The Dune Campaign, Chapter One Outline
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Chapterhouse: Dune Frank Herbert April 1985 Those Who Would Repeat
Chapterhouse: Dune Frank Herbert April 1985 Those who would repeat the past must control the teaching of history. -Bene Gesserit Coda When the ghola-baby was delivered from the first Bene Gesserit axlotl tank, Mother Superior Darwi Odrade ordered a quiet celebration in her private dining room atop Central. It was barely dawn, and the two other members of her Council -- Tamalane and Bellonda -- showed impatience at the summons, even though Odrade had ordered breakfast served by her personal chef. "It isn't every woman who can preside at the birth of her own father," Odrade quipped when the others complained they had too many demands on their time to permit of "time-wasting nonsense." Only aged Tamalane showed sly amusement. Bellonda held her over-fleshed features expressionless, often her equivalent of a scowl. Was it possible, Odrade wondered, that Bell had not exorcised resentment of the relative opulence in Mother Superior's surroundings? Odrade's quarters were a distinct mark of her position but the distinction represented her duties more than any elevation over her Sisters. The small dining room allowed her to consult aides during meals. Bellonda glanced this way and that, obviously impatient to be gone. Much effort had been expended without success in attempts to break through Bellonda's coldly remote shell. "It felt very odd to hold that baby in my arms and think: This is my father," Odrade said. "I heard you the first time!" Bellonda spoke from the belly, almost a baritone rumbling as though each word caused her vague indigestion. She understood Odrade's wry jest, though. -
Frank Herbert's Dune
D U N E Part One by John Harrison Based on the novel by Frank Herbert Revisions 11/15/99 © 1999 New Amsterdam Entertainment, Inc. Converted by duneinfo.com 1. A1 FADE IN: A black void where... A PLANET slowly emerges. Forming in orange/gold mists. Desolate, monochromatic contours. No clouds. Just a thin cover of cirrus vapor. And somewhere... A mechanical voice...lecturing with monotonous precision. VOICE ....Arrakis...Dune...wasteland of the Empire. Wilderness of hostile deserts and cataclysmic storms. Home to the monstrous sandworm that haunts the vast desolation. The only planet in the universe where can be found...the SPICE. Guardian of health and longevity, source of wisdom, gateway to enhanced awareness. Rare and coveted by noble and commoner alike. The spice! Greatest treasure in the Empire... And now...ANOTHER VOICE. Not mechanical. BARON HARKONNEN And so it begins. The trap is set. The prey approaches... Suddenly the planet becomes transparent. It's a HOLOGRAM! And there behind it... The face of BARON VLADIMIR HARKONNEN. Staggeringly obese. Staring with intimidating intensity at the 3D globe suspended in front of him. The calm of his voice is frightening. BARON HARKONNEN A glorious winter is about to descend on House Atreides and all its heirs. The centuries of humiliation visited upon my family will finally be avenged. Behind him... MALE VOICE (RABBAN) BUT ARRAKIS WAS MINE. ANOTHER VOICE (FEYD) Shut up, Rabban! The Baron turns. REVEALING... 2. 1 EXT. BARON'S SUITE...HARKONNEN PALACE - NIGHT ...his NEPHEWS...GLOSSU RABBAN...AKA "the Beast"...his fat sweaty face twisted with rage. -
Hijos De Dune Dune - 3
Leto Atreides, el hijo de Paul —el mesías de una religión que arrasó el universo, el mártir que, ciego, se adentró en el desierto para morir—, tiene ahora nueve años. Pero es mucho más que un niño, porque dentro de él laten miles de vidas que lo arrastran a un implacable destino. Él y su hermana gemela, bajo la regencia de su tía Alia, gobiernan un planeta que se ha convertido en el eje de todo el universo: Arrakis, más conocido como Dune. Y en este planeta, centro de las intrigas de una corrupta clase política y sometido a una sofocante burocracia religiosa, aparece de pronto un predicador ciego, procedente del desierto. ¿Es realmente Paul Atreides, que regresa de entre los muertos para advertir a la humanidad del peligro más abominable? Frank