Palmer Performing

Total Page:16

File Type:pdf, Size:1020Kb

Palmer Performing Wednesday, February 6, 2019 The Commercial Review Portland, Indiana 47371 www.thecr.com $1 Palmer performing By PAULEINA BRUNNEMER The Commercial Review A musical journey that began as a toddler through listening to recordings has led Robert Palmer to not only travel the world, but to Pianist will take stage teach students at a international level about music. Friday at Arts Place Palmer will be performing a solo recital at 7:30 p.m. Friday at Arts Place as part of the Portland Center Stage Series. This will be Drawing from a musical from Ludwig van Beethoven Palmer’s third performance at career during which he has per - (Germany), Gabriel Fauré Photo provided the venue. formed on three continents, his (France), Frédéric Chopin The performance will take performance will feature four (Poland) and Franz Liszt (Hun - Pianist Robert Palmer will perform at 7:30 p.m. Friday audience members on a “musical countries. Performing on the gary). at Arts Place as part of its Portland Center Stage Series. journey,” he said. piano, he will feature pieces See Palmer page 5 Talks shift to Moscow Appeal, no yield By AMIE FERRIS-ROTMAN The Washington Post MOSCOW — Members of the Taliban and key Afghan power brokers, including former Presi - dent Hamid Karzai, dis - cussed their vision for the future of Afghanistan on Tuesday, congregating in Moscow for talks aimed at ending the war. The meeting shifted the fragile peace process from the United States, whose special envoy Zalmay Khalilzad declared a breakthrough with the Taliban just days ago, back to Moscow, which is reasserting influence in the region. But the talks, being held over two days in a hotel maintained by the Russian government, included no representatives of Presi - dent Ashraf Ghani’s gov - ernment, inviting fierce criticism from the Ameri - can-backed Afghan leader. “A peace deal with the Taliban will not be imple - mented unless there is a nationwide consensus,” Ghani said, adding that any agreements made without the Afghan gov - ernment were meaning - less. “Let hundreds of such meetings be held.” Associated Press/Carolyn Kaster This did not stop some prominent Afghan politi - President Donald Trump delivers his State of the Union address Tuesday to a joint session of Congress on Capitol cians, such as Mohammad Hill in Washington, as Vice President Mike Pence and Speaker of the House Nancy Pelosi, D-Calif., look on. Mohaqiq, deputy to the government’s chief execu - tive, from attending the intra-Afghan talks, but President calls for bipartisanship in speech, they did so in an independ - ent capacity. stands strong on his demand for border wall The large and somewhat chaotic gathering in the By JULIE PACE night for bipartisanship but outline a clear path for collabo - eroded slightly during the Russian capital was the and CATHERINE LUCEY refused to yield on the hard-line rating with Democrats who are recent government shutdown most noteworthy contact Associated Press immigration policies that have eager to block his agenda. Their and previewed a fresh defense between Afghan officials WASHINGTON — Face to face infuriated Democrats and opposition was on vivid display against Democrats as they ready and the Taliban in a num - with emboldened Democrats, forced the recent government as Democratic congresswomen a round of investigations into ber of years. It marked President Donald Trump called shutdown. He renewed his call in the audience formed a sea of every aspect of his administra - another triumph for a on Washington to cast aside for a border wall and cast illegal white in a nod to early 20th-cen - tion. Kremlin eager to boost “revenge, resistance and retribu - immigration as a threat to tury suffragettes. “If there is going to be peace sway in Afghanistan 30 tion” and end “ridiculous parti - Americans’ safety and econom - Trump is staring down a two- and legislation, there cannot be years after pulling out its san investigations” in a State of ic security. year stretch that will determine war and investigation,” he own troops in disgrace. the Union address delivered at a Trump accepted no blame for whether he is re-elected or declared. Lawmakers in the cav - President Donald Trump’s vulnerable moment for his presi - his role in cultivating the ran - leaves office in defeat. His ernous House chamber sat recent push to withdraw dency. corous atmosphere in the speech sought to shore up largely silent. U.S. troops from Trump appealed Tuesday nation’s capital, and he didn’t Republican support that had See Speech page 5 Afghanistan, long a key requirement by the Tal - iban before joining peace talks, may have accelerat - ed the process. Unlike Moscow’s land - Indiana Republicans push for ban mark peace talks with the Taliban in November, no By TOM DAVIES join North Dakota in Indiana’s