Country Music Report

Total Page:16

File Type:pdf, Size:1020Kb

Country Music Report táá:........ Country Music Report Country Artist of the Week: WYRL Top Radio Station HANK THOMPSON In CMA's Annual Contest NASHVILLE - WYRL-FM, Mel- Country Crossroads. bourne, Florida, was cited for being WLKE Radio, Waupon, Wisconsin the#1 station participating in the (last year's first place winner) also annual radio contest sponsored by the received a Special Merit Award for Country Music Association. Norm their sustained efforts in 1971. Don Keller, manager of the station, and Sabatke, manager of the relatively Chris Randell, program director, were new country station, accepted. on hand at the Country Music Hall of Another special award went to Tex- Fame to accept the award in special as Kitty Prine of BRT Radio in Bel- ceremonies Jan. 21. gium for her untiring efforts in pro- Hubert Long, chairman of the moting Country Music Month. Mary board of CMA, made the presenta- Reeves Davis accepted on her behalf. tion. The second place winner was Dick Kinney of the Nashville Area WESC, Greenville, South Carolina, Chamber of Commerce presented the with p.d. Bob Hooper accepting the representatives of the stations with award. certificates stating that they were Dave Donahue of WITL, Lansing, officially members of the "Red Car- Michigan accepted the station's award pet" group selected by the Chamber for tying in third place. The other of Commerce. In making the presen- third place winner was WYWY, Bar- tations, Kinney pointed out the sig- bourville, Kentucky, and receiving the nificant role country music has played award was Bill Carson, owner of the in making the city of Nashville fa- station. mous. Country Crossroads, a syndicated Each year the Country Music Asso- radio program sponsored by the ciation engages in an all-out cam- Southern Baptist Convention, taped paign to call special attention to the entire program for airing on their country music during the month of network at a later date. WSIX Radio, October. Roy Horton of the Peer - Nashville, assisted in the taping, and Southern Organization, New York is Bill Gerson of that station accepted a chairman of the Country Music Special Merit Award on behalf of Month committee. Owepar Pub. Buys Grand Ole Gospel Starday Townhouse At Opry House NASHVILLE - Purchase of the NASHVILLE - The Grand Ole Opry Starday Townhouse, on this city's House, which began as a religious record row by Owepar Publishing Co. center in 1891, will once again serve has been announced. The change in as a place of worship, according to an ownership becomes effective immedi- announcement by E. W. "Bud" Wen- ately for an undisclosed sum of mon- dell, manager of the Grand Ole Opry, ey. and Rev. Jimmy Snow, pastor of the Making the announcement jointly Evangel Temple. were the two principles involved in Beginning Feb. 11, WSM Radio the transaction; Louis Owens, general will broadcast Rev. Snow's church manager and secretary/treasurer of services live from the stage of the Owepar; and Hal Neely, president and Grand Ole Opry Hluse. The program, chief executive officer of the to be called "Grand Ole Gospel Starday/King complex. Time", can be heard following the Located on 813 -18th Avenue, Friday Night Opry, from 11:05-11:30 South, the Starday building (which P.M. The regular Friday night Opry will undergo a name change later) crowd will be encouraged to remain will house all business activities of and the will be public admitted free THEN AND NOW-During the 1971 Grand Ole Opry Birthday Celebration, Owepar Publishing Co., Dolly Parton for the church service within the ca- Enterprises, and Porter Wagoner En- Dot Records proclaimed Hank Thompson Month for a very special reason. terprises. pacity of the Opry House. Officially known as "Hank Thompson's 25th Anniversary," Dot Records honored Owepar Publishing Co. was formed Johnny Cash and June Carter, him for completing a quarter of a century as a recording artist. four years ago and has grown sub- members of Rev. Snow's parish, will For 13 years Hank Thompson and his Brazos