The Features of Spontaneous Speech in Stand-Up Comedy: a Case Study of Louis CK’S Performance in the Stand-Up Comedy Show “Live at the Beacon Theatre”
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected]
Clemson University TigerPrints All Dissertations Dissertations 12-2016 Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_dissertations Recommended Citation Elrick, Kathy, "Ironic Feminism: Rhetorical Critique in Satirical News" (2016). All Dissertations. 1847. https://tigerprints.clemson.edu/all_dissertations/1847 This Dissertation is brought to you for free and open access by the Dissertations at TigerPrints. It has been accepted for inclusion in All Dissertations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. IRONIC FEMINISM: RHETORICAL CRITIQUE IN SATIRICAL NEWS A Dissertation Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Rhetorics, Communication, and Information Design by Kathy Elrick December 2016 Accepted by Dr. David Blakesley, Committee Chair Dr. Jeff Love Dr. Brandon Turner Dr. Victor J. Vitanza ABSTRACT Ironic Feminism: Rhetorical Critique in Satirical News aims to offer another perspective and style toward feminist theories of public discourse through satire. This study develops a model of ironist feminism to approach limitations of hegemonic language for women and minorities in U.S. public discourse. The model is built upon irony as a mode of perspective, and as a function in language, to ferret out and address political norms in dominant language. In comedy and satire, irony subverts dominant language for a laugh; concepts of irony and its relation to comedy situate the study’s focus on rhetorical contributions in joke telling. How are jokes crafted? Who crafts them? What is the motivation behind crafting them? To expand upon these questions, the study analyzes examples of a select group of popular U.S. -
Mrts 4450/5660.001: It's Not Tv, It's Hbo!
MRTS 4450/5660.001: IT’S NOT TV, IT’S HBO! University of North Texas Fall 2020 Professor: Jennifer Porst Email: [email protected] Class: T 2:30-5:20P Office Hours: By appointment Course Description: Since its debut in the early 1970s, HBO has been a powerhouse in American television and film. They regularly dominate the nominations for Emmy and Golden Globe awards, and their success has profoundly affected the television and film industries and the content they produce. Through an examination of the birth and development of HBO, we will see what a closer analysis of the channel can tell us about television, Hollywood, and American culture over the last four decades. We will also look to the future to see what HBO might become in the increasingly global and digital television landscape. Student Learning Goals: This course will provide students with an opportunity to: • Understand the industrial conditions that led to the birth and success of HBO • Gain insight into the contemporary challenges and opportunities faced by the media industries • Develop critical thinking skills through focused analysis of readings and HBO content • Communicate clearly and confidently in class discussion and presentations Required Texts: 1. Edgerton, Gary R. and Jeffrey P. Jones, Eds. The Essential HBO Reader. Lexington, KY: The University Press of Kentucky, 2008. Available as an e-book via the UNT Library website. 2. Subscription to HBO Go/Now 3. Additional required readings and screenings will be available for free through the class website. 4. Students will need to register for use of the Packback Questions site, which should cost between $10- 15 for the semester. -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
Soyouwanna Do Stand-Up Comedy? | Soyouwanna.Com 10/10/09 10:42 AM
SoYouWanna do stand-up comedy? | SoYouWanna.com 10/10/09 10:42 AM Search SYW SYWs SYWs by Questions How Tos HOME A to Z CATEGORY & Answers Sponsored Links Related Ads Comedian Casting Frank Caliendo in Vegas Comedy Circus Auditions, Open Calls for Comedian Add Laughter to Your Vegas Trip. Buy Def Comedy Jam Jobs.Talent Needed Urgently Frank Caliendo Tickets Today! Funny Comedy Casting-Call.us/Comedian www.MonteCarlo.com/FrankCaliendo Comedians Stand Up Comedy SOYOUWANNA DO STAND-UP COMEDY? Comedy Songs be a movie extra? get a talent agent? 1. Study the pros know about different fabrics 2. Gather material for your act for men's suits? write an impressive 3. Turn your material into a stand-up resume? routine register a trademark? 4. Find a place to perform 5. Earn money for being funny Sponsored Links Improv Comedy SF Bay Area Shows and Classes. Perform or watch Yeah, yeah, you're pretty funny. But it's one thing to make some of your slightly buzzed Only one block from friends laugh at a party. It's a whole other ballgame to get on a stage in front of an 19th BART audience and do stand-up comedy. To do any kind of live performance, you need to have www.pantheater.com a strong ego and nerves of steel. To do stand-up comedy, you need to be virtually insane. Almost everybody bombs their first time ("bombing" means that you didn't make 'em laugh . in the world of stand-up, that's not good). Learn Stand Up Comedy There's a common misconception that stand-up comics do nothing all day and tell little stories to drunken audiences at night. -
