DOCSLIB.ORG

British Columbia Film Commission Production Statistics 2011

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

BRITISH COLUMBIA FILM COMMISSION PRODUCTION STATISTICS 2011 BRITISH COLUMBIA FILM & TV PRODUCTIONS 2011 Total Budget TOTAL PRODUCTIONS # % Overall Total Spent in BC % Features/DVD Features* 77 27% $1,112,507,408 $446,861,030 37% TV Series** 69 25% $715,983,680 $503,909,596 42% Movies of the Week 40 14% $114,328,610* $95,028,600* 8% TV Pilots 12 4% $54,382,450 $39,394,982 3% Mini Series 2 1% *spend added to MOWs *spend added to MOWs 0% Documentaries 23 8% $7,271,384 $6,526,784 1% Short Films 22 8% $607,500 $596,800 1% Animation 36 13% $168,214,757 $96,385,231 8% Total 281 100% $2,173,295,789 $1,188,703,023 100% Total Budget DOMESTIC PRODUCTIONS # % Overall Total Spent in BC % Features/DVD Features* 19 13% $18,029,301 $16,929,891 8% TV Series** 45 30% $136,320,263 $116,370,952 56% Movies of the Week 29 20% $61,978,618* $56,183,942* 27% TV Pilots 1 1% *spend added to MOWs *spend added to MOWs 0% Mini Series 1 1% *spend added to MOWs *spend added to MOWs 0% Documentaries 21 14% $6,003,638 $5,319,038 2% Short Films 22 15% $607,500 $596,800 1% Animation 9 6% $21,642,594 $13,577,054 6% Total 147 100% $244,581,914 $208,977,677 100% Total Budget FOREIGN PRODUCTIONS # % Overall Total Spent in BC % Features/DVD Features* 58 43% $1,094,478,107 $429,931,139 44% TV Series** 24 18% $579,663,417 $387,538,644 40% Movies of the Week 11 8% $53,617,738* $40,052,404* 4% TV Pilots 11 8% $54,382,450 $39,394,982 4% Mini Series 1 1% *spend added to MOWs *spend added to MOWs 0% Documentaries 2 1% *spend added to MOWs *spend added to MOWs 0% Short Films 0 0% $0 $0 0% Animation 27 20% $146,572,163 $82,808,177 8% Total 134 100% $1,928,713,875 $979,725,346 100% *Feature production includes: feature films, DVD features and VFX only projects ** TV series production includes: dramatic, lifestyle, reality, web, documentary and VFX only projects Page 2 of 33 BRITISH COLUMBIA FILM & TV PRODUCTIONS BY TYPE 2011 TYPE # Total Budget Overall Total Spent in BC FEATURE/DVD FEATURE* Domestic 19 $18,029,301 $16,929,891 Foreign 58 $1,094,478,107 $429,931,139 Total 77 $1,112,507,408 $446,861,030 TV SERIES** Domestic 45 $136,320,263 $116,370,952 Foreign 24 $579,663,417 $387,538,644 Total 69 $715,983,680 $503,909,596 MOVIES OF THE WEEK(MOW ) Domestic 29 $61,978,618 $56,183,942 Foreign 11 $52,349,992 $38,844,658 Total 40 $114,328,610 $95,028,600 TV PILOT Domestic 1 *spend added to MOWs *spend added to MOWs Foreign 11 $54,382,450 $39,394,982 Total 12 $54,382,450 $39,394,982 MINI-SERIES Domestic 1 *spend added to MOWs *spend added to MOWs Foreign 1 *spend added to MOWs *spend added to MOWs Total 2 *spend added to MOWs *spend added to MOWs DOCUMENTARY Domestic 21 $6,003,638 $5,319,038 Foreign 2 $1,267,746 $1,207,746 Total 23 $7,271,384 $6,526,784 SHORT FILM Domestic 22 $607,500 $596,800 Foreign 0 $0 $0 Total 22 $607,500 $596,800 ANIMATION Domestic 9 $21,642,594 $13,577,054 Foreign 27 $146,572,163 $82,808,177 Total 36 $168,214,757 $96,385,231 DOMESTIC 147 $244,581,914 $208,977,677 FOREIGN 134 $1,928,713,875 $979,725,346 TOTALS 281 $2,173,295,789 $1,188,703,023 *Feature production includes: feature films, DVD features and VFX only projects **TV series production includes: dramatic, lifestyle, reality, web, documentary series and VFX only projects Page 3 of 33 BRITISH COLUMBIA FILM & TV PRODUCTIONS 2007 – 2011 Production $ = millions FACTSHEET 2011 2010 2009 2008 2007 Number Production Number Production Number Production Number Production Number Production of $ Spent in of $ Spent in of $ Spent in of $ Spent in of $ Spent in Projects BC Projects BC Projects BC Projects BC Projects BC DOMESTIC Features/ DVD Features* 19 16.93 33 40.46 19 31.20 25 83.73 24 81.61 TV Series** 45 116.37 29 120.09 34 64.25 42 82.79 24 157.64 TV Movies, Mini-Series, Pilots, Documentaries, & Other 74 62.10 78 57.35 90 76.23 82 102.31 80 114.52 Animation 9 13.58 12 25.93 12 45.92 25 96.77 10 53.93 Total Domestic 147 208.98 152 243.83 155 217.60 174 365.60 138 407.70 FOREIGN Features/ DVD Features* 58 429.93 36 277.37 37 641.17 40 441.46 23 179.17 TV Series** 24 387.54 14 391.59 14 373.33 14 320.82 18 277.48 TV Movies, Mini-Series, Pilots, Documentaries, & Other 25 79.44 19 52.71 24 58.97 20 53.46 14 44.25 Animation 27 82.81 25 56.22 9 25.38 12 25.43 9 34.74 Total Foreign 134 979.72 94 777.89 84 1098.85 86 841.17 64 535.64 TOTAL 281 1188.70 246 1021.72 239 1316.45 260 1206.77 202 943.34 *Feature production includes: feature films, DVD features and VFX only projects ** TV series production includes: dramatic, lifestyle, reality, web, documentary series and VFX only projects NUMBER OF PRODUCTIONS & DOLLARS SPENT IN BRITISH COLUMBIA 1997 – 2011 Page 5 of 33 PRODUCTION DOLLARS SPENT IN BRITISH COLUMBIA 1997 – 2011 Page 6 of 33 DOMESTIC VS. FOREIGN PRODUCTION DOLLARS SPENT IN BRITISH COLUMBIA 1997 – 2011 Page 7 of 33 NUMBER OF FEATURES SHOT IN BRITISH COLUMBIA Page 8 of 33 1997 – 2011 NUMBER OF TV SERIES SHOT IN BRITISH COLUMBIA Page 9 of 33 1997 – 2011 Page 10 of 33 NUMBER OF TV MOVIES, PILOTS AND MINI-SERIES SHOT IN BRITISH COLUMBIA 1997 – 2011 Page 11 of 33 NUMBER OF DOCUMENTARIES, SHORTS AND ANIMATION PROJECTS SHOT IN BRITISH COLUMBIA 1997 – 2011 Page 12 of 33 PRODUCTION LIST 2011 Jan 1/11 - Dec 31/11 Domest Production Name Type ic vs. Studio Foreign 1001 NIGHTS ~ SEASON 2 ANIMATION USA BIG BAD BOO PRODUCTIONS 17TH PRECINCT TV PILOT USA SONY PICTURES TELEVISION 40 DAYS AT BASECAMP DOCUMENTARY CDN REBEL SISTER PRODUCTIONS A MILE IN HIS SHOES MOW CDN NASSER ENTERTAINMENT AAURORA - FIRE IN THE SKY DOCUMENTARY FOR TERRA MATER FACTUAL STUDIOS ABRAHAM LINCOLN: VAMPIRE HUNTER (VFX ONLY) FEATURE FILM USA 20TH CENTURY FOX ACTION DAD ANIMATION USA TOONZONE STUDIOS AFTERMETH DOCUMENTARY CDN SECOND SON PRODUCTIONS ALCATRAZ TV PILOT USA WARNER BROS TELEVISION/FOX ALCATRAZ TV SERIES USA WARNER BROS TELEVISION/FOX ALCHEMY AND OTHER IMPERFECTIONS SHORT CDN CRAZY8S ALIENS IN THE HOUSE TV PILOT USA CARTOON NETWORK Page 13 of 33 Domest Production Name Type ic vs. Studio Foreign ALVIN & THE CHIPMUNKS 3: CHIPWRECKED FEATURE FILM USA 20th CENTURY FOX AMERICAN MARY FEATURE FILM CDN INDUSTRYWORKS APOLLO 18 FEATURE FILM USA DIMENSION