NEGRO DIGEST March 1970 ~Re~Atorc~ ~O~E~
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Ishmael Reed Interviewed
Boxing on Paper: Ishmael Reed Interviewed by Don Starnes [email protected] http://www.donstarnes.com/dp/ Don Starnes is an award winning Director and Director of Photography with thirty years of experience shooting in amazing places with fascinating people. He has photographed a dozen features, innumerable documentaries, commercials, web series, TV shows, music and corporate videos. His work has been featured on National Geographic, Discovery Channel, Comedy Central, HBO, MTV, VH1, Speed Channel, Nerdist, and many theatrical and festival screens. Ishmael Reed [in the white shirt] in New Orleans, Louisiana, September 2016 (photo by Tennessee Reed). 284 Africology: The Journal of Pan African Studies, vol.10. no.1, March 2017 Editor’s note: Here author (novelist, essayist, poet, songwriter, editor), social activist, publisher and professor emeritus Ishmael Reed were interviewed by filmmaker Don Starnes during the 2014 University of California at Merced Black Arts Movement conference as part of an ongoing film project documenting powerful leaders of the Black Arts and Black Power Movements. Since 2014, Reed’s interview was expanded to take into account the presidency of Donald Trump. The title of this interview was supplied by this publication. Ishmael Reed (b. 1938) is the winner of the prestigious MacArthur Fellowship (genius award), the renowned L.A. Times Robert Kirsch Lifetime Achievement Award, the Lila Wallace-Reader's Digest Award, a Guggenheim Fellowship, and a Rosenthal Family Foundation Award from the National Institute for Arts and Letters. He has been nominated for a Pulitzer and finalist for two National Book Awards and is Professor Emeritus at the University of California at Berkeley (a thirty-five year presence); he has also taught at Harvard, Yale and Dartmouth. -
The Negro Press and the Image of Success: 1920-19391 Ronald G
the negro press and the image of success: 1920-19391 ronald g. waiters For all the talk of a "New Negro," that period between the first two world wars of this century produced many different Negroes, just some of them "new." Neither in life nor in art was there a single figure in whose image the whole race stood or fell; only in the minds of most Whites could all Blacks be lumped together. Chasms separated W. E. B. DuBois, icy, intellectual and increasingly radical, from Jesse Binga, prosperous banker, philanthropist and Roman Catholic. Both of these had little enough in common with the sharecropper, illiterate and bur dened with debt, perhaps dreaming of a North where—rumor had it—a man could make a better living and gain a margin of respect. There was Marcus Garvey, costumes and oratory fantastic, wooing the Black masses with visions of Africa and race glory while Father Divine promised them a bi-racial heaven presided over by a Black god. Yet no history of the time should leave out that apostle of occupational training and booster of business, Robert Russa Moton. And perhaps a place should be made for William S. Braithwaite, an aesthete so anonymously genteel that few of his White readers realized he was Black. These were men very different from Langston Hughes and the other Harlem poets who were finding music in their heritage while rejecting capitalistic America (whose chil dren and refugees they were). And, in this confusion of voices, who was there to speak for the broken and degraded like the pitiful old man, born in slavery ninety-two years before, paraded by a Mississippi chap ter of the American Legion in front of the national convention of 1923 with a sign identifying him as the "Champeen Chicken Thief of the Con federate Army"?2 In this cacaphony, and through these decades of alternate boom and bust, one particular voice retained a consistent message, though condi tions might prove the message itself to be inconsistent. -
The Black Arts Enterprise and the Production of African American Poetry
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE The Black Arts Enterprise and the Production of African American Poetry The Black Arts Enterprise and the Production of African American Poetry Howard Rambsy II The University of Michigan Press • Ann Arbor First paperback edition 2013 Copyright © by the University of Michigan 2011 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2016 2015 2014 2013 5432 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Rambsy, Howard. The black arts enterprise and the production of African American poetry / Howard Rambsy, II. p. cm. Includes bibliographical references and index. ISBN 978-0-472-11733-8 (cloth : acid-free paper) 1. American poetry—African American authors—History and criticism. 2. Poetry—Publishing—United States—History—20th century. 3. African Americans—Intellectual life—20th century. 4. African Americans in literature. I. Title. PS310.N4R35 2011 811'.509896073—dc22 2010043190 ISBN 978-0-472-03568-7 (pbk. : alk. paper) ISBN 978-0-472-12005-5 (e-book) Cover illustrations: photos of writers (1) Haki Madhubuti and (2) Askia M. Touré, Mari Evans, and Kalamu ya Salaam by Eugene B. Redmond; other images from Shutterstock.com: jazz player by Ian Tragen; African mask by Michael Wesemann; fist by Brad Collett. -