GOP Legisla - tial and irreversible phys - lenge under the new members of the Russian Associated Press advancing a bill that ture have been blocked or ical impairment of a makeup of the court.” government — or any INDIANAPOLIS — would ban dilation and thrown out by federal major bodily function” to Abortion-rights groups other government — were Indiana Republicans evacuation abortions, judges since 2013, but the woman. Doing so argue that banning the at Tuesday’s meeting, eager for a rare legal vic - which the legislation activists believe they would become a felony procedure that’s frequent - although the Afghan tory in their efforts to calls “dismemberment have a new opportunity punishable by one to six ly used for second- organizers live in Moscow restrict abortion rights abortion.” for success with the addi - years in prison. trimester abortions and have ties to Russian are seeking to outlaw a Similar laws against tion of Justice Brett Mike Fichter, president wrongly interferes with authorities. second-trimester proce - the procedure are on hold Kavanaugh. of the anti-abortion private medical decisions. Underscoring the long - dure, hopeful an increas - elsewhere because of The new Indiana bill group Indiana Right to The procedure account - time conflict, the Taliban ingly conservative U.S. court challenges, and Ala - would make it illegal for Life, called such abor - ed for 27, or 0.35 percent, attacked an army base in Supreme Court will back bama officials in Decem - doctors to use instru - tions “barbaric” and said of the 7,778 abortions per - the northern city of Kun - a ban that courts have ber asked the Supreme ments such as clamps, he believed banning the formed in Indiana during duz as the Moscow talks blocked in seven other Court to consider its forceps and scissors to procedure “is the most 2017, according to an Indi - were underway, killing 26, states. appeal. remove a fetus from the aggressive legislation ana State Department of mostly soldiers and police - The GOP-dominated Four other anti-abor - womb unless there is with the highest chance Health report. men. state is expected to soon tion laws approved by “serious risk of substan - of surviving legal chal - See Ban page 5 Deaths Weather In review Coming up The high temperature Tues - State Rep. J.D. Prescott and day in Portland was 48 State Sen. Travis Holdman Thursday — Story features degrees. The low was 33. will visit Jay County for a Jay County High School grad - Rain is expected to continue Third House Session at 10 a.m. uate who will coach Friday Stuart Ronald , 91, Port - tonight with a low in the mid Feb. 23 at Community against the Patriots. land 40s. Expect more ran Thurs - Resource Center, 118 S. Merid - Carl Dillman , 77, Lafayette day with the high climbing ian St., Portland. They will Saturday — A look at the Details on page 2. into the 60s and winds gusting share updates from the cur - impact of the potential end of to 35 miles per hour. rent legislative session and block scheduling in Jay For an extended forecast, answer questions from con - Schools. see page 2. stituents. The Commercial Review Page 2 Local Wednesday, February 6, 2019 Obituaries Stuart Ronald He was married Sept. 14, tingtons, Runkles, Eggerts and Lafayette, passed away on Sun - man of Dunkirk; and a sister, 1955, to Martha Sue Whiteman, Ronalds). day, Feb. 3, 2019 at Franciscan Jeannie Hiller of Greenwood, April 12, 1927-Feb. 5, 2019 who survives. He was a lifelong He is survived by his wife of Health in Lafayette. South Carolina. Also surviving Stuart G. Ronald, age 91, of member of First Presbyterian 63 years, Martha Sue; children He was born March 9, 1941, Portland passed away Tuesday are seven grandchildren, Evelyn Mong (husband: Joe), in Portland to the late Kenneth morning, Feb. 5, Church, Portland where his Jayson Benner, Ashlie Marsell Elizabeth “Buffy” Inman and and Ella (Wentz) 2019, in Persim - father was minister from 1921 (husband: Jordan), Bradley, to 1939. He sang in choir, served Carl Ronald (Julie Swoveland), Dillman. Carl Brett and Rebecca Dillman, mon Ridge all of Portland, and Dale Ronald Healthcare. as deacon, trustee and elder, was raised on a and Ethan and Carlee Unger, as and taught Sunday School (wife: Deb) of Waynesville, farm in Jay well as five great-grandchil - He was born Ohio; sister Mary Ellen Clark of April 12, 1927, in class. County. He grad - dren, Ryker, Easton and Nox He started working for Lyons Fan Mountain, Virginia; several uated from Pen - Marsell, and Ethan and Austin Portland the nieces and nephews, including youngest of eight Construction Company in nville High Dillman. March 1958 and became manag - Susan Johnsonbaugh of Grosse School in 1959. Private graveside services children born to Pointe Farms, Michigan; eight the Rev. Hugh N. Ronald er of C&C Lumber Company He graduated will be held at a later date.
