWING HALL OF FAME FESTIVAL 2009 INDUCTEES Celebrating Our 26th Year Booklet by Beryl Shawley — With harassment by Ray WELCOME Northwest Western Swing Music Society Officers President: Beryl Shawley, 12433 Admiralty Wy S-201, Everett, WA 98204 Phone: 425-374-2452 Email: [email protected] Vice-Pres: Jim Neel, 9227-48th Dr. N.E., Marysville, WA 98270 Dear Friends and Western Swing Fans: Email: [email protected] Secretary: Alice Striegel, 2708 Mission Beach Hts, Tulalip, WA 98271 Welcom e to the 19th annual Northwest Western Phone: 360-659-9713 Email: [email protected] Swing Music Society (form erly known as the Seattle Treasurer: Dave Wheeler, 18650-59th Dr., Arlington, WA 98223 Western Swing Music Society) Hall of Fam e induction Phone: 425-238-7696 Email: [email protected] cerem onies. This annual cerem ony is our way of Board Members: Butch Gibson, Lloyd Hooper, LeRoy King, recognizing those m usicians whom we feel have Ray Shawley, Sharon Skurlock m ade an outstanding contribution to Western Swing Music and to other worthy individuals who have helped prom ote and preserve Western Swing m usic. We thank you for com ing and appreciate your support in our efforts to preserve and perpetuate this very special m usic form . It is our privilege to A NON-PROFIT ORGANIZATION FORMED IN NOVEMBER 1983 BY carry on this legacy handed down to us through the A GROUP OF MUSICIANS AND ENTHUSIASTS FOR THE PURPOSE OF years by giants in the m usic business which are too PRESERVING, PROMOTING & PERFORMING WESTERN SWING MUSIC num erous to list here.
[Show full text]
Artist with Title Writer Label Cat Year Genre
Artist With Title Writer Label Cat Year Genre Notes Album Synopsis_c Anonymous Uncle Tom’s Cabin No Label 0 Comedy Anonymous - Uncle Tom’s Cabin, No Label , 78, ???? Anonymous The Secretary No Label 0 Comedy Anonymous - The Secretary, No Label , 78, ???? Anonymous Mr. Speaker No Label 0 Comedy Anonymous - Mr. Speaker, No Label , 78, ???? Anonymous The Deacon No Label 0 Comedy Anonymous - The Deacon, No Label , 78, ???? Anonymous First Swimming Lesson Good-Humor 10 0 Comedy Anonymous - First Swimming Lesson, Good-Humor 10, 78, ???? Anonymous Auto Ride Good-Humor 4 0 Comedy Anonymous - Auto Ride, Good-Humor 4, 78, ???? Anonymous Pioneer XXX, Part 1 No Label 0 Comedy Anonymous - Pioneer XXX, Part 1, No Label , 78, ???? Anonymous Pioneer XXX, Part 2 No Label 0 Comedy Anonymous - Pioneer XXX, Part 2, No Label , 78, ???? Anonymous Instrumental w/ lots of reverb No Label 0 R&B Anonymous - Instrumental w/ lots of reverb, No Label , 78, ???? Coy and Helen Tolbert There’s A Light Guiding Me Chapel Tone 775 0 Gospel with Guitar Coy and Helen Tolbert - There’s A Light Guiding Me, Chapel Tone 775, 78, ???? Coy and Helen Tolbert Old Camp Meeting Days R. E. Winsett Chapel Tone 775 0 Gospel with Guitar Coy and Helen Tolbert - Old Camp Meeting Days (R. E. Winsett), Chapel Tone 775, 78, ???? Donna Lane and Jack Milton Henry Brandon And His Orchestra Love On A Greyhound Bus Blane - Thompson - Stoll Imperial 1001 0 Vocal Donna Lane and Jack Milton - Love On A Greyhound Bus (Blane - Thompson - Stoll), Imperial 1001, 78, ???? G. M. Farley The Works Of The Lord Rural Rhythm 45-EP-551 0 Country G.