FILMS ARGO (VFX ONLY) FEATURE FILM USA WARNER BROS PICTURES ARTIC AIR TV SERIES CDN OMNI FILM PRODUCTIONS ASTONISHING X-MEN ANIMATION USA MARVEL ANIMATION ATTENTION STUDENTS TV PILOT USA CARTOON NETWORK BACK IN THE DAY ~ SEASON 2 DOCUMENTARY CDN 0847312 BC LTD. BADLY DRAWN ROY ANIMATION CO-PRO LIZARD BRAIN ANIMATION BARBIE IN A MERMAID'S TALE 2 ANIMATION USA MATTEL ENTERTAINMENT BARBIE: A PRINCESS CHARM SCHOOL ANIMATION USA MATTEL ENTERTAINMENT BARBIE: THE PRINCESS & THE POP-STAR ANIMATION USA MATTEL ENTERTAINMENT BARRICADE FEATURE FILM USA WWE STUDIOS BASKETBALL GAME ANIMATION CDN NATIONAL FILM BOARD Page 14 of 33 Domest Production Name Type ic vs. Studio Foreign BATTLE CASTLE ~ SEASON 1 DOC SERIES CDN PARALLAX FILM PRODUCTIONS BATTLE FORCE 5 ~ SEASON 3 ANIMATION USA NERD CORPS ENTERTAINMENT BATTLESHIP (VFX ONLY) FEATURE FILM USA UNIVERSAL PICTURES BATTLESTAR GALACTICA: BLOOD AND CHROME TV PILOT USA SYFY/UNIVERSAL CABLE PRODUCTIONS BECOMING REDWOOD FEATURE FILM CDN REDWOOD PRODUCTIONS BHANGRALICIOUS DOC SERIES CDN BLUEBERRY STREET COMMUNICATIONS BIG ROOF DOCUMENTARY CDN 0887996 BC LTD. BIG TIME MOVIE MOW USA NICKELODEON BLOOD/SWEAT/TEARS SHORT CDN PRIMARY COLOR BLOODLAND SHORT CDN BLOODLAND PRODUCTIONS BOB'S BURGERS ~ SEASON 1 ANIMATION USA 20TH CENTURY FOX BONE, WIND AND FIRE DOCUMENTARY CDN NATIONAL FILM BOARD BROKEN TRUST MOW CDN REEL ONE PICTURES BROTHERHOODS, CLANS, AND SECRET SOCIETIES OF DOCUMENTARY CDN LITTLE RAM PRODUCTIONS VANCOUVER Page 15 of 33 Domest Production Name Type ic vs. Studio Foreign CAROLING MOW CDN FRONT STREET PICTURES CASH CAB REALITY/LIFESTYL CDN CASH CAB CANADA E CHAINED SHORT CDN CRAZY8S CHAOS TV SERIES USA FOX TELEVISION/CBS CHRISTMAS LODGE MOW CDN NASSER ENTERTAINMENT CHRISTMAS RETURNS TO CANAAN MOW CDN BAUMAN ENTERTAINMENT CHRONICLE (ADDT'L PHOTOGRAPHY) FEATURE FILM USA 20TH CENTURY FOX CITIZEN MARC FEATURE FILM CDN RELEVISION PRODUCTIONS CLOCKWORK GIRL ANIMATION CDN ARCANA STUDIO/LEGACY FILMWORKS CLOSER TO HOME ~ SEASON 3 DOC SERIES CDN REAL WORLD FILMS CLOUD ATLAS (VFX ONLY) FEATURE FILM USA WARNER BROS PICTURES CLUE MINI-SERIES USA HASBRO STUDIOS COAST MODERN DOC SERIES CDN TWOFOLD FILMS COLORING ON THE WALLS SHORT CDN CRAZY8S Page 16 of 33 Domest Production Name Type ic vs. Studio Foreign COMPLEXITY FEATURE FILM CDN REDHAIRED PRODUCTION CONCRETE BLONDES FEATURE FILM CDN SACRED BULL MEDIA CONFESSIONS: ANIMAL HOARDING DOC SERIES USA DRIVING THE BUS PRODT'NS III CONSUMED DOC SERIES CDN PAPERNY ENTERTAINMENT CONTAGION (VFX ONLY) FEATURE FILM USA WARNER BROS PICTURES COWBOYS & ALIENS (VFX ONLY) FEATURE FILM USA UNIVERSAL PICTURES CRISIS ON TAP DOCUMENTARY CDN CEDARWOOD PRODUCTIONS CROWSNEST FEATURE FILM CDN BRENTON SPENCER FILMS CUPCAKE GIRLS ~ SEASON 3 DOC SERIES CDN FORCE FOUR ENTERTAINMENT CYBER SEDUCTION (aka VIRTUAL LIES) MOW USA REEL ONE PICTURES DARK SHADOWS (VFX ONLY) FEATURE FILM USA WARNER BROS PICTURES DAWN RIDER MOW CDN NASSER ENTERTAINMENT DEAD FRIENDS SHORT CDN CRAZY8S DECK THE HALLS MOW USA TURNER NETWORK TELEVISION Page 17 of 33 Domest Production Name Type ic vs.
Recommended publications
  • Detailed Table of Contents (PDF Download)

