Gabriel García Márquez
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Telenovelas Venezolanas En España: Producción Y Cuotas De Mercado En Las Televisiones Autonómicas
Anuario electrónico de estudios en Comunicación Social ISSN: 1856-9536 / p. pi 200808TA119 Volumen 4 , Número 1 / Enero-Junio 2011 Versión PDF para imprimir desde http://erevistas.saber.ula.ve/index.php/Disertaciones Morales Morante. L. F. (2011). Telenovelas venezolanas en España: Producción y cuotas de mercado en las Televisiones Autonómicas. Anuario Electrónico de Estudios en Comunicación Social "Disertaciones" , 4 (1), Artículo 8. Disponible en la siguiente dirección electrónica: http://erevistas.saber.ula.ve/index.php/Disertaciones/ TELENOVELAS VENEZOLANAS EN ESPAÑA: PRODUCCIÓN Y CUOTAS DE MERCADO EN LAS TELEVISIONES AUTONÓMICAS VENEZUELAN TELENOVELAS IN SPAIN: PRODUCTION AND MARKET SHARES IN THE AUTONOMIC TELEVISION MORALES MORANTE, Luis Fernando. Universidad Autónoma de Barcelona (España) [email protected] Página 177 Universidad de Los Andes - 2011 Anuario electrónico de estudios en Comunicación Social ISSN: 1856-9536 / p. pi 200808TA119 Volumen 4 , Número 1 / Enero-Junio 2011 Versión PDF para imprimir desde http://erevistas.saber.ula.ve/index.php/Disertaciones RESUMEN En los últimos años se ha constatado un incremento notable de telenovelas de origen venezolano o coproducciones hechas con empresas de este país en España. Concretamente, las televisiones de ámbito autonómico vienen operando como espacios de reutilización de diferentes títulos que en su momento fueron estrenados en las grandes cadenas nacionales, pero ahora, por su costo y la fragmentación de audiencias se instalan en estas televisoras. El estudio realizado entre los años 2008 y 2010 constata la presencia de 40 títulos que son analizados según sus rasgos de contenido, horas de emisión y franja horaria donde son insertados. Se definen además las marcas retóricas dominantes de este tipo de discursos de exportación y sus perspectivas comerciales de cara a los próximos años, en un escenario de ardua competencia y determinado por los ajustes de la televisión digital y las nuevas pantallas como Internet. -
Representation of Social Realities of Latin America in Marquez's Literary
Advances in Language and Literary Studies ISSN: 2203-4714 Vol. 6 No. 1; February 2015 Flourishing Creativity & Literacy Copyright © Australian International Academic Centre, Australia Representation of Social Realities of Latin America in Marquez’s Literary Discourse Mohammad B. Aghaei Department of English, Islamic Azad University, Tabriz Branch, Tabriz, Iran E-mail: [email protected] Doi:10.7575/aiac.alls.v.6n.1p.55 Received: 15/09/2014 URL: http://dx.doi.org/10.7575/aiac.alls.v.6n.1p.55 Accepted: 18/11/2014 Abstract Gabriel Garcia Marquez is always keen on presenting to the people the various facets of their history. His literary language acts as effective means for describing the critical historical aspects of Latin America because the legacy of colonialism had destroyed so many important traces of the native culture of that area. This has led him to search for his identity by looking at various periods, before and after colonization. Because of this, the historical and cultural issues were his main thematic subject matters; such as savagely fought wars of independence, bloody conflict between the political parties, massacre of banana workers, deplorable effects of Hispanic culture on the community. Keywords: colonialism, plagues, cultural values, power of love, skeptical rationalism. 1. Introduction Marquez’s literary discourse actually creates a microcosm of Latin America, portraying the essence of the continent with all its aspects such as ethnicity, social norms and conventions, economic problems, destructive domination of colonial and imperialistic powers and civil wars that led to a series of insecurities and poverty in the community. In fact, whatever he has presented in his works is related to the realities of the continent that have been portrayed in his fictional world. -