Valley Boys held the un- stantially since its inception. Exclu- appear on the first show. Pat Boone, disputed title as "America's #1 Western Band." Following 18 years with sive writers for the music enterprise Connie Smith, Peggy Little, and other Capitol Records, where his reported sales exceeded the 30 million mark, Hank include Dolly Parton and Porter well-known signed with Dot Records where he is still making hit records, his current artists are scheduled for being "I've Come Awful Close," produced by producer Wagoner, among others. future programs. In addition, each indie Joe Allison. Included in the Owepar catalogue Touring every state and averaging 240 appearances annually, Hank, with show will include the 28 -voice Temple his band, has hosted his own network TV and radio shows, guested on every are such award -winning hits as Choir, a seven piece "Joshua", "Coat of Many Colors", band, and Rev. major show and received many honors along the way. "My Blue Tears", "Daddy Was An Snow. Exclusive management and booking is handled by The Jim Halsey Company. Old Time Preacher Man", "The Right Numerous country music per- Combination", "Burning the Midnight formers, publishers, songwriters, and Oil", and "Be A Little Quieter". others related to the music industry Anne Murray Scruggs Set With Artists who have recorded Owepar are members of the Evangel Temple, songs, in addition to Miss Parton and whose congregation totals approx- At Wembley KMFA Orchestra Mr. Wagoner, include Merle Haggard, imately 300. Rev. Snow is the son of HOLLYWOOD Anne Murray Kitty Wells, Nat Stucky, Nancy Sina- Grand Ole Opry star, Hank Snow. - has MADISON, TENN. - Earl Scruggs been set to headline at the Fourth has been signed to perform with the tra and Lee Hazlewood, Conway KMFA Classical Music Orchestra in Twitty, Goldie Hawn and Skeeter Da- International Festival of Country Music at Wembley, England, April Austin, Texas on Feb. 2. Scruggs vis. KSON Presents will join previously announced big - Primary purpose for the move, ac- 1-2, with the appearance following band leader Les Elgart, mas- completion of another her concert cording to Owens, was to acquire `Country Star' in series of ter Leopold LaFosse & The LaFosse room for expansion because of the specials for the Canadian Broadcast- Bach Ensemble, and movie -tv -ar- company's rapid growth. SAN DIEGO - KSON Radio is set ing Company. ranger -conductor Frank DeVol of to present Country Star, a program The singer is joining a bill that in- Hollywood, who will lead the KMFA of amateur country music, in the cludes Conway Twitty, Loretta' Lynn, 35 -piece orchestra. Tom T. Hall, Hank Among the selections Scruggs has T. Texas Tyler convention center of the Town And Williams Jr. and been requested to perform are "T For Country Hotel on March 3. This will other major Country music entertain- Texas" and "Foggy Mountain Break- Dies In Mo., 55 be a first for the station, which hopes ers. down." A music score is being written to make the affair an annual event. Miss Murray, presently at home in for the orchestra, who will accompany SPRINGFIELD, MO. - T. Texas Ty- The winner of Country Star has Toronto preparing for the CBC spe- Scruggs on the latter tune. ler, c&w singer-songwriter, died at been promised an interview with a cial, appears regularly on the Glen Following the Austin concert, the age 55 in a hospital here, Jan. 23. major record company, a chance to Campbell Show for CBS -TV. A re- Earl Scruggs Revue is set for Hous- Born in Arkansas as David Luke perform at KSON's Country Music cent Capitol album features duets ton, Feb. 5; Dillon, Colorado, Feb. 9 Myrick, he began his career in & 10; Missoula, Montana (U. of Mon- the Spectacular on March 24 and a broad- with Campbell, while the current sin- tana), Feb. 11 and the NEC College 1930's. He is best known for his song, cast of his performance over KSON gle, "Cotton Jenny," is from her Conference Showcase, Kansas City on "Deck Of Cards." Radio. "Talk It Over in the Morning" LP. Feb. 15. Cash Box - February 5, 1972 39 www.americanradiohistory.com.