Recommended publications
  • No. Title Singer a 101 Addicted to Love Robert
    No. Title Singer A 101 Addicted To Love Robert Palmer 127 After Midnight Eric Clapton 128 Ain't No Stoppin' Us Now McFadden & Whitehead 1 All I Want Is A Life Tim McGraw 82 All Star Smash Mouth 108 All The Man That I Need Whitney Houston 91 All You Wanted Michelle Branch 40 Always Atlantic Starr 129 Amarillo By Morning George Strait 130 Amie Pure Prairie League 109 And She Was Talking Heads 2 And Still Reba McEntire 8 Anything Goes Frank Sinatra 120 Are You Happy Now Michelle Branch 68 Arthur's Theme (The Best That You..) Christopher Cross 131 At This Moment Billy Vera B 132 Bad Michael Jackson 133 Bang The Drum All Day Todd Rundgren 134 Beat Goes On, The Sonny & Cher 135 Beat It Michael Jackson 41 Behind Closed Doors Charlie Rich 136 Big Spender from "Sweet Charity" 137 Billie Jean Michael Jackson 104 Black Or White Michael Jackson 138 Black Water Doobie Brothers 139 Brandy You're a Fine Girl Looking Glass 122 Breathe Michelle Branch 7 But I Will Faith Hill C 140 Candy Man Roy Orbison 141 Can't Get Enough (of Your Love) Bad Company 142 Can't Get Enough of Your Love Babe Barry White 87 Careless Whisper Wham 124 Carried Away George Strait 11 Carrying Your Love With Me George Strait 93 Celebration Kool And The Gang 143 Chain Of Fools Aretha Franklin 61 Cherish Kool And The Gang 76 Closing Time Semisonic 60 Copperhead Road Steve Earle 144 Could It Be I'm Falling in Love? Spinners, The 98 Crazy For You Madonna D 27 Dance To The Music Sly & The Family Stone 145 December Collective Soul E 42 Embraceable You Nat King Cole 105 Endless Love Diana Ross/Lionel Richie 146 Escape (The Pina Colada Song) Rupert Holmes 43 Evergreen Barbra Streisand 147 Everybody Hurts R.E.M.