Downloaded on 2017-02-12T05:11:38Z Table of Contents
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Cork Open Research Archive Title Diverse heritage: exploring literary identity in the American Southwest Author(s) Costello, Lisa Publication date 2013 Original citation Costello, L. 2013. Diverse heritage: exploring literary identity in the American Southwest. PhD Thesis, University College Cork. Type of publication Doctoral thesis Rights © 2013, Lisa Costello http://creativecommons.org/licenses/by-nc-nd/3.0/ Embargo information No embargo required Item downloaded http://hdl.handle.net/10468/1155 from Downloaded on 2017-02-12T05:11:38Z Table of Contents Page Introduction The Spirit of Place: Writing New Mexico........................................................................ 2 Chapter One Oliver La Farge: Prefiguring a Borderlands Paradigm ………………………………… 28 Chapter Two ‘A once and future Eden’: Mabel Dodge Luhan’s Southwest …………………......... 62 Chapter Three Opera Singers, Professors and Archbishops: A New Perspective on Willa Cather’s Southwestern Trilogy…………………………………………………… 91 Chapter Four Beyond Borders: Leslie Marmon Silko’s Re-appropriation of Southwestern Spaces ...... 122 Chapter Five Re-telling and Re-interpreting from Colonised Spaces: Simon Ortiz’s Revision of Southwestern Literary Identity……………………………………………………………………………… 155 Conclusion…………………………………………………………………………. 185 Works Cited…………………………………………………………………………. 193 1 Introduction The Spirit of Place: Writing New Mexico In her landmark text The American Rhythm, published in 1923, Mary Austin analysed the emergence and development of cultural forms in America and presented poetry as an organic entity, one which stemmed from and was irrevocably influenced by close contact with the natural landscape. Analysing the close connection Native Americans shared with the natural environment Austin hailed her reinterpretation of poetic verse as “the very pulse of emerging American consciousness” (11). -
Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement
Journal of Undergraduate Research at Minnesota State University, Mankato Volume 9 Article 15 2009 Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement Melissa Seifert Minnesota State University, Mankato Follow this and additional works at: https://cornerstone.lib.mnsu.edu/jur Part of the American Art and Architecture Commons, and the Modern Art and Architecture Commons Recommended Citation Seifert, Melissa (2009) "Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement," Journal of Undergraduate Research at Minnesota State University, Mankato: Vol. 9 , Article 15. Available at: https://cornerstone.lib.mnsu.edu/jur/vol9/iss1/15 This Article is brought to you for free and open access by the Undergraduate Research Center at Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Journal of Undergraduate Research at Minnesota State University, Mankato by an authorized editor of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Seifert: Political Art of the Black Panther Party: Cultural Contrasts in t Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement By: Melissa Seifert The origins of the Black Power Movement can be traced back to the civil rights movement’s sit-ins and freedom rides of the late nineteen fifties which conveyed a new racial consciousness within the black community. The initial forms of popular protest led by Martin Luther King Jr. were generally non-violent. However, by the mid-1960s many blacks were becoming increasingly frustrated with the slow pace and limited extent of progressive change. -
The Crisis, Vol. 1, No. 2. (December, 1910)
THE CRISIS A RECORD OF THE DARKER RACES Volume One DECEMBER, 1910 Number Two Edited by W. E. BURGHARDT DU BOIS, with the co-operation of Oswald Garrison Villard, J. Max Barber, Charles Edward Russell, Kelly Miller, VV. S. Braithwaite and M. D. Maclean. CONTENTS Along the Color Line 5 Opinion . 11 Editorial ... 16 Cartoon .... 18 By JOHN HENRY ADAMS Editorial .... 20 The Real Race Prob lem 22 By Profeaor FRANZ BOAS The Burden ... 26 Talks About Women 28 By Mn. J. E. MILHOLLAND Letters 28 What to Read . 30 PUBLISHED MONTHLY BY THE National Association for the Advancement of Colored People AT TWENTY VESEY STREET NEW YORK CITY ONE DOLLAR A YEAR TEN CENTS A COPY THE CRISIS ADVERTISER ONE OF THE SUREST WAYS TO SUCCEED IN LIFE IS TO TAKE A COURSE AT The Touissant Conservatory of Art and Music 253 West 134th Street NEW YORK CITY The most up-to-date and thoroughly equipped conservatory in the city. Conducted under the supervision of MME. E. TOUISSANT WELCOME The Foremost Female Artist of the Race Courses in Art Drawing, Pen and Ink Sketching, Crayon, Pastel, Water Color, Oil Painting, Designing, Cartooning, Fashion Designing, Sign Painting, Portrait Painting and Photo Enlarging in Crayon, Water Color, Pastel and Oil. Artistic Painting of Parasols, Fans, Book Marks, Pin Cushions, Lamp Shades, Curtains, Screens, Piano and Mantel Covers, Sofa Pillows, etc. Music Piano, Violin, Mandolin, Voice Culture and all Brass and Reed Instruments. TERMS REASONABLE THE CRISIS ADVERTISER THE NATIONAL ASSOCIATION for the ADVANCEMENT of COLORED PEOPLE OBJECT.—The National Association COMMITTEE.—Our work is car for the Advancement of Colored People ried on under the auspices of the follow is an organization composed of men and ing General Committee, in addition to the women of all races and classes who be officers named: lieve that the present widespread increase of prejudice against colored races and •Miss Gertrude Barnum, New York. -