    Detailed Table of Contents (PDF Download)

    CONTENTS Preface xix Introduction xxi Acknowledgments xxvii PART I CONTENT REGULATION 1 CHAPTER 1 BOOKS AND MAGAZINES 3 A. Violence 3 Rice v. Paladin Enterprises 4 Braun v. Soldier of Fortune Magazine, Inc. 11 Einmann v. Soldier of Fortune Magazine, Inc. 18 B. Censorship 25 Bantam Books, Inc. v. Sullivan 25 CHAPTER 2 MUSIC 29 A. Violence 29 Weirum v. RKO General, Inc. 29 McCollum v. CBS, Inc. 33 Matarazzo v. Aerosmith Productions, Inc. 40 Davidson v. Time Warner 42 Pahler v. Slayer 51 B. Censorship 56 Luke Records v. Navarro 57 Marilyn Manson v. N.J. Sports & Exposition Auth. 60 Southeastern Promotions, Ltd. v. Conrad 71 xi xii Contents CHAPTER 3 TELEVISION 79 A. Violence 79 Olivia N. v. NBC 80 Graves v. WB 84 Zamora v. CBS 89 B. Censorship 94 Writers Guild of Am., West Inc. v. ABC, Inc. 94 F.C.C. v. Fox Television Stations, Inc. 103 CHAPTER 4 FILM 115 A. Violence 115 Byers v. Edmondson 117 Lewis v. Columbia Pictures Industries, Inc. 122 B. Censorship 128 Swope v. Lubbers 128 Appendix 1: The Movie Rating System 134 United Artists Corporation v. Maryland State Board of Censors 141 Miramax Films Corp. v. Motion Picture Ass’n of Am., Inc. 145 C. Both Sides of the Censor Debate 151 MPAA Ratings Chief Defends Movie Ratings 151 Censuring the Movie Censors 153 CHAPTER 5 VIDEO GAMES 159 A. Violence 159 Watters v. TSR 160 James v. Meow Media 164 Sanders v. Acclaim Entertainment, Inc. 174 Wilson v. Midway Games 186 B. Censorship 189 Brown v. Entertainment Merchants Assoc.
  • DAN LEIGH Production Designer

    DAN LEIGH Production Designer

    (3/31/17) DAN LEIGH Production Designer FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “GYPSY” Sam Taylor-Johnson Netflix Rudd Simmons (TV Series) Scott Winant Universal Television Tim Bevan “THE FAMILY” Paul McGuigan ABC David Hoberman (Pilot / Series) Mandeville Todd Lieberman “FALLING WATER” Juan Carlos Fresnadillo USA Gale Anne Hurd (Pilot) Valhalla Entertainment Blake Masters “THE SLAP” Lisa Cholodenko NBC Rudd Simmons (TV Series) Michael Morris Universal Television Ken Olin “THE OUTCASTS” Peter Hutchings BCDF Pictures Brice Dal Farra Claude Dal Farra “JOHN WICK” David Leitch Thunder Road Pictures Basil Iwanyk Chad Stahelski “TRACERS” Daniel Benmayor Temple Hill Entertainment Wyck Godfrey FilmNation Entertainment D. Scott Lumpkin “THE AMERICANS” Gavin O'Connor DreamWorks Television Graham Yost (Pilot) Darryl Frank “VAMPS” Amy Heckerling Red Hour Adam Brightman Lucky Monkey Stuart Cornfeld Molly Hassell Lauren Versel “PERSON OF INTEREST” Various Bad Robot J.J. Abrams (TV Series) CBS Johanthan Nolan Bryan Burk Margot Lulick “WARRIOR” Gavin O’Connor Lionsgate Greg O’Connor Solaris “MARGARET” Kenneth Lonergan Mirage Enterprises Gary Gilbert Fox Searchlight Sydney Pollack Scott Rudin “BRIDE WARS” Gary Winick Firm Films Alan Riche New Regency Pictures Peter Riche Julie Yorn “THE BURNING PLAIN” Guillermo Arriaga 2929 Entertainment Laurie MacDonald Walter F. Parkes SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: (310) 285-0218 e-mail: [email protected] (3/31/17) DAN LEIGH Production Designer ---2-222---- FILM & TELEVISION COMPANIES
  • PROGRAM November 18-20, 2015 THANKS to the 2015 Children, Youth & Media Conference Sponsors

