Old-Time Prophet to His Mission High
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Chapterhouse: Dune Frank Herbert April 1985 Those Who Would Repeat
Chapterhouse: Dune Frank Herbert April 1985 Those who would repeat the past must control the teaching of history. -Bene Gesserit Coda When the ghola-baby was delivered from the first Bene Gesserit axlotl tank, Mother Superior Darwi Odrade ordered a quiet celebration in her private dining room atop Central. It was barely dawn, and the two other members of her Council -- Tamalane and Bellonda -- showed impatience at the summons, even though Odrade had ordered breakfast served by her personal chef. "It isn't every woman who can preside at the birth of her own father," Odrade quipped when the others complained they had too many demands on their time to permit of "time-wasting nonsense." Only aged Tamalane showed sly amusement. Bellonda held her over-fleshed features expressionless, often her equivalent of a scowl. Was it possible, Odrade wondered, that Bell had not exorcised resentment of the relative opulence in Mother Superior's surroundings? Odrade's quarters were a distinct mark of her position but the distinction represented her duties more than any elevation over her Sisters. The small dining room allowed her to consult aides during meals. Bellonda glanced this way and that, obviously impatient to be gone. Much effort had been expended without success in attempts to break through Bellonda's coldly remote shell. "It felt very odd to hold that baby in my arms and think: This is my father," Odrade said. "I heard you the first time!" Bellonda spoke from the belly, almost a baritone rumbling as though each word caused her vague indigestion. She understood Odrade's wry jest, though. -
Atreides Bene Gesserit Emperor Harkonnen Spacing Guild Fremen
QUICK START GUIDE Frank Herbert’s classic science fiction novelDune will live for generations as a masterpiece of creative imagination. In this game, you can bring to life the alien planet and the swirling intrigues of all the book’s major characters. Atreides Harkonnen The Atreides led by the The Harkonnens, led youthful Paul Atreides by the decadent Baron (Muad’Dib) — rightful Vladimir Harkonnen — heir to the planet, gifted master of treachery and with valiant lieutenants. cruel deeds. Bene Spacing Gesserit Guild The Bene Gesserit The Spacing Guild Sisterhood, represented represented by by Reverend Mother steersman Edric (in Gaius Helen Mohiam — league with smuggler ancient and inscrutable. bands) — monopolist of transport, yet addicted to ever increasing spice flows. Emperor Fremen The Emperor, his The Fremen majesty the Padishah represented by the Emperor Shaddam IV planetary ecologist Liet- — keen and efficient, Kynes — commanding yet easily lulled into fierce hordes of natives, complacency by his own adept at life and travel trappings of power. on the planet. SETUP: SPICE BANK SETUP: TREACHERY & SPICE DECKS, STORM MARKER I’m Lady Jessica of the House Atreides. Prepare to become immersed in the world of Dune. Here’s Feyd-Rautha of House Harkonnen here. how to set everything up. We are masters of treachery and cruel deeds! Next, shuffle the Treachery & Spice Decks and set them next to the board. I am Stilgar of the Fremen. We are adept Staban Tuek, at life and travel on of the Spacing the planet Dune. Guild coalition. First set out the We control all game board map. shipments on and off Dune. -
The Dune Campaign, Chapter One Outline
The Dune Campaign, Chapter One Outline Introduction (2,200 words) This chapter begins with the introduction of the campaign to the GM. The entire thing is synopsized and advice is given on how to run things smoothly and generally do a good job. Sidebars and Adventurons are described. Then the adventure begins. The players have been dispatched, from Caladan, in the first wave of occupation. They sweep the Imperial Palace for spies and moles. They then greet the second wave and begin sweeping the city of Arrakeen for Harkonnen saboteurs. Finally the Duke and his family arrive while the players—following leads gathered in the