[Show full text]
Charles Earle's
CATAMOUNT T #82/171 NOVEMBER 2003 Paige Ladrone 4 Eric Babcock CHARLES EARLE's B-Sides JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #51 REVIEWS (or not) David Brake & That Damn Band Albert Lee Rick Shea & Patty Booker Wailin' Elroys TMRU BESTSELLER!!! SCRAPPY JUD NEWCOMB'S “TURBINADO" texas íí:::c round-dp YOUR INDEPENDENT TEXAS MUSIC SUPERSTORE Buy 5 CDs for $10 each! Me R i s in TH! E n T s "A BOUNTY-SIZED CREW OF TEXAS MUSIC HITTERS HAVE STEPHEN BRUTON JON DEE GRAHAM JOINED FORCES FOR ONE WILD TOUR DE FORCE THAT HAS JUD NEWCOMB BRUCE HUGHES > TO BE HEARD TO BE BELIEVED. TRULY AN ASSEMBLAGE THAT'S JOHN CHIPMAN A DREAM BAND, THE KILLER MUSIC FLOWS LIKE WATER." - MIDWEST RECORD RECAP IY TOMBUN BAND FEATURING REDO VOLKAERT EARL POOLE BALL CINDY CASHDOLLAR SARAH BROWN BOBBY ARNOLD JON HAHN WITH SPECIAL GUEST AUGIE MEYERS "THIS IS THE KIND OF UNDER-THE-RADAR COUNTRY ALBUM THAT RENEWS ONE'S FAITH IN THE INDIE SCENE IN GENERAL, AND TEXAS IN PARTICULAR." -SLIPCUE.COM TEXAS WORLD RECORDS 210 Barron Springs Road, Suite 550, Austin, Texas 78704 512-615-2412 “To my mind, she’s the best new thing to come down this Austin pike in some time, displaying class, versatility, and a distinctiveness...” -Mob Patterson,Country Music People “ Every once in a while, a musician moves to Austin and knocks the town on it’s ear. Elizabeth McQueen is one of those.” -Jim Caliguirl,Austin Chronicle "It's country for those with dirt under their fingernails and rock for those with dust on their jeans..
[Show full text]
8 Can a Fujiyama Mama Be the Female Elvis?
8 CAN A FUJIYAMA MAMA BE THE FEMALE ELVIS? The wild, wild women of rockabilly David Sanjek I don't want a headstone for my grave. I want a fucking monument! (Jerry Lee Lewis) 1 You see, I was always a well-endowed girl, and the guys used to tell me that they didn't know how to fit a 42 into a 331!3. (Sun Records artist Barbara Pittman ) 2 Female artists just don't really sell. (Capital Records producer Ken Nelson) 3 In the opening scene of the 199 3 film True Romance (directed by Tony Scott from a script by Quentin Tarantino), Clarence Worly (Christian Slater) perches on a stool in an anonymous, rundown bar. Addressing his com ments to no one in particular, he soliloquises about 'the King'. Simply put, he asserts, in Jailhouse Rock (19 5 7), Elvis embodied everything that rocka billy is about. 'I mean', he states, 'he is rockabilly. Mean, surly, nasty, rude. In that movie he couldn't give a fuck about nothin' except rockin' and rollin' and livin' fast and dyin' young and leavin' a good lookin' corpse, you know.' As he continues, Clarence's admiration for Elvis transcends mere identification with the performer's public image. He adds, 'Man, Elvis looked good. Yeah, I ain't no fag, but Elvis, he was prettier than most women, most women.' He now acknowledges the presence on the barstool next to him of a blank-faced, blonde young woman. Unconcerned that his overheard thoughts might have disturbed her, he continues, 'I always said if I had to fuck a guy - had to if my life depended on it - I'd 137 DAVID SANJEK THE WILD,~ WOMEN OF ROCK~BILLY fuck Elvis.' The woman concurs with his desire to copulate with 'the and Roll; rockabilly, he writes, 'suggested a young white man celebrating King', but adds, 'Well, when he was alive, not now.' freedom, ready to do anything, go anywhere, pausing long enough for In the heyday of rockabilly, one imagines more than a few young men apologies and recriminations, but then hustling on towards the new'.
