Who Are Those Men in Red?
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Julia, Imagen Givenchy Su Esposo La Asesinó Caída De
EXCELSIOR MIÉRCOLES 10 DE DICIEMBRE DE 2014 [email protected] Resumen. Pharrell Williams encabeza la lista de @Funcion_Exc popularidad de Billboard. Y los escándalos del año>6 y 13 MAÑANA SE ESTRENA EN DOS MIL 400 SALAS UNA ÚLTIMA Los actores queAVENTURA participaron en El Hobbit: La batalla de los cinco ejércitos mostraron su satisfacción de poder participar en la tercera entrega de la saga dirigida por Peter Jackson >8 y 9 Fotos: Cortesía Warner Bros. Foto: Tomada de Instagram Givenchy Foto: Tomada de YouTube Foto: AP JULIA, IMAGEN GIVENCHY CAÍDA DE ELTON, VIRAL SU ESPOSO LA ASESINÓ PARÍS.- La actriz estadunidense Julia Roberts será la Más de un millón de visitas en sólo 24 horas alcanzó La actriz y modelo Stephanie Moseley, protagonista del nueva imagen de la casa francesa de moda Givenchy el video en el que se ve al cantante Elton John en una reality televisivo Hit The Floor, fue asesinada a tiros por para su campaña de primavera/verano 2015. aparatosa caída al presenciar un partido de tenis. Earl Hayes, quien era su esposo. El hombre se quitó la En las imágenes en blanco y negro, la actriz mues- El músico de 67 años asistió a un evento en el vida después de haberla matado. tra un aspecto andrógino, ataviada con una blusa ne- Royal Albert Hall de Londres, donde alentaba a su Trascendió que se habían separado hace dos años, gra con mangas transparentes. equipo contra el de la exjugadora profesional Billie Jean luego de un supuesto amorío con el músico Trey Songz, La sesión fue realizada por la importante empresa King, pero al intentar sentarse se suscitó el incidente. -
2013 Pure Seed Book Dear Gardening Friends, We Are Excited to Bring You Our 15Th Annual Seed Catalog, the Largest and We Hope the Best Yet
Baker Creek Heirloom Seeds uwww.rareseeds.com 2013 Pure Seed Book Dear Gardening Friends, We are excited to bring you our 15th annual seed catalog, the largest and we hope the best yet. This year it contains 212 pages and 1450 varieties of rare and unique vegetables, flowers and herbs from over 70 countries, bringing you the largest selection of heirloom varieties offered in the Ameri- cas and probably the most diverse collection of ed- ibles on the planet. It is our goal to preserve these unique genetic treasures: seeds that have been passed down through the generations, savored, saved and honored as part of each culture. They tell a still-living story of a culinary and horticultural past. This is a past that is filled with amazing seeds and stories—stories that are just as colorful as the fragrant flowers and vintage vegetables that are now filling our gardens again. Heirloom seeds bring history alive and connect past, present and future together like nothing else can. For me personally, when I grow and eat Mexi- can chiles each summer, I remember my Mexican grandmother toiling in the garden all day, with me running along beside her and watching as she lov- ingly honored the soil and seeds, and then in the kitchen cooking the same foods that were passed down to her. As I plant each variety each spring, I am instantly transplanted back to cultures of the past, to the gardens of our forefathers, including my grandparents. Now I hope to plant a dream of good food and soil into our little daughter Sasha, who al- ready is captivated by the miracles of seed and soil. -
In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire -
Nietzsche's Beyond Good and Evil.Pdf
Leo Strauss Nietzsche’s Beyond Good and Evil A course offered in 1971–1972 St. John’s College, Annapolis, Maryland Edited and with an introduction by Mark Blitz With the assistance of Jay Michael Hoffpauir and Gayle McKeen With the generous support of Douglas Mayer Mark Blitz is Fletcher Jones Professor of Political Philosophy at Claremont McKenna College. He is author of several books on political philosophy, including Heidegger’s Being and Time and the Possibility of Political Philosophy (Cornell University Press, 1981) and Plato’s Political Philosophy (Johns Hopkins University Press, 2010), and many articles, including “Nietzsche and Political Science: The Problem of Politics,” “Heidegger’s Nietzsche (Part I),” “Heidegger’s Nietzsche (Part II),” “Strauss’s Laws, Government Practice and the School of Strauss,” and “Leo Strauss’s Understanding of Modernity.” © 1976 Estate of Leo Strauss © 2014 Estate of Leo Strauss. All Rights Reserved Table of Contents Editor’s Introduction i–viii Note on the Leo Strauss Transcript Project ix–xi Editorial Headnote xi–xii Session 1: Introduction (Use and Abuse of History; Zarathustra) 1–19 Session 2: Beyond Good and Evil, Aphorisms 1–9 20–39 Session 3: BGE, Aphorisms 10–16 40–56 Session 4: BGE, Aphorisms 17–23 57–75 Session 5: BGE, Aphorisms 24–30 76–94 Session 6: BGE, Aphorisms 31–35 95–114 Session 7: BGE, Aphorisms 36–40 115–134 Session 8: BGE, Aphorisms 41–50 135–152 Session 9: BGE, Aphorisms 51–55 153–164 Session 10: BGE, Aphorisms 56–76 (and selections) 165–185 Session 11: BGE, Aphorisms 186–190 186–192 Session 12: BGE, Aphorisms 204–213 193–209 Session 13 (unrecorded) 210 Session 14: BGE, Aphorism 230; Zarathustra 211–222 Nietzsche, 1971–72 i Nietzsche’s Beyond Good and Evil Mark Blitz Leo Strauss offered this seminar on Nietzsche’s Beyond Good and Evil at St John’s College in Annapolis Maryland. -
2011 – Cincinnati, OH
Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. -