first two parts—journey to the Shield Wall in pursuit of the leaders of the Harkonnen Underground. This outline presumes it’s possible for the characters to die over the course of the adventure. The threat of failure and death should be real. Dune is not a human- friendly setting. There are no clerics to raise you. Players who make it to the end feel as though their characters have survived an ordeal. They wonder if other players in other campaigns made it “this far.” Chapter One – Clearing The Way (19,800 words) Act One – Securing the Palace at Arrakeen (7,000 words) 1) Assignment (700 words) Here the players are introduced to each other and their masters. Selected because of their devotion to the Duke and their special skills, the players are essentially a commando squad. While each is only 1st level, each has special skills: Mentat, Bene Gesserit, Suk, Swordmaster, to allow Thufir to build a team that can serve House Atreides during its long rule of Dune. -
Frank Herbert's Dune
D U N E Part One by John Harrison Based on the novel by Frank Herbert Revisions 11/15/99 © 1999 New Amsterdam Entertainment, Inc. Converted by duneinfo.com 1. A1 FADE IN: A black void where... A PLANET slowly emerges. Forming in orange/gold mists. Desolate, monochromatic contours. No clouds. Just a thin cover of cirrus vapor. And somewhere... A mechanical voice...lecturing with monotonous precision. VOICE ....Arrakis...Dune...wasteland of the Empire. Wilderness of hostile deserts and cataclysmic storms. Home to the monstrous sandworm that haunts the vast desolation. The only planet in the universe where can be found...the SPICE. Guardian of health and longevity, source of wisdom, gateway to enhanced awareness. Rare and coveted by noble and commoner alike. The spice! Greatest treasure in the Empire... And now...ANOTHER VOICE. Not mechanical. BARON HARKONNEN And so it begins. The trap is set. The prey approaches... Suddenly the planet becomes transparent. It's a HOLOGRAM! And there behind it... The face of BARON VLADIMIR HARKONNEN. Staggeringly obese. Staring with intimidating intensity at the 3D globe suspended in front of him. The calm of his voice is frightening. BARON HARKONNEN A glorious winter is about to descend on House Atreides and all its heirs. The centuries of humiliation visited upon my family will finally be avenged. Behind him... MALE VOICE (RABBAN) BUT ARRAKIS WAS MINE. ANOTHER VOICE (FEYD) Shut up, Rabban! The Baron turns. REVEALING... 2. 1 EXT. BARON'S SUITE...HARKONNEN PALACE - NIGHT ...his NEPHEWS...GLOSSU RABBAN...AKA "the Beast"...his fat sweaty face twisted with rage. -
Hijos De Dune Dune - 3
Leto Atreides, el hijo de Paul —el mesías de una religión que arrasó el universo, el mártir que, ciego, se adentró en el desierto para morir—, tiene ahora nueve años. Pero es mucho más que un niño, porque dentro de él laten miles de vidas que lo arrastran a un implacable destino. Él y su hermana gemela, bajo la regencia de su tía Alia, gobiernan un planeta que se ha convertido en el eje de todo el universo: Arrakis, más conocido como Dune. Y en este planeta, centro de las intrigas de una corrupta clase política y sometido a una sofocante burocracia religiosa, aparece de pronto un predicador ciego, procedente del desierto. ¿Es realmente Paul Atreides, que regresa de entre los muertos para advertir a la humanidad del peligro más abominable? Frank Herbert Hijos de Dune Dune - 3 ePub r2.0 Titivillus 16.11.2020 Título original: Children of Dune Frank Herbert, 1976 Traducción: Domingo Santos Diseño de portada: Lightniir Editor digital: Titivillus ePub base r2.1 Índice de contenido Capítulo 1 Capítulo 2 Capítulo 3 Capítulo 4 Capítulo 5 Capítulo 6 Capítulo 7 Capítulo 8 Capítulo 9 Capítulo 10 Capítulo 11 Capítulo 12 Capítulo 13 Capítulo 14 Capítulo 15 Capítulo 16 Capítulo 17 Capítulo 18 Capítulo 19 Capítulo 20 Capítulo 21 Capítulo 22 Capítulo 23 Capítulo 24 Capítulo 25 Capítulo 26 Capítulo 27 Capítulo 28 Capítulo 29 Capítulo 30 Capítulo 31 Capítulo 32 Capítulo 33 Capítulo 34 Capítulo 35 Capítulo 36 Capítulo 37 Capítulo 38 Capítulo 39 Capítulo 40 Capítulo 41 Capítulo 42 Capítulo 43 Capítulo 44 Capítulo 45 Capítulo 46 Capítulo 47 Capítulo 48 Capítulo 49 Capítulo 50 Capítulo 51 Capítulo 52 Capítulo 53 Capítulo 54 Capítulo 55 Capítulo 56 Capítulo 57 Capítulo 58 Capítulo 59 Capítulo 60 Capítulo 61 Capítulo 62 Capítulo 63 Capítulo 64 Sobre el autor PARA BEV: Por el maravilloso lazo de nuestro amor, y por aportar su belleza y su sabiduría hasta el punto de ser realmente ella quien inspiró este libro. -