Herbert Hijos de Dune Dune - 3 ePub r2.0 Titivillus 16.11.2020 Título original: Children of Dune Frank Herbert, 1976 Traducción: Domingo Santos Diseño de portada: Lightniir Editor digital: Titivillus ePub base r2.1 Índice de contenido Capítulo 1 Capítulo 2 Capítulo 3 Capítulo 4 Capítulo 5 Capítulo 6 Capítulo 7 Capítulo 8 Capítulo 9 Capítulo 10 Capítulo 11 Capítulo 12 Capítulo 13 Capítulo 14 Capítulo 15 Capítulo 16 Capítulo 17 Capítulo 18 Capítulo 19 Capítulo 20 Capítulo 21 Capítulo 22 Capítulo 23 Capítulo 24 Capítulo 25 Capítulo 26 Capítulo 27 Capítulo 28 Capítulo 29 Capítulo 30 Capítulo 31 Capítulo 32 Capítulo 33 Capítulo 34 Capítulo 35 Capítulo 36 Capítulo 37 Capítulo 38 Capítulo 39 Capítulo 40 Capítulo 41 Capítulo 42 Capítulo 43 Capítulo 44 Capítulo 45 Capítulo 46 Capítulo 47 Capítulo 48 Capítulo 49 Capítulo 50 Capítulo 51 Capítulo 52 Capítulo 53 Capítulo 54 Capítulo 55 Capítulo 56 Capítulo 57 Capítulo 58 Capítulo 59 Capítulo 60 Capítulo 61 Capítulo 62 Capítulo 63 Capítulo 64 Sobre el autor PARA BEV: Por el maravilloso lazo de nuestro amor, y por aportar su belleza y su sabiduría hasta el punto de ser realmente ella quien inspiró este libro. -
Feminism, Technology and Cyborg's in Frank Herbert's Dune
Women of the Future: Gender, Technology, and Cyborgs in Frank Herbert’s Dune Mémoire Carrie Lynn Evans Maîtrise en littératures d’expression anglaise Maître ès arts (M.A.) Québec, Canada © Carrie Lynn Evans, 2016 Résumé Cette thèse défend les mérites d’une lecture cyborgienne de l’œuvre de science- fiction de Frank Herbert, Dune, où la vision particulière des sciences et technologies nous permet d’interpréter plusieurs personnages en tant que réitération Nouvelle Vague du cyborg. Publié en 1965, Dune introduit des personnages féminins atypiques pour cette époque compte tenu de leurs attributs tels qu’une capacité intellectuelle accrue, une imposante puissance de combat et une immunité manifeste contre la faiblesse émotionnelle. Cependant, le roman reste ambivalent en ce qui concerne ces femmes : en dépit de leurs qualités admirables, elles sont d’autre part caractérisées par des stéréotypes régressifs, exposants une sexualité instinctive, qui les confinent tout au mieux aux rôles de mère, maitresse ou épouse. Finalement, dans le roman, elles finissent par jouer le rôle du méchant. Cette caractérisation se rapproche beaucoup de celle du cyborg femelle qui est d’usage courant dans les productions de science fiction pour le grand public des décennies plus récentes. Par conséquent, cette thèse défend qu’une lecture cyborgienne de Dune complète et accroisse une analyse sexospécifique, car cette approche comporte une théorisation essentielle des réactions à l’égard de la technologie qui, selon Evans, sont entretissées dans la réaction patriarcale de ce roman à l’égard des femmes. Bien que ces créatures fictives ne soient pas encore communes à l’époque de la rédaction de Dune, Jessica et certains autres personnages du roman peuvent néanmoins être considérés comme exemples primitifs des cyborgs, parce qu’ils incarnent la science et la technologie de leur culture et qu’ils possèdent d’autres éléments typiques du cyborg. -
Foundation and Dune
Mythmoot III: Ever On Proceedings of the 3rd Mythgard Institute Mythmoot BWI Marriott, Linthicum, Maryland January 10-11, 2015 Foundation and Dune or, Hari Seldon and the Golden Path Neil A. Ottenstein and Phillip Menzies Introduction The idea of there being a similarity between the Dune novels by Frank Herbert and Foundation series by Isaac Asimov became apparent during one of the Mythgard Academy classes on Dune led by Corey Olsen. During this class we examined in great detail what Paul Atreides was experiencing when his ability to see the future started to surface in his consciousness. In describing the mechanics of Paul’s view of the future it became clear that Paul was not “seeing” the future in any kind of mystical way. This view of seeing the future reminded some participants in the class of Psychohistory as put forward by Hari Seldon in the Foundation series. In this series Psychohistory was entirely based upon science and mathematics once again totally unrelated to mysticism