Erroll Garner – Der Sanfte Riese Dienstag, 15

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Jazz Collection: Erroll Garner – der sanfte Riese Dienstag, 15. Juni 2021, 21.00 – 22.00 Uhr, SRF 2 Kultur Samstag, 19. Juni 2021, 17.06 – 18.30 Uhr, SRF 2 Kultur (mit Bonustracks) Wenn Erroll Garner Solo-Piano spielt, könnte man manchmal meinen, da seien zwei Musiker am Werk: Ein Rhythmus-Gitarrist und ein überaus flinker Pianist. Seinem unverkennbaren Stil blieb er ein Leben lang treu - ohne sich aber deswegen dem Neuen zu verschliessen. Wie er eine gigantische Karriere hinlegte, ohne Noten lesen zu können, und inwiefern er möglicherweise doch auch falsch verstanden wurde - das diskutiert der Zürcher Pianist Chris Wiesendanger in der Jazz Collection mit Jodok Hess. Gast: Chris Wiesendanger Redaktion und Moderation: Jodok Hess Interpret*in Titel Komponist*in Album / Label Erroll Garner I Get a Kick Out of You Cole Porter Jazz Icons: Erroll Garner. Live in ’63 & ’64 / DVD Naxos Slam Stewart Hop, Skip and Jump Slam Stewart Slam Stewart: 1945-1946 / Classics Records (1997) Erroll Garner Bouncin’ With Me Erroll Garner Erroll Garner: 1945-1946. Piano Solos / Classics Records (1997) Erroll Garner Laura David Raksin Erroll Garner: 1945-1946. Piano Solos / Classics Records (1997) Charlie Parker Bird’s Nest Erroll Garner / Charlie «Bird» Parker. The complete Charlie Parker 1944-1948 small group sessions / Blue Moon (1994) Erroll Garner Misty Erroll Garner Misty. The Original / Mercury (1988) Erroll Garner It’s All Right With Me Cole Porter Concert by the Sea / CBS (1969/2015) Erroll Garner Theme from «A New Kind of Erroll Garner Closeup in a Swing & A New Kind of Love Love» - All Yours / Telarc (1963/1997) Erroll Garner Groovin’ High Dizzy Gillespie Up in Erroll’s Room / Mack Ave (1968) Erroll Garner One Good Turn Erroll Garner Magician / Mack Ave (1973/2000) Bonustracks (nur am Samstag) Interpret*in Titel Komponist*in Album / Label Erroll Garner Someone to Watch Over Me George Gershwin Magician / Mack Ave (1973/2000) Erroll Garner Begin the Beguine Cole Porter Mambo Moves Garner / Mercury (1988) Erroll Garner Avalon Al Jolson / Soliloquy, at the Piano. Wyatt Ruther, Vincent Rose Eugene Fats Heard / CBS (1953/1989) Erroll Garner Where or When Richard Rodgers / Nightconcert / Mack Ave (1964/2018) Lorenz Hart Erroll Garner On Green Dolphin Street Bronislaw Kaper / Nightconcert / Mack Ave Ned Washington .

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Erroll Garner, Master of the Keyboard 1981
Erroll Garner, Master of the Keyboard 1981 Dan Morgenstern Grammy Award for Best Album Notes 1981 Book of the Month Records BOMR 81-5403 Erroll Garner, An ApprecIatIon by Dan Morgenstern Erroll Garner was a phenomenon. He didn’t sing, dance or tell jokes. He never said a word when he performed. All he did was play the piano. Yet he captured the hearts and minds of millions of listeners all over the world, becoming the most popular solo jazz instrumentalist of his time—a feat even more remarkable because his was a time when jazz was dwarfed in popularity by the gigantic media event called rock ‘n’ roll. What was Garner’s secret? Above all, he was able to communicate his joy in making music with an immediacy that transcended all differences of age, nationality, race, education and musical background. Wherever and whenever he performed, in concert halls as a soloist or with symphony orchestras or in a wide variety of nightclubs, he reached out to each member of the audience, creating the illusion that he was playing just for that person. “I don’t know what I do or how I do it;” he once said, “but with me it’s the relaxation and the feeling. I relive my life at the piano. I just like to look at people and play and smile, and get them on my side.” Garner was a natural. He was born into a musical family—in Pittsburgh, on June 15, 1923— and by the age of three he was playing the piano.