    PROGRAM November 18-20, 2015 THANKS to the 2015 Children, Youth & Media Conference Sponsors

    Toronto PROGRAM November 18-20, 2015 THANKS tO tHe 2015 ChIlDrEn, YoUtH & MeDiA CoNfErEnCe sponsors MAIN SPONSOR PRESTIGE SPONSORS EXCELLENCE SPONSORS 2 SPECIAL THANKS Youth Media Alliance would like to warmly thank its 2015 Children, Youth & Media Conference advisory committee: NATALIE DUMOULIN / 9 Story Media Group MARTHA SEPULVEDA / RACHEL MARCUS / Guru Studio Breakthrough Entertainment MICHELLE MELANSON CUPERUS / CLAUDIA SICONDOLFO Radical Sheep Productions JULIE STALL / Portfolio Entertainment LYNN OLDERSHAW / Kids’ CBC TRAVIS WILLIAMS / Mercury Filmworks MIK PERLUS / marblemedia SUZANNE WILSON / TVO Kids JAMIE PIEKARZ / Corus Entertainment And the volunteers: KELLY LYNNE ASHTON, KAYLA LATHAM, HENRIKA LUONG, TATIANA MARQUES, JAYNA RAN and MARCELA LUCIA ROJAS. TABLE OF CONTENTS Words from Chair .............................................................................p. 4 Words from Executive Director ............................................................p. 5 Schedule and Venue ..........................................................................p. 6 General Conference ..........................................................................p. 8 Workshop with Sheena Macrae ............................................................p. 12 Workshop with Linda Schuyler .............................................................p. 12 Prix Jeunesse Screening ....................................................................p. 13 Speakers’ Biographies .......................................................................p.
  • Pr-Dvd-Holdings-As-Of-September-18

    Pr-Dvd-Holdings-As-Of-September-18

    CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
  • RAPPORTO Il Mercato E L’Industria Del Cinema in Italia 2008

    RAPPORTO Il Mercato E L’Industria Del Cinema in Italia 2008

    RAPPORTO Il Mercato e l’Industria del Cinema in Italia 2008 fondazione ente dello spettacolo RAPPORTO Il Mercato e l’Industria del Cinema in Italia 2008 In collaborazione con CINECITTA’ LUCE S.p.A. Con il sostegno di Editing e grafica: PRC srl - Roma fondazione ente Realizzazione a cura di: Area Studi Ente dello Spettacolo Consulenza: Redento Mori dello spettacolo Presentazione el panorama della pubblicistica italiana sul cinema, è mancata fino ad oggi una sintesi che consentisse una visione organica del settore e tale da misurare il peso di una realtà produttiva che per qualità e quantità rappresenta una delle voci più significative Ndell’intera economia. Il Rapporto 2008 su “Il Mercato e l’Industria del Cinema in Italia” ha lo scopo primario di colmare questa lacuna e di offrire agli operatori e agli analisti un quadro più ampio possibile di un universo che attraversa la cultura e la società del nostro Paese. Il Rapporto è stato realizzato con questo spirito dalla Fondazione Ente dello Spettacolo in collaborazione con Cinecittà Luce S.p.A., ed è il frutto della ricerca condotta da un’équipe di studiosi sulla base di una pluralità di fonti e di dati statistici rigorosi. Questo rigore si è misurato in alcuni casi con la relativa indeterminatezza di informazioni provocata dall’assenza di dati attualizzati (ad esempio, per i bilanci societari) e dalla fluidità di notizie in merito a soggetti che operano nel settore secondo una logica a volte occasionale e temporanea. La Fondazione Ente dello Spettacolo opera dal 1946. Finora si è conosciuto molto del cinema italiano soprattutto in termini di È una realtà articolata e multimediale, impegnata nella diffusione, promozione consumo.
  • Eone Annual Report 2019