    [Show full text]
  • Robert Kenneth Wright's Copeland's Song List
    Robert Kenneth Wright’s Copeland’s Song List Song Artist Medium A Kiss to Build a Dream On Louis Armstrong Vocal A Lovely Day Bill Withers Vocal A Song for Mama Boyz II Men Vocal A Whole New World Disney Vocal Addicted to Love Robert Palmer Vocal All I Do Stevie Wonder Piano (WT) All of Me John Legend Vocal/Piano Anniversary Tony Toni Tone Vocal Ask of You Raphael Saadiq Vocal Autumn in New York Tony Bennett Vocal Autumn Leaves Matt Monro Vocal Bad Case of Loving You Robert Palmer Vocal Bad Moon Rising Creedence Clearwater Vocal Beat It Michael Jackson Vocal Before I Let Go Frankie Beverly/Maze Vocal Billie Jean Michael Jackson Vocal Blueberry Hill Fats Domino Vocal Brick House Commodores Vocal Brown Eyed Girl Van Morrison Vocal Buffalo Soldier Bob Marley Vocal Can’t Help Falling in Love Elvis Presley Vocal Can’t Let Go Anthony Hamilton Vocal Careless Whisper George Michael Vocal Cause I Love You Lenny Williams Vocal Celebration Kool and the Gang Vocal Change the World Eric Clapton Vocal Cheek to Cheek Fred Astaire Vocal Circle of Life Disney/Elton John Vocal Close the Door Teddy Pendergrass Vocal Cold Sweat James Brown Vocal Could You Be Loved Bob Marley Vocal Creepin’ Luther Vandross Vocal Dat Dere Tony Bennett Vocal Distant Lover Marvin Gaye Vocal Don’t Stop Believing Journey Vocal Don’t Want to Miss a Thing Aerosmith Vocal Don’t You Know That Luther Vandross Vocal Early in the Morning Gap Band Vocal End of the Road Boyz II Men Vocal Every Breath You Take The Police Vocal Feelin’ on Ya Booty R.
    [Show full text]
  • In the Studio: the Role of Recording Techniques in Rock Music (2006)
    21 In the Studio: The Role of Recording Techniques in Rock Music (2006) John Covach I want this record to be perfect. Meticulously perfect. Steely Dan-perfect. -Dave Grohl, commencing work on the Foo Fighters 2002 record One by One When we speak of popular music, we should speak not of songs but rather; of recordings, which are created in the studio by musicians, engineers and producers who aim not only to capture good performances, but more, to create aesthetic objects. (Zak 200 I, xvi-xvii) In this "interlude" Jon Covach, Professor of Music at the Eastman School of Music, provides a clear introduction to the basic elements of recorded sound: ambience, which includes reverb and echo; equalization; and stereo placement He also describes a particularly useful means of visualizing and analyzing recordings. The student might begin by becoming sensitive to the three dimensions of height (frequency range), width (stereo placement) and depth (ambience), and from there go on to con­ sider other special effects. One way to analyze the music, then, is to work backward from the final product, to listen carefully and imagine how it was created by the engineer and producer. To illustrate this process, Covach provides analyses .of two songs created by famous producers in different eras: Steely Dan's "Josie" and Phil Spector's "Da Doo Ron Ron:' Records, tapes, and CDs are central to the history of rock music, and since the mid 1990s, digital downloading and file sharing have also become significant factors in how music gets from the artists to listeners. Live performance is also important, and some groups-such as the Grateful Dead, the Allman Brothers Band, and more recently Phish and Widespread Panic-have been more oriented toward performances that change from night to night than with authoritative versions of tunes that are produced in a recording studio.