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Mack Avenue Music Group and Octave Music Proudly Announce the Octave Remastered Series Newly Restored and Expanded Editions Of
Mack Avenue Music Group and Octave Music Proudly Announce the Octave Remastered Series Newly Restored and Expanded Editions of 12 Classic Albums from Acclaimed Jazz Legend Erroll Garner First Four Releases – Dreamstreet, Closeup in Swing, One World Concert, A New Kind of Love – Available September 27, 2019 One New Remastered Album to Follow Each Month Through June 2020 Mack Avenue Music Group and Octave Music proudly announce the Octave Remastered Series, a historic year-long, 12-album project featuring newly restored and expanded editions of classic Erroll Garner releases from the 1960s and 1970s. Each album contains a newly discovered, unreleased bonus track. Utilizing the Plangent Process playback system for analog tape, these new transfers were remastered and, when needed, remixed by the Grammy® winning Garner team. The Octave Remastered Series continues Garner’s resurgence, following his return to the top of the Billboard Jazz chart with 2015’s Grammy-nominated The Complete Concert by the Sea, which was the first release from the Erroll Garner Jazz Project—a collective formed to curate Garner’s monumental archive. The Garner Jazz Project followed The Complete Concert by the Sea with the critically acclaimed, newly unearthed studio record Ready Take One in 2016, and the midnight concert album Nightconcert, which reached #1 on the iTunes and Amazon jazz charts upon its release in 2018. The first four titles in the new series – Dreamstreet, Closeup in Swing, One World Concert, and A New Kind of Love – will be released simultaneously on September 27. The subsequent series rollout features one album per month – A Night at the Movies, Campus Concert, That’s My Kick, Up in Erroll’s Room, Feeling is Believing, Gemini, Magician, and Gershwin & Kern – leading up to the kickoff of Garner’s centennial year celebration, beginning in June 2020 and concluding on his 100th birthday, June 15, 2021.
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Sendung, Sendedatum
WDR 3 Jazz & World, 4. Oktober 2016 Erroll Garner Trio – The complete concert by the sea 22:30-23:00 Stand: 30.09.2016 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de Moderation: Thomas Mau Redaktion: Dr. Bernd Hoffmann Laufplan 1. Night and day K: Cole Porter ERROLL GARNER TRIO Legacy 88875120842; LC: 02361 CD: The complete Concert by the Sea 5:04 2. Spring is here K: Richard Rodgers ERROLL GARNER TRIO wie 1. 5:14 3. I’ll remember April K: Gene de Paul ERROLL GARNER TRIO wie 1. 4:23 4. The nearness of you K: Hoagy Carmichael ERROLL GARNER TRIO wie 1. 4:46 5. Where or when K: Richard Rodgers ERROLL GARNER TRIO wie 1. 3:22 6. Sweet and lovely K: Gus Arnheim ERROLL GARNER TRIO wie 1. 4:12 7. Lullaby of Birdland K: George Shearing ERROLL GARNER TRIO wie 1. 4:17 8. Mambo Carmel K: Erroll Garner ERROLL GARNER TRIO wie 1. 3:52 9. Teach me tonight K: Sammy Cahn ERROLL GARNER TRIO wie 1. 3:48 10. Will you still be mine K: Tom Adair ERROLL GARNER TRIO wie 1. 3:56 Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 1 WDR 3 Jazz & World, 4. Oktober 2016 Erroll Garner Trio – The complete concert by the sea 22:30-23:00 Stand: 30.09.2016 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de 11. I cover the waterfront K: Johnny Green ERROLL GARNER TRIO wie 1.