Terror Ecology: Secrets from the Arrakeen Underground
Terra‐&‐Terror Ecology: Secrets from the Arrakeen Underground Nandita Biswas Mellamphy Western University, Canada It is […] vital to an understanding of Muad'Dib’s religious impact that you never lose sight of one fact: the Fremen were a desert people whose entire ancestry was accustomed to hostile landscapes. Mysticism isn’t difficult when you survive each second by surmounting open hostility […]. With such a tradition, suffering is accepted […]. And it is well to note that Fremen ritual gives almost complete freedom from guilt‐feelings. This isn’t necessarily because their law and religion were identical, making disobedience a sin. It is likely closer to the mark to say they cleansed themselves of guilt easily because their everyday existence required brutal (often deadly) judgments which in a softer land would burden men with unbearable guilt. Dune I (576‐77) This world, which is the same for all, no one of gods or men has made. But it always is, was, and will be an ever‐living Fire, igniting and extinguishing in equal measure. Heraclitus Fragments (DK B30) [F]orm is nothing but holes and cracks […] with a nature that has no hardness or solidity. Ancient Buddhist saying. Frank Herbert’s science‐fiction classic Dune1 is a literary work about political, religious, military and ecological design: a design in which Dune’s desert‐planet is, like fire, a perpetually self‐consuming political, religious, military and ecological topos and in which human beings— among other things like water, sand‐worms and religious doctrines—are the fodder that fuels what could be called the ‘Great Ecology’ of planetary regeneration and desertification. -
Feminism, Technology and Cyborg's in Frank Herbert's Dune
Women of the Future: Gender, Technology, and Cyborgs in Frank Herbert’s Dune Mémoire Carrie Lynn Evans Maîtrise en littératures d’expression anglaise Maître ès arts (M.A.) Québec, Canada © Carrie Lynn Evans, 2016 Résumé Cette thèse défend les mérites d’une lecture cyborgienne de l’œuvre de science- fiction de Frank Herbert, Dune, où la vision particulière des sciences et technologies nous permet d’interpréter plusieurs personnages en tant que réitération Nouvelle Vague du cyborg. Publié en 1965, Dune introduit des personnages féminins atypiques pour cette époque compte tenu de leurs attributs tels qu’une capacité intellectuelle accrue, une imposante puissance de combat et une immunité manifeste contre la faiblesse émotionnelle. Cependant, le roman reste ambivalent en ce qui concerne ces femmes : en dépit de leurs qualités admirables, elles sont d’autre part caractérisées par des stéréotypes régressifs, exposants une sexualité instinctive, qui les confinent tout au mieux aux rôles de mère, maitresse ou épouse. Finalement, dans le roman, elles finissent par jouer le rôle du méchant. Cette caractérisation se rapproche beaucoup de celle du cyborg femelle qui est d’usage courant dans les productions de science fiction pour le grand public des décennies plus récentes. Par conséquent, cette thèse défend qu’une lecture cyborgienne de Dune complète et accroisse une analyse sexospécifique, car cette approche comporte une théorisation essentielle des réactions à l’égard de la technologie qui, selon Evans, sont entretissées dans la réaction patriarcale de ce roman à l’égard des femmes. Bien que ces créatures fictives ne soient pas encore communes à l’époque de la rédaction de Dune, Jessica et certains autres personnages du roman peuvent néanmoins être considérés comme exemples primitifs des cyborgs, parce qu’ils incarnent la science et la technologie de leur culture et qu’ils possèdent d’autres éléments typiques du cyborg. -
