The Versatility of Poetic Creativeness in Shelley's
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Systemic Thought and Subjectivity in Percy Bysshe Shelley's Poetry
Systemic Thought and Subjectivity in Percy Bysshe Shelley‟s Poetry Sabrina Palan Systemic Thought and Subjectivity in Percy Bysshe Shelley’s Poetry Diplomarbeit zur Erlangung eines akademischen Grades einer Magistra der Philosophie an der Karl- Franzens Universität Graz vorgelegt von Sabrina PALAN am Institut für Anglistik Begutachter: Ao.Univ.-Prof. Mag. Dr.phil. Martin Löschnigg Graz, 2017 1 Systemic Thought and Subjectivity in Percy Bysshe Shelley‟s Poetry Sabrina Palan Eidesstattliche Erklärung Ich erkläre an Eides statt, dass ich die vorliegende Arbeit selbstständig und ohne fremde Hilfe verfasst, andere als die angegebenen Quellen nicht benutzt und die den benutzen Quellen wörtlich oder inhaltlich entnommenen Stellen als solche kenntlich gemacht habe. Überdies erkläre ich, dass dieses Diplomarbeitsthema bisher weder im In- noch im Ausland in irgendeiner Form als Prüfungsarbeit vorgelegt wurde und dass die Diplomarbeit mit der vom Begutachter beurteilten Arbeit übereinstimmt. Sabrina Palan Graz, am 27.02.2017 2 Systemic Thought and Subjectivity in Percy Bysshe Shelley‟s Poetry Sabrina Palan Table of Contents 1. Introduction ............................................................................................................................ 5 2. Romanticism – A Shift in Sensibilities .................................................................................. 8 2.1 Etymology of the Term “Romantic” ............................................................................. 9 2.2 A Portrait of a Cultural Period ..................................................................................... -
Shelley's Poetic Inspiration and Its Two Sources: the Ideals of Justice and Beauty
SHELLEY'S POETIC INSPIRATION AND ITS TWO SOURCES: THE IDEALS OF JUSTICE AND BEAUTY. by Marie Guertin •IBtlOrHEQf*' * "^ «« 11 Ottawa ^RYMtt^ Thesis presented to the School of Graduate Studies of the University of Ottawa as partial fulfillment of the requirements for the degree of Master of Arts in English Literature Department of English Ottawa, Canada, 1977 , Ottawa, Canada, 1978 UMI Number: EC55769 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform EC55769 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 SHELLEY'S POETIC INSPIRATION AND ITS TWO SOURCES: THE IDEALS OF JUSTICE AND BEAUTY by Marie Guertin ABSTRACT The purpose of this dissertation is to show that most of Shelley's poetry can be better understood when it is related: (1) to each of the two ideals which constantly inspired Shelley in his life, thought and poetry; (2) to the increasing unity which bound these two ideals so closely together that they finally appeared, through most of his mature philosophical and poetical Works, as two aspects of the same Ideal. -
Shelley's “Ode to the West Wind” As the Reflection and Expression Of
Culturalistics: Journal of Cultural, Literary, and Linguistic Studies 3 (2); 2019; 26-32 Available online at: http://ejournal.undip.ac.id/index.php/culturalistics Research Article Received: 03-11-2019; Accepted: 10-11-2019; Published: 12-12-2019 Shelley’s “Ode to the West Wind” as the Reflection and Expression of the Romantic Era Christine Renitriwati Respatio English Department, Diponegoro University,Semarang, 50277 Abstract Literary works usually act as a mirror of the society is life. A literary work can represent historical, social and political background of an era. A poem as one of literary works can do the same thing. In this paper, the writer took the Ode to the West Wind by Shelley, that is as the reflection of the Romantic Age. The writer used the historical approach to understand the historical background of the Romantic Period, and the aspect of the Romanticism era to explore the contain of the poem. The result shows that Ode to The West Wind is really reveals the condition of that era. Keywords: Romanticism; imagination; individual; the post; nature. 1. Introduction Literary works usually act as a mirror of the society’s life in which they are produced, or in other words we can say that the literary works act as the time spirit of an era. When and what kind of situation the literary works are produced are really describe a period of time. A literary work, thus, can represent historical, social and political background of an era. 2. Methods A poem as one of literary works can do the same thing. -
[SD0]= Livre Free Zastrozzi