or magic in any way. This paper will look at these two methods of foretelling or predicting the future by describing and comparing what was experienced by Paul and the Psychohistorians. It will also examine the mechanics of “seeing” the future. We are able to do this because these abilities were rational based on science, mathematics, observation and extrapolation and totally explainable unlike magic or metaphysical forces. Both novels also described limitations to seeing the future by showing that some things were not able to be seen and anticipated. We will examine this by venturing into the sequel Foundation and Empire. -
La Balisette De Gurney Halleck Des Atréides
La Balisette de Gurney Halleck des Atréides Page. 1 1 Background Le but de ce scénario est de faire trouve la balisette de Gurney Halleck des Atréides à Gurney Halleck le Beau de Norwold. La balisette se trouve sur Dune, dans un autre espace-temps. Le seul lien qui relie les deux personnages est leur nom, et un génie , Grand Vizir de Al-Akbar. Ce dernier connait la légende du premier et la renommée du second. Gurney Halleck le Beau, ayant déjà rencontré le Grand Vizir pour un aventure précédente, il se trouve déjà dans les appartements du vizir. Les autres personnages sont également dans les appartements du vizir. Sauf peut-être le nain Lort qui apparaitra si quelqu’un veut bien frotter une lampe à huile. 1.1 L’employeur de tous les scénarii Rudra est à l’origine des informations trouvées par Gurney Halleck le Beau. Son passage au niveau 23 est une récompense personnelle de son dieu. Rudra a guidé Gurney sur la découverte du livre dans sa bibliothèque parlant de son homonyme Gurney des Atréides. Rudra donnera toutes les chances possibles à son pouvoir de connaissance légendaire pour trouver son chemin vers Al-Akbar, et pour la mission suivante. Rudra a ‘’donné’’ les infos nécessaires au grand Vizir afin de lui permettre de guider les aventuriers. Rudra guidera également Gurney dans sa quête pour trouver les cordes manquantes, ainsi que l’arc de Rudra. 1.2 Décomposition du scénario - Trouver le lien permettant de se rendre sur Dune et de trouver la balisette de Gurney Halleck des Atréides. -
The Bene Gesserit in Frank Herbert's Dune
T. Meza 1 Hugvísindasvið The Bene Gesserit in Frank Herbert’s Dune An analysis. Ritgerð til B.A.-prófs Luis Felipe Torres Meza December 2010 T. Meza 2 Háskóli Íslands Hugvísindasvið Enska The Bene Gesserit in Frank Herbert’s Dune An Analysis. Ritgerð til B.A.-prófs. Luis Felipe Torres Meza Kt.: 250786-3959 Leiðbeinendur: Matthew Whelpton og Valgerður Guðrún Bjarkadóttir December 2010 T. Meza 3 Abstract. The following is a work of literary analysis involving Frank Herbert’s Dune, which is the first published tome of what later became known as the Dune Chronicles. The Chronicles comprise six books authored by Frank Herbert many of which are referred to here, but this work centres only on Dune. This literary analysis focuses on the Bene Gesserit, an organization of women which plays a large part in the development of Herbert’s novel. The main objective of the discussion is to describe this conglomerate of characters and analyse it as one single collective character with its own story and its own characteristics in order to expand the understanding of Dune. Although much work about this science fiction novel exists today, the implications of the Bene Gesserit have not been adequately discussed. There are critics who condemn Herbert’s depiction of women in his universe based on the comparison of power between the novel’s protagonist hero, Paul Atreides and his Bene Gesserit counterparts. Another important tendency in Dune criticism is the inaccurate view that limits the understanding of the Bene Gesserit as a religious organization, although Dune itself provides readers with evidence to the contrary. -
University of Pardubice Faculty of Arts and Philosophy Social Critique in Sci-Fi Novels Dune by Frank Herbert and the Left Hand