Recommended publications
  • Chart Action News
    Thursday, April 21, 2016 NEWS CHART ACTION No. 1 Challenge Coin—Cole Swindell New On The Chart —Debuting This Week ! Artist/song/label—chart pos. ! Zac Brown Band/Castaway/Dot Records— 53 ! Aaron Watson/Bluebonnets/Thirty Tigers— 60 ! Brett Young/Sleep Without You/Republic Nashville— 74 ! !Keith Walker/Friends With Boats— 76 ! Greatest Spin Increase ! Artist/song/label—Spin Increase ! Carrie Underwood/Church Bells/Arista Nashville— 481 ! Zac Brown Band/Castaway/Dot Records— 429 ! Keith Urban/Wasted Time/Capitol Nashville—385 ! Jason Aldean/Lights Come On/Broken Bow— 338 ! !Aaron Watson/Bluebonnets/Thirty Tigers— 309 MusicRow’s Troy Stephenson (L) with Cole Swindell (R) Most Added Cole Swindell is not only an accomplished artist and songwriter of his Artist/song/label—No. of Adds own hits, he’s had a hand in writing for others as well. This week, Cole Zac Brown Band/Castaway/Dot Records—28 received his Challenge Coins for co-writing Luke Bryan’s “Roller Coaster” Aaron Watson/Bluebonnets/Thirty Tigers—26 and Florida Georgia Line and Bryan’s “This Is How We Roll.” To see the Tucker Beathard/Rock On/Dot Records— 18 full list of Challenge Coin recipients, click here. Cole’s new album, You Rachael Turner/Aftershock/Rustic Records—14 Should Be here, will be available on May 6. Read more about it here. Lonestar/Never Enders/Shanachie Entertainment—13 ! Carrie Underwood/Church Bells/Arista Nashville—13 Dan + Shay To Release Sophomore Album In June Charles Kelley/Lonely Girl/Capitol Nashville—13 ! Craig Campbell/Outskirts Of Heaven/Red Bow Records—10 Duo Dan + Shay will released their sophomore album, Obsessed, on June 3 via Warner Bros.
    [Show full text]
  • Songwriter Mike O'reilly
    Interviews with: Melissa Sherman Lynn Russwurm Mike O’Reilly, Are You A Bluegrass Songwriter? Volume 8 Issue 3 July 2014 www.bluegrasscanada.ca TABLE OF CONTENTS BMAC EXECUTIVE President’s Message 1 President Denis 705-776-7754 Chadbourn Editor’s Message 2 Vice Dave Porter 613-721-0535 Canadian Songwriters/US Bands 3 President Interview with Lynn Russworm 13 Secretary Leann Music on the East Coast by Jerry Murphy 16 Chadbourn Ode To Bill Monroe 17 Treasurer Rolly Aucoin 905-635-1818 Open Mike 18 Interview with Mike O’Reilly 19 Interview with Melissa Sherman 21 Songwriting Rant 24 Music “Biz” by Gary Hubbard 25 DIRECTORS Political Correctness Rant - Bob Cherry 26 R.I.P. John Renne 27 Elaine Bouchard (MOBS) Organizational Member Listing 29 Gord Devries 519-668-0418 Advertising Rates 30 Murray Hale 705-472-2217 Mike Kirley 519-613-4975 Sue Malcom 604-215-276 Wilson Moore 902-667-9629 Jerry Murphy 902-883-7189 Advertising Manager: BMAC has an immediate requirement for a volunteer to help us to contact and present advertising op- portunities to potential clients. The job would entail approximately 5 hours per month and would consist of compiling a list of potential clients from among the bluegrass community, such as event-producers, bluegrass businesses, music stores, radio stations, bluegrass bands, music manufacturers and other interested parties. You would then set up a systematic and organized methodology for making contact and presenting the BMAC program. Please contact Mike Kirley or Gord Devries if you are interested in becoming part of the team. PRESIDENT’S MESSAGE Call us or visit our website Martha white brand is due to the www.bluegrassmusic.ca.