Marketing Fundamentals
Comedy and Performance 197g Fall Semester 2017 Tuesday and Thursday 2.00 – 3.20pm Location: LVL 17 Instructor: Louise Peacock Office: JEF 202 Office Hours: Tuesday and Thursday 10 – 11. Please contact me for appointments. Contact Info: [email protected] Teaching Assistant or Assistant Instructors: Ashley Steed. Contact Info: [email protected] Jay Lee Contact Info: [email protected] Course Description and Overview This GE course will provide students with an overview and understanding of the history and performance of comedy. Using examples from as far back as Greek Theatre and as current as Modern Family, students will be encouraged to identify and understand the distinctive features, techniques and themes of comedy performance. Through many manifestations including the pantomimes of the Greek and Roman periods, the Commedia dell’Arte of the Renaissance, the flourishing of the circus, the great age of silent comedy in cinema, and the postwar screen era, comedy in performance has evolved in multiple forms as a response to prevailing conditions while maintaining many primary functions, including satire, celebration, and social commentary. The course explores in depth many of the most important and influential periods and differing strains of comic performance, addressing the discipline in terms of creation and execution as envisaged by writers, actors, clowns, comedians, and directors. Learning Objectives 1. To analyze the form and content of comic material across a range of historic periods and to investigate the impact of comedy on audiences 2. To make connections between the comedy of different periods, identifying the social, political and cultural contexts in which the work was created and performed. -
Standup/Sitcom Star/New Mom Wanda Sykes Pulls a Late-Night Talk Show out of Her Comedic Bag of Tricks by Lisa Bernhard
MAGIC W NDA Standup/sitcom star/new mom Wanda Sykes pulls a late-night talk show out of her comedic bag of tricks BY LISA BERNHARD “I’m always shootin’ my mouth off about Will you open with a monologue? I’m something,” says Wanda Sykes. And af- thinking about opening with a pole ter scoring in supporting roles on Curb dance. But I need to sharpen my skills. Your Enthusiasm and The New Adventures My upper-body strength is not what it of Old Christine, Sykes may finally be used to be. where she belongs—in the freewheeling You’re a new mom—you must have lots arena of late-night talk. The Wanda Sykes of strength to pick up those kids. Be- Show, airing Saturdays on Fox, hopes to sides, pole dancing goes with the new do for the network what MadTV and mom image, right? That’s why I wanted Talkshow host Spike Feresten ultimately to do it. Let people know, “I’m a new couldn’t—steal yuks from time slot rival mom, but I still got it.” It’ll be some- Saturday Night Live. Now a new mom— thing for my kids to look at down the Sykes’ wife, Alex, whom she wed last Oc- road. All the ammunition they need to tober, gave birth to twins Olivia Lou and go to therapy. Lucas Claude in April—Sykes has even Will you do sketches? More like man-on- more fertile ground to mine. Here’s a the-street type things. This weekend I taste of what’s to come. -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
Contentious Comedy
1 Contentious Comedy: Negotiating Issues of Form, Content, and Representation in American Sitcoms of the Post-Network Era Thesis by Lisa E. Williamson Submitted for the Degree of Doctor of Philosophy The University of Glasgow Department of Theatre, Film and Television Studies 2008 (Submitted May 2008) © Lisa E. Williamson 2008 2 Abstract Contentious Comedy: Negotiating Issues of Form, Content, and Representation in American Sitcoms of the Post-Network Era This thesis explores the way in which the institutional changes that have occurred within the post-network era of American television have impacted on the situation comedy in terms of form, content, and representation. This thesis argues that as one of television’s most durable genres, the sitcom must be understood as a dynamic form that develops over time in response to changing social, cultural, and institutional circumstances. By providing detailed case studies of the sitcom output of competing broadcast, pay-cable, and niche networks, this research provides an examination of the form that takes into account both the historical context in which it is situated as well as the processes and practices that are unique to television. In addition to drawing on existing academic theory, the primary sources utilised within this thesis include journalistic articles, interviews, and critical reviews, as well as supplementary materials such as DVD commentaries and programme websites. This is presented in conjunction with a comprehensive analysis of the textual features of a number of individual programmes. By providing an examination of the various production and scheduling strategies that have been implemented within the post-network era, this research considers how differentiation has become key within the multichannel marketplace. -