University of Pardubice Faculty of Arts and Philosophy Social Critique in Sci-Fi Novels Dune by Frank Herbert and The Left Hand of Darkness by Ursula K. Le Guin Jan Kroupa Master Thesis 2019 Prohlašuji: Tuto práci jsem vypracoval samostatně. Veškeré literární prameny a informace, které jsem v práci využil, jsou uvedeny v seznamu použité literatury. Byl jsem seznámen s tím, že se na moji práci vztahují práva a povinnosti vyplývající ze zákona č. 121/2000 Sb., autorský zákon, zejména se skutečností, že Univerzita Pardubice má právo na uzavření licenční smlouvy o užití této práce jako školního díla podle § 60 odst. 1 autorského zákona, a s tím, že pokud dojde k užití této práce mnou nebo bude poskytnuta licence o užití jinému subjektu, je Univerzita Pardubice oprávněna ode mne požadovat přiměřený příspěvek na úhradu nákladů, které na vytvoření díla vynaložila, a to podle okolností až do jejich skutečné výše. Beru na vědomí, že v souladu s § 47b zákona č. 111/1998 Sb., o vysokých školách a o změně a doplnění dalších zákonů (zákon o vysokých školách), ve znění pozdějších předpisů, a směrnicí Univerzity Pardubice č. 9/2012, bude práce zveřejněna v Univerzitní knihovně a prostřednictvím Digitální knihovny Univerzity Pardubice. V Pardubicích dne 1.4.2019 Jan Kroupa Acknowledgment I would like to express my sincere gratitude to my supervisor Doc. Mgr. Šárka Bubíková, Ph.D. for her valuable advice and guidance throughout the process of writing this thesis and for offering this topic, as the reading re-ignited my passion for this genre. I would also like to thank my family, girlfriend, classmates, friends, and colleagues for their support and understanding of my behavior and diet during the last week prior to the deadline. -
Science Fiction, Imperialism and the Third World
Science Fiction, Imperialism and the Third World This page intentionally left blank Science Fiction, Imperialism and the Third World Essays on Postcolonial Literature and Film EDITED BY ERICKA HOAGLAND AND REEMA SARWAL Foreword by Andy Sawyer McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA Science fiction, imperialism and the third world : essays on postcolonial literature and film / edited by Ericka Hoagland and Reema Sarwal ; foreword by Andy Sawyer. p. cm. Includes bibliographical references and index. ISBN 978-0-7864-4789-3 softcover : 50# alkaline paper ¡. Science fiction, American—History and criticism. 2. Science fiction, Indic (English)—History and criticism. 3. Science fiction, Mexican—History and criticism. 4. Science fiction films—History and criticism. 5. Imperialism in literature. 6. Postcolonialism in literature. 7. Literature and globalization. 8. Utopias in literature. 9. Dystopias in literature. I. Hoagland, Ericka, ¡975– II. Sarwal, Reema. PS374.S35S335 20¡0 809.3'8762—dc22 2010023305 British Library cataloguing data are available ©20¡0 Ericka Hoagland and Reema Sarwal. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. Cover image ©20¡0 Brand X Pictures Manufactured in the United States of America McFarland & Company, Inc., Publishers Box 6¡¡, Je›erson, North Carolina 28640 www.mcfarlandpub.com Acknowledgments We would first like to thank all our contributors, not only for their arti- cles, but also for their patience and co-operation. -
Organizations of the Dune Universe
Organizations of the Dune universe en.wikipedia.org/wiki/Organizations_of_the_Dune_universe Multiple organizations of the Dune universe dominate the political, religious, and social arena of the fictional setting of Frank Herbert's Dune series of science fiction novels, and derivative works. Set tens of thousands of years in the future, the saga chronicles a civilization which has banned computers but has also developed advanced technology and mental and physical abilities through physical training, eugenics and the use of the drug melange. Specialized groups of individuals have aligned themselves in organizations focusing on specific abilities, technology and goals. Herbert's concepts of human evolution and technology have been analyzed and deconstructed in at least one book, The Science of Dune (2008).