Register Free To Download Files | File Name : Zastrozzi PDF ZASTROZZI Tapa blanda 22 marzo 2020 Author : It's OK it is interesting to read and entertaining. The style is quite pompous, which is normal for many novels of its time, but it is not a boring book at all. However, there is nothing more than that! I recommend it, but don't expect something spectacular with great suspence and pathos. There is very little Gothic flavour in this simple novel, in my opinion. Flawed but simultaneously completely perfect Zastrozzi: A Romance is a Gothic novel by Percy Bysshe Shelley first published in 1810 in London by George Wilkie and John Robinson anonymously, with only the initials of the author's name, as "by P.B.S.". The first of Shelley's two early Gothic novellas, the other being St. Irvyne, outlines his atheistic worldview through the villain Zastrozzi and touches upon his earliest thoughts on ... Zastrozzi: A Romance: With Geff Francis, Mark McGann, Tilda Swinton, Hilary Trott. An adaptation of Shelley's Gothic novel, presented as a contemporary romance. Zastrozzi, A Romance was first published in 1810 with only the author's initials "P.B.S." on its title page. Percy Bysshe Shelley wrote it when he was seventeen while at Eton College. it was the first of Shelley's two early Gothic novels and considered to be his first published prose work as well. Zastrozzi: A Romance (1810) is a Gothic horror novel masterpiece by Percy Bysshe Shelley. Zastrozzi was the first publushed work by Shelley in 1810. He wrote Zastrozzi when he was seventeen and a student at Eton. -
Bibliography
Bibliography Allott , Miriam (ed.) ( 1982 ), Essays on Shelley (Liverpool: Liverpool University Press). Angeli , Helen Rossetti ( 1911 ), Shelley and His Friends in Italy (London: Methuen). Arditi , Neil (2001 ), ‘T. S. Eliot and The Triumph of Life ’, Keats-Shelley Journal 50, pp. 124–43. Arnold , Matthew ( 1960 –77), The Complete Prose Works , ed. R. H. Super, 11 vols (Ann Arbor: University of Michigan Press). Bainbridge , Simon ( 1995 ), Napoleon and English Romanticism (Cambridge: Cambridge University Press). Baker , Carlos ( 1948 ), Shelley’s Major Poetry: The Fabric of a Vision (Princeton: Princeton University Press). Bandiera , Laura ( 2008 ), ‘Shelley’s Afterlife in Italy: From 1922 to the Present’, in Schmid and Rossington ( 2008 ), pp. 74–96. Barker-Benfield , Bruce ( 1991), ‘Hogg-Shelley Papers of 1810–12’, Bodleian Library Record 14, pp. 14–29. Barker-Benfield , Bruce ( 1992 ), Shelley’s Guitar: An Exhibition of Manuscripts, First Editions and Relics to Mark the Bicentenary of the Birth of Percy Bysshe Shelley, 1792– 1992 (Oxford: Bodleian Library). Beatty, Bernard ( 1992 ), ‘Repetition’s Music: The Triumph of Life ’, in Everest ( 1992 a), pp. 99–114. Beavan , Arthur H . ( 1899 ), James and Horace Smith: A Family Narrative (London: Hurst and Blackett). Behrendt , Stephen C . ( 1989 ), Shelley and His Audiences (Lincoln: University of Nebraska Press). Bennett , Betty T ., and Curran, Stuart (eds) ( 1996 ), Shelley: Poet and Legislator of the World (Baltimore: Johns Hopkins University Press). Bennett , Betty T ., and Curran , Stuart (eds) ( 2000), Mary Shelley in Her Times (Baltimore: Johns Hopkins University Press). Bieri, James (1990 ), ‘Shelley’s Older Brother’, Keats-Shelley Journal 39, pp. 29–33. Bindman , David , Hebron , Stephen , and O’Neill , Michael ( 2007 ), Dante Rediscovered: From Blake to Rodin (Grasmere: Wordsworth Trust). -
In Shelley, Dickens and Priestley's Mister Creecher Chloe
How monsters are made: ‘No remorse, no pity’ in Shelley, Dickens and Priestley’s Mister Creecher Chloe Alexandra Germaine Buckley, Lancaster University Abstract Chris Priestley’s 2011 novel, Mister Creecher, promises to show ‘the making of a monster…’ Set in 1818, the novel is a metafictional rewriting of Mary Shelley’s Frankenstein (1818), imagining the monster’s journey as he tracks his creator to Scotland. In this version, the monster is aided by London pickpocket, Billy, whose provenance, the early novels of Charles Dickens, suggests further intertexts for this contemporary novel. It is Billy, rather than the eponymous ‘Creecher’, who is the novel’s protagonist: a sentimentalized, suffering Dickensian child, whose narrative is reconfigured through encounters with Shelley’s gothic novel and a range of other intertexts. Through Billy, Mister Creecher (2011) re-imagines Dickens’ children and the Dickensian bildungsroman, reconfiguring the positions of villain and innocent. Neo-Victorian texts have been characterized by a doubled relationship to their intertexts, a relationship that is parasitic on the one hand, revisiting the traumas of a past reconstructed as barbaric, and redemptive on the other hand, since these reconstructions are usually aimed at a revisionist critique. In the case of Mister Creecher (2011) the parasitic relationship of contemporary metafiction to past gothic and Victorian works is a part of the novel’s active intertextual fabric. This is a novel that explores how intertextuality itself functions as a corrupting parasite, problematizing and infecting any future encounter with back-grounded works. The introduction of Shelley’s creation into Dickens’ landscape is a wilfully contradictory gesture. -