Foundation and Dune
Mythmoot III: Ever On Proceedings of the 3rd Mythgard Institute Mythmoot BWI Marriott, Linthicum, Maryland January 10-11, 2015 Foundation and Dune or, Hari Seldon and the Golden Path Neil A. Ottenstein and Phillip Menzies Introduction The idea of there being a similarity between the Dune novels by Frank Herbert and Foundation series by Isaac Asimov became apparent during one of the Mythgard Academy classes on Dune led by Corey Olsen. During this class we examined in great detail what Paul Atreides was experiencing when his ability to see the future started to surface in his consciousness. In describing the mechanics of Paul’s view of the future it became clear that Paul was not “seeing” the future in any kind of mystical way. This view of seeing the future reminded some participants in the class of Psychohistory as put forward by Hari Seldon in the Foundation series. In this series Psychohistory was entirely based upon science and mathematics once again totally unrelated to mysticism or magic in any way. This paper will look at these two methods of foretelling or predicting the future by describing and comparing what was experienced by Paul and the Psychohistorians. It will also examine the mechanics of “seeing” the future. We are able to do this because these abilities were rational based on science, mathematics, observation and extrapolation and totally explainable unlike magic or metaphysical forces. Both novels also described limitations to seeing the future by showing that some things were not able to be seen and anticipated. We will examine this by venturing into the sequel Foundation and Empire. -
La Balisette De Gurney Halleck Des Atréides
La Balisette de Gurney Halleck des Atréides Page. 1 1 Background Le but de ce scénario est de faire trouve la balisette de Gurney Halleck des Atréides à Gurney Halleck le Beau de Norwold. La balisette se trouve sur Dune, dans un autre espace-temps. Le seul lien qui relie les deux personnages est leur nom, et un génie , Grand Vizir de Al-Akbar. Ce dernier connait la légende du premier et la renommée du second. Gurney Halleck le Beau, ayant déjà rencontré le Grand Vizir pour un aventure précédente, il se trouve déjà dans les appartements du vizir. Les autres personnages sont également dans les appartements du vizir. Sauf peut-être le nain Lort qui apparaitra si quelqu’un veut bien frotter une lampe à huile. 1.1 L’employeur de tous les scénarii Rudra est à l’origine des informations trouvées par Gurney Halleck le Beau. Son passage au niveau 23 est une récompense personnelle de son dieu. Rudra a guidé Gurney sur la découverte du livre dans sa bibliothèque parlant de son homonyme Gurney des Atréides. Rudra donnera toutes les chances possibles à son pouvoir de connaissance légendaire pour trouver son chemin vers Al-Akbar, et pour la mission suivante. Rudra a ‘’donné’’ les infos nécessaires au grand Vizir afin de lui permettre de guider les aventuriers. Rudra guidera également Gurney dans sa quête pour trouver les cordes manquantes, ainsi que l’arc de Rudra. 1.2 Décomposition du scénario - Trouver le lien permettant de se rendre sur Dune et de trouver la balisette de Gurney Halleck des Atréides. -
Portable Storage #3
3..Editorial 7..Pre-Build Ruins Alva Svoboda 12..Weird Stairways 58..Core Samples L. Jim Khennedy Craig William Lion 30..Beatnik Memories 64..San Francisco Expanded Ray Nelson John Fugazzi 31..Genders 68..Cole Valley Ray Nelson Kennedy Gammage 33..San Francisco, 1967 71..The Messiah Bunch Stacy Scott Terry Floyd 35..San Francisco Soliloquy 78..Hippies Kim Kerbis Robert Lichtman 38..Ghosts of San Francisco 82..From the Catacombs of Berkeley Don Herron Dale Nelson 41..Poets Don’t Have 88..The San Francisco Adventures Spare Change Michael Breiding Billy Wolfenbarger 107..What Was I G. Sutton Breiding 108..Staying Put Jay Kinney 112..Crap St. Ghost Dance D.S. Black 116..My San Francisco Century: 43..San Francisco Part One: 1970-2020 G. Sutton Breiding Grant Canfield 45..The City 146..House of Fools James Ru Joan Rector Breiding 48..Does A Moose Have