    [Show full text]
  • (Pdf) Download
    Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air
    [Show full text]
  • Course Description, Class Outline and Syllabus Instructor: Peter Elman
    Course description, class outline and syllabus Instructor: Peter Elman Title: “A Round-Trip Road Trip of Country Music, 1950-present: From Nashville to California to Texas--and back.” Course Description: An up close and personal look at the golden era of American country music, this class will explore key movements that contributed to the explosive growth of country music as an industry, art form and subculture. The first half of this course will focus on three major regions: Nashville, California and Texas, and concentrate on the period 1950-1975. The second half will look at the women of country, discuss the making of a country song and record, look at the work of five great songsmiths, visit the country music of the 1980’s, and end with an examination of Americana music. The course will do this through lectures, photographs, recorded music, film clips, question and answer sessions, and the use of live music. The instructor will play piano, guitar and sing, and will choose appropriate examples from each region, period and style. - - - - - - - - - - - Course outline by week, with syllabus; suggested reading, listening and viewing Week one: The rise of “honky-tonk” music, 1940-60: Up from bluegrass—the roots of country music. Roy Acuff, Ernest Tubb, Hank Williams, Kitty Wells, Lefty Frizzell, Porter Wagoner, Jim Reeves, Webb Pierce, Ray Price, Hank Lochlin, Hank Snow, and the Grand Old Opry. Reading: The Nashville sound: bright lights and country music Paul Hemphill, 1970-- the definitive portrait of the roots of country music. Listening: 20 of Hank Williams Greatest Hits, Mercury, 1997 30 #1 Country Hits of the 1950s, 3-disc set, Direct Source, 1997 Viewing: O Brother Where Art Thou, 2000, by the Coen brothers America's Music: The Roots of Country 1996, three-part, six episode documentary.
    [Show full text]
  • Texas Polka News - May 2020 Volume 32 | Isssue 15 INSIDE THIS ISSUE
    Texas Polka News - May 2020 Volume 32 | Isssue 15 INSIDE THIS ISSUE Texas Covering Polka Dance Hall Music Since 1987News 2 Bohemian Princess Diary eresa Cernoch Parker e New Polka Normal ALL QUIET ON THE SOCIAL 3 Editor’s Log Gary E. McKee DANCING FRONT Lawrence Welk Was Cool! By Gary E. McKee Story on Page 4 3 From our readers 4-6 Featured Story Social Dancing Hostyn Picnic 2019 6 PoLK of A Report 8 Music Review & DJ Profi le Darrel Appelt 9 Wunnerful Welk Cont'd. 10-13 Dances, Festivals, Live Music 13 Boerne Village Band 14 Village Band & Welk Cont'd. 15 Band ads 16 Polka Smiles Sponsored by Slovacek's 2 Texas Polka News - May 2020 Bohemian Princess canceled and rescheduled. When Texas Polka News Staff in doubt please call the venue or eresa Cernoch Parker, Publisher Diary organization to make sure events Gary E. McKee, Editor/Photo Journalist are still taking place. Je Brosch, Artist/Graphic Designer As for TPN, which relies heavily Contributors: Louise Barcak Mark Hiebert John Roberts on ad revenue from events and Justin Everett Karen Williams Kurtz Will Seegers dance venues, I have made the Lauren Haase Julie Matus Rose Vrazel dicult decision to change the Walt Harfmann Earline Berger Okruhlik George Weber Joe Cool Pavlicek Harvey Wise publishing schedule from monthly to every other month. I don't know Contact how long this will last, possibly By Theresa Cernoch Parker until the end of the year. eresa Parker, Texas Polka News [email protected] 118 Vintage Park Blvd, Suite 443 • Houston, TX 77070 281-836-5362 PRINT SCHEDULE & AD [email protected] | Gary: [email protected] With the onset of the COVID-19 DEADLINES pandemic in our country, I thought No June issue Ads/Media last month's column was hard to July issue, deadline for ads, June 1 Articles, ads, letters to the editor deadline: 1st of the month for the next month write, until I sat down to pen this No August issue Ad Rates 1/3 page: $185 1/8: $65 one.