DELCO Isfar from CAMERA-SHY
DELCO is FAR FROM CAMERA-SHY Before “Mare of Easttown,” Delaware County had other moments in the spotlight. Directors, writers and actors hailing from Delco have all found inspiration in their home- town and have shared a glimpse into their personal histories with their fans. View Delco through the camera lens in these films and TV shows shot on location. See if you can spot places you know. FILMS TV SHOWS Last Call (2021) Servant (Apple TV+) Start streaming the latest addition to Delco’s filmography—”Last Give yourself a scare with Apple TV’s psychological horror, “Servant.” Call.” The movie centers on a neighborhood bar, Callahan’s Tavern, The show, set in Bethel Township, is produced by M. Night Shyamalan PINEMAR.NET in Upper Darby and stars Jeremy Piven, two-time Oscar nominee and stars Rupert Grint, a.k.a Ron from Harry Potter. Bruce Dern, along with two actors with local roots—Jamie Kennedy and Cheri Oteri. The Goldbergs (ABC) Revel in the nostalgia of “The Goldbergs,” especially the episode Creed II (2018) featuring Barry’s bachelor party, complete with a recreation of Delco’s Fans of “Rocky” will enjoy the sibling franchise Creed, which packs just Pulsations Nightclub. as much of a punch. The sequel, “Creed II,” filmed all the boxing matches and indoor training montages locally in Aston’s Sun Center Studios. FAMOUS FACES Tina Fey Silver Linings Playbook (2012) Almost everyone is familiar with actress/comedian and Delco A crowd favorite, “Silver Linings Playbook” is a must-see in the area. darling Tina Fey but if you need a refresher try binging “30 Rock,” Watch for the famous diner scene with Bradley Cooper (Philly native) streaming “Mean Girls” or doing some light reading with her book and Jennifer Lawrence, set in the beloved Llanerch Diner. -
Durham Research Online
Durham Research Online Deposited in DRO: 28 March 2016 Version of attached le: Accepted Version Peer-review status of attached le: Peer-reviewed Citation for published item: Miles, Sarah (2013) 'Staging and constructing the divine in Menander.', in Menander in contexts. New York: Routledge, pp. 75-89. Routledge monographs in classical studies. (16). Further information on publisher's website: http://www.routledge.com/9780415843713 Publisher's copyright statement: Copyright c 2013 From Menander in Contexts, Edited by Alan H. Sommerstein. Reproduced by permission of Taylor and Francis Group, LLC, a division of Informa plc. This material is strictly for personal use only. For any other use, the user must contact Taylor Francis directly at this address: [email protected]. Printing, photocopying, sharing via any means is a violation of copyright. Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk STAGING AND CONSTRUCTING THE DIVINE IN MENANDER ABSTRACT The chapter explores Menander’s dramatisation of divine characters and asks: what was the significance for Menander’s original audiences of seeing divinities on-stage? Through analysing Menander’s engagement with the dramatic tradition of portraying gods, the chapter suggests that Menander exploits his audience’s familiarity with dramatic setting and religious contexts to bring the audience into a closer relationship with the divine. -
Identity, Performance, and Persona in Women╎s Comedy
Sarah Lawrence College DigitalCommons@SarahLawrence Women's History Theses Women’s History Graduate Program 5-2015 Coming to the Stage: Identity, Performance, and Persona in Women’s Comedy Cynia Barnwell Sarah Lawrence College Follow this and additional works at: https://digitalcommons.slc.edu/womenshistory_etd Part of the Women's Studies Commons Recommended Citation Barnwell, Cynia, "Coming to the Stage: Identity, Performance, and Persona in Women’s Comedy" (2015). Women's History Theses. 9. https://digitalcommons.slc.edu/womenshistory_etd/9 This Thesis - Open Access is brought to you for free and open access by the Women’s History Graduate Program at DigitalCommons@SarahLawrence. It has been accepted for inclusion in Women's History Theses by an authorized administrator of DigitalCommons@SarahLawrence. For more information, please contact [email protected]. Coming to the Stage: Identity, Performance, and Persona in Women’s Comedy Cynia Barnwell Submitted in partial completion of the Master of Arts Degree at Sarah Lawrence College May 2015 Acknowledgments I would like to thank God, my grandmother, mother, father, brother, aunts, uncles, nieces, and nephews for their love and everlasting support. I would also like to thank my professors at Sarah Lawrence and the Sarah Lawrence community at large. Abstract What if the real you is just a performance? What if the way you laugh, dance, or even speak is a learned behavior? That is, “what if” is a reality. Gender is performative, but can a gendered performance be layered onto an onstage one? This thesis considers how comediennes of today like Wanda Sykes and Tina Fey navigate gendered performances (and well as other social constructions like race, and class) while creating an onstage persona.