    Eone Annual Report 2019

    2019 Annual Report and Accounts Unlocking the power & value of creativity We are focused on building the leading talent-driven, platform- agnostic entertainment company in the world. Through our deep creative relationships we are able to produce the highest quality content for the world’s markets. We are powered by global reach, scale and local market knowledge to generate maximum value for this content. Strategic Report SR Governance G Financial Statements FS Unlocking the Unlocking the value of originality power & value p.10 of creativity Unlocking the power of creativity p.12 Strategic report Governance 02 At a glance 66 Corporate governance 04 Chairman’s statement 68 Board of Directors 06 Chief Executive Officer’s review 70 Corporate governance report 10 Unlocking the power 78 Audit Committee report & value of creativity Unlocking the 86 Nomination Committee report value of direction 20 Market Review 90 Directors’ Remuneration report p.14 22 Business Model 118 Directors’ report: 24 Strategy additional information 26 Key performance indicators Financial statements Business review 122 Independent auditor’s report 28 Family & Brands 127 Consolidated financial statements 36 Film, Television & Music 131 Notes to the consolidated financial statements Unlocking the 46 Finance review power of storytelling 51 Principal risks and uncertainties Visit our website: entertainmentone.com p.16 58 Corporate responsibility Unlocking the value of talent p.18 entertainmentone.com 1 AT A GLANCE Performance highlights Strong growth in underlying EBITDA
  • 2017 DGA Episodic Director Diversity Report (By STUDIO)

    2017 DGA Episodic Director Diversity Report (By STUDIO)

    2017 DGA Episodic Director Diversity Report (by STUDIO) Combined # Episodes # Episodes # Episodes # Episodes Combined Total # of Female + Directed by Male Directed by Male Directed by Female Directed by Female Male Female Studio Title Female + Signatory Company Network Episodes Minority Male Caucasian % Male Minority % Female Caucasian % Female Minority % Unknown Unknown Minority % Episodes Caucasian Minority Caucasian Minority A+E Studios, LLC Knightfall 2 0 0% 2 100% 0 0% 0 0% 0 0% 0 0 Frank & Bob Films II, LLC History Channel A+E Studios, LLC Six 8 4 50% 4 50% 1 13% 3 38% 0 0% 0 0 Frank & Bob Films II, LLC History Channel A+E Studios, LLC UnReal 10 4 40% 6 60% 0 0% 2 20% 2 20% 0 0 Frank & Bob Films II, LLC Lifetime Alameda Productions, LLC Love 12 4 33% 8 67% 0 0% 4 33% 0 0% 0 0 Alameda Productions, LLC Netflix Alcon Television Group, Expanse, The 13 2 15% 11 85% 2 15% 0 0% 0 0% 0 0 Expanding Universe Syfy LLC Productions, LLC Amazon Hand of God 10 5 50% 5 50% 2 20% 3 30% 0 0% 0 0 Picrow, Inc. Amazon Prime Amazon I Love Dick 8 7 88% 1 13% 0 0% 7 88% 0 0% 0 0 Picrow Streaming Inc. Amazon Prime Amazon Just Add Magic 26 7 27% 19 73% 0 0% 4 15% 1 4% 0 2 Picrow, Inc. Amazon Prime Amazon Kicks, The 9 2 22% 7 78% 0 0% 0 0% 2 22% 0 0 Picrow, Inc. Amazon Prime Amazon Man in the High Castle, 9 1 11% 8 89% 0 0% 0 0% 1 11% 0 0 Reunion MITHC 2 Amazon Prime The Productions Inc.
  • ANDY D'addario Re-Recording Mixer