    [Show full text]
  • June-July 2020
    The A publication by the Southwest Bluegrass Association SWBA BOARD OF DIRECTORS The Bluegrass Soundboard STAFF President Vice-President Terry Brewer Marc Nelissen Managing Editor Terry Brewer 661-364-9321 909 289 8730 661-364-9321 [email protected] [email protected] [email protected] Associate Editors Treasurer Secretary Sheila Brewer, Mark Shutts Paula De Bie Missy Lyn Gibson 951-934-3478 774-248-4128 Regular Contributors [email protected] [email protected] Eric Nordbeck,Terry Brewer, Jeanie Stanley, Membership Connie Tripp Bert Luontela. Chris Jones, Wayne Erbsen Sheila Brewer 661-305-1554 Distribution 661-364-7415 [email protected] Flo DeBie, Tom & Carol Lister, Frank & Patsy Abrahams, [email protected] Susan Brown, Dale & Cindie Linton, Ella Carter, Paula DeBie Tony Pritchett Paul Haas The Bluegrass Soundboard Deadlines 661-305-7866 [email protected] [email protected] DECEMBER JANUARY issue November 1st FEBRUARY /MARCH issue January 1st Louie De Bie 951-934-3478 [email protected] APRIL MAY issue March 1st JUNE JULY issue May 1st COMMITTEE CHAIRPERSONS AUGUST SEPTEMBER issue July 1st OCTOBER NOVEMBER issue September 1st Soundboard & Web manger Social Media Terry Brewer Terry Brewer ADVERTISING RATES Missy Lyn Gibson Single Issue Yearly SWBA Host Julie Ann Evans Full page $65 $350 Sheila Brewer Half page $35 $190 $25 SWBA Jam Host Advertising Quarter page $130 $10 $60 Howard Doering Missy Lyn Gibson Card size Marc Nelisse Terry Brewer Foe more information concerning advertising Mark Shutts (including special rates and discounts) Contact Terry Brewer René Baquet Campout Hosts 661-364-9321 [email protected] Paul Haas Paula De Bie SWBA Membership SWBA School Program For member information, change of address, phone and emails.
    [Show full text]
  • “It Wasn't God Who Made Honky Tonk Angels”-- Kitty Wells (1952)
    “It Wasn’t God Who Made Honky Tonk Angels”-- Kitty Wells (1952) Added to the National Registry: 2007 Essay by John Rumble (guest post)* Kitty Wells When Kitty Wells first recorded for Decca Records in 1952, she had toured for years with her husband, Johnnie (later Johnny) Wright, and his partner, Jack Anglin. But the mother of three was tired of the road, and earlier sessions for RCA had yielded no hits. This time, her main concern was the session fee she would earn. Wells had moved back to Nashville, her hometown, with Johnnie & Jack on the strength of that duo’s 1951 hit “Poison Love,” their entrée to the Grand Ole Opry cast. Now, with Johnnie’s prospects looking up, she pondered leaving full-time entertaining altogether. As it turned out, Wells’s “It Wasn’t God Who Made Honky Tonk Angels,” her first Decca release, quickly scaled “Billboard” magazine’s country charts. The hit made Wells a major star, and an Opry member in her own right. To be sure, country music had boasted successful female artists since the 1920s. The Carter Family’s Sara and Maybelle Carter, cowgirl singer Patsy Montana, and Opry comedienne Minnie Pearl had already won national fame. But Wells was the first to reach #1 in the decade after World War II, when country entered its takeoff phase. In these years, American women faced enormous pressures to leave their wartime jobs, renounce political concerns, and return to keeping house and raising children. Popular magazines, psychologists, and men (whose jobs women had filled) all told them so.