Introduction
Cambridge University Press 978-0-521-68710-2 - The Cambridge Companion to Gabriel Garcia Marquez Edited by Philip Swanson Excerpt More information PHILIP SWANSON Introduction Gabriel García Márquez is much more than a writer: he has become something of an icon in his native Colombia and throughout Latin America, as well as a darling of the chattering classes throughout the world. The towering success of his 1967 novel, One Hundred Years of Solitude (Cien años de soledad), the wide popular appeal of his best-selling Love in the Time of Cholera (El amor en los tiempos del cólera [1985]), his Nobel Prize triumph in 1982 and his general association with the assiduously promoted Latin American New Novel and the marketing of the related phenomenon of magical realism – all of these factors were key in his national and international projection as the voice of Colombian, Latin American and even ‘Third-World’ identity along- side his identification with a new type of globally influential tropical, exotic, fantastic literature. By the middle of the first decade of the twenty-first cen- tury, his status as icon was solidified by a number of big ‘events’: the fortieth anniversary of the publication of One Hundred Years of Solitude and the much-hyped publication by the Real Academia Española and the Asociación de Academias de la Lengua Española of a special commemorative edition (including a reprinted essay by Mario Vargas Llosa, which helped generate more publicity as it fuelled press speculation of a possible end to the rift between the two writers prompted famously by a bout of fisticuffs outside a Mexican cinema in 1976); the appearance of what has been widely touted as García Márquez’s ‘last’ novel in 2004, coming out in English translation in 2005 under the title of Memories of My Melancholy Whores; and the much- anticipated arrival in 2002 (2004 in English) of the first – and, many think, only – volume of the author’s memoirs, Living to Tell the Tale (Vivir para contarla). -
Yoknapatawpha County-On-The-Mediterranean: Barcelona, Literary Capital of Catalan-Language Letters and the Third World (1962-1975)
Treballs de la Societat Catalana de Geografia, 61-62, 2006, p. 129/155 Yoknapatawpha County-on-the-Mediterranean: Barcelona, Literary Capital of Catalan-language Letters and the Third World (1962-1975) Olivier Thomas Kramsch Nijmegen Centre for Border Research (NCBR) Department of Human Geography Radboud Universiteit [email protected] Abstract Against the backdrop of a perceived near total hegemony of Anglophone norms and scholarly practices within the discipline of international geogra- phy, a growing chorus of voices from outside Anglo-Saxon geography is cur- rently pleading for a greater sensitivity to context and language diversity in the field. Nowhere is the sense of exclusion and marginalization more acute than in the often frustrated attempts by non-English language geographers to publish in the leading Anglo-American geographical journals. This paper argues that the current state of debate on the issue has reached a certain con- ceptual impasse, as those voices from the self-proclaimed “peripheries” of international geography today cannot seem to reconcile a central tension between a call for greater context-specificity in knowledge production and an abiding concern to avoid the parochialism of local or national scholarly tra- ditions. In an attempt to open alternative visions for publishing practices within the non-English language discipline, the author engages in a geo-his- torically informed analysis of the Barcelona-based book publishing industry during a crucial time of socio-political transition informed by anti-Franco cultural resistance. By excavating the geo-history of this urban industrial 130 Treballs de la SCG, 61-62, 2006 Oliver Kramsch milieu (1962-75), the author attempts to reveal how the Catalan capital became, for a brief moment, the center of a world, connecting not only Latin America to the Iberian Peninsula but articulating wider politico-cultural proj- ects between the global North and South. -