[Show full text]
S¡Tute of @Emwßßtt
s¡tute of @emwßßtt HOUSE JOINT RESOLUTION NO. I42 By Representative Beck and Senators Crowe, Haile, Harper A RESOLUT¡ON to recognize Jeannie Seely on her illustrious career in country music and honor her on her fiftieth anniversary as a member of the Grand Ole Opry. WHEREAS, the members of this General Assembly are pleased to recognize those artists who devote themselves to their craft, thereby enriching and enlivening the lives of others; and WHEREAS, Jeannie Seely is one such individual, a legendary country performing artist and songwriter who is this year celebrating her fiftieth anniversary as a member of the Grand Ole Opry; and WHEREAS, growing up on a farm outside of Townville, Pennsylvania, Ms. Seely was a precocious talent who went from singing with her mother every Saturday morning while the two baked bread together to performing on local radio by age eleven and appearing on local television by age sixteen; and WHEREAS, when she was barely tall enough to reach the dial on her family's Philco console radio, Jeannie Seely was tuning in to the Grand Ole Opry on WSM 650; as a teenager, she would sit in her family's car eating popcorn and listening to the Grand Ole Opry while her parents played cards with friends; and WHEREAS, after a stint in California, Ms. Seely moved to Nashville with only fifty dollars and a Ford Falcon to her name; however, within a month, Porter Wagoner hired her as the female singer for his road and television series; and WHEREAS, Jeannie Seely was initially turned down by every record label in town; her big break came when a recording contract was offered by Monument Records.
[Show full text]
EXTENSIONS of REMARKS 29493 EXTENSIONS of REMARKS HOLDING KIDS to a HIGHER Embraced the Values That Produce Decent Says
October 15, 1990 EXTENSIONS OF REMARKS 29493 EXTENSIONS OF REMARKS HOLDING KIDS TO A HIGHER embraced the values that produce decent says. "Values are like ozone. They protect STANDARD behavior and success. you from the things that can destroy you, Values. The word crops up in virtually while miraculously letting through the every serious conversation Amos has. Talk things that are necessary for life." HON. LOUIS STOKES to this former Xerox executive about the OF OHIO problems young Washingtonians face and IN THE HOUSE OF REPRESENTATIVES he'll tell you lack of constructive outlets for CHARLES PRUDHOMME, M.D. their energies, or the dearth of decently Monday, October 15, 1990 paid legitimate jobs, is only a minor part of HON. MERVYN M. DYMALLY Mr. STOKES. Mr. Speaker, much has been the trouble. The main source, he says, is written and numerous studies have been con that the youngsters have not been taught OF CALIFORNIA the values that will help them withstand IN THE HOUSE OF REPRESENTATIVES ducted on the problems confronting our Na the temptation to trouble. tion's youth. Many have wondered how we Talk to him about the trial of D.C. Mayor Monday, October 15, 1990 can break the cycle of crime, peer pressure Marion Barry, and his comments are not Mr. DYMALL Y. Mr. Speaker, I am pleased and lack of values and positive role models about what the judge or the prosecutor or to bring to the attention of Members an inter that confront a majority of our youth. the jury did but what the failure of the esting article about Dr.
[Show full text]
Wanda Jackson by HOLLY GEORGE-WARREN
Wanda Jackson BY HOLLY GEORGE-WARREN “Som e people like to rock/Som e people like to roll/ B ut m ovin’ and a-groovin’s gonna satisfy m y soul/Let’s have a party!” n 1958, when a gutsy, guitar-playing gal from wore all those colorful, sparkly clothes. I said, ‘I gotta Oklahoma belted out this mandate for new be like her!’ ” music, she was the rare woman among the rock- The Jacksons’ next stop was Bakersfield, where abilly cats mixing up rhythm 6? blues and coun- Tom took up barbering. He bought Wanda a guitar and try fe? western, creating primal rock roll in the showed her some chords. Nellie missed the folks back Iprocess. Wanda Jackson wasn’t afraid to step outside home, though, so in 1949 the Jacksons settled in Okla the prim confines of a woman’s place in pop - sonically, homa City, with Tom spending his days selling cars and lyrically, and aesthetically. She snarled, using a “nasty” driving a cab and evenings giving Wanda music lessons, voice to sing sassy lyrics, when “girl singers” were which had expanded to piano. supposed to sound pretty and look pretty. Instead of By the time she was thirteen, she sounded like a going the cowgirl, country lass, or prom queen route, the professional - her strong, distinctive voice belying her gorgeous brunette dressed in befringed cocktail dresses youth. After winning several talent shows, she audi that shimmied and shook as she cut the rug onstage. With tioned for a radio program on Oklahoma City’s KLPR.