    [Show full text]
  • The Mothers and Daughters of Hillbilly Feminism
    Journal of Feminist Scholarship Volume 18 Issue 18 Spring 2021 Article 3 Spring 2021 “Ain’t My Mama’s Broken Heart”: The Mothers and Daughters of Hillbilly Feminism Alyssa Dewees University of Florida, [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/jfs Part of the American Popular Culture Commons, Other Feminist, Gender, and Sexuality Studies Commons, Other Film and Media Studies Commons, and the Women's Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Dewees, Alyssa. "“Ain’t My Mama’s Broken Heart”: The Mothers and Daughters of Hillbilly Feminism." Journal of Feminist Scholarship 18 (Spring): 43-60. 10.23860/jfs.2021.18.03. This Article is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Journal of Feminist Scholarship by an authorized editor of DigitalCommons@URI. For more information, please contact [email protected]. Dewees: “Ain’t My Mama’s Broken Heart”: The Mothers and Daughters of Hill “Ain’t My Mama’s Broken Heart”: The Mothers and Daughters of Hillbilly Feminism Alyssa Dewees, University of Florida Abstract: The women of country music have long defied the genre's patriarchal associations and used their music as a platform for subversive social messages about gender inequality, and in the past several decades, the country music establishment has grown more willing to alter its image and accommodate these feminist themes. Because country music is marketed and understood by many of its fans as a representation of a lifestyle, this shift in expectations for women’s social roles and possibilities in the genre has an impact on the women who identify themselves with the particular rural, down-home image country music aims to define.
    [Show full text]
  • Clarence Belcher Collection
    Clarence Belcher Collection The Bassett Historical Center is a non-circulating facility. Feel free to come in and listen to any selection from this music collection here at the Center. LOCAL 45s (recorded on one CD) 01 Dink Nickelston and the Virginia Buddies – (1) Henry County Blues; (2) Trying at Love Again 01 The Dixie Pals – (1) Dixie Rag; (2) Wedding Bells 01 The Dixie Pals – (1) The Model Church; (2) Pass Me Not 01 The Dixie Pals – (1) Who’ll Take Care of the Graves?; (2) Don’t Say Good-Bye If You Love Me 02 Ted Prillaman and the Virginia Ramblers – (1) There’ll Come a Time; (2) North to 81 Albums (* recorded on CD) 01 Abe Horton: Old-Time Music from Fancy Gap (vault) 01A Back Home in the Blue Ridge, County Record 723 (vault) 02* Bluegrass on Campus, Vol. 1, recorded live at Ferrum College Fiddlers Convention 02A Blue Grass Hits (Jim Eanes, The Stonemans) 03* Blue Ridge Highballers 1926 Recordings featuring Charley La Prade (vault) 04* Blue Ridge Barn Dance – Old Time Music, County Record 746 (vault) (2 copies) 04A Camp Creek Boys – Old-Time String Band (vault) 04B Charlie Poole – The Legend of, County Record 516 (vault) 04C Charlie Poole and the NC Ramblers, County Record 505 (vault) 04D Charlie Poole and the NC Ramblers, County Record 509 (vault) 05* Charlie Poole & the NC Ramblers – Old Time Songs recorded from 1925-1930 (vault) (2 copies) 05A* Charlie Poole and the NC Ramblers – Old Time Songs recorded from 1925-1930, Vol. 2 (vault) 06 Clark Kessinger, Vol.
    [Show full text]
  • Development of the Country Music Radio Format
    Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/developmentofcouOOstoc THE DEVELOPMENT OF THE COUNTRY MUSIC RADIO FORMAT by RICHARD PRICE STOCKDELL B.S., Northwest Missouri State University, 1973 A MASTER'S THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF ARTS Radio and Television Department of Journalism and Mass Communication KANSAS STATE UNIVERSITY Manhattan,;tan, Kansas 1979 Approved by: Major Professor 31 TABLE OF CONTENTS Chapter One . INTRODUCTION 1 A Search of the Literature and the Contribution of this Thesis 2 Methodology » 5 Two . EARLY COUNTRY MUSIC ON RADIO 10 Barn Dances 12 National Barn Dance 13 The Grand Ole Opry 16 The WWVA Jamboree 19 Renf ro Valley Barn Dance 21 Other Barn Dances 22 Refinement of the Music and the Medium 25 Country Music on Records 25 Music Licensing 27 Country Music on Radio 28 Population Migration 29 Country Radio and the War 29 The Disc Jockey 31 Radio Formats Rather Than Programs 32 Three. THE BIRTH OF A FORMAT 34 Why Country Music? 35 Country Disc Jockeys Unite 37 The All-Country Radio Station Ifl David Pinkston and KDAV 47 The Day Country Music Nearly Died 50 Programming the Early Country Stations 55 The Country Music Association 59 ii iii Four. THE ACCEPTANCE AND SUCCESS OF THE FORMAT 63 Refinement of the Format 63 The Marriage of Country and Top /*0 66 Adoption of the Modern Country Format 71 Explosion of the Format „ 76 Advertiser Resistance 78 Bucking the Resistance 81 Audience Loyalty 86 The Final Step 87 Five.