The Latin American Literary Boom and U.S. NATIONALISM DURING the COLD WAR the Latin American Literary Boom and U.S
Deborah Cohn THE LATIN AMERICAN LITERARY BOOM AND U.S. NATIONALISM DURING THE COLD WAR THE LATIN AMERICAN LITERARY BOOM AND U.S. NATIONALISM DURING THE COLD WAR THE LATIN AMERICAN LITERARY BOOM AND U.S. NATIONALISM DURING THE COLD WAR Deborah Cohn Vanderbilt University Press ■ Nashville © 2012 by Vanderbilt University Press Nashville, Tennessee 37235 All rights reserved First printing 2012 This book is printed on acid-free paper. Manufactured in the United States of America Excerpt from letter by Carlos Fuentes on José Donoso’s Coronation, copyright © 1964 by Carlos Fuentes. Reprinted by permission of Brandt and Hochman Literary Agents Inc. Excerpts from letter to Carlos Fuentes by Arthur Miller, copyright © 1969 by Arthur Miller. Reprinted by permission of The Wylie Agency LLC. Excerpts from address by Pablo Neruda, 10 April 1972, 50th Anniversary of the American Center of PEN, copyright © Fundación Pablo Neruda, 2011. PEN Archives, Box 95, Folder 14. Reprinted by permission of the Agencia Literaria Carmen Balcells SA. Library of Congress Cataloging-in-Publication Data on file LC control number 2011023793 LC classification PQ7081.C633 2012 Dewey class number 860.9/980904 ISBN 978-0-8265-1804-0 (cloth) ISBN 978-0-8265-1805-7 (paperback) ISBN 978-0-8265-1806-4 (e-book) To my beloved boys— Noah, Benjamin, and Daniel— and to Peter, for giving me the joy of his love and our family CONTENTS ACKNOWLEDGMENTS ix INTRODUCTION Multiple Agendas: Latin American Literary Fervor and U.S. Outreach Programs following the Cuban Revolution 1 1 “Catch 28”: The McCarran-Walter Immigration Blacklist and Spanish American Writers 37 2 PEN and the Sword: Latin American Writers and the 1966 PEN Congress 65 3 Latin America and Its Literature in the U.S. -
Florida Cuban Heritage Trail = Herencia Cubana En La Florida
JOOOw OCGO 000 OGCC.Vj^wjLivJsj..' Florida ; Herencia Cuban : Clmva Heritage ; en la Trail ; ftcMm ^- ^ . j.lrfvf. "^»"^t ;^ SJL^'fiSBfrk ! iT^ * 1=*— \ r\+ mi,.. *4djjk»f v-CCTIXXXIaXCCLl . , - - - - >i .. - ~ ^ - - ^ ^v'v-^^ivv^VyVw ViiuvLLcA rL^^LV^v.VviL'ivVi florida cuban heritage trail La Herencia Cubana En La Florida Cuban Americans have played a significant role Los cubano-americanos han jugado un papel muy in the development of Florida dating back to significativo en el desarrollo de la Florida, que se the days of Spanish exploration. Their impact remonta a la epoca de la exploration espahola. El on Florida has been profound, ranging from influences in impacto de los cubanos en la Florida ha sido profundo en el architecture and the arts to politics and intellectual thought. dmbito de la arquhectura, las artes, la cultura, la politica y la Many historic sites represent the patriotism, enterprise intelectualidad. Muchos de los lugares aquialudidos son pruebas and achievements of Cuban Americans and the part they del patriotismo, la iniciativa y los logros de los cubano americanos have played in Florida's history. y el papel que han desempehado en la historia de este estado. In 1994, the Florida Legislature funded the Florida Cuban En 1994 la legislatura estatal proportions los fondos para la Heritage Trail to increase awareness of the connections publication de La Herencia Cubana en la Florida. El between Florida and Cuba in the state's history. The proposito del libro es dar a conocer la conexion historica entre Cuban Heritage Trail Advisory Committee worked closely Cuba y la Florida. -