    [Show full text]
  • Runnin' Late Song Inventory - Page 1 of 3 Ordered by Band - a Live Document to Be Updated Regularly - 11/29/2014
    Runnin' Late Song Inventory - Page 1 of 3 Ordered by Band - A live document to be updated regularly - 11/29/2014 1. Respect ....................... Aretha Frankin’ 23. Rain King .....................Counting Crows 2. Pick Up The Pieces ........Average White Band 24. What Would You Say ...........Dave Matthews 3. Love Shack .............................B52’s 25. Too Much .....................Dave Matthews 4. Got to Get You Into My Life .............Beatles 26. Young Americans .................David Bowie 5. Only The Good Die Young ............. Billy Joel 27. Your A Mean One, Mr. Grinch ......... Dr. Seuss 6. You May be Right .................... Billy Joel 28. Lyin’ Eyes ..............................Eagles 7. Soul Man ..........................Blues Bros. 29. Take It Easy. .Eagles 8. Sweet Home Chicago ...........Blues Brothers 30. Santa Baby .........................Eartha Kitt 9. Lido Shuffle ......................Bozz Scaggs 31. I Believe in Father Christmas ............... ELP 10. Spirits in the Night ...........Bruce Springsteen 32. I Drink Alone ...............George Thorogood 11. Born To Run ................Bruce Springsteen 33. Bertha ......................... Grateful Dead 12. Tenth Avenue Freeze Out ....Bruce Springsteen 34. Hold My Hand ........... Hootie & the Blowfish 13. Rosalita ....................Bruce Springsteen 35. Doctor My Eyes. .Jackson Brown 14. Evil Ways ......................Carlos Santana 36. Margaretaville ....................Jimmy Buffet 15. Wild World ........................Cat Stevens 37. Feelin’ Alright
    [Show full text]
  • Electric Mud (1968), Es Una Mezcla De Rock Con Blues Y Psicodelia…
    Número 15 www.culturablues.com Contenido PORTADA Derek Trucks (1) Foto: http://www.derektrucks.com/ 1 CONTENIDO (2) 2 EDITORIAL (3) 3 TIEMPO DE BLUES… DE AYER Y HOY Aquí Empieza la fila… (4) 4 BLUES EN CD… MÉXICO (2) 6 EL ESCAPE DEL CONVICTO Cómo recorrer las profundidades del Deep Blues (5) 7 MENTES EN CONSTRUCCIÓN Barracuda 67 (No One Like You) (6) 11 MIRA GESTORUM III La poesía y el blues (7) 14 BLUES A LA CARTA Derek Trucks: Guitarrista del año - 36 discos favoritos de blues & rock. Parte III (2) 16 MÉXICO CITY BLUES Medio siglo y seguimos rodando: 50 años de los Rolling Stones (8) 20 UNA FINA MUESTRA DEL BLUES HECHO EN MÉXICO HUELLA AZUL Yo Soy el Blues: Luis Díaz de Zacatecas, México (2 y 9) 24 GRADUACIÓN DE ALUMNOS DEL TALLER DE ARMÓNICA Serpiente Elástica y alumnos (2) 27 CULTURA BLUES EN LOS ALEBRIJES Moctezuma Power y Radio Blues (2) 30 EL BLUES LOS HACE Y ELLOS SE JUNTAN Sirena Blues y Zamhertime. Fotos: Araceli González Carrillo 31 BLUES EN EL ANTIGUO PALACIO DEL AYUNTAMIENTO Omniblues. Foto cortesía: Juan Ávila 32 BLUES EN RADIO E INTERNET (2) 33 CARTELERA 34 ANTOLOGÍAS Y CRÓNICAS DE BLUES El costo de las mejores notas: Robert Johnson (10) 36 DESDE ESPAÑA UNA EXPERIENCIA Hard Time Blues. Primera parte (11) 40 EL BLUES Y LA PALABRA I can't quit you, baby. De más amor y de amor más. (12) 46 SEMBLANZAS “Nothin´ but the blues” (13) 48 101 GRANDES CANCIONES DE BLUES EN ESPAÑOL. Parte XII y última (2) 50 NUEVO SUPLEMENTO ESPECIAL Primera Exposición Fotográfica Pozos Blues: Parte I (2) 52 Cultura Blues.