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October 2015
The name says it all... Just Jazz October 2015 Hi Friends — val·ue /ˈvalyo͞ o/ noun: the regard that something is held to deserve; the importance, worth, or usefulness of something val·u·a·ble /ˈvaly(əw)əb(ə)l/ adjective: of great worth According to those definitions Yoenis Céspedes of the New York Mets not only has value, but is the Most Valuable Player in the league. Before the Mets traded for him on July 31 they were barely treading water, just three games over .500. Then he joined the club and they’ve powered their way through the next two months, topping their division. No player has made a bigger difference in his team’s performance, a bigger contribution to winning, than Céspedes. OK, so he’ll play only two months for the Mets. So what? Add in his stats from the previous four months with the Detroit Tigers and Céspedes matches up against anyone in the game. He, friends, is the very definition of a “five-tool player,” in a class with Just Jazz Artist of the Month the Pirates’ Andrew McCutchen and the Angels’ Mike Trout. And guitarist Kenny Burrell his only differences between Céspedes and the presumptive National League MVP, the Nationals’ Bryce Harper, are that his Just Jazz Presents… Features team didn’t choke, and none of teammates tried to choke him. 10/4: Singers Hour 10/11: Songs of Autumn Sure, he played the first two-thirds of the season in the “other 10/18: Trombone Hour league,” but let’s get real.
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Jazz at Saint Peter's
window. The segments of looser improvisation that evergreen, maintaining its wistful feeling yet enriching come between these are hardly calming. Evans’ “Echo”, it with a judicious April-showers cascade of keyboard a tune he also plays much differently with his Zebulon runs. Bebop standard “Bernie’s Tune” has some Trio, is a series of manic blasts sewn together by the effervescent, melodramatically urgent piano, with ‘jazziest’ improvisations to be found herein. A hilarious plenty of thrusting, bobbing-and-weaving jabs, Garner moment is the opening to Pride’s “Pools”, jackbooted occasionally vocalizing along with his playing. bass and fluttering trumpet coasting above whimsical Disc Two has a heretofore-unissued and incredible glockenspiel before turning into a Deep Purple deep take on the Gershwin gem “S’Wonderful”, Garner cut. While Evans and Pride’s improvisational prowess is judiciously splaying rapid-fire single-note runs, ending well known in a variety of contexts, Dahl’s contributions with a dazzling, unexpected change in tempo, slowing Eponymous are the revelation here. His is such a forceful approach it then blazing to a fare-thee-well conclusion. “Laura” is Pulverize The Sound (Relative Pitch) by Andrey Henkin to the instrument that the higher-pitched trumpet and given a whimsical, Debussy-flavored reading, in the louder drums often genuflect before it. But whatever manner of an Impressionist artist delicately applying For those of a certain age and experience, Pulverize The facet is your focus, don’t forget the band-aids. paint to a canvas. Before sinking his proverbial teeth Sound (PTS) recalls the heady hardcore days of the mid into the classic melody of “Caravan”, Garner plays what ‘80s in its name and the stark white block lettering on a For more information, visit relativepitchrecords.com.
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1959 Jazz: a Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959
GELB, GREGG, DMA. 1959 Jazz: A Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959. (2008) Directed by Dr. John Salmon. 69 pp. Towards the end of the 1950s, about halfway through its nearly 100-year history, jazz evolution and innovation increased at a faster pace than ever before. By 1959, it was evident that two major innovative styles and many sub-styles of the major previous styles had recently emerged. Additionally, all earlier practices were in use, making a total of at least ten actively played styles in 1959. It would no longer be possible to denote a jazz era by saying one style dominated, such as it had during the 1930s’ Swing Era. This convergence of styles is fascinating, but, considering that many of the recordings of that year represent some of the best work of many of the most famous jazz artists of all time, it makes 1959 even more significant. There has been a marked decrease in the jazz industry and in stylistic evolution since 1959, which emphasizes 1959’s importance in jazz history. Many jazz listeners, including myself up until recently, have always thought the modal style, from the famous 1959 Miles Davis recording, Kind of Blue, dominated the late 1950s. However, a few of the other great and stylistically diverse recordings from 1959 were John Coltrane’s Giant Steps, Ornette Coleman’s The Shape of Jazz To Come, and Dave Brubeck’s Time Out, which included the very well- known jazz standard Take Five. My research has found many more 1959 recordings of equally unique artistic achievement.