    ANDY D'addario Re-Recording Mixer

    ANDY D'ADDARIO Re-Recording Mixer SOUNDTRACK (PILOT) Joshua Safran Netflix RRM SSE, CRAZY BITCHES Jane Clark FilmMcQueen RRM THE INBETWEEN (2 EPISODES, RRM Moira Kirland NBC SEASON 1) Stephanie Savage/Josh RRM DYNASTY The CW Schwartz THE X FILES Chris Carter Fox Network RRM SSE, BLURT (TV MOVIE) Michelle Johnston Pacific Bay Entertainment RRM MOZART IN THE JUNGLE Alex Timbers Amazon RRM Image not found or type unknown ESCAPE FROM MR. SSE, LEMONCELLO'S LIBRARY (TV Scott McAboy Nickelodeon Network RRM MOVIE) TRANSPARENT Jill Soloway Amazon RRM KINGDOM Byron Balasco DirectTV RRM I LOVE DICK (6 EPISODES, RRM Sarah Gubbins Amazon Studios SEASON 1) IMPOSTERS Paul Adelstein Bravo! RRM SSE, RUFUS-2 (TV MOVIE) Savage Steve Holland Nickelodeon Network RRM LEGENDS OF THE HIDDEN SSE, Joe Menendez Nickelodeon Network TEMPLE (TV MOVIE) RRM SSE, LIAR, LIAR, VAMPIRE (TV MOVIE) Vince Marcello Nickelodeon Network RRM SSE, ONE CRAZY CRUISE (TV MOVIE) Michael Grossman Nickelodeon Network RRM SSE, SPLITTING ADAM (TV MOVIE) Scott McAboy Nickelodeon Network RRM SSE, SANTA HUNTERS (TV MOVIE) Savage Steve Holland Nickelodeon Network RRM A FAIRLY ODD SUMMER (TV SSE, Savage Steve Holland Nickelodeon Network MOVIE) RRM HAWAII FIVE-O Peter M. Lenkov CBS RRM SWINDLE (TV MOVIE) Jonathan Judge Nickelodeon Network RRM Formosa Broadcast www.FormosaGroup.com/Broadcast 323.853.0008 [email protected] Page 1 GOLDEN BOY (PILOT) Nicholas Wootton CBS RRM CSI: NY Ann Donahue CBS RRM SECOND SIGHT (TV MOVIE) Michael Cuesta CBS RRM A FAIRLY ODD CHRISTMAS (TV RRM Savage Steve
  • Results for the Year Ended 31 March 2015 19 May 2015 Summary

    Results for the Year Ended 31 March 2015 19 May 2015 Summary

    RESULTS FOR THE YEAR ENDED 31 MARCH 2015 19 MAY 2015 SUMMARY Strong financial performance Strategy on track to double the size of the business Dividend declared, up 10% Positive outlook 2 3 BRINGING THE BEST CONTENT TO THE WORLD SOURCE: CONNECT WITH CREATIVE TALENT A TRUE PARTNER TO THE BEST CREATIVE TALENT SCALE SELECT: PRODUCE / ACQUIRE GLOBAL RIGHTS REACH THE WORLD’S LEADING INDEPENDENT DISTRIBUTOR Cinema Retailer Broadcaster Digital SELL: 4 INDUSTRY DYNAMIC CREATES OPPORTUNITIES Audiences demanding high quality content Global multi-platform rights distribution a competitive advantage 5 TARGET TO DOUBLE THE SIZE OF BUSINESS Goal by 2020 2015 6 FINANCIAL OVERVIEW 7 KEY FINANCIAL HIGHLIGHTS PRO FORMA EBITDA1,2 ADJUSTED DILUTED EPS3 £117.2m 23.5p Up 11% Up 12% ADJUSTED FREE CASH ADJUSTED NET DEBT5 FLOW4 £41.0m £224.9m Up £22.2m 1.9x EBITDA1,2 1 Pro forma financial results include the results of Phase 4 Films, Paperny Entertainment, Force Four Entertainment and The Mark Gordon Company (which were acquired on 3 June 2014, 31 July 2014, 28 August 2014 and 7 January 2015, respectively) as if those businesses had been acquired on the first day of the comparative year, with comparative figures translated at 2015 actual foreign exchange rates. 2 Underlying EBITDA is operating profit before one-off items, amortisation of acquired intangible assets, depreciation, amortisation of software, share-based payment charge, and ‘tax, finance costs and depreciation’ related to joint ventures. Underlying EBITDA is reconciled to operating profit in the ‘Other Financial Information’ section of the Results Announcement. 3 Adjusted profit before tax is profit before amortisation of acquired intangible assets, share-based payment charge, ‘tax, finance costs and depreciation’ related to joint ventures, operating one-off items and one-off items relating to the Group’s financing arrangements; adjusted diluted 8 earnings is adjusted for the tax effect of these items.
  • Cultural Stereotypes: from Dracula's Myth to Contemporary Diasporic Productions

