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Himalayan Voices VOICES from ASIA 1
Himalayan Voices VOICES FROM ASIA 1. Of Women, Outcastes, Peasants, and Rebels: A Selection of Bengali Short Stories. Translated and edited by Kalpana Bardhan. 2. Himalayan Voices: An Introduction to Modern Nepali Literature. Translated and edited by Michael James Hutt. Himalayan Voices An Introduction to Modern Nepali Literature TRANSLATED AND EDITED BY Michael James Hutt UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles Oxford This book is a print-on-demand volume. It is manufac- tured using toner in place of ink. Type and images may be less sharp than the same material seen in traditionally printed University of California Press editions. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. Oxford, England © 1991 by The Regents of the University of California Library of Congress Cataloging-in-Publication Data Himalayan voices : an introduction to modern Nepali literature / translated and edited by Michael James Mutt, p. cm. — (Voices from Asia ; 2) Translated from Nepali. Includes bibliographical references (p. ) and index. ISBN 0-520-07046-1 (cloth). — ISBN 0-5204)7048-8 (paper) 1. Nepali poetry—20th century—Translations into Knglish. 2. English poetry—Translations from Nepali. 3. Short stories, Nepali—Translations into English. 4. Short stories, English— Translations from Nepali. 5. Authors, Nepali—20th century— Biography. 1. Mutt, Michael. II. Series. PK2598./95E5 1990 891'.49—dc:20 90-11145 CIP Printed in the United States of America The paper used in this publication meets the -
Neupane 1 Chapter I Locating Setting and Its Role in Drama a Setting Is
Neupane 1 Chapter I Locating Setting and its Role in Drama A setting is just a beautiful thing, a collection of beautiful things. It is a presence, a mood, a warm wind fanning the drama to flame. It echoes, it enhances, it animates. It is an expectancy, a foreboding, a tension. It says nothing, but it gives everything. (Jones 26) An American scenic, lighting and costume designer, Robert Edmond Jones in his book The Dramatic Imagination (1941) exposes the basic sense of setting in drama. In another context, Jones states, "A stage setting has no independent life of its own. Its emphasis is directed toward the performance. In the absence of the actor it does not exist. Strange as it may seem, the simple and fundamental principle of stage design still seems to be widely misunderstood. " (Qtd. in Cohen, 122). The visions of setting and its significance are not defined clearly. On the one hand, Jones explains setting as an element that describes every emotion of the performance. On the other hand, he describes setting has no independent existence in absence of the performance and actor. Therefore, there is no clear perception on the importance of setting in drama. Since the setting is the crucial part of any text, it cannot be omitted or analyzed separately from the meaning. Kari K Pitkanen in The Spatio-Temporal Setting in Written Narrative Fiction brings the references of various researchers to introduce setting. He presents setting as such: For several researchers including e.g. Labov & Waletsky (1967), Rumelhart (1975: 213) and Van Dijk (1980), a setting is a text-initial, structural macro- unit that describes the starting point and surroundings for a story by providing the main character, the spatio-temporal location and other necessary information. -
Modernism and Modern Nepali Poetry – Dr
Dancing Soul of Mount Everest Creator & Creation (Selected Modern Nepali Poems) Editing Advisors Dr. Govinda Raj Bhattarai Rajeshwor Karki Proposer Dr. Laxman Prasad Gautam Editor Momila Translator & Language Editor Mahesh Paudyal Publisher Nepali Kalasahitya Dot Com Pratishthan [Nepali Art & Literature Dot Com Foundation] (Under the project of Nepal Academy) Dancing Soul of Mount Everest Creator & Creation (Selected Modern Nepali Poems) Editor : Momila Translator & Language Editor : Mahesh Paudyal Publisher : Nepali Kalasahitya Dot Com Pratishthan (Nepali Art & Literature Dot Com Foundation) ©:Publisher Edition : First, 2011 Copies : 1001 Cover Design : Graphic Workshop Layout : Jeevan Nepal Printer : Modern Printing Press Kantipath, Kathmandu, Phone: 4253195 Price : NRs. 1,200.00 IRs. 1,000.00 US$ 25.00 Euro 20.00 ISBN: 978-9937-2-3657-7 DANCING SOUL OF MOUNT EVEREST (an anthology of selected modern Nepali poems) Editorial Context Heart-Transfer/Moksha Esteemed Readers! Here in editorial context, I extend words of gratitude that express themselves, though they might have remained apparently unexpressed. All of your accepted / unaccepted self-reflections shall become collages on the canvas of the history assimilated in this anthology. Dear Feelers! Wherever and whenever questions evolve, the existential consciousness of man keeps exploring the horizon of possibilities for the right answer even without the ultimate support to fall back upon. Existential revelations clearly dwell on the borderline, though it might be in a clash. In the present contexts, at places, questions of Nepali identity, modernity, representativeness, poetic quality, mainstream or periphery, temporal boundaries and limitations of number evolve – wanted or unwanted. Amidst the multitude of these questions, Dancing Soul of Mount Everest has assumed this accomplished form in its attempt to pervade the entirety as far as possible. -