Singh Upadhi Mahavidyalaya, Pilibhit
Paper 3, Module 5: Text I. (A) Personal Details Name Affiliation Principal Investigator Prof. Tutun University of Hyderabad Mukherjee Paper Coordinator Dr. Neeru Tandon CSJM University, Kanpur Content Writer/Author (CW) Dr. Jaba Kusum Upadhi Mahavidyalaya, Singh Pilibhit Content Reviewer (CR) Dr Neeru Tandon CSJM University, Kanpur Language Editor (LE) Dr. Ram Prakash VSSD College, CSJMU Kanpur Pradhan (B) Description of Module Item Description of module Subject Name English literature Paper name Nineteenth Century English Literature Module title P B SHELLEY Module ID MODULE O5 Pre-requisites The reader is expected to have familiarity with the trends of the romantic age and major poets. Objectives To familiarize the reader with the poems and persona of P B SHELLEY as a poet. Key words Romanticism, Ode to the West Wind, Ode to a Skylark, Hymn to Intellectual Beauty 5.0 The Upshot 5.1 Shelley at a Glance 5.2 Introduction 5.3 Biographic and Career Details 5.4 Shelley, the Poet 5.5 Shelley and His Critics 5.6 Shelley and his Poetic Technique 5.7 Some Interesting Facts 5.8 ‘Ode to the West Wind’: A Study 5.9 ‘Ode to a Skylark’: A Critique 5.10 ‘Hymn To Intellectual Beauty’: An Analysis 5.11 Important Excerpts from the Poems 5.12 Conclusion 5.13 Self-assessment: Test Your Knowledge (Multiple Choice Questions) 5.14 Self-assessment: Explain the excerpts 5.15 Self-assessment: Answer the questions. 5.16 Bibliography /Web Links 5.0 The upshot The present module discusses P.B. Shelley‟s „Ode to the West Wind‟, „Ode to Skylark‟ and „Hymn to Intellectual Beauty.‟ The study begins with a general introduction of romantic poetry. -
Views, Playbills, Prompt Books Or Practitioner Interviews
Staging the Shelleys: A Case Study in Romantic Biodrama by Brittany Reid A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English Department of English and Film Studies University of Alberta © Brittany Reid, 2018 ii Abstract Although it has been nearly two hundred years since they lived and wrote, Romantic writers Mary and Percy Bysshe Shelley continue to haunt the theatre in the twenty-first century. However, it is not only their plays, poems, and novels that have been adapted for the modern stage. Beginning in the twentieth century, renewed interest in the Shelleys’ lives led to the composition of numerous biographical plays based on Mary and Percy’s personal and creative partnership. But while these nineteenth-century writers enjoyed particular moments of such interest in the 1980s, the early twenty-first century has seen this interest flourish like never before. Consequently, the turn of the twenty-first century coincided with an unprecedented increase in the number and variety of plays about the Shelleys’ lives, writing, and literary legacies. As a testament to this recent resurgence, more than twenty theatrical adaptations of the Shelleys have been created and staged in the last twenty years. But although these plays continue to feature both Shelleys, most contemporary biographical plays about the couple now privilege Mary as their focal figure and prioritize her life, writing, and perspective. In this way, these plays represent a creative corollary of a broader cultural shift in interest from Percy to Mary as a biographical subject, which was first initiated in the 1980s through the recovery efforts of Mary Shelley scholars. -
The Timelessness of Art As Epitomized in Shelley's "Ozymandias"
Advances in Language and Literary Studies ISSN: 2203-4714 Vol. 5 No. 1; February 2014 Copyright © Australian International Academic Centre, Australia The Timelessness of Art as Epitomized in Shelley’s Ozymandias Krishna Daiya Government Engineering College, Rajkot E-mail: [email protected] Doi:10.7575/aiac.alls.v.5n.1p.154 Received: 05/01/2014 URL: http://dx.doi.org/10.7575/aiac.alls.v.5n.1p.154 Accepted: 27/02/2014 Abstract Percy Bysshe Shelley was a poet whose name itself is a Metaphor for exquisite, rhythmic poetry laden with images of Nature as well as Man. He possesses the magical power of transporting the reader into an alternative world with the unique use of metaphors and imagery. His personal sadness was translated into sweet songs that are echoed in the entire world defying all boundaries and straddles. One of the most renowned works of Shelley, Ozymandias