    Cultural Stereotypes: from Dracula's Myth to Contemporary Diasporic Productions

    Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2006 Cultural Stereotypes: From Dracula's Myth to Contemporary Diasporic Productions Ileana F. Popa Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the English Language and Literature Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/1345 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Cultural Stereotypes: From Dracula's Myth to Contemporary Diasporic Productions A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at Virginia Commonwealth University. Ileana Florentina Popa BA, University of Bucharest, February 1991 MA, Virginia Commonwealth University, May 2006 Director: Marcel Cornis-Pope, Chair, Department of English Virginia Commonwealth University Richmond, Virginia May 2006 Table of Contents Page Abstract.. ...............................................................................................vi Chapter I. About Stereotypes and Stereotyping. Definitions, Categories, Examples ..............................................................................1 a. Ethnic stereotypes.. ........................................................................3 b. Racial stereotypes.
  • Getting a on Transmedia

    Getting a on Transmedia

    ® A PUBLICATION OF BRUNICO COMMUNICATIONS LTD. SPRING 2014 Getting a STATE OF SYN MAKES THE LEAP GRIon transmediaP + NEW RIVALRIES AT THE CSAs MUCH TURNS 30 | EXIT INTERVIEW: TOM PERLMUTTER | ACCT’S BIG BIRTHDAY PB.24462.CMPA.Ad.indd 1 2014-02-05 1:17 PM SPRING 2014 table of contents Behind-the-scenes on-set of Global’s new drama series Remedy with Dillon Casey shooting on location in Hamilton, ON (Photo: Jan Thijs) 8 Upfront 26 Unconventional and on the rise 34 Cultivating cult Brilliant biz ideas, Fort McMoney, Blue Changing media trends drive new rivalries How superfans build buzz and drive Ant’s Vanessa Case, and an exit interview at the 2014 CSAs international appeal for TV series with the NFB’s Tom Perlmutter 28 Indie and Indigenous 36 (Still) intimate & interactive 20 Transmedia: Bloody good business? Aboriginal-created content’s big year at A look back at MuchMusic’s three Canadian producers and mediacos are the Canadian Screen Awards decades of innovation building business strategies around multi- platform entertainment 30 Best picture, better box offi ce? 40 The ACCT celebrates its legacy Do the new CSA fi lm guidelines affect A tribute to the Academy of Canadian 24 Synful business marketing impact? Cinema and Television and 65 years of Going inside Smokebomb’s new Canadian screen achievements transmedia property State of Syn 32 The awards effect From books to music to TV and fi lm, 46 The Back Page a look at what cultural awards Got an idea for a transmedia project? mean for the business bottom line Arcana’s Sean Patrick O’Reilly charts a course for success Cover note: This issue’s cover features Smokebomb Entertainment’s State of Syn.
  • Movies & Languages 2013-2014 Hotel Transylvania

    Movies & Languages 2013-2014 Hotel Transylvania

    Movies & Languages 2013-2014 Hotel Transylvania About the movie (subtitled version) DIRECTOR Genndy Tartakovsky YEAR / COUNTRY 2012 U.S.A GENRE Comedy, Animation ACTORS Adam Sandler, Andy Samberg, Steve Buscemi, Selena Gomez PLOT The Hotel Transylvania is Dracula's lavish five-stake resort he built for his beloved wife Martha and their daughter Mavis. Monsters and their families are invited to Mavis's 118th birthday party where they can live it up, free from meddling with the human world. But here's a little known fact about Dracula: he is not only the Prince of Darkness; he is also a dad. Over-protective of his teenage daughter, Mavis, Dracula fabricates tales of elaborate dangers to dissuade her adventurous spirit. As a haven for Mavis, he opens the Hotel Transylvania, where his daughter and some of the world's most famous monsters – Frankenstein and his bride, the Mummy, the Invisible Man, a family of werewolves, gremlins and more – can kick back in safety and peace. For Drac, catering to all of these legendary monsters is no problem but his world could come crashing down when one ordinary guy discovers the hotel and takes a shine to Mavis. LANGUAGE Simple English spoken in Eastern European, American and French accents GRAMMAR INDEPENDENT ELEMENTS/INTERJECTIONS Introductory - Oh! ah! alas! Ha ha, ha! hollo! hurrah! pshaw! etc. express sudden bursts of feeling. As they have no grammatical relation to any other word in the sentence, we say that they are independent. Words belonging to other parts of speech become interjections when used as mere exclamations: What! are you going? Well! you surprise me Other words besides interjections may be used independently: Come on boys Well, we will try it Now, that is strange Why, this looks right There is reason in this Boys simply arrests the attention of the persons addressed.