[Show full text]
MCA Discography
MCA-1 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA Discography Note: When MCA discontinued Decca, Uni, Kapp and their subsidiary labels in late 1972, they started the new MCA label by consolidating artists from those old labels into the new label. Starting in 1973, MCA reissued hundreds of albums from all of those labels with new catalog numbers under the new MCA imprint. They started these reissues in the MCA-1 reissue series, which ran to MCA-299. MCA MCA-1 Reissue Series: MCA 1 - Loretta Lynn’s Greatest Hits - Loretta Lynn [1973] Reissue of Decca DL7 5000. Don't Come Home A Drinkin'/Before I'm Over You/If You're Not Gone Too Long/Dear Uncle Sam/Other Woman/Wine Women And Song//You Ain't Woman Enough/Blue Kentucky Girl/Success/Home You're Tearin' Down/Happy Birthday MCA 2 - This Is Jerry Wallace - Jerry Wallace [1973] Reissue of Decca DL7 5294. After You/She'll Remember/The Greatest Love/In The Misty Moonlight/New Orleans In The Rain/Time//The Morning After/I Can't Take It Any More/The Hands Of The Man/To Get To You/There She Goes MCA 3 - Rick Nelson in Concert - Rick Nelson [1973] Reissue of Decca DL7 5162. Come On In/Hello Mary Lou, Goodbye Heart/Violets Of Dawn/Who Cares About Tomorrow-Promises/She Belongs To Me/If You Gotta Go, Go Now//I'm Walkin'/Red Balloon/Louisiana Man/Believe What You Say/Easy To Be Free/I Shall Be Released MCA 4 - Sousa Marches in Hi-Fi - Goldman Band [1973] Reissue of Decca DL7 8807.
[Show full text]
Country Shows at the Flame Jimmy Wells
Country Shows at the Flame Jimmy Wells; Ardis Wells; Princess Jo Ann February 23 1956 Tex Ritter; TBS; Jimmy Wells May 16 1956 Tabby West; TBS; Jimmy Wells May 23 1956 Betty Foley; The Westerners - World's only Square Dance Roller Skaters; TBS; Jimmy Wells Dakota Roundup May 30 - June 2 1956 Marvin Rainwater; TBS; Jimmy Wells Dakota Roundup June 6 - 9 1956 Bobby Lord and Wanda Jackson; TBS; Jimmy Wells Dakota Roundup June 13 - 16 1956 Billy Walker; The Westerners; TBS; Jimmy Wells June 20 - 23 1956 Mac Weisman; TBS; Jimmy Wells June 27 - 30 1956 Justin Tubb; TBS; Jimmy Wells Dakota Roundup July 4 - 7 1956 Arlie Duff; TBS; Jimmy Wells Dakota Roundup July 11 - 14 1956 Jerry Reed; TBS; Jimmy Wells Dakota Roundup July 18 - 21 1956 Joe Carson (Wells on vacation) July 25 - 28 1956 Marvin Rainwater; TBS; Jimmy Wells Dakota Roundup August 1 - 4 1956 Lee Emerson, Everly Brothers; TBS; Jimmy Wells Dakota Roundup August 8 - 9 1956 Marvin Rainwater; TBS; Jimmy Wells Dakota Roundup August 10 - 11 1956 Bobby Lord; TBS; Jimmy Wells August 15 - 18 1956 Del Woods; Bonnie Sloan August 23 1956 Autrey Inman; TBS; Jimmy Wells August 22 - 25 1956 Mitchell Torok; TBS; Jimmy Wells Dakota Roundup August 29 - September 1 1956 Mrs. Hank Williams (Miss Audrey); TBS; Jimmy Wells September 5 - 8 1956 Jimmy Roberts; TBS; Jimmy Wells September 12 - 15 1956 Leon Payne; TBS; Jimmy Wells September 19 - 22 1956 Cowboy Copas; TBS; Jimmy Wells September 26 - 29 1956 Marvin Rainwater and Mimi Roman September 27 1956 Justin Tubb; TBS; Jimmy Wells October 10 - 13 1956 Mimi Roman;
[Show full text]