an Id? 149..LoC$ Gary Mattingly 157..Dr. Dolittle 52..Me vs. The Giants Gary Casey Rich Coad 166..The Gorgon of Poses 56..Cliff House, Tafoni, Rock Lace, G. Sutton Breiding Use of Gyratory in a Sentence Jeanne N. Bowman “A time almost more than a place.” Susan Breiding 2 Artists in this Issue Frank Vacanti (Cover) Jim Ru (2, 30) Craig Smith (3, 40,51,56) Steve Stiles (6) Dave Barnett (31) Kurt Erichsen (45) John R. Benson(47, 70) Crow’s Caw Grant Canfield (116-145, William M. Breiding unless otherwise noted) I knew from day one when starting Portable Storage that I wanted to do a themed issue on San Francisco. -
The Bene Gesserit in Frank Herbert's Dune
T. Meza 1 Hugvísindasvið The Bene Gesserit in Frank Herbert’s Dune An analysis. Ritgerð til B.A.-prófs Luis Felipe Torres Meza December 2010 T. Meza 2 Háskóli Íslands Hugvísindasvið Enska The Bene Gesserit in Frank Herbert’s Dune An Analysis. Ritgerð til B.A.-prófs. Luis Felipe Torres Meza Kt.: 250786-3959 Leiðbeinendur: Matthew Whelpton og Valgerður Guðrún Bjarkadóttir December 2010 T. Meza 3 Abstract. The following is a work of literary analysis involving Frank Herbert’s Dune, which is the first published tome of what later became known as the Dune Chronicles. The Chronicles comprise six books authored by Frank Herbert many of which are referred to here, but this work centres only on Dune. This literary analysis focuses on the Bene Gesserit, an organization of women which plays a large part in the development of Herbert’s novel. The main objective of the discussion is to describe this conglomerate of characters and analyse it as one single collective character with its own story and its own characteristics in order to expand the understanding of Dune. Although much work about this science fiction novel exists today, the implications of the Bene Gesserit have not been adequately discussed. There are critics who condemn Herbert’s depiction of women in his universe based on the comparison of power between the novel’s protagonist hero, Paul Atreides and his Bene Gesserit counterparts. Another important tendency in Dune criticism is the inaccurate view that limits the understanding of the Bene Gesserit as a religious organization, although Dune itself provides readers with evidence to the contrary. -
The Evolution of Free Will in Frank Herbert's Dune
The Evolution of Free Will in Frank Herbert's Dune Galeković, Filip Master's thesis / Diplomski rad 2020 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Rijeka, Faculty of Humanities and Social Sciences / Sveučilište u Rijeci, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:186:319560 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-29 Repository / Repozitorij: Repository of the University of Rijeka, Faculty of Humanities and Social Sciences - FHSSRI Repository UNIVERSITY OF RIJEKA FACULTY OF HUMANITIES AND SOCIAL SCIENCES THE EVOLUTION OF FREE WILL IN FRANK HERBERT’S DUNE Filip Galeković Rijeka, 2020 1 University of Rijeka Faculty of Humanities and Social Sciences Department of English Language and Literature The Evolution of Free Will in Frank Herbert’s Dune Student: Filip Galeković (MBG: 0009070096) Mentor: Prof. Lovorka Gruić-Grmuša, PhD Rijeka, September 2020 2 Abstract The topic of free will is a very complex one, no matter what context one might put it in. In contemporary terms, its existence is as of yet undecided, and it is unclear whether we will ever be able to offer a satisfying conclusion to the matter. What we can do, however, is to discuss free will in a more easily digestible frame of reference, like that of Dune. Being a science-fiction novelist, Frank Herbert had the opportunity to play around with a number of interesting topics, and it is my goal to discuss a very particular one: determinism. By describing Dune as deterministic, I will create a framework for the central problem of this thesis: is it possible for a deterministic subject to develop free will? The notion that something like free will might arise in a purely deterministic universe is a curious one, not least because it is not something we often come across.