Theatre for Social Change in Kathmandu, Nepal
School of Oriental and African Studies University of London REHEARSING FOR LIFE: THEATRE FOR SOCIAL CHANGE IN KATHMANDU, NEPAL Monica Mottin Doctor in Philosophy Social Anthropology 2009-10 ProQuest Number: 10673177 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10673177 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 I declare that the work presented in this thesis is my own. Monica Mottin 2 Acknowledgements Infinite gratitude goes to all the artists and activists whose collaboration made this research possible. This research could be carried out thanks to a grant from the CRF (University of London). I wish to thank my supervisors Prof. David Mosse and Prof. Michael Hutt for their inspirational ideas and support during the challenges of the fieldwork and writing up, and my family, for their patience and love. 3 Abstract The objective is this research is to examine the production and performance of theatrical activities aiming at bringing about social change in both development and political intervention. My investigation began with Aarohan Theatre Group, a Kathmandu-based professional company and subsequently extended to Maoist cultural troupes. -
Sagarmathako(English)… Final
Dancing Soul of Mount Everest Creator & Creation (Selected Modern Nepali Poems) Editing Advisors Dr. Govinda Raj Bhattarai Rajeshwor Karki Proposer Dr. Laxman Prasad Gautam Editor Momila Translator & Language Editor Mahesh Paudyal Publisher Nepali Kalasahitya Dot Com Pratishthan [Nepali Art & Literature Dot Com Foundation] (Under the project of Nepal Academy) Dancing Soul of Mount Everest Creator & Creation (Selected Modern Nepali Poems) Editor : Momila Translator & Language Editor : Mahesh Paudyal Publisher : Nepali Kalasahitya Dot Com Pratishthan (Nepali Art & Literature Dot Com Foundation) ©:Publisher Edition : First, 2011 Copies : 1001 Cover Design : Graphic Workshop Layout : Jeevan Nepal Printer : Modern Printing Press Kantipath, Kathmandu, Phone: 4253195 Price : NRs. 1,200.00 IRs. 1,000.00 US$ 25.00 Euro 20.00 ISBN: 978-9937-2-3657-7 DANCING SOUL OF MOUNT EVEREST (an anthology of selected modern Nepali poems) Editorial Context Heart-Transfer/Moksha Esteemed Readers! Here in editorial context, I extend words of gratitude that express themselves, though they might have remained apparently unexpressed. All of your accepted / unaccepted self-reflections shall become collages on the canvas of the history assimilated in this anthology. Dear Feelers! Wherever and whenever questions evolve, the existential consciousness of man keeps exploring the horizon of possibilities for the right answer even without the ultimate support to fall back upon. Existential revelations clearly dwell on the borderline, though it might be in a clash. In the present contexts, at places, questions of Nepali identity, modernity, representativeness, poetic quality, mainstream or periphery, temporal boundaries and limitations of number evolve – wanted or unwanted. Amidst the multitude of these questions, Dancing Soul of Mount Everest has assumed this accomplished form in its attempt to pervade the entirety as far as possible. -
Nepalese Society and Politics, BBA 6Th Semester
Nepalese Society and Politics, BBA 6th Semester Unit 1 : Introduction Origin of Nepal- Nepal as a sovereign country Introducing Nepal: There are several chronicles and legends about the origin of Nepal. Most of them however explain Kathmandu valley as the center of Nepal. According to Gopalraj Bansawali, in the beginning Kathmandu was a big lake called the Nagdaha. Lord Krishna drained the water from the valley by cutting the hill at Chobhar with his Sudarshan Chakra or wheel; he then nominated Bhuktamana the King of the valley. Since the people who came with Lord Krishna were cowherds their dynasty was called Gopal Dynasty. According to dialect: - 1. Tibetan: - There are two terms in Nepal. They are "Ne" house and " Pal" wool. So Nepal is a house of wool. Ancient Nepal was renowned as woolen producer, which woolen products were exported to different Indian continental nations. 2. Lepcha:- " Ne" means sacred and "Pal" means cave or nation that refer to mean that sacred cave or sacred nation in Lepcha language. 3. Newar :- " Ne" means mid/ middle and " Pa" means country situated in Himalaya . 4. Hindu religious Text: Text referred that the religious saint named " Ne" served as protected the country and then country's name became the Nepal . a, Nepal as a sovereign country: What is Sovereignty? The supreme, absolute, and uncontrollable power by which an independent state is governed and from which all specific political powers are derived: i. The international independence of a state, ii. Combined with right and power of regulating its international affairs without foreign interference. iii. -
EVENTS ENTERTAINMENT WEEKLY Hall of Frame Chocolat Words Of