14 Carrot Records Air Play Records Amber Records
14 Carrot Records 3421 Thomas Drive, Palo Alto, CA 94303 [on labels] *Box 1049, 2000 Center Street, Berkeley, California 94704 [on PS] 101 PS √ Susie Rothﬁeld & Eric Thompson A Some Kind of Love 101A (Stewart) B Grand Prairie Waltz 101B (W. Read) 102 PS* Alan Senauke A The Honky Tonk Song 102A (W. Pierce) Kate Brislin with Alan Senauke B What Was I Supposed To Do 102B (P. Williams) Air Play Records Div. of Air Play, Inc., 200-243 Ford Rd., San Jose, Ca. *A Subsidiary of Air Play, Inc.,1350 Howard Ave., Burlingame, CA PB-1216 √ Paul Bowman [1963] A The Jailhouse Kid (Billy Jo Tucker/Charles Schults) Bolson/Air Play, Inc., BMI B You Too (Paul Bowman) Bolson/Air Play, Inc., BMI AD-1313 Terry Ryan A If Only For Today (Terry Ryan) Lens/Air Play, Inc., BMI B Party Girl (Terry Ryan) Lens/Air Play, Inc., BMI Produced by Vip Barry 1913QB* Joe Reed [1974] A I’m Willing To Change A-1913QB (Alan L. Dote/George O’Bryan) Air Play, Inc., BMI B Hey You Still Do That To Me B -1913QB (Alan L. Dote/Beverly J. Olcese) Air Play, Inc., BMI Amber Records [Hayward, CA] AR-7709 Bill Whittley [1960] The Preacher Man L8OW-7709 (Bill Whittley) Whittley Pub., BMI I’m A Lonely Guy L8OW-7710 (Bill Whittley) Whittley Pub., BMI Accompanied by Dane Miller and Les Adams AR-3275 Bill Whittley and His Westernaires [1961] No Love Left In My Eyes M8OW-3275 (Bill Whittley) Whittley Pub., BMI Ghost Walk M8OW-3276 () AR-8394/5 √ Bill Whittley [1961] In Your Arms And In Your Heart M8OW-8394 (Bill Whittley) Whittley Pub., BMI Accompanied by Curly Cook, Dane Miller, Les Adams, B.
[Show full text]
Women in Rockabilly Music: Lavern Baker and Janis Martin Stephanie P
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations August 2012 Sweet Nothings: Women in Rockabilly Music: LaVern Baker and Janis Martin Stephanie P. Lewin-Lane University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the African American Studies Commons, Music Commons, and the Women's Studies Commons Recommended Citation Lewin-Lane, Stephanie P., "Sweet Nothings: Women in Rockabilly Music: LaVern Baker and Janis Martin" (2012). Theses and Dissertations. 11. https://dc.uwm.edu/etd/11 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. SWEET NOTHINGS: WOMEN IN ROCKABILLY MUSIC LAVERN BAKER AND JANIS MARTIN by Stephanie Lewin-Lane A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music at The University of Wisconsin—Milwaukee August 2012 ABSTRACT SWEET NOTHINGS: WOMEN IN ROCKABILLY MUSIC LAVERN BAKER AND JANIS MARTIN by Stephanie Lewin-Lane The University of Wisconsin-Milwaukee, 2012 Under the Supervision of Dr. Gillian Rodger Rockabilly music is an exciting and vibrant style of early Rock and Roll that originated in the 1950s. With its aggressive beat and anti-establishment connotations, rockabilly is considered a widely male-dominated genre, a point supported by the majority of scholarship and literature on the subject. However, a review of available contemporary recordings, television shows, advertisements and interviews show that women were an integral part of the history of rockabilly music.
[Show full text]