    [Show full text]
  • PRESS RELEASE May 2014
    STELLA BASS Dubliner Stella Bass studied singing and piano accordion from a young age. Following a spectacularly non-rebellious and well-behaved youth in which jettisoning piano accordion studies in favour of completing a degree in Computer Science in University College Dublin was the highlight, Stella later took up the piano, taking singing and piano exams at the RIAM in Dublin and is currently studying for a Masters Degree in Jazz Performance. Studying is one thing, but music is best honed through performance. Many years of singing in musicals, bands (her first one being a rock covers band!) and cabarets helped her finely-tune her craft; running parallel to this was a successful career in marketing and public relations. Combining study and on- the-job gigging has generated a versatile repertoire crossing over jazz, classical and musical theatre; having long since abandoned the corporate world for music, Stella is still most at home singing her beloved jazz standards, inspired by her big influences, Ella Fitzgerald and Barbra Streisand. In 2014, Stella released her first album “Too Darn Hot" - featuring songs from Cole Porter (the title track) and Jerome Kern as well as newly-arranged songs by Amy Winehouse and Robert Palmer – to critical acclaim; indeed, upon hearing Stella's album cover of her daughter's song Back to Black, Amy Winehouse’s mother got in touch with Stella directly to say how much she loved the version, and indeed that Stella's album was being played non-stop in her house! The album gets regular radio airplay on the national airwaves in Ireland – it was Album of the Week on Lyric FM, part of Ireland's national channel RTE on its release - and is now starting to make waves on jazz stations in the UK, the USA, Germany and Switzerland.
    [Show full text]
  • Signature Sounds Available
    Guitar Pro 7: Signature Sounds available STEEL GUITAR America A Horse with no Name America Apologies All Apologies Nirvana Babe Babe I'm Gonna Leave You Led Zeppelin Blue Eyes Behind Blue Eyes Limp Bizkit Bron Bron Yr Aur Led Zeppelin California California Joni Mitchell Cat Father and Son Cat Stevens Clap The Clap Yes Cross Road Cross Road Blues Robert Johnson Drake Road Road Nick Drake Dreamin California Dreamin' The Mamas and the Papas Drive Drive Incubus Dylan Bob Dylan Extreme More Than Words Extreme Fade Fade to Black Metallica Fans Fans Kings of Leon Frizz Moon River Bill Frisell Gently While My Guitar Gently Weeps The Beatles Goodbye Last Goodbye Jeff Buckley Greensleeves Greensleeves Jeff Beck Harper Sexuel Healing Ben Harper Jessica Jessica The Allman Bothers Band Joni A Case of You Joni Mitchell Life 18 and Life Skid Row Long Train Long Train Running The Doobie Brothers Mainstreet Mainstreet Breakdown Chet Atkins My Mind Where Is My Mind The Pixies 1 No Rain No Rain Blind Melon November November Rain Guns 'N Roses Old Man Old Man Neil Young Overnight Overnight Bag Rory Gallagher Pinball Pinball Wizard The Who Presence Dear God Avenged Sevenfold Redemption Redemption Song Bob Marley Revolution Talkin 'Bout a Revolution Tracy Chapman Road Road Nick Drake September Ends Wake Me Up When September Ends Green Day Sixteen Tons Sixteen Tons Merle Travis Sky Eye Eye in the Sky Alan Pasons Project Sleep The Sleep Pantera Stairway Stairway to Heaven Led Zeppelin Stomp Bron-Y-Aur Stomp Led Zeppelin Summer All Summer Long Kid Rock Theater
    [Show full text]
  • Selling the Blues at Fat Possum Records
    University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2018 The Same Old Blues Crap: Selling The Blues At Fat Possum Records Jacqueline Sahagian University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the Ethnomusicology Commons Recommended Citation Sahagian, Jacqueline, "The Same Old Blues Crap: Selling The Blues At Fat Possum Records" (2018). Electronic Theses and Dissertations. 886. https://egrove.olemiss.edu/etd/886 This Dissertation is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. THE SAME OLD BLUES CRAP: SELLING THE BLUES AT FAT POSSUM RECORDS A Thesis presented in partial fulfillment of requirements for the Master of Arts in Southern Studies The University of Mississippi JACQUI SAHAGIAN MAY 2018 Copyright © 2018 by Jacqui Sahagian All rights reserved ABSTRACT This thesis interrogates the marketing strategies of the Oxford, Mississippi-based record label Fat Possum, which was founded in the early 1990s by Matthew Johnson with the goal of recording obscure hill country blues artists. Fat Possum gained recognition for its raw-sounding recordings of bluesmen, including R.L. Burnside, Junior Kimbrough, Cedell Davis, and T-Model Ford, as well as its irreverent marketing techniques. Adopting the tagline “not the same old blues crap,” Fat Possum asserted that its blues were both different from and superior to all other blues music. This thesis argues that while Fat Possum claimed to be a disruptive force in the blues world, the label actually repeated marketing strategies that have been used to sell the blues since the genre was first sold during the 1920s race records era.