www.fridayweekly.com.np Every Thursday | ISSUE 48 | RS. 20 SUBSCRIBER COPY 30 December, 2010 - 5 January, 2011 | !% – @! kf}if, @)^& �������� ������������������������������������������������� 5 6 16 20 PAGE3 ENTERTAINMENT SPOTLIGHT CONSUME Hall of Frame Chocolat Words of the Nation Steal the Strut Here’s who we spotted Johnny Depp and Juliette We sing to his words Walk through Sphinx in the events that Binoche star in this yet we do not know him. – the much-loved livened up the days and romantic movie set in a HALFWAY Meet the man behind our shoe store at City nights in the valley this fictional French village, Beat Makers 12 national anthem – Byakul Center and treat your week. Lansquent-sous-Tannes. Maila. feet! Bhatbhateni Super Market, Bhatbhateni www.fridayweekly.com.np Every Thursday | ISSUE 48 | RS. 20 SUBSCRIBER COPY 30 December, 2010 - 5 January, 2011 | !% – @! kf}if, @)^& �������� ������������������������������������������������� 5 6 16 20 PAGE3 ENTERTAINMENT SPOTLIGHT CONSUME Hall of Frame Chocolat Words of the Nation Steal the Strut Here’s who we spotted Johnny Depp and Juliette We sing to his words Walk through Sphinx in the events that Binoche star in this yet we do not know him. – the much-loved livened up the days and romantic movie set in a HALFWAY Meet the man behind our shoe store at City nights in the valley this fictional French village, Beat Makers 12 national anthem – Byakul Center and treat your week. Lansquent-sous-Tannes. Maila. feet! Sinners In Heaven– Yukta Bajracharya oes the paradox of the name intrigue you? If so, the event will intrigue you even more. -
Himalayan Voices
Himalayan Voices An Introduction to Modern Nepali Literature TRANSLATED AND EDITED BY Michael James Hutt UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles Oxford CONTENTS PREFACE / xi ACKNOWLEDGMENTS / XV NOTE ON TRANSLITERATION / xvii Introduction / 1 PART ONE • THE POETS OF NEPAL / // Nepali Poetry / 13 Lekhnath Paudyal (1885-1966) / 22 A Parrot in a Cage I 26 Himalaya I 28 Remembering Saraswali I 29 An Ode to Death I 30 Last Poem I 30 Balkrishna Sama (1903-1981) / 31 Man Is God Himself I 34 1 Hate I 35 All-Pervading Poetry I 35 from Sight of the Incarnation I 36 Lakshmlprasad Devkota (1909-1959) / 40 Sleeping Porter I 44 from Mund ami Madan I 45 Prayer on a Clear Morning in the Month of Mdgh I 51 Mad I 53 Like Nothing into Nothing I 56 vi CONTENTS Siddhicharan Shreshtha (b. 1912) / 57 A Suffering World I 59 No Smoke from the Chimneys I 61 My Reflection I 61 Untouchable I 61 Father Has Not Come Home I 62 My Son I 63 To the Poet Devkota I 64 Kedar Man" Vyathit" (b. 1914) / 66 Fragment from the Year '09 I 68 Ants I 69 A Glimpse I 69 The Storm I 70 The End I 71 War I 71 The Practice of Sculpture I 71 Gopalprasad Rimal (1918-1973) / 73 A Mother's Dream I 75 Consolation I 76 A Mother's Pain I 78 A Change I 79 Who Are You? I 80 To— I 81 Mohan Koirala (b. 1926) / 82 • Remembering as I Go I 86 An Introduction to the Land I 87 I Love Your Daughter I 89 The Martyrs I 90 1 Remember I 91 A Flower Amid the Mountain Rocks I 93 The Fiddle I 93 The Snow Peak's Blood-Red I 96 It's a Mineral, the Mind I 97 You Who Remember I 98 Bairagl Kainla (b. -
Career of Bhanubhakta As a History of Nepali National Culture, 1940-1999
THE CAREER OF BHANUBHAKTA AS A HISTORY OF NEPALI NATIONAL CULTURE, 1940-1999 Pratyoush Onta Introduction In recent years, national culture, nationalism and ethnicity have been three of the major concerns of social analysts worldwide. The sources that led to this attention are diverse. They include changes in the political systems adopted by various countries in different parts of the world, the rise of 'national', 'sub-national' or 'ethnic' movements across continents and the development of pertinent scholarly trends across disciplines. However, in the context of Nepal, the main reason why scholars have paid attention to activities in the realm of and debates about national culture, nationalism and ethnicity must be sought in the social movements that have arisen since the Jana Óndolan (People's Movement) of 1990. Under the new dispensation, it has become possible for Nepalis to openly debate (in various fora including media and academia), and with emotional force, about their national culture, nationalism and ethnicity. Social activists have begun to ask what was encompassed by and what was excluded from the national Nepali identity promoted by the state during the three decades of the Panchayat era (1962-1990) and to inquire about new cultural possibilities of being a Nepali national. In other words, as such activists began openly to promote sub-national or ethnic identites such as that of Newars, Tamangs, Gurungs, Rais, Magars, Thakalis or any of the other 60 plus ethnic groups, researchers of Nepal followed through by paying attention to their activities under the scholarly rubric of nationalism or ethnic activism. Amongst writings that have already been brought out in the public domain, it is easy to see (for examples, see Onta 1996b) that Nepali social scientists working on themes related to national culture, nationalism and ethnicity have been predominantly concerned with the future.