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Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre
Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) James Cotton Living the Blues James Cotton; Larry McCray; John Primer; Johnny B. Gayden; Brian Jones; Dr. John; Lucky Peterson; Joe Louis Walker 1994 1121-105-242 19 Blues (music) Willie Dixon Willie Dixon; Andy McKaie; Don Snowden 1988 1121-105-249 01 Oversized case; 2 CD box set Blues (music) Cincinnati Blues (1928-1936) Bob Coleman's Cincinnati Jug Band and Associates; Walter Coleman; Bob Coleman no date 1121-105-242 17 Found with CD album in Box #10, Item #28; Case was found separately Blues (music) Willie Dixon, The Big Three Trio Willie Dixon; The Big Three Trio 1990 1121-105-242 18 Blues (music) The Best of Muddy Waters Muddy Waters 1987 1121-105-242 08 Blues (music) The Roots of Robert Johnson Robert Johnson 1990 1121-105-242 07 Blues (music) The Best of Mississippi John Hurt Mississippi John Hurt; Bob Scherl 1987 1121-105-242 06 Blues (music) Bud Powell: Blues for Bouffemont Bud Powell; Alan Bates 1989 1121-105-242 36 Friday, May 11, 2018 Page 1 of 89 Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) Big Bill Broonzy Good Time Tonight Big Bill Broonzy 1990 1121-105-242 04 Blues (music) Bessie Smith The Collection Bessie Smith; John Hammond; Frank Walker 1989 1121-105-242 38 Blues (music) Blind Willie Johnson Praise God I'm Satisfied Blind Willie Johnson 1989 1121-105-242 20 Post-it note was found on the back of this CD case, photocopy made and placed in envelope behind CD.
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Respectability and the Modern Jazz Quartet; Some Cultural Aspects of Its Image and Legacy As Seen Through the Press
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2011 Respectability and The Modern Jazz Quartet; Some Cultural Aspects of Its Image and Legacy As Seen Through the Press Carla Marie Rupp CUNY City College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/74 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] 1 Respectability and The Modern Jazz Quartet: Some Cultural Aspects of Its Image and Legacy As Seen Through the Press By Carla Marie Rupp Submitted in Partial Fulfillment of the Requirements for the M.A. Degree The City College of New York Thesis Adviser, Prof. Barbara R. Hanning The Department of Music Fall Term 2010 2 CONTENTS ACKNOWLEDGMENTS 3 1. INTRODUCTION 5 2. RESPECTABILITY THROUGH DRESS 22 3. PERFECTION IN PRESENTATION 29 4. CHANGING THE VENUE FROM NIGHT CLUB TO CONCERT HALL 34 5. PROFESSIONALISM OF THE MJQ 43 6. PERSONAL CONCLUDING REMARKS 48 BIBLIOGRAPHY 54 3 Acknowledgements I would like to give a big thanks of gratitude and applause to the incredible Professor Barbara R. Hanning for being my thesis advisor! Her dedication, personal editing, attention to detail and accuracy, kindness and help were invaluable in completing this project on the MJQ. As Chair of the Music Department, she advised me on my BFA requirements in music at City College. And now--some years later with Professor Hanning's encouragement, wisdom and editing--I am thrilled to complete my M.A.
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Erroll Garner
1 The PIANO of ERROLL GARNER Solographer: Jan Evensmo Last update: June 20, 2020 2 Born: Pittsburgh, June 15, 1921 Died: Los Angeles, Jan. 2, 1977 Introduction: Erroll Garner was one of the very first jazz artists I ever heard, and I will never forget the astonishment and joy I felt when listening to “Lullaby Of Birdland”, “Caravan” and other exciting performances. He was held in high esteem in Oslo Jazz Circle already from the middle fifties. History: Brother of Linton Garner. He played professionally in the Pittsburgh area from 1938 to 1941 with Leroy Brown’s orchestra. By 1944 he had moved to New York, where he started to play in nightclubs; he served as a substitute for Art Tatum in Tatum’s trio with Tiny Grimes and Slam Stewart, remaining when it became the Slam Stewart Trio (1945). He then formed his own trio with bass and drums, a format he retained for the whole of his career when not playing as a soloist, and he quickly captured a large audience. In 1947, while working in the Los Angeles area, he recorded with Charlie Parker. In 1950s and 1960s he was one of the most frequently seen jazz musicians on television, and in 1957-8 he undertook the first of many overseas tours. He remained active until February 1975, becoming one of the most familiar figures on the jazz scene and issuing a great many recordings (ref. New Grove Dictionary of Jazz). Message: This solography is the first version of the planned result from awarding me the “Erroll Garner – Martha Glaser Archive Research Award”.