The History and Development of Jazz Piano : a New Perspective for Educators
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1975 The history and development of jazz piano : a new perspective for educators. Billy Taylor University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Taylor, Billy, "The history and development of jazz piano : a new perspective for educators." (1975). Doctoral Dissertations 1896 - February 2014. 3017. https://scholarworks.umass.edu/dissertations_1/3017 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. / DATE DUE .1111 i UNIVERSITY OF MASSACHUSETTS LIBRARY LD 3234 ^/'267 1975 T247 THE HISTORY AND DEVELOPMENT OF JAZZ PIANO A NEW PERSPECTIVE FOR EDUCATORS A Dissertation Presented By William E. Taylor Submitted to the Graduate School of the University of Massachusetts in partial fulfil Iment of the requirements for the degree DOCTOR OF EDUCATION August 1975 Education in the Arts and Humanities (c) wnii aJ' THE HISTORY AND DEVELOPMENT OF JAZZ PIANO: A NEW PERSPECTIVE FOR EDUCATORS A Dissertation By William E. Taylor Approved as to style and content by: Dr. Mary H. Beaven, Chairperson of Committee Dr, Frederick Till is. Member Dr. Roland Wiggins, Member Dr. Louis Fischer, Acting Dean School of Education August 1975 . ABSTRACT OF DISSERTATION THE HISTORY AND DEVELOPMENT OF JAZZ PIANO; A NEW PERSPECTIVE FOR EDUCATORS (AUGUST 1975) William E. Taylor, B.S. Virginia State College Directed by: Dr. -
Afrofuturism: the World of Black Sci-Fi and Fantasy Culture
AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISM Afrofuturism_half title and title.indd 1 5/22/13 3:53 PM Copyright © 2013 by Ytasha L. Womack All rights reserved First edition Published by Lawrence Hill Books, an imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 978-1-61374-796-4 Library of Congress Cataloging-in-Publication Data Womack, Ytasha. Afrofuturism : the world of black sci-fi and fantasy culture / Ytasha L. Womack. — First edition. pages cm Includes bibliographical references and index. ISBN 978-1-61374-796-4 (trade paper) 1. Science fiction—Social aspects. 2. African Americans—Race identity. 3. Science fiction films—Influence. 4. Futurologists. 5. African diaspora— Social conditions. I. Title. PN3433.5.W66 2013 809.3’8762093529—dc23 2013025755 Cover art and design: “Ioe Ostara” by John Jennings Cover layout: Jonathan Hahn Interior design: PerfecType, Nashville, TN Interior art: John Jennings and James Marshall (p. 187) Printed in the United States of America 5 4 3 2 1 I dedicate this book to Dr. Johnnie Colemon, the first Afrofuturist to inspire my journey. I dedicate this book to the legions of thinkers and futurists who envision a loving world. CONTENTS Acknowledgments .................................................................. ix Introduction ............................................................................ 1 1 Evolution of a Space Cadet ................................................ 3 2 A Human Fairy Tale Named Black .................................. -
Strong Men, Strong MINDS
STRONG MEN, STRONG MINDS A DISCUSSION ABOUT EMPOWERING AND UPLIFTING THE BLACK COMMUNITY JOIN US at 2 pm Saturday, August 1, 2020 facebook.com/IndyRecorder Moderator: Panelist: Panelist: Panelist: Panelist: Larry Smith Kenneth Allen Keith Graves Minister Nuri Muhammad Clyde Posley Jr., Ph.D. Community Servant Chairman Indianapolis City-County Speaker, Author Senior Pastor Indianapolis Recorder Indiana Commission on the Council District 13 Community Organizer Antioch Baptist Church Newspaper Columnist Social Status of Black Males Mosque #74 Indiana’s Greatest Weekly Newspaper Preparing a conscious community today and beyond Friday, July 31, 2020 Since 1895 www.indianapolisrecorder.com 75 cents ‘Elicit a change’: protests then and now By BREANNA COOPER [email protected] Mmoja Ajabu was 19 when Dr. Martin Luther King Jr. was assassinated. He was in the military at the time, in training in Missouri. He and the other Black soldiers in his base were Taran Richardson (left) stands relegated to a remote part of the with Kelli Marshall, who previously base and told they would be shot worked at Tindley Accelerated Schools, where Richardson gradu- if they attempted to leave as the ated from this year. Richardson white soldiers went out to “quell plans to attend Howard University the rebellion in St. Louis,” he said. in the fall to study astrophysics. (Photo provided) “I started understanding at that point what the hell was going on,” Ajabu said. Tindley grad ready NiSean Jones, founder of Black Out for Black Lives, addresses a for a new challenge See PROTESTS, A5® crowd downtown on June 19. (Photo/Tyler Fenwick) IPS MAY VOTE TO at Howard University CHANGE COURSE By TYLER FENWICK [email protected] By STAFF Indianapolis Public Schools (IPS) When Taran Richardson was in high could change course and go to e- school at Tindley Accelerated Schools, learning for all students instead of he developed an appropriate motto for giving students the option of vir- himself: #NoSleepInMySchedule. -