is a sonnet that challenges the claims of the emperors and their empires that they are going to inspire generations to come. It glorifies the timelessness of art. The all-powerful Time ruins everything with its impersonal, indiscriminate and destructive power. Civilisations and empires are wiped out from the surface of the earth and forgotten but there is something that outlasts these things and that is art. Eternity can be achieved by the poet’s words, not by the ruler’s will to dominate. Keywords: Art, Civilizations, Empires, Eternity, Time 1. Introduction The period from the last decade of the eighteenth century to the opening decades of the nineteenth century is an era of revolutionary social changes in all fields, economic, political, religious and literary. -
The Quest for Truth and Beauty
PART 3 The Quest for Truth and Beauty La Belle Dame Sans Merci, 1893. John Williams Waterhouse. Oil on canvas, 44.09 x 31.89 in. Hessisches Landesmuseum, Darnstadt, Germany. “I am certain of nothing but the holiness of the heart’s affections and the truth of imagination—what the imagination seizes as beauty must be truth—whether it existed before or not.” —John Keats 841 John William Waterhouse/Hessisches Landesmuseum, Darmstadt, Germany/Bridgeman Art Library 00841841 U4P3-845482.inddU4P3-845482.indd Sec2:841Sec2:841 11/29/07/29/07 12:49:5612:49:56 PMPM BEFORE YOU READ Byron’s Poetry MEET GEORGE GORDON, LORD BYRON eorge Gordon, Lord Byron—aristocrat, In his own poet, member of Parliament, athlete, words, “I Gexpatriate, and freedom fighter—was awoke one perhaps the most colorful figure of his day. morning and found myself famous.” “Be thou the rainbow to the storms of life, His books sold well, and he influenced art and fashion, as well as literature, The evening beam that smiles the with his flamboyant style. In addition, as a member clouds away, of the House of Lords, he championed liberal politi- And tints to-morrow with prophetic ray!” cal causes. For example, he bravely defended the rebelling Nottingham weavers, whose jobs were —Lord Byron, The Bride of Abydos threatened by new textile machines. Soon, however, this extraordinarily handsome poet—with brown curly hair, fine features, and Descended from two noble but flamboyant and vio- intensely brilliant eyes—saw his fame turn to noto- lent families, Byron inherited his title and a large riety. -
Shelley and the Nature of Nonviolence
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Fall 2000 Shelley and the nature of nonviolence William James Stroup University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Stroup, William James, "Shelley and the nature of nonviolence" (2000). Doctoral Dissertations. 2145. https://scholars.unh.edu/dissertation/2145 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bieedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
PERCY BYSSHE SHELLEY, DYNAMIC ORGANICISM and COSMIC HARMONY Dr
European Journal of English Language and Literature Studies Vol.6, No.4, pp.62-75, May 2018 ___Published by European Centre for Research Training and Development UK (www.eajournals.org) PERCY BYSSHE SHELLEY, DYNAMIC ORGANICISM AND COSMIC HARMONY Dr. George Ewane Ngide Senior Lecturer of British and American Literature, the University of Yaoundé 1, Cameroon. ABSTRACT: This article examines Shelley’s philosophic and poetic visions of social and political mutations in the universe. It posits that Shelley’s Romantic Imagination is one that views the universe as a single organised mechanism (the Whole), and yet one that is corrupt by man through deviant social and political behaviours that are not commensurate with his being as at creation, thus leading to evils and divisions (the One). We further contend that Shelley’s vision is one that encourages “a therapeutic drive”, a movement that looks like a progression but which is actually a regression to an Edenic past, (the Whole), what Shelley calls the Golden Age. This Golden Age is an earthly paradise where, like in Genesis, both the animate and the inanimate, the flora and the fauna, the organic and the inorganic, the material and the immaterial brief, where man, hitherto considered as the “butcher of nature” is at one with himself, with other species and with Nature. This is what Pope calls “The Great Chain of Being”, Wordsworth’s “Cosmic Harmony” and Shelley’s “Millennial Future”, “Golden Age” or “Everlasting Spring”. It is the realisation of this finality that indeed is the crux of this study. KEYWORDS: Dynamic Organicism, Cosmic Carmony, Philosophic Vision, Millennial Future, Golden Age, Shelley INTRODUCTION Studies in the notion of Cosmic Harmony have over the past several years been an interesting field of academic investigations.