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A Film by Atticus Brady
A Film by Atticus Brady FIRST RUN FEATURES The Film Center Building 630 Ninth Ave. #1213 New York, NY 10036 (212) 243-0600 / Fax (212) 989-7649 Website: www.firstrunfeatures.com Email: [email protected] Synopisis In a triumphant career that lasted forty years Erroll Garner pushed the playability of the piano to its limits, developed an international reputation, and made an indelible mark on the jazz world. And yet, his story has never been told. Until now. Atticus Brady's new film uses an astonishing array of archival materials interwoven with interviews with friends, family, and fellow musicians, and features commentary from Woody Allen; Ahmad Jamal; Tonight Show host Steve Allen; Erroll's sister, Ruth Garner Moore; pianist and arranger Dick Hyman; Columbia Records executive George Avakian; Erroll's bass player Ernest McCarty; Erroll's biographer Jim Doran; jazz journalist John Murph; dancer/choreographer Maurice Hines; and Erroll's daughter Kim Garner, who goes on the record about her father for the first time. The film explores Erroll's childhood in Pittsburgh; his meteoric rise in popularity while playing on 52nd street, New York's famed jazz epicenter; the origins of his most famous album (Concert By The Sea) and his most famous composition (Misty); his singular, virtuosic piano style; and his dynamic personality, both on and off the stage. Praise for Erroll Garner “Erroll Garner was a giant among jazz pianists. His ability to spontaneously create great musical works at the piano while performing for an audience was legendary. His music is melodic, rhythmic, rhapsodic, and original. As a musician he was one of a kind.” - Billy Taylor, Jazz Pianist & Composer “Garner is the single most important piano stylist of the past 35 years.
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Standards and Originals - a Library Suggestion by Massimo Ciolli "Mc2"
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Title Format Released & His Orchestra South Pacific 12" 1958 Abdo
Title Format Released & His Orchestra South Pacific 12" 1958 Abdo, George & The Flames of Araby Orchestra Joy of Belly Dancing 12" 1975 Abdo, Geroge & The Flames of Araby Orchestra Art of Belly Dancing 12" 1973 Abney, Don, Jimmy Raney, Oscar Pettiford Music Minus One: A Rhythm Background Record For Any Musician Or Vocalist 12" 19NA Abrams, Muhal Richard Duet 12" 1981 Adderley, Cannonball The Cannonball Adderley Collection - Vol. 7: Cannonball in Europe 12" 1986 Somethin' Else 12" 1984 Domination 12" 1964 Cannonball Adderley Quintet In Chicago 12" 1959 African Waltz 12" 1961 Cannonball Takes Charge 12" 1959 Adderley, Cannonball Quintet Mercy, Mercy, Mercy! Live at 'The Club' 12" 19NA Ade, King Sunny Synchro System 12" 1983 Adelade Robbins Trio, Barbara Carroll Trio Lookin' for a Boy 12" 1958 Akiyosh, Toshiko-Lew Tabackin Big Band Road Time 12" 2 LPs 1976 Akiyoshi, Toshiko Lew Tabackin Big Band Tales of a Courtesan (Oirantan) 12" 1976 Albam, Manny Jazz Heritage: Jazz Greats of Our Time, Vol. 2 12" 1958 Alexander, Monty Alexander The Great 12" 1965 Facets 12" 1980 Monty Strikes Again: Monty Alexander Live In Germany 12" 1976 Duke Ellington Songbook 12" 1984 Spunky 12" 1965 Alexander, Monty & Ernest Ranglin Just Friends 12" 1981 Alexandria, Lorez The Band Swings Lorez Sings 12" 1988 Alexandria the Great 12" 1964 Lorez Sings Pres: A Tribute to Lester Young 12" 1987 For Swingers Only 12" 1963 Page 1 of 67 Title Format Released Alexandria, Lorez This Is Lorez 12" 1958 More Of The Great Lorez Alexandria 12" 1964 Allen, "Red" With Jack Teagarden And Kid Ory At Newport 12" 1982 Allen, Henry "Red" Giants Of Jazz 3 LP Box Set 1981 Ride, Red, Ride in Hi-Fi 12" 1957 Ridin' With Red 10" 1955 Allison, Mose V-8 Ford Blues 12" 1961 Back Country Suite 12" 1957 Western Man 12" 1971 Young Man Mose 12" 1958 Almeida, Laurindo with Bud Shank Brazilliance, Vol.
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