Romay2 Todo.Pdf
CASA DE ALTOS ESTUDIOS DON FERNANDO ORTIZ UNIVERSIDAD DE LA HABANA BIBLIOTECA DE CLÁSICOS CUBANOS RECTOR DE LA UNIVERSIDAD DE LA HABANA Juan Vela Valdés DIRECTOR Eduardo Torres-Cuevas SUBDIRECTOR Luis M. de las Traviesas Moreno EDITORA PRINCIPAL Gladys Alonso González DIRECTOR ARTÍSTICO Luis Alfredo Gutiérrez Eiró ADMINISTRADORA EDITORIAL Esther Lobaina Oliva Responsable de la edición: Diseño gráfico: Ernesto Chávez Álvarez Luis Alfredo Gutiérrez Eiró Realización y emplane: Composición de textos: Beatriz Pérez Rodríguez Equipo de Ediciones IC Todos los derechos reservados © Sobre la presente edición: Ediciones IMAGEN CONTEMPORÁNEA, 2005; Colección Biblioteca de Clásicos Cubanos, No. 35 ISBN 959-7078-59-7 obra completa ISBN 959-7078-61-9 volumen II Ediciones IMAGEN CONTEMPORÁNEA Casa de Altos Estudios Don Fernando Ortiz, L y 27, CP 10400, Vedado, Ciudad de La Habana, Cuba Tomás Romay y Chacón (1764-1849) Hasta finales del siglo XVIII, la viruela fue la epidemia de mayor efecto destructor sobre las dotaciones esclavas. Por eso Andrés de Jáuregui, uno de los hombres claves de la sacarocracia, tan pronto tuvo noticias de las experiencias de Edward Jenner, propició la inmediata introducción en Cuba del recién descubierto sistema de vacunación. Y el doctor Tomás Romay, médico cubano de saber enciclopédico, fue el científico mediante el cual se canalizó el estudio y aplicación de las nuevas técnicas. Manuel Moreno Fraginals ESCRITOS POLÍTICOS MANIFESTACIÓN DE GRATITUD AL SEÑOR DON JOSÉ PABLO VALIENTE* Cuando La Habana espera con impaciencia saber cuáles medios pro- pone este ilustre Cuerpo para que pueda cumplirse la novísima Real Cédula que prohíbe el comercio de los neutrales, guardaríamos nosotros respetuoso silencio a no ver que este mismo ilustre Cuerpo suspende aquella tan importante discusión, hace silencio y nos presta atento oído sobre otro asunto diverso. -
Obitel 2012 Espanhol Outra Fonte.Indd
OBSERVATORIO IBEROAMERICANO DE LA FICCIÓN TELEVISIVA OBITEL 2012 TRANSNACIONALIZACIÓN DE LA FICCIÓN TELEVISIVA EN LOS PAÍSES IBEROAMERICANOS OBSERVATORIO IBEROAMERICANO DE LA FICCIÓN TELEVISIVA OBITEL 2012 TRANSNACIONALIZACIÓN DE LA FICCIÓN TELEVISIVA EN LOS PAÍSES IBEROAMERICANOS Maria Immacolata Vassallo de Lopes Guillermo Orozco Gómez Coordinadores Generales Morella Alvarado, Gustavo Aprea, Fernando Aranguren, Alexandra Ayala, Catarina Duff Burnay, Borys Bustamante, Isabel Ferin Cunha, Valerio Fuenzalida, Francisco Hernández, César Herrera, Pablo Julio Pohlhammer, Mónica Kirchheimer, Charo Lacalle, Juan Piñón, Guillermo Orozco Gómez, Rosario Sánchez Vilela e Maria Immacolata Vassallo de Lopes Coordinadores Nacionales © Globo Comunicação e Participações S.A., 2012 Capa: Letícia Lampert Projeto gráfi co: Niura Fernanda Souza Editoração: Clo Sbardelotto e Niura Fernanda Souza Tradutores: Thais Deamici de Souza e Danaé Müller Franceschi Revisão: Gladys Miriam Fama Editor: Luis Gomes Dados Internacionais de Catalogação na Publicação (CIP) Bibliotecária Responsável: Denise Mari de Andrade Souza – CRB 10/960 T772 Transnacionalización de la fi cción televisiva em los países iberoamericanos: anuario Obitel 2012 / los organizadores Guillermo Orozco Gómez y Maria Immacolata Vassalo de Lopes. — Porto Alegre: Sulina, 2012. 592 p.; il. ISBN: 978-85-205-0664-6 1. Televisión – Programa. 2. Ficción – Televisión. 3. Programa de Televisión – Iberoamerica. 4. Comunicación Social. 5. Iberoamerica – Televisión. I. Gómez, Guillermo Orozco. II. Lopes, Maria Immacolata Vassalo de. CDU: 654.19 659.3 CDD: 301.161 791.445 Direitos desta edição adquiridos por Globo Comunicação e Participações S.A. Editora Meridional Ltda. Av. Osvaldo Aranha, 440 cj. 101 – Bom Fim Cep: 90035-190 – Porto Alegre/RS Fone: (0xx51) 3311.4082 Fax: (0xx51) 2364.4194 www.editorasulina.com.br e-mail: [email protected] Agosto/2012 Esta publicación es resultado de la colaboración entre el Globo Universidad y el Observatorio Iberoamericano de Ficción Televisi- va (Obitel). -