Magazines Timeline Workflow
Black Magazines As a Mirror to 1960-1970s American History A Statistical Approach Kushal K Dey1, Lei Sun1 and Lauren M. Jackson2 1 Department of Statistics, 2 Department of English Word frequency analysis Word pair associations Timeline We apply word2vec on yearly text data, which learns vector embeddings for words and then computes cosine of angle between the embedded Relative frequencies of (black) vectors for a word pair to determine their association score - the higher and (negro) related words show the score, the more similar are the words contextually an identity shift towards the dr. king vs assassination trend plot dr. king vs assassination trend plot 0.8 end of civil rights movement 0.5 (martin luther king) 0.6 0.4 vs 0.3 Assassination of 0.4 Moon 1st Cuban missile Assassination of Dr. King and Watergate landing Negro Digest / Black World Ebony (assassination) 0.2 Earth 0.2 crisis John F. Kennedy score association Robert Kennedy scandal score association Day 0.1 0.0 Trend in association 0.0 1964 1968 1972 1976 Upon removing black and negro related words terms 1964 1968 1972 1976 year score across time year Clustering of texts (K=2) from each of the 2 magazines using their yearly data on frequencies Ebony Negro Digest / Black of the different words in the vocabulary (topic models). R package : CountClust World 1976 1975 1974 1973 1970 1971 1972 1965 1967 1962 1964 1963 1968 1961 1966 1969 Black, negro identity influencing associations Ebony Negro Digest / Black World Civil rights movement Ebony_1976 BL_1976 theater, watergate, -
INFORMATION to USERS This Manuscript Has Been Reproduced
INFO RM A TIO N TO U SER S This manuscript has been reproduced from the microfilm master. UMI film s the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be fromany type of con^uter printer. The quality of this reproduction is dependentquality upon o fthe the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and inqjroper alignment can adverse^ afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note wiD indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one e3q)osure and is included in reduced form at the back of the book. Photogr^hs included inoriginal the manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for aiy photographs or illustrations appearing in this copy for an additional charge. Contact UMI direct^ to order. UMJ A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313.'761-4700 800/521-0600 LAWLESSNESS AND THE NEW DEAL; CONGRESS AND ANTILYNCHING LEGISLATION, 1934-1938 DISSERTATION presented in partial fulfillment of the requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Robin Bernice Balthrope, A.B., J.D., M.A. -
Download Full Book
Daily Demonstrators Shearer, Tobin Miller Published by Johns Hopkins University Press Shearer, Tobin Miller. Daily Demonstrators: The Civil Rights Movement in Mennonite Homes and Sanctuaries. Johns Hopkins University Press, 2010. Project MUSE. doi:10.1353/book.482. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/482 [ Access provided at 28 Sep 2021 14:36 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. Daily Demonstrators Young Center Books in Anabaptist & Pietist Studies Donald B. Kraybill, Series Editor GH Daily Demonstrators The Civil Rights Movement in Mennonite Homes and Sanctuaries Tobin Miller Shearer z The Johns Hopkins University Press Baltimore © 2010 The Johns Hopkins University Press All rights reserved. Published 2010 Printed in the United States of America on acid-free paper 2 4 6 8 9 7 5 3 1 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Maryland 21218-4363 www.press.jhu.edu Library of Congress Cataloging-in-Publication Data Shearer, Tobin Miller, 1965– Daily demonstrators : the Civil Rights Movement in Mennonite homes and sanctuaries / Tobin Miller Shearer. p. cm. Includes bibliographical references and index. isbn-13: 978-0-8018-9700-9 (hardcover : alk. paper) isbn-10: 0-8018-9700-9 (hardcover : alk. paper) 1. Mennonite Church—History—20th century. 2. Civil rights—Religious aspects—Mennonite Church—History—20th century. 3. Race relations—Religious aspects—Mennonite Church—History—20th century. 4. General Conference Mennonite Church—History—20th century. 5. Civil rights—Religious aspects— General Conference Mennonite Church—History—20th century.