    [Show full text]
  • Collection 674 Robert & Laurie Gentry Collection Inventory Box Folder
    Collection 674 Robert & Laurie Gentry Collection Inventory Box Folder Description ----------------------------------------------------------------------------------------------------------------------- Box 1 1 General information about Robert Gentry 2 Interview of Horace Logan at home in Seadrift, TX (4 tapes & transcription) 3 Johnny Horton song book (copy) 4 Claude King information 5 German Battleship Bismark information 6 Skyline Club 7 Johnny Horton album covers 8 Charlie “Cat” Canfield 9 Interview with Billy Walker 10 Researched list of Hank Williams show dates 11 Country Song Roundup magazine – March 1976 12 Johnnie & Jack booklet from CD album 13 Screen shots from Johnny Horton Johnny Reb promotion video 14 Photos of Hank Williams posters and list of Hank Williams publications 15 Photos of Hank Williams items on display at the Tennessee Performing Arts Center 16 Photo of Robert Gentry, Glen Sutton and Merle Kilgore at Tillman Franks book signing 17 Photos (copies) of Johnny Horton fishing trip in Florida 18 Photo of Jay Chevallier speaking at Long seminar 19 Photos of a group that toured Municipal Auditorium 1 Collection 674 Robert & Laurie Gentry Collection Inventory Box Folder Description ----------------------------------------------------------------------------------------------------------------------- 20 Photos of Tillman Franks book signing 21 Photos of Johnny Horton Ed Sullivan ad, album covers, Austin Skyline Club memento, Cormac record, red vinyl record (CD) 22 Photocopy of How to Write & Sell Songs by Hank Williams
    [Show full text]
  • Cracroft Ukulele Group Songlist in Number Order 1
    CRACROFT UKULELE GROUP SONGLIST IN NUMBER ORDER 1. Heart of My Heart 57. Aloha Week Hula 2. Blueberry Hill 58. Maureen 3. You’re Sixteen 59. The White Stallion 4. Buckets of Rain 60. Streets of London 5. Bye Bye Love 61. You Ain’t Goin’ Nowhere 6. Green Door 62. Count on Me 7. What a Day for a Daydream 63. Artcan 8. Return to Sender 64. Ukulele Lady 9. Sunny Side of the Street 65. Stand by Your Man 10. Jamaica Farewell 66. Te Harinui 11. I’ll Fly Away 67. Stand by Me 12. Summer Holiday 68. Bad Moon Rising 13. Waltzing Matilda 69. Stuck in the Middle With You 14. That’ll be the Day 70. The Locomotion 15. Sad Movies 71. Snoopy’s Christmas 16. All My Loving 72. Little Drummer Boy 17. Four Strong Winds 73. Purple Haze of Summertime 18. Teach Your Children 74. Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini 19. The Rose 75. Little Red Uke. 20. Then I Kissed Her 76. I Could Never Take the Place of Your Man 21. Wild Mountain Thyme 77. Wagon Wheel 22. Knock Three Times 78. Bath-time Blues 23. You Belong to Me 79. Dream a Little Dream 24. All Of Me 80. This Land is Your Land 25. The Pub With No Beer 81. Nga Iwi E 26. Mack the Knife 82. Lying Eyes 27. Blowin’ in the Wind 83. No Expectations 28. Take me Home Country Roads 84. Rodeo Stand 29. Hokai Mai 85. I Will Survive 30. Folsom Prison Blues 86.
    [Show full text]