Una Crónica Transatlántica Del Boom (1963-1972) / Pablo Sánchez
La emancipación engañosa. Una crónica transatlántica del boom (1963-1972) Pablo Sánchez La emancipación engañosa. Una crónica transatlántica del boom (1963-1972) Prólogo de Joaquín Marco Cuadernos de América sin nombre Cuadernos de América sin nombre dirigidos por José Carlos Rovira Nº 25 COMITÉ CIENTÍFICO: Remedios Mataix Azuar Carmen Alemany Bay Sonia Mattalia Miguel Ángel Auladell Pérez Ramiro Muñoz Haedo Beatriz Aracil Varón María Águeda Méndez Eduardo Becerra Grande Pedro Mendiola Oñate Helena Establier Pérez Francisco Javier Mora Contreras Teodosio Fernández Rodríguez Nelson Osorio Tejeda José María Ferri Coll Ángel Luis Prieto de Paula Virginia Gil Amate José Rovira Collado Aurelio González Pérez Enrique Rubio Cremades Rosa Mª Grillo Francisco Tovar Blanco Ramón Lloréns García Eva Mª Valero Juan Francisco José López Alfonso Abel Villaverde Pérez El trabajo está integrado en las actividades de la Unidad de Investigación de la Univer- sidad de Alicante «Recuperaciones del mundo precolombino y colonial en el siglo XX hispanoamericanos» y en los proyectos «Desarrollo y consolidación de las investiga- ciones sobre creación de un corpus textual de recuperaciones del mundo precolombino y colonial en la literatura hispanoamericana» (MEC/HUM 2005-04177/ FILO) y «La formación de la tradición hispanoamericana: historiografía, documentos y recupera- ciones textuales» (MCI FFI2008-03271/FILO). Los cuadernos de América sin nombre están asociados al Centro de Estudios Ibero- americanos Mario Benedetti. Ilustración: Perro sobre mesa. Antonio Audirac Camarena © Pablo Sánchez I.S.B.N.: 978-84-7908-725-8 Depósito Legal: MU-1064-2009 Fotocomposición e impresión: Compobell, S.L. Murcia Índice Unas palabras . 9 Agradecimientos. 15 1. Hacia una lectura sistémica del boom . -
Literary Techniques of Marquez's Literary Discourse
ISSN 1923-1555[Print] Studies in Literature and Language ISSN 1923-1563[Online] Vol. 7, No. 3, 2013, pp. 94-99 www.cscanada.net DOI:10.3968/j.sll.1923156320130703.2872 www.cscanada.org Literary Techniques of Marquez’s Literary Discourse Mohammad B. Aghaei[a],*; Safar Hayati[b] [a]Assistant professor, PhD. Department of English Language, East peculiarities through a symbolically institutionalized Azarbaijan Science and Research Branch, Islamic Azad University, world in which the symbolic components construct with Tabriz, Iran. [b]Department of Social Science, East Azarbaijan Science and Research surgical precision a comprehensive image of the Latin Branch, Islamic Azad University, Tabriz, Iran. American society. Marquez’s main purpose seems not * Corresponding author. merely to introduce an aesthetically formulated idea to the mind of the reader but to transform the way the mind Received 17 September 2013; accepted 22 November 2013 perceives realities. He has produced an astutely crafted body of work by manipulating different literary techniques Abstract and styles in an original way. Very few writers have so The literary techniques of Gabriel Garcia Marquez’s compellingly evoked the delicate nuance of Marquez’s novels deal with his literary devices and figurative homeland, the joyful richness of Latin American life. In language which he has applied in his novels. These fact, his literary discourse invites the reader to confront devices basically serve as socio-symbolic mediations a kind of mystification and intrigue; sometimes it puts that relate the literary text to his culture. For this reason, the reader in a state of bewilderment when he tries to Marquez has immensely applied the figurative elements explore the signification of figurative elements and in his novels, making a bridge between his works and the symbolic constituents that are artfully interwoven the world to which he belongs. -