[1][2][3] His originating 1965 novel Dune is popularly considered one of the greatest science fiction novels of all time,[4] and is frequently cited as the best-selling science fiction novel in history[.4][5] Dune and its five sequels by Herbert explore the complex and multilayered interactions of politics, religion, ecology and technology, among other themes. Young Alia Atreides in front of (from left to right) a Spacing Guild agent, Princess Irulan, Reverend Mother Mohiam and her Bene Gesserit, and Padishah Emperor Shaddam IV, from the Dune miniseries (2000) We've a three-point civilization: the Imperial Household balanced against the Federated Great Houses of the Landsraad, and between them, the Guild with its damnable monopoly on interstellar transport. — Reverend Mother Mohiam, Dune As Frank Herbert's Dune (1965) begins, the known universe is ruled by Shaddam IV, the 81st Padishah Emperor of House Corrino, whose power is secured by his control of the brutally efficient military force known as the Imperial Sardaukar. -
The Amtal Rule: Testing to Define in Frank Herbert's Dune
THE AMTAL RULE: TESTING TO DEFINE IN FRANK HERBERT'S DUNE by Adella Irizarry A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, Florida August 2013 ACKNOWLEDGEMENTS I wish to extend my most sincere thanks to my supervisory committee for their helpful guidance with this project. Special thanks are extended to Dr. Elizabeth Swanstrom for her wise advice at all steps of this project. I would also like to acknowledge the support of my family and friends, most notably those who endured the process with me (because, sometimes, we can only endure) and gave me their support and help. iii ABSTRACT Author: Adella Irizarry Title: The Amtal Rule: Testing to Define in Frank Herbert’s Dune Institution: Florida Atlantic University Thesis Advisor: Dr. Elizabeth Swanstrom Year: 2013 In this project, I focus on the function of the “amtal,” or test of definition or destruction, in Frank Herbert's Dune. It is my argument that these tests “to destruction” determine not only the limits or defects of the person being tested, but also—and more crucially—the very limits and defects of the definition of humanity in three specific cultural spheres within the novel: the Bene Gesserit, the Fremen, and the Faufreluches. The definitions of “amtal” as well as “humanity,” like all definitions, are somewhat fluid, changing depending on usage, cultural context, and the political and social needs of the society which uses them. Accordingly, Dune remains an instructive text for thinking through contemporary and controversial notions about the limits of humanism and, consequently, of animalism and posthumanism. -
Hayao Miyazaki: Exploring the Early Work of Japan’S Greatest Animator
Greenberg, Raz. "To the Valley Below." Hayao Miyazaki: Exploring the Early Work of Japan’s Greatest Animator. New York: Bloomsbury Academic, 2018. 77–106. Animation: Key Films/Filmmakers. Bloomsbury Collections. Web. 26 Sep. 2021. <http:// dx.doi.org/10.5040/9781501335976.ch-004>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 26 September 2021, 13:49 UTC. Copyright © Raz Greenberg 2018. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. C h a p t e r 4 TO THE V ALLEY B ELOW Although Th e Castle of Cagliostro was not an instant success upon its release, the fi lm did draw the attention of prominent fi gures in the animation industry, and as well as getting enthusiastic responses from foreign viewers (as detailed in the previous chapter) it also made a strong impression on the editors of the Japanese magazine Animage . Founded in 1978 as a serious platform for the discussion of animated productions, while at the same time appealing to the now- established and ever growing fandom of animation in Japan, the magazine commissioned articles and sketches from Miyazaki, and in 1981 the editors agreed to serialize a long- running manga drawn by him (there are confl icting reports as to the circumstances that led to the publication of the manga, discussed further in this chapter).1 Th e series, Kaze no Tani no Naushika ( Nausicaa of the Valley of the Wind ) aimed from the beginning to be a long and complex work; its fi rst chapter was published in the magazine in 1982 and its concluding chapter was published 12 years and over a thousand pages of story later, with occasional long hiatuses taken by Miyazaki to work on animated features.