    [Show full text]
  • Rock Script 1/29
    Rock Around the Clock! 100 Years of Rock n’ Roll History! ! ! ! ! CAST:! CAST:! CAST:! ! Lana! Duke Ellington Diana Ross! ! Ria! Robert Johnson! Buddy Holly! ! Friend 1! Ray Charles! The Big Bopper! ! Friend 2! Beatles:! Ritchie Valens! ! (Teacher/ Class)! John, Paul, George, (Hippies)! ! Elvis Presley*! Ringo! Hippie #1! ! (Prisoners)! Chuck Berry! Hippie #2! ! Lead Prisoner 1&2! Little Richard! Joey Ramone! ! Lead Belly! Wanda Jackson! Tommy Ramone! ! Jimmie Rodgers! Bill Haley! ! ! Trixie Smith! The Coasters (4)! Stage Manager! ! Robert Palmer*! Fats Domino Curtain Engineer ! ! SET:! • 2-4 Pedestals for statues! • Standing Arch with big sign [ROCK n’ ROLL MUSEUM] with working door/ OPEN/CLOSED sign.! !• Risers! ! ! ACT ONE - SCENE ONE - INTRO! Class and teacher are at the last exhibit of the ROCK AND ROLL MUSEUM. As the teacher is lining !the kids up to leave she takes a head count. After she counts the last student! [CURTAIN]! Music starts and curtain opens: I LOVE ROCK AND ROLL! Students roam around the stage chatting and looking at an Elvis statue on a pedestal. ! TEACHER: ! [The second the music stops -shouting] C’mon class! We need to shake a leg or we will miss the bus!! Teacher leads the class towards the exit.! TEACHER: !Alright students, partner up -PARTNER-UP!! Students start lining up and joining their partners, teacher assists. Students and teacher’s backs are to the statue! ELVIS !! [statue sings and thrusts his pelvis] [Sung] Well it’s one for the money! No one notices but LANA! LANA:! [nudges his/her friend] Hey! Did you see that?! RIA: ! See what? You’re so weird, just listen to the teacher will you?!! ELVIS: ! [Sung and moves to the beat] Two for the show!! Still, no one notices.
    [Show full text]
  • Hot Sardines and Jason Moran Celebrates Fats Waller at the Paramount Theatre in Oakland Saturday, March 11
    CONTACT: Jeanette Peach Cal Performances Jean Shirk (510) 642-9121 (510) 332-4195 [email protected] [email protected] FOR IMMEDIATE RELEASE: January 25, 2017 **updated on 2/21, in red Press Room Images of Hot Sardines and Jason Moran are available for download from the Cal Performances press room ADDED SHOW! CAL PERFORMANCES AT UC BERKELEY PRESENTS HOT SARDINES AND JASON MORAN CELEBRATES FATS WALLER AT THE PARAMOUNT THEATRE IN OAKLAND SATURDAY, MARCH 11 Berkeley, January 25, 2017 — Cal Performances presents The Hot Sardines and Jason Moran Celebrates Fats Waller in a specially paired double bill of 1920s-inspired vintage jazz dance bands at Oakland’s historic Deco masterpiece, the Paramount Theatre, on Saturday, March 11 at 8pm. The concert with the Hot Sardines, one of New York City’s most popular “hot jazz” groups, and Jason Moran Celebrates Fats Waller, featuring the relentlessly creative pianist and musical explorer Jason Moran, marks the first time audiences have the opportunity to enjoy the two bands together on the same bill. Cal Performances / Hot Sardines and Jason Moran Celebrates Fats Waller, page 2 About Hot Sardines Formed by bandleader Evan “Bibs” Palazzo and lead singer “Miz Elizabeth” Bougerol, who began playing open mic nights and small gigs together, the Hot Sardines count Dinah Washington, Louis Armstrong, Ella Fitzgerald and Billie Holiday among their myriad influences. Their music echoes the joy and pizzazz of Parisian cabaret-style songs, the early jazz of New Orleans, gypsy jazz and swing, and the irresistibly danceable speakeasy sounds of the Roaring 20s. Elizabeth Bougerol, a London School of Economics-educated travel writer who grew up in France, Canada and the Ivory Coast, and Palazzo, a New York City-born and -raised actor who studied theater at the University of the Arts in Philadelphia, bonded over their love for Fats Waller.