Introduction
Cambridge University Press 978-0-521-86749-8 - The Cambridge Companion to Gabriel Garcia Marquez Edited by Philip Swanson Excerpt More information PHILIP SWANSON Introduction Gabriel García Márquez is much more than a writer: he has become something of an icon in his native Colombia and throughout Latin America, as well as a darling of the chattering classes throughout the world. The towering success of his 1967 novel, One Hundred Years of Solitude (Cien años de soledad), the wide popular appeal of his best-selling Love in the Time of Cholera (El amor en los tiempos del cólera [1985]), his Nobel Prize triumph in 1982 and his general association with the assiduously promoted Latin American New Novel and the marketing of the related phenomenon of magical realism – all of these factors were key in his national and international projection as the voice of Colombian, Latin American and even ‘Third-World’ identity along- side his identification with a new type of globally influential tropical, exotic, fantastic literature. By the middle of the first decade of the twenty-first cen- tury, his status as icon was solidified by a number of big ‘events’: the fortieth anniversary of the publication of One Hundred Years of Solitude and the much-hyped publication by the Real Academia Española and the Asociación de Academias de la Lengua Española of a special commemorative edition (including a reprinted essay by Mario Vargas Llosa, which helped generate more publicity as it fuelled press speculation of a possible end to the rift between the two writers prompted famously by a bout of fisticuffs outside a Mexican cinema in 1976); the appearance of what has been widely touted as García Márquez’s ‘last’ novel in 2004, coming out in English translation in 2005 under the title of Memories of My Melancholy Whores; and the much- anticipated arrival in 2002 (2004 in English) of the first – and, many think, only – volume of the author’s memoirs, Living to Tell the Tale (Vivir para contarla). -
201 INDEX © in This Web Service Cambridge
Cambridge University Press 978-0-521-68710-2 - The Cambridge Companion to Gabriel Garcia Marquez Edited by Philip Swanson Index More information INDEX Note: GM = García Márquez absurd humour, 131, 139 Barcelona, 16 adolescent girls, 127 Barcha, Mercedes, 8, 13, 14 Aguilar, García, 163 Barnes, Julian, 193 Agustín (No One Writes to the Colonel), 47, Bayardo (Chronicle of a Death Foretold), 48, 49 115 Ali, Tariq, 108 Beckett, Samuel, 134 Allende, Isabel, 191 Bell, Michael, 33, 79 Almodóvar, Pedro, 171 biblical motifs, 61 Amador, Pepe (In Evil Hour), 52, 53 see also Christian themes ambiguity in GM’s fiction, 50, 75 ‘Big Mama’s Funeral’ (short story), 41, 99, América (Love in the Time of Cholera), 137–8 120–1 The Birth of Tragedy (Nietzsche) the Americas ‘Bitterness for Three Sleepwalkers’ (short anachronic techniques, 86 story), 132 anality, 89 The Blue Lobster (film), Andean Colombia, 8 Bogotá, Colombia, 9 Anderson, John Lee, 90 Bolívar, Simón, 19, 102–11 Angel, Padre (In Evil Hour), 53 book title formulas, 23 Angela (Chronicle of a Death Foretold), 113, the Boom, 114–16 Borges, Jorge Luis, 70 animal imagery, 73, 82 brothels, 114, 124 ‘Another Story’ column (El Universal), Buell, Lawrence, 64 Antigone (Sophocles), 43 Buendía, Colonel Aureliano, see Aureliano Aracataca, Colombia, 156 (One Hundred Years of Solitude) Aragonés, Patricio (The Autumn of the Buendía, José Arcadio, see José (One Patriarch), 88 Hundred Years of Solitude) archetypal narratives, 44, 48 Bulgakov, Mikhail, 186–7 Arnau, Carmen, 30 burial theme, 97–102, 111, 131 As I Lay