    [Show full text]
  • Grunge and Blues, a Sociological Comparison: How Space and Place Influence the Development and Spread of Regional Musical Styles
    Grunge and Blues, A Sociological Comparison: How Space and Place Influence the Development and Spread of Regional Musical Styles Tara Talley Introduction In the early 1990’s, a new type of rock music exploded onto the popular music scene in America. Labeled “grunge” by the media, this new sound was seemingly an overnight hit with America’s youth. The rise of grunge may seem extraordinary and unique to many who experienced it. However, the birth and spread of grunge was not a new phenomenon. Other types of popular American music have come about in a similar fashion. One example is the rise of the Delta blues in the first decades of the 20th century. The genesis and spread of both Delta blues and grunge have several important details in common. First, the birth of both types of music can be understood using the sociological idea of historical contingency; moreover, Delta blues and grunge were influenced by similar contingencies. Second, both went from being strictly regional music to attaining national popularity through essentially identical marketing strategies. Large music corporations marketed Delta blues, to both blacks and whites, as a more authentic representation of the black experience, taking full advantage of the recording and home entertainment technology of the time. Seven decades later, grunge became a national phenomenon via this same strategy, marketing grunge as the “authentic” music of America’s dissatisfied white youth, and exploiting the current music technology, especially MTV. Third, both Delta blues and grunge foster a sense of social solidarity in fans. This paper investigates the social processes that create and spread unique musical forms.
    [Show full text]
  • Keith Richards © Felix Aeppli 03-2020 / 08-2021
    Not Guilty Keith Richards © Felix Aeppli 03-2020 / 08-2021 3001 December 18, 1943 Born in Dartford, Kent: Keith Richards. 3002 Early 60’s School gigs, Eltham, S.E. London, and Sidcup Art College, Kent: Country and western band (not recorded) KR, Michael Ross: vocals, guitar. 3003 Late 1961 Bob Beckwith’s home, Bexleyheath, near Dartford, and/or Dick Taylor’s home, Dartford, Kent: LITTLE BOY BLUE AND THE BLUE BOYS, SOME OLD SONGS (Download EP, Promotone/iTunes, May 27, 2013: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES FILES 1961-1964 (BT CD: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES, REELIN’ & ROCKIN’ (BT CD: cuts 1-5 [all incomplete]); DOWN THE ROAD APIECE (STONES TOURING HISTORY VOL. 1) (BT CD: cuts 1, 9 [1 longer, but still incomplete]); HOW BRITAIN GOT THE BLUES (BT CD: cuts 2, 3, 6, 8); BILL WYMAN’S BLACK BOX (BT CD [VGP]: cuts 2, 3, 6, 8); GENUINE BLACK BOX (BT CD box set [Disc 1]: cuts 5, 11-13); REEL TIME TRIP (BT CD: cut 7): 1. Around And Around, 2. Little Queenie, 3. Beautiful Delilah (all Berry), 4. La Bamba (Trad. arr. Valens), 5. Go On To School (Reed) [not Wee Baby Blues (Turner, Johnson)], 6. I Ain’t Got You (Arnold), 7. I’m Left, You’re Right, She’s Gone (Kesler, Taylor), 8. Down The Road Apiece (Raye), 9. Don’t Stay Out All Night (Arnold), 10. I Ain’t Got You (Arnold), 11.
    [Show full text]